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--> Format: 18 cm (kl.8°), Seiten: 635, Gewicht < 500g, ; Papierbräunung, leichte altersgemäße Lese-/Lagerspuren, sonst sauber und für das Alter sehr gut erhalten, Namenseintrag, keine weiteren Eintragungen, . # INTERNATIONAL WORLDWIDE Shipping ( with Tracking number) available ! #

“In 1968 we celebrated the one hundred and fiftieth anniversary of the birth of Karl Marx. We still have reason to hope for a concrete celebration in 2018” With a demonstrably thorough grasp of Marxist thought, and seemingly effortless literary flair, Ernst Bloch provides both the well-versed reader and the novice a truly enjoyable introduction to one of the most influential thinkers in history.

“In 1968 we celebrated the one hundred and fiftieth anniversary of the birth of Karl Marx. We still have reason to hope for a concrete celebration in 2018” With a demonstrably thorough grasp of Marxist thought, and seemingly effortless literary flair, Ernst Bloch provides both the well-versed reader and the novice a truly enjoyable introduction to one of the most influential thinkers in history.

XI + 157 Seiten, orig. karton; Provenienz: Prof. Dr. Karl Hecker, dessen Stempel auf Titelblatt, ansonsten innen sehr gut und sauber. - - Inhalt: Vorwort, Einleitung. - I. Heliakische Aufgänge. - II. Die Wege. - III. Die Jahrespunkte. - IV. Datierung. - V. Die Aktualisierung. - VI. Sterngleichungen. - VII. Die Planisphäre K 8538. - VIII. Die Figur mit Zeigerstab. - IX. Augenschein. - X. mul.hag-si-sá und mul.pan. - XI. mul.gag-si-sá und die Figur mit Zeigerstab. - XII. Die Gestirne mul.mul, mul.is+lê, mul.GI-GI und mul.LUGAL. - XIII. Die Gestirne mul.ab-sin, mul.uga(musen) und mul.mus. - XIV. Das Gestirn mul.AS-iku. - XV. Das Gestirn mul.apin. - XVI. Bilanz: Nachgewiesene Sterngleichungen, Mutmaßliche Sterngleichung, Die Sternkarte der Planisphäre K 8538, Die Bildinforation der Planisphäre K8538. - XVII. Folgerungen: 1. Das 23. Anu-Gestirn, 2. "Der mit der Waffe Erschlagene", 3. "Der Viehhof", 4. Der mittelassyrische Kalender. - XVIII. Halley's Comet.

This item is printed on demand - it takes 3-4 days longer - Neuware -Frontmatter -- INHALTSVERZEICHNIS -- Vorbemerkungen / HINSKE, NORBERT -- Johann Heinrich Michaelis und seine Biblia Hebraica von 1720 / RENGSTORF, KARL HEINRICH -- Abbildungen 1-5 -- Abbildungen 6-11 -- Auf dem Wege zur theologischen Aufklärung in Halle: Von Johann Franz Budde zu Siegmund Jakob Baumgarten / SPARN, WALTER -- Thomasius politicus. Einige Bemerkungen über Staatskunst und Privatpolitik in der aufklärerischen Klugheitslehre / SCHNEIDERS, WERNER -- Freiheit gegen Fatalismus. Zu Joachim Langes Kritik an Wolff / BIANCO, BRUNO -- G. F. Meiers Stellung in der Religionsphilosophie der deutschen Aufklärung / GAWLICK, GÜNTER -- Abbildungen 12-16 -- Officina Diaboli. Das Theater im Visier des halleschen Pietismus / MARTENS, WOLFGANG -- »Halle, die Hochburg des Pietismus, die Wiege der Anakreontik«. Über das Konfliktpotential der anakreontischen Poesie als Kunst der »sinnlichen Erkenntnis« / VERWEYEN, THEODOR -- Jurisprudenz und Historie in Halle / HAMMERSTEIN, NOTKER -- Die Medizin im Spannungsfeld zwischen Aufklärung und Pietismus: Das unbequeme Werk Georg Ernst Stahls und dessen kulturelle Bedeutung / GEYER-KORDESCH, JOHANNA -- Abbildungen 17-20 -- NAMENREGISTER -- ANSCHRIFTEN DER MITARBEITER 304 pp. Deutsch

Friedrich Daniel Ernst Schleiermacher stands in the very first rank of Christian systematic theologians with Thomas Aquinas, John Calvin, and Karl Barth and has been dubbed as the 'Father of Modern Theology'.The beginning of the era of liberal theology that dominated Protestant thought at least until the First World War is commonly dated to the publication of Schleiermacher's On Religion:Speeches to Its Cultured Despisers in 1799.His influence extends far beyond theology.He was a pioneer in education, the philosophy of language and hermeneutics.There has been a resurgence of interest in Schleiermacher. His way of wrestling with many of the issues of theology in the modern world are still quite relevant. This Guide for the Perplexed brings the results of the recent decades of research to bear on the most controversial and important aspects of Schleiermacher's work for our own time.

SOME KEYWORDS: absolute religion; actuosity of spirit; Jean d' Alembert; allsufficiency of god; anthropo-dicy; pneumato-dicy; theodicy; P. Asveld; attributes of God; Karl Barth; Pierre Bayle; Henri Gergson; Peter Bertocci; Bietrich Bonhoeffer; Emil Brunner; G. L. Buffon; Ernst Cassirer; casuistry; catechesis; chiliasm; Carlos Cirne-Lima; concordia discors; corpus mysticum; cosmotheology; I. M. Crombie; cyclopism; Henry Dumery; Mircea Eliade; ethicotheology; Antony Flew; Thoedor Haering; Bernard haring; Herbert of Cherbury; Moses Hess; jansenism; etc., etc.

