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55 pages. Paperback exhibition catalogue, bound in printed pink stiff paper covers. Text in English. Published on the occasion of the exhibition held in Chicago from May 2-June 7, 2014. Edited by Julia V. Hendrickson with texts drawn from George Herriman's comic "Krazy Kat."

In 1912, D. H. Lawrence met Frieda von Richthofen, the wife of his former professor, and fell in love with her. The pair eloped to Bavaria leaving her three children behind and two years later they were married. Challenging the reader to see the Lawrences in a new light, this book follows the fates of these two strong people as they overcame one obstacle after another to their commitment. As their love matured, their loyalty to each other was tested time and again from both inside and outside their marriage. The author has had privileged access to Frieda’s unpublished letters, and draws on them to portray a powerful but atypical marriage, in which disappointment and infidelity damaged but also strengthened the Lawrences’ marital bond. Out of these new sources emerges a fresh clarity about the successive stages of their love from infatuation and intimacy to love and deepened respect and finally to a loss of emotional coherence. In elegant chapters remarkable for their brevity and insight, the author rediscovers the essence of the Lawrences’ marriage, an essence that continued to inspire Frieda long after Lawrence died. Her forceful character, and Lawrence’s understanding of it, triumph here as never before.

Ancient humans had the natural urge to document the world in which they lived, a fact that is evident in the cave paintings and carvings that still exist today. Why do rock paintings from various sites around the world all seem to depict the same things? Did the peoples of the prehistoric world have contact with each another? Is it possible that some were transported to far-flung locations in what our ancestors could only have described as "flying chariots"?Erich von Däniken, one of the best-selling authors of all time and regarded by many as the father of the ancient alien theory, continues his mission to uncover Earth's ancient past--this time with more than 150 extraordinary full-color photographs--in Evidence of the Gods.This extensively illustrated book features never-before-seen photographs from his unique archive, compiled throughout decades of searching around the world for traces of the cosmic gods whom he believes came to Earth thousands of years ago. Evidence of the Gods offers the best and most impressive evidence to date, along with concise explanations for the images, to bolster the case that von Däniken has already been making quite convincingly for years.Evidence of the Gods is his most convincing--and thoroughly entertaining--work yet.Did extraterrestrial visitors really leave their unmistakable traces on our planet thousands of years ago?The images will speak for themselves.

B : 90 Seiten/Pages, enthält 44 ganzseitige schwarz/weiß Abbildungen. 8°. Orig.-Boschur mit Goldprägung. Mit einem Text von Diedrich Diederichsen. Eines von 1000 Exemplaren / limited edition: 1000 Ex.

This book explains how and why Gluck's historically important and best-loved opera Orfeo came into existence, and shows why it has retained its popularity. The work is placed in its context of Gluck's 'reform of opera', an artistic movement involving actors, dancers, designers, writers and philosophers, as well as musicians and librettists. Patricia Howard and her fellow contributors describe how the opera has been reinterpreted throughout the past two hundred years from its first performance. Differing twentieth-century views based on practical experience of the work are put forward by the conductors John Eliot Gardiner and Sir Charles Mackerras, the singer Kevin Smith and the English National Opera music consultant Tom Hammond.

Did you ever wonder how and why Franz Conrad von Hötzendorf (1852-1925) earned his reputation for brilliance, while failing so miserably during the First World War?In examining Conrad's life and career, including his years as a military writer, teacher of tactics, and a peacetime troop commander before 1906, this first modern biography offers a fascinating and impressive explanation of his thoughts and actions.Franz Conrad von Hötzendorf (1852-1925) served as Austro-Hungarian chief of the general staff between 1906 and 1917, and was a leading figure in the origins and conduct of the First World War. In no other country did a single general serve as the leading prewar tactician, prewar and wartime strategist, and wartime army commander. Because Conrad filled all of these roles in Austria-Hungary, he had no equal among the military men leading the old order of Europe to destruction in 1914-1918.

Dashingly told and meticulously researched, this double biography of D. H. Lawrence and his wife Frieda von Richthofen is the first to draw fully on Frieda’s unpublished letters and on interviews with people who knew her well. It explores their collision with an industrial world they hated and chronicles the stormy relationship between husband and wife. The strong sexual vitality that inspired Lawrence’s art brought both joy and anguish to his marriage. Here, the Lawrences emerge as proud but not conceited in their unconventional lives, staunch in the face of fierce opposition from a conformist society.    Living at the Edge follows the separate lives of Lawrence and Frieda up to their first meeting in 1912. Tracing their new life together, it depicts their grateful escape from the English Midlands; their discovery of exotic places where they made temporary homes—Italy, Cornwall, Australia, New Mexico, and Mexico; Lawrence’s courageous battle against illness; and, after his death in 1930, Frieda’s success in recreating the simple life on ranches near Taos, New Mexico, where she died in 1956.    At the center of their story is Lawrence’s literary career. Biographers Squires and Talbot see Lawrence’s major novels—The Rainbow, Women in Love, Lady Chatterley’s Lover—as a fresh way to understand his turbulent and conflicted life. They reveal the extreme care with which he rewrote his personal experience to satisfy his deepest needs, and they introduce the many influential people who entered the Lawrences’ lives and work. The rich materials from Frieda’s letters reveal a different Lawrence—more difficult as a man but more interesting as an artist; they also reveal a different Frieda—more vibrant as a woman, more substantial as a companion. This superb biography gives both Lawrence and Frieda striking new dimensions.

