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Unread book in perfect condition.

Kartoniert. Gut erhalten. Mit Widmung von Klaus Mönig. Sprache: Deutsch Gewicht in Gramm: 1

239 Seiten Abbildungen, guter bis sehr guter Zustand Sprache: Deutsch Gewicht in Gramm: 1100

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Die Wandmalereien und Mosaiken des Byzantinischen Reiches sind hier bisher nur unzureichend bekannt. Anlaesslich des Marburger Symposiums entstand dieser Band, der verschiedene Aspekte der byzantinischen Malerei vorstellt.Aus dem Byzantinischen Reich .

Neuware - In der Publikation soll anhand ausgewählter fotografischer Arbeiten veranschaulicht werden, welchen Einfluss die Malerei auf die Bildproduktion der zeitgenössischen Fotokunst nimmt. Während die Malerei in den 1960er-Jahren unter dem Druck der Dokumentarfotografie und deren Verbreitung durch die Massenmedien neue Kategorien für sich entwickelt, ist in der zeitge nössischen Fotografie eine starke Auseinandersetzung mit den Bedingungen der Malerei zu beobachten. Fotografie reflektiert, imitiert, appropriiert oder repräsentiert immer wieder das traditionelle Bildmedium. Ausgehend von der eigenen Sammlung präsentiert das Frankfurter Städel Museum Künstlerinnen wie Sherrie Levine und Louise Lawler, die sich ab Ende der 1970er-Jahre Originale der Kunstgeschichte in ihren Fotografien aneignen, bis hin zu jungen Positionen wie Amelie von Wulffen, die ihre fotografierten Stadtansichten malerisch bearbeitet, oder Wolfgang Tillmans abstrakte Arbeiten, die in keinem Abbildverhältnis zur sichtbaren Welt stehen. Weitere Werke von Künstlern wie u. a. John Baldessari und Jeff Wall werden in der Ausstellung zu sehen sein.

New Book. Shipped from UK. Established seller since 2000.

Illustrated in color and black & white. Text in German. 308 pages. 8vo. Hardcover, in a dust jacket. Fine/Very Good.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

The young Leipzig painter Matthias Weischer, born in 1973, depicts suburban interiors that can appear at once pleasantly furnished and ominously vacated. Abstract patterns in wallpaper or carpet suggest households that have been lovingly attended to, but Weischer invests this decor with an oddly noisy insistence, so that its sheer "effect" invades any space a human presence might occupy. Often an entire ceiling or a part of a wall is omitted, so that Weischer's homes quickly come to seem absurdly staged, like sets that are wholly indifferent to habitation. Subtle perspectival collisions and a frequently clinical treatment of light compound these atmospheres of banal anxiety, and Weischer's impasto paint application further intensifies the claustrophobic pressure--even while imparting his evident enjoyment in detailing ornamental effect. The artist's conceptual preoccupations are consistent, but the emotional nuances of his paintings vary greatly. With over 200 color plates, this is an impressive catalogue raisonne for one of the Leipzig School's most promising stars.

Zust: Gutes Exemplar. 160 Seiten, mit Abbildungen, Deutsch 1320g

Drops, waves, snow and reflections: Water is an element that constantly takes on new forms and creates a wide variety of optical effects. It became a subject in its own right in art in the nineteenth century. This richly illustrated publication shows how water as a subject continues to fascinate painters and photographers to this day.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Z : 80 Seiten, 63 Abb. 24,50 x 30,60 cm - Die Publikation versammelt alle Gemälde von Corinne Wasmuht aus den Jahren 1990 bis 2003. Erkennbar wird das schon jetzt komplexe und umfangreiche Werk einer noch jungen Künstlerin, deren großformatige Gemälde in den wichtigsten Malereiausstellungen der letzten Zeit besondere Aufmerksamkeit erregt haben.

Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.

Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present.

Edition not stated 1994. German language. Published by Taschen. Large softcover without DJ as issued. Condition new, square tight and crisp book, no edgewear, corners not bumped, spine not creased, no markings of any kind, no names, no underlinings, no highlights, no bent page corners, Not a reminder. Folio, 220 pages, illustrated throughout. Large and heavy book will require additional postage for international orders

No D/J issued. B & W Photographs throughout. 23 x 16 cm. 279 pp. Minor chip cnr back cover only. Scarce

Zust: Gutes Exemplar. Mit altersentsprechenden Lagerungs-/Gebrauchsspuren. Mit original Schutzumschlag. 240 S., mit zahlreichen Abbildungen, Deutsch 1750g