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: Max Beckmann - Exile in Amsterdam. Edited By the Pinakothek Der Moderne, Munich. with Essays By C. Schulz-hoffmann, C. L. Stuttgart, 2007, 440 P. Color Laminas, 2715 Gr. Encuadernacion Original. Nuevo. (td-7-2) 2715 Gr.

This illustrated volume presents an overview of Beckmann's work, from his early years in Germany, to his decade in exile in Amsterdam, to his final year in the USA. A critical analysis attempts to decipher Beckmann's expressionist language and to outline the themes that run through his work. Carla Schulz-Hoffmann is Director of the Collection of Twentieth-century art in the Pinakothek der Moderne in Munich, Germany. She teaches at the Academy of Fine Arts in Munich and has edited several catalogues on expressionist and modern art.

This illustrated volume presents an overview of Beckmann's work, from his early years in Germany, to his decade in exile in Amsterdam, to his final year in the USA. A critical analysis attempts to decipher Beckmann's expressionist language and to outline the themes that run through his work. Carla Schulz-Hoffmann is Director of the Collection of Twentieth-century art in the Pinakothek der Moderne in Munich, Germany. She teaches at the Academy of Fine Arts in Munich and has edited several catalogues on expressionist and modern art.

By Jeff L. Rosenheim with contributions by Gabriele Conrath-Scholl, Virginia Heckert, Lucy Sante, and Max Becher For more than five decades, Bernd (1931-2007) and Hilla (1934-2015) Bechercollaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers' quintessential pictures, which present water towers, gastanks, blast furnaces, and more as sculptural objects. Beyond the Bechers' iconic Typologies, the book includes Bernd's early drawings, Hilla's independent photographs, and excerpts from their notes, sketchbooks, and journals. The book's authors offer new insights into the development of the artists' process, their work's conceptual underpinnings, the photographers' relationship to deindustrialization, and the artists' legacy. An essay by award-winning cultural historian Lucy Sante and an interview with Max Becher, the artists' son, make this volume an unrivaled look into the Bechers' art, life, and career. Jeff L. Rosenheim is Joyce Frank Menschel Curator in Charge of the Department of Photographs at The Metropolitan Museum of Art, New York.

The 2002 began as the brainchild of Max Hoffmann, BMW's US importer, who wanted a car to follow up the 1600-2. Hoffman suggested using the 2-liter engine from its larger saloons, which would give excellent performance even in emissions-controlled form. The BMW engineers did as Hoffmann suggested and the result took the motoring world by storm on its announcement in 1968. So popular did the 2002 become that it went on to sell more than 300,000 examples over the seven years of its production. The original 2002 was complemented by a whole range of derivatives - convertible, hatchback touring models and finally, the legendary 2002 Turbo. The 2002 models are widely and rightly recognized as classics of their period and enjoy a large and committed following. This book forms an invaluable reference work and will be welcomed by enthusiasts everywhere.

The 2002 began as the brainchild of Max Hoffmann who wanted a car to follow up the 1600 in the USA. Because of emission regulations the logical choice was the 2-litre engine from the larger saloons. The car was announced in 1968 and was so popular that it sold more than 300,000 examples over the seven years of its production. There were a range of derivatives and when the last 2002 was produced in 1975 the grand total was just under 418,000. This is a collection of road tests, specification and technical data, comparison and drivers' reports and buying secondhand. Models included are: 2002, 2002 Auto, 2002Ti, 2002 Alpina, 2002Tii, 2002 Turbo, 2002 Cabrio, 2002S, 2002 Touring.