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This is another intriguing work in the Picasso style and continues Primos tradition of giving the viewer many angles and ways of seeing his art. He places a focus on creating different ways of looking at the same piece so that viewers can maintain their own perspective of the piece, rather than look at a picture and know exactly what it is. Primo accomplishes this with his interesting mixed media wall sculpture vision and distinct creative style. Each piece is hand signed by the artist. Color: Multi Color.

It's the sleek and modern Color Smart Light 5000 Transparency Viewer 10x20" by JUST Normlicht, a game-changer in the realm of visual media presentation. This high-tech desktop lightbox, available in an array of six distinct sizes, is designed to revolutionize your viewing experience with its expansive 10x20 inch viewing area. Engineered with JUST Normlicht's proprietary Color Control Daylight 5000 bulbs, this advanced viewer integrates energy-efficient, high-strength fluorescent light technology with superior color rendering capabilities. This unique combination illuminates your transparencies, photographs, or artwork with unparalleled clarity and precision, revealing subtle shades and hues that were previously challenging to distinguish. The Color Smart Light 5000 Transparency Viewer is not just a tool, but a stylish and user-friendly addition to your workspace. Its flat, streamlined design makes it a convenient and space-saving solution for professionals who frequently work with visual media. Experience the difference with the Color Smart Light 5000 Transparency Viewer 10x20" by JUST Normlicht, where cutting-edge technology meets exceptional design.

Primo uses his talent for piecing together iron and wood to great effect in this unforgettable mixed media wall sculpture. The viewer gets a sense of true beauty from these painted scraps and is replete with character and depth. Unique shapes and patterns come together to create the form of the woman and new details come to the fore with each passing glance. This industrial style of mixed media art is extremely popular and well respected in the artistic community. Color: Multi Color.

Bring visual depth and drama to your walls with our Icelandic Highlands framed wall art. Painterly organic shapes and tonal contrast bring our abstract and minimalist artwork to life. It showcases intriguing shapes and fascinating textures to capture the imagination of the viewer. Enriched in a moody color palette, our modern and sophisticated wall art lends a gallery-worthy impact to your entryway, living room, dining, or bedroom. Color: Multi.

Refresh your walls with the modern and soothing presence of our Harmony framed wall art. Bold brush strokes lend a sense of depth and movement to your abstract artwork. Holding a different meaning and perspective for each viewer, our dynamic wall art is sure to intrigue and capture your imagination. It is rendered in a soft and soothing color palette to add tranquil depth and visual interest to your entryway, living space, bedroom, or home office. Color: Multi.

Action and romance is captured in this stunning depiction of ballroom dancers strutting their stuff on the dance floor. This provocative image emanates sensual tension and the abstract style lets the viewer imagine their own storylines. Ballroom dancing is extremely popular now as it has been for over 100 years, and this mixed media sculpture expertly captures the essence of the dance. The dancers are caught in mid dip and the viewer can imagine them twirling about to the music. Color: Multi Color.

The use of iron wall sculpture here makes this piano appear in a new light, as a series of parts and shapes, as much a machine as an instrument. There is a satisfaction for the viewer in finding all the places where the parts intersect, along with the details in the keys and mechanism. This piece is dark in tone but very fascinating, ideal for a talking point in a social room. Color: Multi Color.

Primos skill as an industrial artist is on full display with this red poppy piece of work. Notice how he utilizes bent and coiled wires, nuts, and washers to make the stamens of the flower. This three-dimensional creation is layered to literally pop off the wall at the viewer. Primos rustic take on the time-honored subject of the simple flower is totally unique in the industrial style and is a welcome addition to any art collection. Color: Multi Color.

Elevate your wall with the sophisticated drama of our, in. Blueberry Scone in. framed wall art. Freehand gestural marks randomly spread over the artwork to attain a dynamic texture. Inviting each viewer for a closer look, our wall art delivers a vibrant sense of movement and poise. It is enriched in royal blue color to attain a lively and refreshing presence in any room. The printed wall art can stand alone or style a gallery wall to liven up your home. Color: Royal Blue/Antique Ivory.

Uplift your walls with the eye-catching charm and elegance of our, Primary Objective framed wall art. Our minimalistic artwork plays with the scale of richly colored, irregular shapes to evoke a sense of mystery and intrigue. Holding a different meaning for each viewer, our dynamic wall art remains enriched in bright denim blue and gold. Vibrant and abstractly profound, our printed wall art makes an elevated statement in your living area, dining room, or home office. Color: Denim/Gold.

Here we have a cascading view of many umbrellas, perhaps being carried down a busy sidewalk during a rainstorm. This piece is amazingly created by Primo using only metal and skillfully painted to resemble a stormy day in the city. The viewer is challenged to find context and meaning in this type of abstract art and Primo is certainly an expert at drawing the viewer in and making him view the many subtle variations in the piece. Color: Multi Color.

Clarifying the Bible is a two-hour video presentation and workbook giving viewers the basic framework and storyline of the Bible. The material is presented in a passionate, compelling fashion, delivering on its promise to help people see the Bible with more clarity than ever before.

