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20 x 24 Grand Comet of 1882 (also known as Gran cometa de 1882) was painted by Jose Maria Velasco. These landscape paintings by Velasco are what created the foundation of the regions 19th century school of landscapes. Today the original is in the Museo Nacional de Arte but we have recreated this breathtaking image with the same brush strokes. Perfect for any art collection. Frame Description Studio Black Wood Frame. Color: Lt/Pastel Blue.

TESTED!!!GOOD CONDITION SOME LIGHT SCRATCHES NORMAL AGING. FULLY FUNCTIONAL. ALL OUR USED GEAR IS CAREFULLY TESTED AND HAVE A MINIMUM OF 12 MONTH...

In the early 1870s, Hubert H. Bancroft and his assistants set out to record the memoirs of early Californios, one of them being eighty-three-year-old Don José María Amador, a former “Forty-Niner” during the California Gold Rush and soldado de cuera at the Presidio of San Francisco. Amador tells of reconnoitering expeditions into the interior of California, where he encountered local indigenous populations. He speaks of political events of Mexican California and the widespread confiscation of the Californios’ goods, livestock, and properties when the United States took control. A friend from Mission Santa Cruz, Lorenzo Asisara, also describes the harsh life and mistreatment the Indians faced from the priests.Both the Amador and Asisara narratives were used as sources in Bancroft’s writing but never published themselves. Gregorio Mora-Torres has now rescued them from obscurity and presents their voices in English translation (with annotations) and in the original Spanish on facing pages. This bilingual edition will be of great interest to historians of the West, California, and Mexican American studies.

Born in Sonora in 1868 to a Mexican mother and a German father, Federico Ronstadt was the quintessential borderman. He came to Arizona Territory as a young man to learn a trade and eventually became an American citizen; but with many relatives on both sides of the border, Federico was equally at home in Mexico and in his adopted country. Writing proudly of his Mexican and American heritages, Ronstadt offers readers an extraordinary portrait of the Arizona-Mexico borderlands during the late nineteenth century. His memoirs provide a richness of detail and insight unmatched by traditional histories, relating such scenarios as the hardships of Yaqui hardrock miners working under primitive conditions, the travails of pearl divers in the Gulf of California, and the insurrection of Francisco Serna in 1875 Sonora. They also depict the simple activities of childhood, with its schooling and musical training, its games and mischief. Ronstadt relates his apprenticeship to a wagon- and carriage-maker in Tucson, recalling labor relations in the shop, the establishment of his own business, and the joys and anguish of his personal life. He tells of how he drew on talents nurtured in childhood to become a musician and bandleader, playing weekly concerts with Club Filarmónica Tucsonense for nine years—musical talents that were eventually passed on to his children, his grandchildren (including Linda), and great-grandchildren. Through Ronstadt's memories, we are better able to understand the sense of independence and self-reliance found today among many lifelong residents of Sonora and Baja California—people isolated from major supply sources and centers of power—and to appreciate a different view of Tucson's past. Enhanced by 22 historical photos, Borderman is a treasure trove of historical source material that will enlighten all readers interested in borderlands history.

Reedición de los tomos 6 al 12 de las obras completas, segunda serie de José María Arguedas (Andahuaylas, 1911-Lima, 1969) publicadas por Horizonte en 2012, correspondientes a la parte de su obra antropológica. En esta ocasión, la edición ha sido auspiciada por la Comisión Centenario del Natalicio de José María Arguedas.