Insight into universal nature provides an intellectual life? Why are so many plants and animals, especially delight and sense of freedom that no blows of fate and freshwater species, at risk of extinction? These are a few no evil can destroy. of the questions that have intrigued observers of nature Alexander von Humboldt, 1805 and the Earth. By studying the Earth's patterns of life, students of biogeography ultimately ponder some of the ... on that small spot, that little blue and white thing, most basic questions about life and the cosmos. is everything that means anything to you - all of history and music and poetry and art and death and birth and love, tears, joy, games, all of it on that little Historical roots of biogeography spot out there that you can cover with your thumb. The topic of biogeography has its roots in the work of And you realize from that perspective that you've Alexander von Humboldt, the recognized father of plant changed, that there's something new there, that the geography (Detwyler 1969, Browne 1983). From its relationship is no longer what it was.

Why do nearly all the world's major religions share such similar myths and legends? Erich Von Däniken, author of the runaway international bestseller Chariots of the Gods, believes he knows--and the answer is as wondrous and awe-inspiring as it is controversial: the winged angels populating the Bible, Koran, and other religious texts from cultures the world over were in reality extraterrestrials who visited the Earth in ages long past. Fully illustrated with compelling full-color and black-and-white photographs, the book takes us from the jungles of Myanmar, where ancient pagodas point heavenward in the unmistakable shape of spacecraft, to Portugal's mysterious legend of Fatima and on to the unexplained "landing strips" of Peru and Egypt, offering persuasive evidence that actual living beings inspired the legends that became the basis for many of our religious traditions. Intellectually challenging and provocative, these findings shake the foundations of both science and faith.

War by Numbers assesses the nature of conventional warfare through the analysis of historical combat. Christopher A. Lawrence establishes what we know about conventional combat and why we know it. By demonstrating the impact a variety of factors have on combat he moves such analysis beyond the work of Carl von Clausewitz and into modern data and interpretation. Using vast data sets, Lawrence examines force ratios, the human factor in case studies from World War II and beyond, the combat value of superior situational awareness, and the effects of dispersion, among other elements. Lawrence challenges existing interpretations of conventional warfare and shows how such combat should be conducted in the future, simultaneously broadening our understanding of what it means to fight wars by the numbers.  

War by Numbers assesses the nature of conventional warfare through the analysis of historical combat. Christopher A. Lawrence establishes what we know about conventional combat and why we know it. By demonstrating the impact a variety of factors have on combat he moves such analysis beyond the work of Carl von Clausewitz and into modern data and interpretation. Using vast data sets, Lawrence examines force ratios, the human factor in case studies from World War II and beyond, the combat value of superior situational awareness, and the effects of dispersion, among other elements. Lawrence challenges existing interpretations of conventional warfare and shows how such combat should be conducted in the future, simultaneously broadening our understanding of what it means to fight wars by the numbers.  

Philip Sheldrake studies the growing dialogue between theology and spirituality within a wider historical context, showing how and why these fields originally diverged. Spirituality and Theology explores the work of theologians such as Karl Rahner, Hans Urs von Balthasar, Gustavo Gutierrez, and feminist theologians who have attempted a reintegration of theology and spirituality. Sheldrake offers reflections on the doctrine of the Trinity as a unifying theme in the quest to heal this historic and vexing division. He examines in particular the Trinity in the writings of Julian of Norwich, George Herbert, and Ignatius of Loyola. Finally, he reflects upon the theme of "place," which is not only a central element of human experience, but also an important preoccupation in much contemporary discussion about human identity.

Many Christian theologians have associated beauty, both in nature and art, with the Holy Spirit. They include early Fathers like St Irenaeus and St Clement of Alexandria, as well as later writers like Calvin, Jonathan Edwards, Sergius Bulgakov and Hans Urs von Balthasar. This text investigates what they said and why. In doing so, it also serves as an introduction to the whole area of theological aesthetics. Besides exploring the connection between the Holy Spirit and beauty, it ranges more widely by considering topics such as divine glory, inspiration and the eschatological character of beauty. Its discussions bring together two areas of lively interest in contemporary Christianity: the theology of the Holy Spirit and theological aesthetics.