Once a shoestring operation built on plywood sets and Australian rules football, ESPN has evolved into a media colossus. A genius for cross-promotion and its near-mystical rapport with its viewers empower the network to set agendas and create superstars, to curate sports history even as it mainstreams the latest cultural trends. Travis Vogan teams archival research and interviews with an all-star cast to pen the definitive account of how ESPN turned X's and O's into billions of $$$. Vogan's institutional and cultural history focuses on the network since 1998, the year it launched a high-motor effort to craft its brand and grow audiences across media platforms. As he shows, innovative properties like SportsCentury, ESPN The Magazine , and 30 for 30 built the network's cultural caché. This credibility, in turn, propelled ESPN's transformation into an entity that lapped its run-of-the-mill competitors and helped fulfill its self-proclaimed status as the "Worldwide Leader in Sports." Ambitious and long overdue, ESPN: The Making of a Sports Media Empire offers an inside look at how the network changed an industry and reshaped the very way we live as sports fans.

Attention is the new commodity. Visual Storytelling is the new currency. Human brain processes visuals 60,000x faster than text. Web posts with visuals drive up to 180% more engagement than those without. Viewers spend 100% more time on web pages with videos. Filled with full-color images and thought-provoking examples from leading companies, The Power of Visual Storytelling explains how to grow your business and strengthen your brand by leveraging photos, videos, infographics, presentations, and other rich media. The book delivers a powerful road map for getting started, while inspiring new levels of creativity within organizations of all types and sizes. “This book is not only a complete overview of [visual storytelling] but, most importantly, the key to doing it right, a total Right Hook!”―Gary Vaynerchuk, New York Times bestselling author of Crush It! and Jab, Jab, Jab, Right Hook “A valuable guide to understanding how to develop powerful marketing programs using the art of visual storytelling.”―Guy Kawasaki, author of APE: Author, Publisher, Entrepreneur and former chief evangelist of Apple “The Power of Visual Storytelling is the new marketing bible!”―Nancy Bhagat, Vice President, Global Marketing Strategy and Campaigns, Intel “If a picture is worth a thousand words, The Power of Visual Storytelling is worth a million.”―Scott Monty, Global Digital & Multimedia Communications for Ford Motor Company

Since September 11, 2001, and the wars in Afghanistan and Iraq, many television viewers in the United States have become familiar with Al Jazeera as offering an alternative take on events from that presented by mainstream U.S. media, as well as disseminating anti-American invective. Westerners have tended toward simplistic views of Arab newspapers, radio, and television, assuming that they are all under government control and that freedom of press is non-existent. William A. Rugh, a long time observer of the Arab mass media, offers a more nuanced picture of the Arab press as it relates to the political situation in the Arab world today.Although governmental influence over the media is stronger in the Middle East than in Europe or the United States, Rugh argues that there is more diversity in the Arab media than most people in the West realize. In reality, the Arab media are coming to reflect the diversity and wide range of opinions of those within the Arab world itself. In particular, the advent of privately owned Arab satellite television in the 1990s has led to significant liberalization of the media throughout the region. Rugh concludes that a democracy of ideas and voices is slowly growing in the Arab world, and he remains guardedly optimistic about the positive role the Arab media can play in processes of democratization and nation-building.

Gone is the era of Edward R. Murrow and Walter Cronkite, when news programs fought to gain the trust and respect of a wide spectrum of American viewers. Today, the fastest-growing news programs and media platforms are fighting hard for increasingly narrow segments of the public and playing on old prejudices and deep-rooted fears, coloring the conversation in the blogosphere and the cable news chatter to distract from the true issues at stake. Using the same tactics once used to mobilize political parties and committed voters, they send their fans coded messages and demonize opposing groups, in the process securing valuable audience share and website traffic. Race-baiter is a term born out of this tumultuous climate, coined by the conservative media to describe a person who uses racial tensions to arouse the passion and ire of a particular demographic. Even as the election of the first black president forces us all to reevaluate how we think about race, gender, culture, and class lines, some areas of modern media are working hard to push the same old buttons of conflict and division for new purposes. In Race-Baiter, veteran journalist and media critic Eric Deggans dissects the powerful ways modern media feeds fears, prejudices, and hate, while also tracing the history of the word and its consequences, intended or otherwise.

Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer’s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you – the viewer - are invited to ‘do it yourself.’Rather than a specialist topic in the history of twentieth- and twenty-first century art, the ‘do-it-yourself’ artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.

The author shows how journalists abandon their watchdog role, however unintentionally, to support 'our side', for example in the 1991 Gulf War. This book demonstrates how readers and viewers are also implicated by virtue of their expectations and their inability to decode the press critically. Examples are provided of how conflict may be otherwise depicted, for example by artists and front-line participants, as well as how media-literate readers can learn to read between the lines.

Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer’s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you – the viewer - are invited to ‘do it yourself.’Rather than a specialist topic in the history of twentieth- and twenty-first century art, the ‘do-it-yourself’ artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.