José María de Jesús Carvajal is both a biography of a Mexican postrevolutionary and a study of the development of a new border between Mexico and the United States during the crucial decades of the early to mid nineteenth century. The work examines the challenges faced by Carvajal, a bilingual, bicultural character in confusing times, against the historical backdrop of the history of colonial Texas and northern Mexico.Chance has chosen to focus on a political-military figure whose career stretches from the Texas Revolution to the French Intervention. Carvajal played a key role in the violent struggle between the liberal and conservative political factions that vied for control of the Republic of Mexico from 1830 to 1874. He was the leader of a mercenary army that invaded Mexico from the United States in 1851 in an unsuccessful attempt for the creation of the so-called independent Republic of the Sierra Madre. In addition, he played significant roles in the struggle for Texas Independence and formation of the ill-fated Republic of the Rio Grande; and he opposed the American occupation of northern Mexico during the Mexican-American War, the War of Reform that solidified liberal control of Mexico under the leadership of Benito Juarez, and the French Intervention into Mexico. Carvajal’s life and exploits have been largely overlooked by contemporary historians. This work sheds new light on several important chapters in the history of Texas and northern Mexico.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.95

Idioma/Language: Español. Este libro sobre la arquitectura de José María García de Paredes (Sevilla 1924-Madrid 1990), se ha pensado como un retablo que presenta las obras arquitectónicas a través de la mirada de distintos autores y constituye, a modo de monografía coral, un documento unitario sobre su obra. Como si se tratara de un retablo, o pequeño escenario donde se narran historias con una secuencia explicativa seriada, cada capítulo es autónomo y personal al escaparse los personajes de la mano del narrador, quien tan solo hilvana unos con otros. Los doce autores de este retablo están vinculados, por diversos motivos, con las obras analizadas, y exponen las múltiples relaciones de estas con una perspectiva de tres décadas mientras la pátina del tiempo se posa sobre las iglesias de Vitoria, Málaga (Stella Maris) y Almendrales o los auditorios de Granada y Madrid. Las variaciones aparentes para un mismo tema en el conjunto de obras seleccionadas obedecen, sin embargo, a una misma actitud de atención a cuanto rodea cada proyecto. Es decir, los diversos autores revisan el ideario de esta arquitectura y cuestiones esenciales como las relaciones entre la tradición y la modernidad, la arquitectura y otras disciplinas técnicas o artísticas; o la imaginación y la realidad. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Te atreves a pasar miedo de verdad? No te asusta indagar en leyendas de castillos, casas perdidas, conventos abandonados o colegios malditos? alvaro, Belen, Cris y David, que siempre se meten en los lugares mas terrorificos, te estan esperando con sus apasionantes aventuras. La llamada de una amiga que pide la ayuda de Los Sin Miedo no se puede ignorar, y menos aun, si eso significa tener que viajar a Cordoba e investigar el origen de los misteriosos ruidos que se oyen en el sotano de un viejo colegio. Se tratara del fantasma del antiguo alumno que murio alli o del espectro de la condesa emparedada entre sus muros?

116. Libroslibres., 2001, 116pp, Tapa blanda.

556 pp. Sumario: Índice de siglas. Fuentes: Tres generaciones y varios siglos de historia: Los Banu Burtuluh de Murcia.- Árabes, beréberes, muladíes y mawdali. Algunas reflexiones sobre los datos de los diccionarios biográficos andalusíes. Nómina de sabios de Al-Andalus.- Discípulos de Abu Bakr Ibn al-Arabi en el al-Dayl wa-l-Takmila de al-Marrakusi.- Ulemas en la marca media.- La transmisión de Hadiz y de tradiciones ascéticas en Al-Andalus en el s. VI/XII a través de la biografía de Ibn Baskuwal.

Expedition Sous 48 H En Suivi La Poste / Emballage Bullepack

25x30. II tomos. 556 pág. Ilust. y fotos en b/n. y color. Enc. de la Edit. con sobrec. José María Velasco: Paisajes de luz. Horizontes de Modernidad. Arte spanish

In the early 1870s, Hubert H. Bancroft and his assistants set out to record the memoirs of early Californios, one of them being eighty-three-year-old Don José María Amador, a former “Forty-Niner” during the California Gold Rush and soldado de cuera at the Presidio of San Francisco. Amador tells of reconnoitering expeditions into the interior of California, where he encountered local indigenous populations. He speaks of political events of Mexican California and the widespread confiscation of the Californios’ goods, livestock, and properties when the United States took control. A friend from Mission Santa Cruz, Lorenzo Asisara, also describes the harsh life and mistreatment the Indians faced from the priests.Both the Amador and Asisara narratives were used as sources in Bancroft’s writing but never published themselves. Gregorio Mora-Torres has now rescued them from obscurity and presents their voices in English translation (with annotations) and in the original Spanish on facing pages. This bilingual edition will be of great interest to historians of the West, California, and Mexican American studies.

