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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

Generally individuals in history are known for a particular reason - they somehow influenced history. Very little is known about the ordinary person who lived in the past. But historical archaeologists - through their interpretation of the material culture and historic record - can study the past on an individual level. This brings archaeological interpretation from a micro to a macro level - as opposed to the traditional level of society to community to individual interpretation. The cases presented in this volume engage material culture that is owned or used by a single person and is thus associated with an individual at some point in its uselife. The volume takes bodkins, shoes, beads, cloth, religious items, grave goods, as well as subassemblages from well-defined contexts from New England, the Chesapeake, New Orleans, Hawaii, Spanish colonial America, and London in the pursuit of the individual and the textured interpretation this analytical scale provides. This volume promises to present innovative approaches to a host of archaeological materials, drawing widely on the range of archaeological research for the historical period today. Capitalizing on several topics and research threads with great currency, such as the examination of material culture and interest in various and intersecting lines of identity construction, as well as presenting an international and multiregional approach to these topics, this volume will be of interest to archaeologists, anthropologists, material culture scholars, and social historians interested in a wide variety of time periods and subfields.

This volume explores aspects of the devotional world of late medieval northern Europe, with a special emphasis on how people interacted with texts, images, artifacts, and other instruments of piety at the level of the senses. The book focuses on the materiality of medieval religion and the manner in which Christians were encouraged to engage their senses in their devotional practices: gazing, hearing, touching, tasting, and committing to memory. In so doing, it brings together the ideals of medieval mystical writing and the increasingly tangible and material practice of piety, which would become characteristic of the period. [Subject: History, Medieval Studies, European Studies, Religious Studies]

A comprehensive reference of materials for interior designers and architects Choosing the right material for the right purpose is a critical―and often overlooked―aspect in the larger context of designing buildings and interior spaces. When specified and executed properly, materials support and enhance a project's overall theme, and infuse interior space with a solid foundation that balances visual poetry and functionality. Materiality and Interior Construction imparts essential knowledge on how materials contribute to the construction and fabrication of floors, partitions, ceilings, and millwork, with thorough coverage of the important characteristics and properties of building materials and finishes. Individual coverage of the key characteristics of each material explores the advantages and disadvantages of using specific materials and construction assemblies, while helping readers discover how to make every building element count. In addition, Materiality and Interior Construction: Is highly illustrated throughout to show material properties and building assemblies Supplies rankings and information on the "green" attributes of each material so that designers can make informed decisions for specifications Is organized by application for easy and quick access to information Includes a companion website, featuring an extensive online image bank of materials and assemblies Rather than a typical catalog of materials, Materiality and Interior Construction is efficiently organized so that the reader is guided directly to the options for the location or assembly they are considering. Reliable and easy to use, Materiality and Interior Construction is a one-stop, comprehensive reference for hundreds of commonly used materials and their integration as building components―and an invaluable resource that every interior designer or architect should add to their set of tools.

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Generally individuals in history are known for a particular reason - they somehow influenced history. Very little is known about the ordinary person who lived in the past. But historical archaeologists - through their interpretation of the material culture and historic record - can study the past on an individual level. This brings archaeological interpretation from a micro to a macro level - as opposed to the traditional level of society to community to individual interpretation. The cases presented in this volume engage material culture that is owned or used by a single person and is thus associated with an individual at some point in its uselife. The volume takes bodkins, shoes, beads, cloth, religious items, grave goods, as well as subassemblages from well-defined contexts from New England, the Chesapeake, New Orleans, Hawaii, Spanish colonial America, and London in the pursuit of the individual and the textured interpretation this analytical scale provides. This volume promises to present innovative approaches to a host of archaeological materials, drawing widely on the range of archaeological research for the historical period today. Capitalizing on several topics and research threads with great currency, such as the examination of material culture and interest in various and intersecting lines of identity construction, as well as presenting an international and multiregional approach to these topics, this volume will be of interest to archaeologists, anthropologists, material culture scholars, and social historians interested in a wide variety of time periods and subfields.

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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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This volume explores aspects of the devotional world of late medieval northern Europe, with a special emphasis on how people interacted with texts, images, artifacts, and other instruments of piety at the level of the senses. The book focuses on the materiality of medieval religion and the manner in which Christians were encouraged to engage their senses in their devotional practices: gazing, hearing, touching, tasting, and committing to memory. In so doing, it brings together the ideals of medieval mystical writing and the increasingly tangible and material practice of piety, which would become characteristic of the period. [Subject: History, Medieval Studies, European Studies, Religious Studies]

The traditional approach to culture focuses on the symbolic meanings of objects rather than the impact that these objects have on contemporary life. Using the car as a recurring theme, Tim Dant challenges the well-established idea that consumption is the principal relationship with “things” in our lives and argues that it is through material interaction with the objects around us that we confront our society. Drawing on, and debating with, historical, philosophical, and theoretical discourses that address materiality, this book is of interest to students and researchers in a variety of disciplines, including sociology, anthropology, cultural studies, and technology studies.

