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A biographical sketch of this distinguished twentieth-century Black photographer prefaces over one hundred photographs furnishing a record of life in Harlem

Black boards, with a card dust cover, housed in a black cardboard slipcase. 64 pp. Illustrated with bw photographs. Essays by Hilton Als and Cheryl Finley. A very nice catalogue in an unusual format.

Details the life of the photographer, covering his youth, time in Harlem, and legacy.

A biographical sketch of this distinguished twentieth-century Black photographer prefaces over one hundred photographs furnishing a record of life in Harlem

James Van Der Zee was just a young boy when he saved enough money to buy his first camera. He took photos of his family, classmates, and anyone who would sit still for a portrait. By the fifth grade, James was the school photographer and unofficial town photographer. Eventually he outgrew his small town and moved to the exciting, fast-paced world of New York City. After being told by his boss that no one would want his or her photo taken -by a black man, - James opened his own portrait studio in Harlem. He took photographs of legendary figures of the Harlem Renaissance--politicians such as Marcus Garvey, performers including Florence Mills, Bill -Bojangles- Robinson, and Mamie Smith--and ordinary folks in the neighborhood too. Everyone wanted fancy portraits by James Van Der Zee. Winner of Lee & Low's New Voices Award, Take a Picture of Me, James Van Der Zee! tells the story of a groundbreaking artist who chronicled an important era in Harlem and showed the beauty and pride of its people.

271 Seiten. Mit zahlreichen Abbildungen/109 farbigen Abbildungen und Zeichnungen. 27,5 x 24,5 cm Buch ist neu, aus priv. Vorbesitz, ungelesen, ISBN: 9783777450902 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 1619

Unread book in perfect condition.

Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

208 S.: Abb. Sehr gutes und sauberes Exemplar. - Inhalt (Auszug): Vorwort von Brooke Gladstone 1828: Andrew Jackson 1828: Andrew Jackson 1832: Andrew Jackson 1836: Martin Van Buren 1840: William Henry Harrison 1840: William Henry Harrison 1844: Henry Clay 1844: James K. Polk 1848: Zachary Taylor 1848: Lewis Cass 1848: Daniel Webster 1848: Zachary Taylor 1852: Franklin Pierce 1856: James Buchanan 1856: Millard Fillmore 1860: Abraham Lincoln 1860: Abraham Lincoln 1860: John Bell 1864: George McClellan 1864: Abraham Lincoln and George McClellan 1868: Ulysses S. Grant 1868: Horatio Seymour 1872: Ulysses S. Grant 1872: Horace Greeley 1876: Rutherford B. Hayes 1880: James Abram Garfield 1880: James Abram Garfield 1884: Grover Cleveland 1888: Grover Cleveland 1888: Alson Streeter 1892: Benjamin Harrison 1896: William McKinley 1896: William Jennings Bryan 1896: William McKinley 1900: William Jennings Bryan 1900: William McKinley 1904: Theodore Roosevelt 1904: Eugene V. Debs 1908: William H. Taft 1908: William H. Taft. ISBN 9783861505839 Sprache: Deutsch Gewicht in Gramm: 993

Winner of the Lionel Trilling Award Nominated for the National Book Award “A major contribution to our understanding of some of the great themes of modern European history—the relations between Jews and Germans, between economics and politics, between banking and diplomacy.” —James Joll, The New York Times Book Review “I cannot praise this book too highly. It is a work of original scholarship, both exact and profound. It restores a buried chapter of history and penetrates, with insight and understanding, one of the most disturbing historical problems of modern times.” —Hugh J. Trevor-Roper, London Sunday Times “[An] extraordinary book, an invaluable contribution to our understanding of Germany in the second half of the nineteenth century.” —Stanley Hoffman, Washington Post Book World “One of the most important historical works of the past few decades.” —Golo Mann “In many ways this book resembles the great nineteenth-century novels.” —The Economist

