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The secret life of the sensational woman behind the Morgan masterpieces, who lit up New York society. What would you give up to achieve your dream? When J. P. Morgan hired Belle da Costa Greene in 1905 to organize his rare book and manuscript collection, she had only her personality and a few years of experience to recommend her. Ten years later, she had shaped the famous Pierpont Morgan Library collection and was a proto-celebrity in New York and the art world, renowned for her self-made expertise, her acerbic wit, and her flirtatious relationships. Born to a family of free people of color, Greene changed her name and invented a Portuguese grandmother to enter white society. In her new world, she dined both at the tables of the highest society and with bohemian artists and activists. She also engaged in a decades-long affair with art critic Bernard Berenson. Greene is pure fascination―the buyer of illuminated manuscripts who attracted others to her like moths to a flame.

Editeurs Berg International, 1983, 299pp, Tapa Blanda, Firma Del Anterior Propietario, Por Lo Demás Muy Buen Estado//// Nota de La Librería: Si No Se Especifica En La Descripción Anterior, Los Libros No Tienen Subrayados, Anotaciones, Firmas O Defectos Reseñables. Atención: El Envío Gratuito Es Ordinario Sin Número de Seguimiento, Y Puede Sufrir Retrasos de Varios Días. Le Dejarán Un Aviso En El Buzón Para La Recogida En Oficina. Prioritario/certificado Con Entrega a Domicilio Por Solo 2,90 Euros. As2106

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.55

The secret life of the sensational woman behind the Morgan masterpieces, who lit up New York society. What would you give up to achieve your dream? When J. P. Morgan hired Belle da Costa Greene in 1905 to organize his rare book and manuscript collection, she had only her personality and a few years of experience to recommend her. Ten years later, she had shaped the famous Pierpont Morgan Library collection and was a proto-celebrity in New York and the art world, renowned for her self-made expertise, her acerbic wit, and her flirtatious relationships. Born to a family of free people of color, Greene changed her name and invented a Portuguese grandmother to enter white society. In her new world, she dined both at the tables of the highest society and with bohemian artists and activists. She also engaged in a decades-long affair with art critic Bernard Berenson. Greene is pure fascination―the buyer of illuminated manuscripts who attracted others to her like moths to a flame.

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NUOVO / NEW. Edizione bilingue italiano-inglese / Italian-English edition. Volume realizzato da Silvana Editoriale per Costa Crociere - Volume cartonato con sovraccoperta editoriale figurata a colori, custodia protettiva in cartoncino muto, 120 pagine profusamente illustrate con 150 fotografie in bicromia. Opera in condizioni di nuovo / Brand new.

Albert Da Costa Albert da Costa - CD 717281897402

Limited vinyl LP-only repressing of this 1978 album from the legendary Brazilian musician. Tom Z? began his career together with Caetano Veloso, Gilberto Gil, Gal Costa, and Maria Beth?nia. As a composer, he influenced Caetano and many others and delivered an expressive body of work through his own discography. A restless thinker, he was adept at modern erudite music experimentations, yet he was always ignored by both industry and audiences until he was discovered by David Byrne. He can be bette

Júnia Ferreira Furtado offers a fascinating study of the world of a freed woman of color in a small Brazilian town where itinerant merchants, former slaves, Portuguese administrators, and concubines interact across social and cultural lines. The child of an African slave from the Costa da Mina and a Brazilian military nobleman of Portuguese descent, Chica da Silva won her freedom using social and matrimonial strategies. But the story of Chica da Silva is not merely the personal history of a woman, or the social history of a colonial Brazilian town. Rather, it provides a historical perspective on a woman's agency, the cultural universe she inhabited, and the myths that were created around her in subsequent centuries, as Chica de Silva came to symbolize both an example of racial democracy and the stereotype of licentiousness and sensuality always attributed to the black or mulatta female in the Brazilian popular imagination.

Assault on Paradise vividly depicts the Conquistadores and the Church invading Central America, impoverishing one world to enrich another. In a fast-paced, bawdy, swashbuckling adventure in Central America of the early 1700s, Costa Rican novelist Tatiana Lobo lays bare the dark legacy of the Conquistadores and the Church. Through the central picaresque story of Pedro Albaran, Lobo dramatizes the intrigues of politicians and the Inquisition and the bloody battles between the native people and the invaders, while simultaneously presenting a reverent poetic recreation of indigenous cosmogony and mystical values which the natives seek to use to drive out the invaders.