The Sound of Music endeared Georg von Trapp (1880–1947) and his singing family to the world, and it also showed us how desperately the Nazis wanted Captain von Trapp for their navy. In To the Last Salute we learn why. Trapp’s own story of his exploits as a submarine commander during the First World War is as exciting as it is instructive, bringing to stirring life a little-known chapter in the naval history of that war. In his many guises Trapp describes life as captain of Austro-Hungarian U-boats in the Mediterranean and Adriatic seas, emerging by turn as the Imperial Austrian naval officer, the witty observer of international politics, and the indefatigable and ultimately heartbroken patriot opposing the Allied enemy. He relates deadly duels with submarine sweepers, narrow escapes and excruciatingly close calls, and the spectacular sinking of cargo and war ships—all the while maintaining a keen sense of the camaraderie of seamen from every corner of the Austro-Hungarian Empire. A picture of a lost time, a portrait of a remarkable character, a window on early submarine warfare: Trapp’s story, in English for the first time, offers a rare combination of human interest, historical insight, and true life-and-death adventure.

The fate of California hangs in the balance as the people hold a state referendum. Will the Bear State go Union, Confederate or Independent? And who stole Phineas von Landingham's airship? And why?

Lines laid across the plain near the Peruvian site of Nazca have been explained as ancient roads or features of a long-forgotten religious calendar. So why did Erich von Daniken interpret these markings as the contours of a huge galactic spaceport? In his assessment of the uncanny and frequently eerie world of UFO-logy, Gregory L Reece travels deep into a mindset which believes that the gods of mythology were really visitors from the stars. Venturing into the Mojave Desert to watch the night skies for flying saucers; exploring Nevada's top-secret installation 'Area 51'; and visiting Roswell, famous site of a supposed saucer crash in 1947, the author's quest for the truth brings him more than he bargained for. He has his atomic structure recharged in a machine supposedly designed by extraterrestrial technology, encounters a whole galaxy of alien life-forms, and meets those who claim themselves to have been abducted by UFOs. Along the way, he tries to make sense both of the sinister 'Men in Black' and of lethal 'Tall Whites', deadly aliens who liquidate human beings without mercy.What is it about flying saucer culture that speaks to people with an apparently religious intensity and fervour? For those looking for the answers, "UFO Religion" is the definitive guide and handbook to one of the most extraordinary and compelling cults of our times.

Brain in Balance gives insight into how your balance of neurotransmitters influences personality, memory, mood, depression, anxiety, and certain psychological disorders. It also clarifies why people suffer from drug addiction and alcoholism and explains how they can gain permanent relief. Dr. Von Stieff’s methods of establishing balance in individuals’ neurochemicals have provided record-breaking lasting results for patients throughout the San Francisco Bay Area that have left people wondering — How does he do it? His answer, “It’s all in the neurotransmitters.” With this book, his goal is to help medical staff and counselors everywhere provide the best treatment possible, and encourage individuals to seek a higher quality of life.

‘Fly, Zeppelin! Help us in the war. Fly to England, England shall be destroyed by fire. Zeppelin, fly!’ Such was the hymn which the children sang; such the refrain which greeted the aged inventor, Count Ferdinand von Zeppelin, wherever he went. Why was there this reaction across Germany? How did a handful of aircraft giving pleasure cruises become a fearsome fleet of rapacious giants encouraged to punish Germany’s enemies? What were the images that became part of the public’s wartime consciousness?Books on the Zeppelin raids during the First World War have, traditionally, focused on the direct impact of Britain, from the devastating effects on undefended towns and cities, the psychological impact of this first weapon of total war to the technological and strategic advances that eventually defeated the ‘Baby Killers’. Now, drawing on the largest postcard collection of its kind and other period memorabilia, David Marks tells the story of the Zeppelin during the First World War from a viewpoint that has rarely been considered: Germany itself.From its maiden flight in July 1900, the Zeppelin evolved into a symbol of technology and national pride that, once war was declared, was at the forefront of German’s propaganda campaign. The Zeppelin links the rampant xenophobia at the outbreak of the conflict against England (it almost never called Britain), France, Russia and their allies to the political doctrines of the day. The postcards that profusely illustrate this book show the wide-ranging types of propaganda from strident Teutonic imagery, myths and legends, biting satire and a surprising amount of humour. This book is a unique contribution to our understanding of the place of the Zeppelin in Germany’s culture and society during the First World War.

OBJECTION!Only one name strikes fear into the hearts of evildoers everywhere: Phoenix Wright, ace attorney. Join Phoenix Wright and his adorable assistant Maya–plus Miles Edgeworth, Detective Gumshoe, Franziska von Karma, and others–as they investigate twenty intriguing cases. And find out why Phoenix Wright has devoted his life to fighting injustice!