This item is printed on demand - it takes 3-4 days longer - Neuware -Zur AusgabeDie 'Studienausgabe' (10 Bände plus Nachtragsband) umfaßt etwa zwei Drittel der in der 'Standard Edition' enthaltenen Freud-Texte; der Herausgeber der berühmten englischen Freud-Ausgabe, James Strachey, hat an der Konzeption der 'Studienausgabe' noch selbst mitgewirkt. Bis heute ist die 'Studienausgabe' die einzige kritische deutschsprachige Ausgabe des Hauptteils von Freuds uvre. Die Bände sind nach Themen geordnet, wodurch dem Leser eine rasche Orientierung im vielgestaltigen Werk Freuds ermöglicht wird. Innerhalb der mit umfangreichem editorischen Apparat ausgestatteten Bände gilt das chronologische Gliederungsprinzip. 656 pp. Deutsch

Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

One of the most important manuscripts discovered in recent times is the 4th century Codex Tchacos. It contains 4 texts, two of which (The Letter of Peter to Philip and The [first Apocalypse] of James) were already known from the finds at Nag Hammadi. The other two present hitherto unknown Gnostic writings (The Gospel of Judas and a text which researchers have named Allogenes). This publication presents the Coptic texts with a German translation on the facing pages, together with detailed

166 S., (Reformed Historical Theology, 71) Wegen der EPR-Bestimmungen liefern wir nicht nach Bulgarien, Dänemark, Estland, Griechenland, Irland, Litauen, Luxemburg, Malta, Kroatien, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien und Ungarn. Sprache: Englisch Gewicht in Gramm: 420

The 6th volume in Stern magazine's Bibliothek Der Fotografie series (Stern Library of Photography, Portfolio No. 6), devoted entirely to the work of photographer James Nachtwey and with a large selection of his images made in Afghanistan. Nachtwey is one of the best photojournalists working today and the subject of the film "War Photographer." Photographs by James Nachtwey; essays by Hans-Hermann Klare and Gabriel Gruner. Staple-bound; unpaginated [96 pages]; full-page b&w + spot color, text illustrations, and color advertising; 10.5 x 14.25 inches. Text in German.

Neu -'Huckleberry Finn' wird zum Roman der Freiheit - in 'James' erfindet Percival Everett den Klassiker der amerikanischen Literatur neu. Fesselnd, komisch, subversivJim spielt den Dummen. Es wäre zu gefährlich, wenn die Weißen wüssten, wie intelligent und gebildet er ist. Als man ihn nach New Orleans verkaufen will, flieht er mit Huck gen Norden in die Freiheit. Auf dem Mississippi jagt ein Abenteuer das nächste: Stürme, Überschwemmungen, Begegnungen mit Betrügern und Blackface-Sängern. Immer wieder muss Jim mit seiner schwarzen Identität jonglieren, um sich und seinen jugendlichen Freund zu retten. Percival Everetts 'James' ist einer der maßgeblichen Romane unserer Zeit, eine unerhörte Provokation, die an die Grundfesten des amerikanischen Mythos rührt. Ein auf den Kopf gestellter Klassiker, der uns aufrüttelt und fragt: Wie lesen wir heute Fesselnd, komisch, subversiv. 336 pp. Deutsch

In 1938 James Speyer departed Harvard's School of Design in order to become Mies van der Rohe's first American graduate student at the Armour Institute of Technology in Chicago. During the 40s and 50s he taught architecture under Mies while at the same time, as an architect in his own right, he completed houses in Chicago and Pittsburgh that represented the cutting edge of new glass-and-steel design. In 1957 Speyer traveled to Greece on a Fulbright fellowship, where he taught at the Polytechneon in Athens; upon returning to America, he became Curator of Twentieth Century Painting and Sculpture at the Art Institute of Chicago. He held this position for the next twenty-five years, and his tenure witnessed over 125 exhibitions and a remarkable expansion to the Institute's permanent collection.This volume includes a biographical essay by Franz Schulze and six accounts from Speyer's friends and colleagues who remember different aspects of his life and work. Floor plans and photographs direct special attention to Speyer's extraordinary, ultra-modernist designs—not only for houses but also for innovative exhibitions at the Art Institute during the 60s and 70s.

627 S. ; 18 cm NEUBUCH ! 3518114395 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 220