97 products were found matching your search for Masari San Lorenzo 2017 in 3 shops:

Quattro problemi aperti. Firenze, Mandragora 2007. 236 S., OKart. 4to. Gutes Exemplar.

A cura di Lionello Puppi e Letizia Lonzi. Testi di Maria Agnese Chiari, Moretto Wiel, Martina Frank, Augusto Gentili, Letizia Lonzi, Matteo Mancini, Anna Rosa Nicola, Lionello Puppi, Maria Giovanna Sarti, Allison Sherman. Crocetta del Montello, 2013; br., pp. 272, 200 ill. e tavv. b/n col., cm 21x28. I capitoli che compongono questo volume, spettanti ad una équipe internazionale di ben noti Studiosi della cultura artistica veneziana del Rinascimento, sono il risultato di ricerche originali progettate ed avviate in coincidenza ed in coerenza con il lungo e difficile lavoro di restauro (2011-2012) del Martirio di san Lorenzo di Tiziano conservato nella chiesa veneziana dei Gesuiti. Ed una circostanziata descrizione di esso è allegata alle pagine del libro come punto di riferimento imprescindibile giacché s'è trattato di intervento che ha riporato il capolavoro dall'agonia di un degrado che ne spegneva ed avviliva la vitalit?, all'abbagliante condizione originaria.

San Lorenzo and the Medici Chapels are really impressive

Hardcover; 274 pages; Slow food Editore

This fascinating two-volume set includes a photographic reproduction of an anonymous seventeenth-century Italian gardener's notebook from Dumbarton Oaks's Rare Books Collection. The notebook is a record of the planting of three flower gardens at San Lorenzo. It is now believed that the gardens were created for Margherita de' Medici Farnese, duchess of Parma and Piacenza. The notebook provides insight into the creation of a seventeenth-century garden, from identifying flowers to planning flowerbeds. In turn, these sketches reveal the gardener's own intentions and reflections on the designs. Ada Segre's accompanying study of the notebook is a groundbreaking example of garden archaeology. She considers its provenance and connection to the world of the duchess and her gardens. Segre also evaluates the importance of the manuscript as an object and as a source of information on garden design and practice in Italy during the mid-seventeenth century. Three computer-generated recreations of the garden's planting beds are included with the reproduction.

This book amends a common misconception about one of the greatest Renaissance masters, who has been characterized since his own day as incapable of effective collaboration. This study focuses on San Lorenzo, a key Florentine monument of the Renaissance, where Michelangelo's contributions to the church are among his greatest achievements as a sculptor and architect. Organised around his three commissions at San Lorenzo - the never-realised facade for the church, the Medici chapel and the Laurentian Library - each chapter examines the organisation and day-to-day operations at the building site, as well as the artist's personal and professional relations with nearly three hundred persons who assisted him in carrying out the designs. From the marble quarries at Seravezza to the building site in Florence, William Wallace relates Michelangelo's struggles and triumphs as he worked on these projects for over two decades.

Recounts the wine-making experiences of Angelo Gaja, one of Italy's most fascinating and revolutionary wine makers, and his creation of the 1989 Sori San Lorenzo

Pontormo's frescoes in San Lorenzo were the most important cycle of the sixteenth century after Michelangelo's Sistine frescoes. They had an enormous impact on artists until their destruction in the eighteenth century, and their interpretation has also had a significant bearing not only on the reception of this artist, but also of late Renaissance art in Florence. Based on careful archival and historical scholarship, this book determines a new date for the inception of the fresco cycle and reconstructs the day by day procedures through which the artist generated his creation. It establishes his working method, and what it produced. It creates a new visual order for the frescoes. It sets them into the artistic and architectural context of the church in which they were created, relating them to a complex liturgical and religious function.It establishes the intentions of the both the Medici and the canons of the church in having Pontormo paint the specific space in the church where he painted, and the specific subjects that were included.Finally, it reveals the hitherto unsuspected impact Pontormo's paintings had on other works of art.