Catherine Malabou's concept of plasticity has influenced and inspired scholars from across disciplines. The contributors to Plastic Materialities—whose fields include political philosophy, critical legal studies, social theory, literature, and philosophy—use Malabou's innovative combination of post-structuralism and neuroscience to evaluate the political implications of her work. They address, among other things, subjectivity, science, war, the malleability of sexuality, neoliberalism and economic theory, indigenous and racial politics, and the relationship between the human and non-human. Plastic Materialities also includes three essays by Malabou and an interview with her, all of which bring her work into conversation with issues of sovereignty, justice, and social order for the first time.Contributors. Brenna Bhandar, Silvana Carotenuto, Jonathan Goldberg-Hiller, Jairus Victor Grove, Catherine Kellogg, Catherine Malabou, Renisa Mawani, Fred Moten, Alain Pottage, Michael J. Shapiro, Alberto Toscano

Ma is a curriculum. The Japanese concept of ma refers to the interval between two markers. Ma is somatically constructed by a deliberate, attentive consciousness to what simultaneously is expressed, repressed, or suppressed between two structures. In a dialectic exploration, the spaces between―private/public, teacher/student, old/new, self/other, among others―are probed in ways that contribute to the significant research in teaching and learning that has been undertaken in the last few decades. Material culture is the study of belief systems, behaviours, and perceptions through artefacts and physical objects and is central to the socialization of human beings into culture. The analysis of cultural materials offers sites for concretizing the self and the self in context. New materiality challenges assumptions and clichés and allows for possibilities not yet imagined, perhaps even inconceivable possibilities. New materiality approaches accept that matter itself has agency. As such, this book investigates the intersections at the core of ma, engagements wherein the investigations create something new, in order to demonstrate the layers of the teaching and learning self. Interpretations of the concept of ma articulate new definitions to improve the conditions, practices, products, and pedagogies of being a teacher/learner in the twenty-first century. Ma is a site for epistemological understandings, threshold learnings, and self and curriculum becomings.

Late Medieval Christianity's encounter with miraculous materials viewed in the context of changing conceptions of matter itself.In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects―among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers―allegedly erupted into life through such activities as bleeding, weeping, and walking about. Challenging Christians both to seek ever more frequent encounters with miraculous matter and to turn to an inward piety that rejected material objects of devotion, such phenomena were by the fifteenth century at the heart of religious practice and polemic. In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they presented for both church authorities and the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. She also analyzes the proliferation of religious art in the later Middle Ages and argues that it called attention to its materiality in sophisticated ways that explain both the animation of images and the hostility to them on the part of iconoclasts.Seeing the Christian culture of the fourteenth and fifteenth centuries as a paradoxical affirmation of the glory and the threat of the natural world, Bynum's study suggests a new understanding of the background to the sixteenth-century reformations, both Protestant and Catholic. Moving beyond the cultural study of “the body”―a field she helped to establish―Bynum argues that Western attitudes toward body and person must be placed in the context of changing conceptions of matter itself. Her study has broad theoretical implications, suggesting a new approach to the study of material culture and religious practice.

Late Medieval Christianity's encounter with miraculous materials viewed in the context of changing conceptions of matter itself.In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects―among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers―allegedly erupted into life through such activities as bleeding, weeping, and walking about. Challenging Christians both to seek ever more frequent encounters with miraculous matter and to turn to an inward piety that rejected material objects of devotion, such phenomena were by the fifteenth century at the heart of religious practice and polemic. In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they presented for both church authorities and the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. She also analyzes the proliferation of religious art in the later Middle Ages and argues that it called attention to its materiality in sophisticated ways that explain both the animation of images and the hostility to them on the part of iconoclasts.Seeing the Christian culture of the fourteenth and fifteenth centuries as a paradoxical affirmation of the glory and the threat of the natural world, Bynum's study suggests a new understanding of the background to the sixteenth-century reformations, both Protestant and Catholic. Moving beyond the cultural study of “the body”―a field she helped to establish―Bynum argues that Western attitudes toward body and person must be placed in the context of changing conceptions of matter itself. Her study has broad theoretical implications, suggesting a new approach to the study of material culture and religious practice.

Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.