- Hometown: Edmonton, AB- Follow-up to 2013's Making Love EP- Recorded at Gary's Electric studio and produced by Jorge Elbrecht (Ariel Pink's Haunted Graffitti, Lansing-Dreiden) - Album features members of Haunted Graffiti, James Richardson of MGMT and Regal Degal's Josh da Costa - RIYL: Orange Juice, Nick Lowe, Cass McCombs.

The night of August 17, 1823 saw the start of one of the most massive slave rebellions in the history of the Western Hemisphere, the uprising in the British colony of Demerara (now Guyana), in which nearly twelve thousand slaves took up arms against their masters. In Crowns of Glory, Emilia Viotti da Costa tells the riveting story of this pivotal moment in the history of slavery. Studying the complaints brought by slaves to the office of the Protector of Slaves, she reconstructs the experience of slavery through the eyes of the Demerara slaves themselves. Da Costa also draws on eyewitness accounts, official records, and private journals (most notably the diary of John Smith, one of four ministers sent by the London Missionary Society to convert Demerara's "heathen"), to paint a vivid portrait of a society in transition, shaken to its foundations by the recent revolutions in America, France, and Haiti. Casting new light on the nuances of racial relations in the colonies, the inevitable clash between the missionaries' message of Christian brotherhood and a social order based on masters and slaves, and the larger historical forces that were profoundly eroding the institution of slavery itself, Crowns of Glory is an original and unforgettable book.

Brown, Clive / Costa, Neal Peres Da / Wadsworth, Kate Bennett Performing Practices in Johannes Brahms' Chamber Music Details Edition no.:BA 9600 ISMN:9790006560004 Language(s) of text:English, German Product format:Book Binding:Stapled Pages / Format:70 S. - 31,0 x 24,0 cm Bärenreiter's pioneering scholarly-critical editions of Brahms' works for one instrument and piano (BA 9429, BA 9430, BA 9431, BA 9432, BA 9433, BA 10911, BA 10908, BA 10907, BA 10906) are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers. An integral part of Bärenreiter's Brahms publication complex is this text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.

Author Israel Zangwill best typifed the comic spirit of London's Jewish ghetto by immortalizing the schnorrer (beggar) — in particular, the character of Manasseh Bueno Barzillai Azevedo da Costa, a Sephardic panhandler who developed begging into a fine art. The robust and often hilarious tale tells how Manasseh combines insolence with resourcefulness to reduce London's best-known philanthropist to a fish handler; how he reacts to his daughter's love for a socially inferior beggar; and how he manages to parlay her marriage into a life-time pension for himself from his synagogue. Brimming with wit and wisdom and widely regarded as one of the author's most enduring works, The King of Schnorrers is a literary gem offering hours of entertaining humor and satire.

Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Saëns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.

Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Saëns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.

Compact Disc. Over one million copies sold!The Instant New York Times Bestseller! A Good Morning America* Book Club Pick!Named a Best Book of the Year by NPR! Named a Notable Book of the Year by the Washington Post!Historical fiction at its best!*A remarkable novel about J. P. Morgans personal librarian, Belle da Costa Greene, the Black American woman who was forced to hide her true identity and pass as white in order to leave a lasting legacy that enriched our nation, from New York Times bestselling authors Marie Benedict and Victoria Christopher Murray.In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture in New York City society and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps create a world-class collection.But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belles complexion isnt dark because of her alleged Portuguese heritage that lets her pass as whiteher complexion is dark because she is African American.The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths she must go tofor the protection of her family and her legacyto preserve her carefully crafted white identity in the racist world in which she lives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

The Truth Vol.2 is again a collaboration with producer Steve Harvey and features an all star line up of musicians including Bobby Watson/Tony Maiden (ex-Rufus), Harvey Mason, Billy Preston, Paulinho Da Costa, Freddie Washington and the Seawind horns. Together with new work, the album (due to demand) includes songs previously only to be found as demos on an illegal bootleg known as 'The Motown Sessions'. Now fully produced and mastered, this glorious album is a huge release for 2006 and one of

On their latest release, James, Red Molly delivers an eclectic, exciting mix of cover songs by well-known writers (Nanci Griffith, Steve Goodman, Bob Wills, Darrell Scott, etc.), originals, and songs by up-and-coming writers (Jonathan Byrd, Anthony da Costa). The 'Mollies' opted to self-produce this album, with talented engineer Mark Dann at the reins. Recording with a drummer (Ben Wittman) for the first time, but keeping the Red Molly signature sound, the ladies delve into some darker materia