13 products were found matching your search for Mark Euro Umtausch in 5 shops:

This is a 75xxx Selmer mark vi tenor saxophone from 1958. Euro assembled in very good condition.The saxophone is in perfect playing condition and t...

Stay ahead of your appointments and social engagements with this versatile, magnetic dry-erase board organizer. The dry-erase surface makes writing easy and cleans up quick. Board comes with a pair of weekly magnetic organizers to let you mark important calendar dates, then erase and slide forward when the first seven-day itinerary is completed. Magnetic surface lets you plant photos and papers in place without tacks. Board's grid pattern keeps your writing level. Euro-style aluminum frame looks great in any occasional use, small or home office. The board mounts easily with the enclosed, pass-through mounting system. Board also comes with a built-in marker tray, dry-erase marker with built-in eraser cap, and two magnets.

Composer: James Reese Europe The Music of James Reese Europe Complete Published Works Solo Piano & Voice and Piano Softcover James Reese Euro...

Color/pattern: blue Design details: all-cotton sateen is smooth, sleek and soft, duvet cover features a button closure and four inner corner ties to keep your duvet insert in place; duvet insert not included, included shams feature an 8 inch euro end closure, oeko-tex certified, the mark of excellence for products that are healthy for you and healthy for the environment, duvet face fabric has blue and yellow flowers with green leaves on a white ground; reverses to yellow gingham 300 thread count Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW Includes: 1 Duvet Cover, 1 Sham Includes: 1 Duvet Cover, 1 Sham Measures Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW in 100% cotton Machine washable Imported Contents of Set: Includes: 1 Duvet Cover, 2 Shams, ( 1 for twin) Choose from the following: Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW Full/Queen Duvet Cover: 92inL X 88inW, Standard Sham: 21inL X 27inW King Duvet Cover: 92inL X 106inW, King Sham: 21inL X 37inW

Color/pattern: blue Design details: all-cotton sateen is smooth, sleek and soft, duvet cover features a button closure and four inner corner ties to keep your duvet insert in place; duvet insert not included, included shams feature an 8 inch euro end closure, oeko-tex certified, the mark of excellence for products that are healthy for you and healthy for the environment, duvet face fabric has blue and yellow flowers with green leaves on a white ground; reverses to yellow gingham 300 thread count Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW Includes: 1 Duvet Cover, 1 Sham Includes: 1 Duvet Cover, 1 Sham Measures Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW in 100% cotton Machine washable Imported Contents of Set: Includes: 1 Duvet Cover, 2 Shams, ( 1 for twin) Choose from the following: Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW Full/Queen Duvet Cover: 92inL X 88inW, Standard Sham: 21inL X 27inW King Duvet Cover: 92inL X 106inW, King Sham: 21inL X 37inW

Color/pattern: blue Design details: all-cotton sateen is smooth, sleek and soft, duvet cover features a button closure and four inner corner ties to keep your duvet insert in place; duvet insert not included, included shams feature an 8 inch euro end closure, oeko-tex certified, the mark of excellence for products that are healthy for you and healthy for the environment, duvet face fabric has blue and yellow flowers with green leaves on a white ground; reverses to yellow gingham 300 thread count Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW Includes: 1 Duvet Cover, 1 Sham Includes: 1 Duvet Cover, 1 Sham Measures Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW in 100% cotton Machine washable Imported Contents of Set: Includes: 1 Duvet Cover, 2 Shams, ( 1 for twin) Choose from the following: Twin Duvet Cover: 86inL X 66inW, Standard Sham: 21inL X 27inW Full/Queen Duvet Cover: 92inL X 88inW, Standard Sham: 21inL X 27inW King Duvet Cover: 92inL X 106inW, King Sham: 21inL X 37inW

Originally released in 1994, this was the Magnetic Fields' Merge debut and fourth full-length. Presented here on HQ 180-gram vinyl with beautiful artwork and full art Euro-sleeve insert, this marks the classic record's first appearance in LP format. Ten Gothic Country-pop road songs; kind of like if Yaz were from Oklahoma. It continues to be one of the band's most popular records and is one of the best selling releases in the Merge catalog. Includes a coupon for an MP3 download of the entire rec

Long before the coming of Euro-Americans, native inhabitants of what is now Kansas left their mark on the land: carvings in the soft orange and red sandstone of the state&fsquo;s Smoky Hills. Though noted by early settlers, these carvings are little known—and, largely found on private property today, they are now rarely seen. In a series of photographs, Petroglyphs of the Kansas Smoky Hills offers viewers a chance to read the story that these carvings tell of the region's first people—and to appreciate an important feature of Kansas history and its landscape that is increasingly threatened by erosion and vandalism.To establish the context critical to understanding these petroglyphs, the book includes a number of photographs for each of fourteen sites in central Kansas, highlighting individual carvings but also the groups and settings in which they occur. An introduction and captions, while respecting the privacy of landowners and the fragility of the carvings, document what is known of the petroglyphs, how and when they were made, and what they can tell us of the early people of Kansas.