Contents: Gustav Mahler; Sigmund Freud; Karl Wolfskehl; Theodor Lessing; Carl Sternheim; Else Lasker-Schuler; Erich Muhsam; Ernst Toller; Albert Einstein; Arnold Schoenberg; Frank Kafka; Kurt Tucholsky; Walter Benjamin; Gertrud Kolmar; Alfred Doeblin; Hermann Broch.

In the German city of Dresden on June 7, 1905, the foundation of the Die Brücke artists’ group (1905–1913) is widely regarded as the birth of Expressionism. Led by Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel, and Karl Schmidt-Rottluff, the group sought to reject the limits of academia and, as their name suggested, to bridge the path to an artistic future. Their manifesto, printed with woodblock, insisted on absolute freedom from convention in their work as well as their lives.This new, liberated art incorporated portraits, landscapes, and city scenes, but substituted an objective rendering of reality with an expression of interior geography. In paintings, as well as their favored wood and linocut prints, the artists of Die Brücke would fill pictorial space with jagged lines, crude forms, and clashing colors, all to express their subjective experience of the world. Like the Fauves, the artists took stylistic lead from non-Western traditions of Oceanic and African arts, while also reviving the print and painting techniques of Albrecht Dürer and Lucas Cranach the Elder.This richly illustrated book introduces this essential expressionist movement. We examine Die Brücke’s key works and protagonists; its varied, international inspirations; and its crucial influence on later 20th century art. Along the way, we find candid nudes, crowded street views, and blissful bathing idylls, each of them vivid with energy and intent on a new kind of art.

The Bruecke-Museum in Berlin holds about 400 paintings and many sculptures of the Bruecke group of expressionist artists. Its collection is the most comprehensive worldwide, and contains paintings and sculptures by Karl Schmidt-Rottluff, Erich Heckel, Fritz Bleyl, Ernst-Ludwig Kirchner, Max Pechstein, Emil Nolde, Otto Mueller and Cuno Amiet. On occasion of the museums 100th anniversary, this volume documents the history of the Bruecke from its beginnings to its end. German text.

Early associates such as Rudolf Hess, Ernst Hanfstaengl, and Hermann Esser all claimed that Hitler revered alcoholic playwright Dietrich Eckart more than any other colleague. Eminent German historians Karl Dietrich Bracher, Werner Maser, Georg Franz-Willig, and Ernst Nolte have confirmed this assessment. Hitler not only dedicated Mein Kampf to Eckart, he hung his portrait in Munich's Brown House, placed a bust of him in the Reich Chancellery next to one of Bismarck, and named Berlin's 1936 Olympic stadium the Dietrich Ekcart Outdoor Theater. Yet British-American scholarship has virtually ignored "Nazism's Spiritual Father." J. H. Tyson weaves Eckart's biography into a colorful account of modern German history.

Thomas Olgetree's Christian Faith and History offers a critical analysis of the views of Ernst Troeltsch and Karl Barth regarding Christian faith and history. Troeltsch and Barth appraoched theology from seemingly antithetical vantage points, but Ogletree seeks to identify overlapping interests in the writing of these two authors, and to suggest a broader framework for understanding that constructively combines the insights of both.

Neu -Die von Karl Ernst Georges bearbeiteten und später von seinem Sohn Heinrich Georges fortgeführten Wörterbücher des Lateinischen gelten bis heute als Standardwerke. In rund 27000 Hauptstichwörtern erschließt das ursprünglich für Schulzwecke erarbeitete »Kleine Handwörterbuch Deutsch-Lateinisch« das Vokabular, für das im klassischen Latein entsprechende Ausdrücke vorliegen. Der »Kleine Georges« erscheint nun erstmals völlig überarbeitet in einer modernen, lesefreundlichen Antiquaschrift. Bei der Durchsicht wurden außerdem sprachlich veraltete Wendungen und Bedeutungen behutsam an unseren heutigen Sprachgebrauch angepasst. Das bewährte Handwörterbuch steht nun endlich allen Lateinlernenden und -lehrenden als praktisches und benutzerfreundliches Nachschlagewerk zur Verfügung. (Text dt., lat.) 1157 pp.

Boasting pilots who had been blooded in the Spanish Civil War, Jagdgeschwader 53 (JG 53) “Pik As” or “Ace of Spades” achieved great success in the skies over France and Britain in 1940. It was infamous among its opponents for the quality and caliber of its aces--men such as Werner Mölders, Hans-Karl Mayer, and Rolf Pingel. These aces won numerous Knight's Crosses for their exploits in 1940, credited with 258 victories, with 51 pilots being killed or captured. This study follows these pilots of JG 53 into battle, telling the stories of their victories, losses, and ultimate fate.Containing thirty-six profile illustrations depicting the drastic change in appearance of their aircraft over time, and complemented by thorough research, this book is a welcome addition to Osprey's popular Aircraft of the Aces series.

Karl Richter conducts Peter Schreier, Ernst Gerold Schramm, Sigmund Nimsgern, Helen Donath, Julia Hamari, Horst R. Laubenthal, Walter Berry, and Muenchner Bach Chor & Orchestra in 1971.