Discusses the use of light and shade in the history of painting, general principles such as form, perspective, color, and contrast, and the practical application of these principles

Every January millions of people crowd the seashore to receive the blessings of lemanja, goddess of the sea. All year long in terreiros in Brazil and around the world, Orixa worshipers revel in the divine presence of the living Gods, directly experiencing the sacred energy of the universe. Macumba is a way of life and belief that is followed by 15 million Brazilians, as well as millions more across the Western Hemisphere. Yet it-along with its sister-religions of Vodun, Santeria, and Ifa-remains a little known and largely misunderstood spiritual path. This book is a welcome introduction to a rich and profound tradition whose roots lie in ancient Africa. In a series of interviews, Maria José, a Mae de Santo (Mother of the Gods), explains the philosophy and practice of Macumba. She introduces the Orixas, a pantheon of deities who survived the Middle Passage to Brazil along with the African slaves. With humor and grace she describes the essence of Macumba, the divine interaction between humans and living gods, and the spiritual regeneration of its followers. Meet a fascinating Mother of Gods and discover another path to wisdom. Learn to listen to the drumbeat-heartbeat of the mystical universe as it continues to deepen and expand. Saravá Umbanda!

Este libro se puede considerar, además, como un ensayo de Mora, en el que junto a su claro deseo de explicar la Constitución de 1824 al mayor número de lectores, se aprecia con nitidez el deseo de dotar a la joven república de México de un orden racional y justo, en medio del enorme caos político, económico y social que acompañó su nacimiento y construcción como nación.

510 pp. Sumario: Antroponimia tribal árabe en el Mágreb en los siglos XII-XIII. Aclaraciones en torno a una Suhra. Una familia de juristas en los siglos XIV-XV: Los Banu Asim de Granada. Ulemas de Játiva. El viaje a Oriente de Abu Marwan al-Bayi. Un árabe entre muladíes: Muhammad B.`Abd al Salam al- Jusani. Las fuentes de Abu Muhammad al-Rusati. Otros linajes omeyas en Al-Andulas. Lectores del Corán en Al-Andalus: andalusíes en dos diccionarios biograficos de Qurrá.

Un libro para pastores dedicados al ministerio de la predicación, con muchos y prácticos consejos homiléticos en 15 capítulos y dos apéndices.

La prolífica y multifacética obra de José María Samper jugó un papel fundacional dentro del proceso de construcción de la nación a lo largo de la segunda mitad del siglo XIX. La importancia de la producción de Samper siempre ha sido reconocida y elogiada de manera casi ritual tanto desde la crítica literaria como desde las ciencias sociales, pero solo muy estrechos segmentos de ella, sin embargo, han sido objeto de reflexión. Si bien aquí no se los ignora, se relativiza el espacio que ocupan dentro de la totalidad del proyecto intelectual del autor, proyecto cuya complejidad, tal vez inadvertidamente, ha tendido a perderse de vista. Este estudio propone, desde una perspectiva interdisciplinaria, una relectura radical de la obra de Samper que trasciende las barreras temáticas y genéricas que han venido limitando la investigación sobre la misma. La relectura de los textos de Samper que aquí se ofrece, se plantea a la par con un cuestionamiento de los abordajes metodológicos y de las rígidas tradiciones mono-disciplinares que han dominado la bibliografía sobre el autor y sobre la producción textual decimonónica dentro del campo de los estudios colombianistas. Se aspira a que esta doble perspectiva abra la posibilidad de acercarse de nuevas maneras no solo al proyecto intelectual de Samper, sino a la escritura decimonónica nacional en general.