This book amends a common misconception about one of the greatest Renaissance masters, who has been characterized since his own day as incapable of effective collaboration. This study focuses on San Lorenzo, a key Florentine monument of the Renaissance, where Michelangelo's contributions to the church are among his greatest achievements as a sculptor and architect. Organised around his three commissions at San Lorenzo - the never-realised facade for the church, the Medici chapel and the Laurentian Library - each chapter examines the organisation and day-to-day operations at the building site, as well as the artist's personal and professional relations with nearly three hundred persons who assisted him in carrying out the designs. From the marble quarries at Seravezza to the building site in Florence, William Wallace relates Michelangelo's struggles and triumphs as he worked on these projects for over two decades.

Le Note Di San Lorenzo (IMPORT) Mario Piacentini - CD 716642068222

Lorenzo, a green parrot who lives in a Mexican garden, serves as a watchbird, protecting his family from birthday party guests, presents, and even San Nicola+a7s on Christmas Eve. By the author of Slther McCreep and His Brother, Joe.

In September, 1922, the internationally known British writer D. H. Lawrence arrived with his wife, Frieda, at the railroad station in Lamy, New Mexico. They had traveled from Australia to San Francisco, then to Lamy, to come to Taos at the invitation of Mabel Dodge Sterne, later Mabel Dodge Luhan, the patroness of arts and culture in Taos. It was the beginning of an intense, sometimes strained, relationship. Mabel, daughter of a well-to-do Buffalo, New York family, had a long history of cultivating arts and letters, surrounding herself with famous artists and writers in her salons in Florence, Italy and in New York City. She continued her support of literature and the arts in Taos. Lawrence encouraged Mabel to write about her own exciting life and, while back in Italy in 1925, continued corresponding with Mabel and edited manuscripts she sent to him. Her book, "Lorenzo in Taos," is written loosely in the form of letters to and from D. H. Lawrence, Frieda Lawrence, and Robinson Jeffers, the celebrated poet who had been a guest of Mabel's in Taos, with references to Dorothy Brett and Spud Johnson among others. The book is a highly personal and most informative account of an intense relationship with a great writer. It is an important work and its reprinting is welcomed by scholars and those of us who have come increasingly to respect Mabel's contributions in the world of arts and letters through her support of many individuals and her own creative spirit.

In the early 1870s, Hubert H. Bancroft and his assistants set out to record the memoirs of early Californios, one of them being eighty-three-year-old Don José María Amador, a former “Forty-Niner” during the California Gold Rush and soldado de cuera at the Presidio of San Francisco. Amador tells of reconnoitering expeditions into the interior of California, where he encountered local indigenous populations. He speaks of political events of Mexican California and the widespread confiscation of the Californios’ goods, livestock, and properties when the United States took control. A friend from Mission Santa Cruz, Lorenzo Asisara, also describes the harsh life and mistreatment the Indians faced from the priests.Both the Amador and Asisara narratives were used as sources in Bancroft’s writing but never published themselves. Gregorio Mora-Torres has now rescued them from obscurity and presents their voices in English translation (with annotations) and in the original Spanish on facing pages. This bilingual edition will be of great interest to historians of the West, California, and Mexican American studies.

In September, 1922, the internationally known British writer D. H. Lawrence arrived with his wife, Frieda, at the railroad station in Lamy, New Mexico. They had traveled from Australia to San Francisco, then to Lamy, to come to Taos at the invitation of Mabel Dodge Sterne, later Mabel Dodge Luhan, the patroness of arts and culture in Taos. It was the beginning of an intense, sometimes strained, relationship. Mabel, daughter of a well-to-do Buffalo, New York family, had a long history of cultivating arts and letters, surrounding herself with famous artists and writers in her salons in Florence, Italy and in New York City. She continued her support of literature and the arts in Taos. Lawrence encouraged Mabel to write about her own exciting life and, while back in Italy in 1925, continued corresponding with Mabel and edited manuscripts she sent to him. Her book, "Lorenzo in Taos," is written loosely in the form of letters to and from D. H. Lawrence, Frieda Lawrence, and Robinson Jeffers, the celebrated poet who had been a guest of Mabel's in Taos, with references to Dorothy Brett and Spud Johnson among others. The book is a highly personal and most informative account of an intense relationship with a great writer.

