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This spirited account of the life and times of one of the seminal figures in history of English grammar dispels the myth of Lowth as the icon of prescriptivism, and establishes him as the most important figure in eighteenth-century English grammar.Ingrid Tiecken-Boon van Ostade reexamines the life and work of Robert Lowth (1710-1787), founder of the grammatical prescriptivism so deprecated by modern linguists and educational theorists. She considers Lowth and his grammar in the context of his times and from the perspective of his aims and readership. She shows that, once the grammar had been accepted for publication, it developed into a publishers' project similar to Samuel Johnson's Dictionary of the English Language to which it was intended as a complement. Professor Tiecken draws on contemporary sources, including Lowth's extensive correspondence and unpublished memoir, to explore the social networks, aspirations, beliefs, and reading habits that informed and shaped his grammar and ideas on language. (She notes that Lowth's own language often falls short of the norms and strictures advanced in his book.) By comparing the grammar - in particular the problems of usage dealt with in its sections on syntax - with guides from the nineteenth and twentieth centuries, she redefines Lowth's seminal position in the history of handbooks for correct usage, as well as his role in the establishment of the canon of prescriptivism.This book will appeal to all those interested in the history of English, the role of language in the Enlightenment, and the long-running debate on linguistic correctness and the merits or otherwise of prescriptive rules in the teaching and use of English.

This spirited account of the life and times of one of the seminal figures in history of English grammar dispels the myth of Lowth as the icon of prescriptivism, and establishes him as the most important figure in eighteenth-century English grammar.Ingrid Tiecken-Boon van Ostade reexamines the life and work of Robert Lowth (1710-1787), founder of the grammatical prescriptivism so deprecated by modern linguists and educational theorists. She considers Lowth and his grammar in the context of his times and from the perspective of his aims and readership. She shows that, once the grammar had been accepted for publication, it developed into a publishers' project similar to Samuel Johnson's Dictionary of the English Language to which it was intended as a complement. Professor Tiecken draws on contemporary sources, including Lowth's extensive correspondence and unpublished memoir, to explore the social networks, aspirations, beliefs, and reading habits that informed and shaped his grammar and ideas on language. (She notes that Lowth's own language often falls short of the norms and strictures advanced in his book.) By comparing the grammar - in particular the problems of usage dealt with in its sections on syntax - with guides from the nineteenth and twentieth centuries, she redefines Lowth's seminal position in the history of handbooks for correct usage, as well as his role in the establishment of the canon of prescriptivism.This book will appeal to all those interested in the history of English, the role of language in the Enlightenment, and the long-running debate on linguistic correctness and the merits or otherwise of prescriptive rules in the teaching and use of English.

First published in 1980, this volume is the definitive dictionary and linguistic analysis of the Navajo language. In this revised edition, the entire grammatical section has been rewritten to include a wide range of linguistic information that will establish a foundation for future work in Navajo."[Robert Young and William Morgan] have made it possible to educate, communicate, inform, and entertain through the written Navajo language."--Navajo Tribal Council"[The Navajo Language] is a unique contribution to American Indian linguistics and lexicography. [It is] a reference work of the highest quality, a book that is a rich resource for Navajo speakers, people learning to speak Navajo, and scholars interested in Navajo and Athabaskan linguistics."--International Journal of American Linguistics

The definitive edition of one of the more extraordinary and influential books of our timeThis labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry. Incorporating all of Graves's final revisions, his replies to two of the original reviewers, and an essay describing the months of illumination in which The White Goddess was written, this is the definitive edition of one of the most influential books of our time.

The definitive edition of one of the more extraordinary and influential books of our timeThis labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry. Incorporating all of Graves's final revisions, his replies to two of the original reviewers, and an essay describing the months of illumination in which The White Goddess was written, this is the definitive edition of one of the most influential books of our time.

First published in 1980, this volume is the definitive dictionary and linguistic analysis of the Navajo language. In this revised edition, the entire grammatical section has been rewritten to include a wide range of linguistic information that will establish a foundation for future work in Navajo."[Robert Young and William Morgan] have made it possible to educate, communicate, inform, and entertain through the written Navajo language."--Navajo Tribal Council"[The Navajo Language] is a unique contribution to American Indian linguistics and lexicography. [It is] a reference work of the highest quality, a book that is a rich resource for Navajo speakers, people learning to speak Navajo, and scholars interested in Navajo and Athabaskan linguistics."--International Journal of American Linguistics

The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

John Ike, Thomas Kligerman, and Joel Barkley speak architectural languages of the past with a sure command of grammar and syntax and a rich vocabulary of form and detail. As designers they build upon what went before to extend the trajectory of architecture.—Robert A. M. SternThe signature residential works of Ike Kligerman Barkley Architects bring together historic precedent and contemporary taste with a considered approach to detail, material, and craft. Based in New York and San Francisco, the firm incorporates elements from the great eras and the great practitioners of architecture: the Arts and Crafts movement, Art Deco, Modernism, Colonial Revival, Shingle Style; Sir Edwin Lutyens, Harrie T. Lindeberg, George Howe, Bernard Maybeck, and McKim, Mead & White. Yet ever present is a keen awareness of the modern world, notably in an emphasis on natural light and open views and a responsiveness to the unique qualities of a site.The twenty-one houses and apartments in this lavishly illustrated volume, the first published on Ike Kligerman Barkley, represent the remarkable breadth of the practice. A cottage in Michigan reveals a comprehensive investigation of craft traditions, while a Hawaiian beach retreat explores the vernacular Polynesian long-house. A sleek Manhattan loft evokes the industrial history of its neighborhood, while an oceanfront villa recalls Carlo Scarpa’s interweaving of past and present. Unusual, even unlikely combinations—an English-influenced Shingle Style house the firm terms “Shinglish,” a Virginia horse farm that draws equally on classical formality and easy rusticity—embody the firm’s sophisticated balance between historic model and modern refinement.Just as novelists and filmmakers gravitate toward genres that suit the themes they choose to explore, we look for the historic style that represents the best vehicle for the architectural story we wish to tell.—Ike Kligerman Barkley Architects