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With the high-quality and durable MO-4P B4 PL Mount Lens Adapter for the Canon C700 Camera, you can seamlessly bridge the gap between your Canon EOS camera and PL mount lenses. This compact and versatile adapter is specifically engineered to convert your Canon EOS camera lens to a PL mount, expanding your photographic possibilities by enabling the use of a wide range of film or digital cameras that support a PL mount. Designed with precision, this adapter ensures compatibility with the Canon EOS C700 camera, but its versatility doesn't stop there. It can also be utilized with a variety of other cameras equipped with a PL mount, making it a valuable addition to any photographer's toolkit. Affordably priced yet delivering exceptional performance, the MO-4P B4 PL Mount Lens Adapter for the Canon C700 Camera is a testament to Canon's commitment to providing innovative solutions that enhance your photography experience. Whether you're a professional photographer or an enthusiast, this adapter is designed to meet your needs, offering you the flexibility to use your preferred PL mount lenses with your Canon EOS camera.

Take your filmmaking to the next level with the NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit. This comprehensive 8-lens kit (14mm T2.4, 18mm T2.2, 25mm T1.9, 35mm T1.9, 40mm T1.9, 50mm T1.9, 85mm T1.9, 135mm T2.2) is designed to offer full-frame coverage and beyond, with a 46mm imaging circle that caters to a diverse range of shooting needs. Each lens in this master kit is meticulously engineered to deliver superior micro-contrast control and minimal chromatic aberration, ensuring every frame captures unmatched image quality and fine detail. The large apertures, ranging from T1.9 to T2.4, work in harmony with the soft bokeh to enhance the depth and emotional resonance of your narrative. The ATHENA PRIME range is designed to minimize focus breathing, providing a consistent field of view when adjusting focus. This feature is crucial for maintaining the integrity of your visual storytelling, ensuring smooth, distraction-free transitions that keep your audience engaged. The complete set boasts matched iris and focus ring placements consistent with the Athena range, ensuring a smooth and efficient operation, particularly valuable in dynamic shooting scenarios. The Athena Prime PL mount is equipped with a rear filter mount, offering filmmakers enhanced flexibility and creative control. The uniform weight and dimensions of the NiSi ATHENA PRIME lenses (with the exception of the 135mm lens), negate the need for gimbal rebalancing when changing lenses, thereby saving valuable time on set. The lenses come with a 77mm filter thread (excluding the 14mm) and matching aperture and focus rings across the range, simplifying the use of lens accessories. The focus ring, offering 300 Degree of rotation with fluorescent focal scales, allows for precise focus pulls, essential for achieving sharp, dynamic shots. The NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit is not just a set of lenses; it's a complete filmmaking solution offering unparalleled image quality, flexibility, and creative freedom. Encased in a durable hard case for maximum protection and portability, this kit ensures you have everything you need to bring your cinematic vision to life. With the NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit, your creative possibilities are endless, and quality is never compromised.

The 14mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while Minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.

The 100mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while Minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.

Become a master of cinematic storytelling with the Vespid Prime 35mm T2.1 Cinema Lens for PL & EF Mount. This lens is designed to capture beyond full frame (46.5mm), offering a compact and portable solution that's ideal for documentary shooting. Like its namesake, the Vespid, it's nimble and agile, ready to meet a variety of shooting conditions with ease.The Vespid Prime 35mm T2.1 lens is swift and vigorous, capable of satisfying different shooting conditions, whether used as a single unit or as part of a group. Its consistent gear design eliminates the need to change gear motors when switching lenses, making it a reliable partner for your filming needs.Experience the negligible breathing effect of this lens, which helps create immersive scenes. Its neutral color and fine, soft skin rendering faithfully represent the actual image, making it a perfect companion for both A-roll and B-roll footage.The Vespid Prime lens features an organic APO design that offers gentle sharpness and vivid clarity. Its appropriate sharpness generates a cinematic feeling while expressing organic look and fine details. In accordance with the standard of APO, the Vespid Prime optimizes chromatic aberration one by one.Enjoy the pleasing round bokeh created by the 16-blade diaphragm design. This lens achieves a natural and soft bokeh, composing organic and emotional images with an aesthetic transition during focus falling off.The Vespid Prime 35mm T2.1 lens strikes a balance between modern and slightly vintage aesthetics, offering consistent performance and a solid construction that keeps it functioning even under diverse environments.Designed for the new era of motion pictures, the Vespid Prime is perfect for indie filmmakers, offering perfect aberration correction with no obvious sharp edge or bright spot. Its creative magnetic rear elements ND feature a consistent T2.1-T22 in all focal lengths, and a detachable rear ND filter that controls exposure while maintaining a shallow depth of field.Break the rules with the Vespid Prime's DIY features. This time, you decide the bokeh. The lens offers an interchangeable mount for PL or EF Mount, and can also be converted to L/X/E/RF mount via the DZOFILM Octopus Adapter.

The Sigma 18-35mm T2 Cine Lens, PL Fit with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

The Sigma 18-35mm T2 Cine Lens, PL Fit with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

Though designed for the PMW-F3, PMW-F5, PMW-F55 (not included) these lenses could also be useful for any PL mount camera / camcorder such as Red and Arri

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

Though designed for the PMW-F3, PMW-F5, PMW-F55 (not included) these lenses could also be useful for any PL mount camera / camcorder such as Red and Arri

The Cinema 50-135mm T3.0 with PL Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and a has constant T3.0 maximum aperture over the entire zoom range.

Sony SCL-P50T20 50mm/T2.0. Focal length 50mm. Iris Manual, T2.0 to C (close). Focus Manual, 0.5mm to 8mm. Filter diameter 95mm. Lens Mount PL mount.

The Rheem Performance 40 Gal. Natural Gas Tall Water Heater comes with a 40,000 BTU/hour environmentally friendly Low NOx burner that provides ample hot water for households with 2-people to 4-people. The push button ignition system ensures safe and easy startup. Its maintenance free combustion air intake system means there are no filters to clean and replace. The self-diagnostic gas control valve monitors system performance. A premium grade anode rod provides long-lasting tank protection. Factory installed Top mounted temperature and pressure relief valve and 3/4 in. water connections are included with the water heater for easy installation.