In September, 1922, the internationally known British writer D. H. Lawrence arrived with his wife, Frieda, at the railroad station in Lamy, New Mexico. They had traveled from Australia to San Francisco, then to Lamy, to come to Taos at the invitation of Mabel Dodge Sterne, later Mabel Dodge Luhan, the patroness of arts and culture in Taos. It was the beginning of an intense, sometimes strained, relationship. Mabel, daughter of a well-to-do Buffalo, New York family, had a long history of cultivating arts and letters, surrounding herself with famous artists and writers in her salons in Florence, Italy and in New York City. She continued her support of literature and the arts in Taos. Lawrence encouraged Mabel to write about her own exciting life and, while back in Italy in 1925, continued corresponding with Mabel and edited manuscripts she sent to him. Her book, "Lorenzo in Taos," is written loosely in the form of letters to and from D. H. Lawrence, Frieda Lawrence, and Robinson Jeffers, the celebrated poet who had been a guest of Mabel's in Taos, with references to Dorothy Brett and Spud Johnson among others. The book is a highly personal and most informative account of an intense relationship with a great writer. It is an important work and its reprinting is welcomed by scholars and those of us who have come increasingly to respect Mabel's contributions in the world of arts and letters through her support of many individuals and her own creative spirit.

Lorenzo, a green parrot who lives in a Mexican garden, serves as a watchbird, protecting his family from birthday party guests, presents, and even San Nicola+a7s on Christmas Eve. By the author of Slther McCreep and His Brother, Joe.

In the early 1870s, Hubert H. Bancroft and his assistants set out to record the memoirs of early Californios, one of them being eighty-three-year-old Don José María Amador, a former “Forty-Niner” during the California Gold Rush and soldado de cuera at the Presidio of San Francisco. Amador tells of reconnoitering expeditions into the interior of California, where he encountered local indigenous populations. He speaks of political events of Mexican California and the widespread confiscation of the Californios’ goods, livestock, and properties when the United States took control. A friend from Mission Santa Cruz, Lorenzo Asisara, also describes the harsh life and mistreatment the Indians faced from the priests.Both the Amador and Asisara narratives were used as sources in Bancroft’s writing but never published themselves. Gregorio Mora-Torres has now rescued them from obscurity and presents their voices in English translation (with annotations) and in the original Spanish on facing pages. This bilingual edition will be of great interest to historians of the West, California, and Mexican American studies.

Paperback. Pub Date: 2017-05-01 Pages: 658 Language: Chinese Publisher: the commercial press This dictionary for the fifth edition of the commonly used in ancient Chinese dictionary in reduced.Commonly used in ancient Chinese dictionary by the famous linguist. wang li. CenQiXiang. 10. dai li. tang SAN. and universals. such as a dozen experts and scholars write. is necessary to learn the ancient Chinese.

A mesmerizing live set by OCS-JOHN DWYER and BRIGID DAWSON with a 7-piece backing band featuring PAUL QUATTRONE, TIM HELLMAN, TOM DOLAS, HEIDI MAUREEN ALEXANDER, and a string section comprised of HEATHER LOCKIE, EMILY ELKIN and ERIC CLARK. Recorded by ERIC BAUER at the Chapel in SF, December 17, 2017.

Vinyl LP pressing. 2017 release in Castle Face's Live In San Francisco series captures France's most prolific and distorted rock 'n' roll band "The couple that slays together, stays together: Looch Vibrato and Aggy Sonora, like the moniker of an infamous killing duo, the fucking butchest band from Bordeaux. Looch, with hands like bunches of bananas and songs like flaming arrows. The lovely and tough-as-hell Aggy, crushing the kit. Heavy weird attackers from our sister country. Sludge drips-murde