In this interdisciplinary collection of essays, Joel W. Martin and Mark A. Nicholas gather emerging and leading voices in the study of Native American religion to reconsider the complex and often misunderstood history of Native peoples' engagement with Christianity and with Euro-American missionaries. Surveying mission encounters from contact through the mid-nineteenth century, the volume alters and enriches our understanding of both American Christianity and indigenous religion. The essays here explore a variety of postcontact identities, including indigenous Christians, "mission friendly" non-Christians, and ex-Christians, thereby exploring the shifting world of Native-white cultural and religious exchange. Rather than questioning the authenticity of Native Christian experiences, these scholars reveal how indigenous peoples negotiated change with regard to missions, missionaries, and Christianity. This collection challenges the pervasive stereotype of Native Americans as culturally static and ill-equipped to navigate the roiling currents associated with colonialism and missionization.The contributors are Emma Anderson, Joanna Brooks, Steven W. Hackel, Tracy Neal Leavelle, Daniel Mandell, Joel W. Martin, Michael D. McNally, Mark A. Nicholas, Michelene Pesantubbee, David J. Silverman, Laura M. Stevens, Rachel Wheeler, Douglas L. Winiarski, and Hilary E. Wyss.

Long before the coming of Euro-Americans, native inhabitants of what is now Kansas left their mark on the land: carvings in the soft orange and red sandstone of the state&fsquo;s Smoky Hills. Though noted by early settlers, these carvings are little known—and, largely found on private property today, they are now rarely seen. In a series of photographs, Petroglyphs of the Kansas Smoky Hills offers viewers a chance to read the story that these carvings tell of the region's first people—and to appreciate an important feature of Kansas history and its landscape that is increasingly threatened by erosion and vandalism.To establish the context critical to understanding these petroglyphs, the book includes a number of photographs for each of fourteen sites in central Kansas, highlighting individual carvings but also the groups and settings in which they occur. An introduction and captions, while respecting the privacy of landowners and the fragility of the carvings, document what is known of the petroglyphs, how and when they were made, and what they can tell us of the early people of Kansas.

What does it mean to say that Native peoples exist in the present?  In Beyond Settler Time Mark Rifkin investigates the dangers of seeking to include Indigenous peoples within settler temporal frameworks. Claims that Native peoples should be recognized as coeval with Euro-Americans, Rifkin argues, implicitly treat dominant non-native ideologies and institutions as the basis for defining time itself. How, though, can Native peoples be understood as dynamic and changing while also not assuming that they belong to a present inherently shared with non-natives? Drawing on physics, phenomenology, queer studies, and postcolonial theory, Rifkin develops the concept of "settler time" to address how Native peoples are both consigned to the past and inserted into the present in ways that normalize non-native histories, geographies, and expectations. Through analysis of various kinds of texts, including government documents, film, fiction, and autobiography, he explores how Native experiences of time exceed and defy such settler impositions. In underscoring the existence of multiple temporalities, Rifkin illustrates how time plays a crucial role in Indigenous peoples’ expressions of sovereignty and struggles for self-determination.

What does it mean to say that Native peoples exist in the present?  In Beyond Settler Time Mark Rifkin investigates the dangers of seeking to include Indigenous peoples within settler temporal frameworks. Claims that Native peoples should be recognized as coeval with Euro-Americans, Rifkin argues, implicitly treat dominant non-native ideologies and institutions as the basis for defining time itself. How, though, can Native peoples be understood as dynamic and changing while also not assuming that they belong to a present inherently shared with non-natives? Drawing on physics, phenomenology, queer studies, and postcolonial theory, Rifkin develops the concept of "settler time" to address how Native peoples are both consigned to the past and inserted into the present in ways that normalize non-native histories, geographies, and expectations. Through analysis of various kinds of texts, including government documents, film, fiction, and autobiography, he explores how Native experiences of time exceed and defy such settler impositions. In underscoring the existence of multiple temporalities, Rifkin illustrates how time plays a crucial role in Indigenous peoples’ expressions of sovereignty and struggles for self-determination.

In this interdisciplinary collection of essays, Joel W. Martin and Mark A. Nicholas gather emerging and leading voices in the study of Native American religion to reconsider the complex and often misunderstood history of Native peoples' engagement with Christianity and with Euro-American missionaries. Surveying mission encounters from contact through the mid-nineteenth century, the volume alters and enriches our understanding of both American Christianity and indigenous religion. The essays here explore a variety of postcontact identities, including indigenous Christians, "mission friendly" non-Christians, and ex-Christians, thereby exploring the shifting world of Native-white cultural and religious exchange. Rather than questioning the authenticity of Native Christian experiences, these scholars reveal how indigenous peoples negotiated change with regard to missions, missionaries, and Christianity. This collection challenges the pervasive stereotype of Native Americans as culturally static and ill-equipped to navigate the roiling currents associated with colonialism and missionization.The contributors are Emma Anderson, Joanna Brooks, Steven W. Hackel, Tracy Neal Leavelle, Daniel Mandell, Joel W. Martin, Michael D. McNally, Mark A. Nicholas, Michelene Pesantubbee, David J. Silverman, Laura M. Stevens, Rachel Wheeler, Douglas L. Winiarski, and Hilary E. Wyss.