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The second of two volumes on ceramics, this book covers earthenware and focuses on another great artist-entrepreneur, Yabu Meizan (1853-1934), and illustrates 168 of his earthenwares and those of his contemporaries and imitators, minutely decorated in enamels and gold over a characteristic crackled ground. This volume of the Collection is sold with a free copy of Volume I: Selected Essays.

Brand from China: meiji blossom. Color: Garment - 2 Pcs - Black - M / Garment - Black - L / Shoe - Black - One Size / Drawstring - Black - One Size / Makeup - Black, Materials: Polyester, Size: Garment: M: Height: 35cm, Width: 31cm, Thickness: 9cm L: Height: 43cm, Width: 32cm, Thickness: 9cm Shoe: One Size: Length: 44.5cm, Width: 23.5cm Drawstring: One Size: Length: 52.5cm, Width: 36.5cm Makeup: One Size: Width: 23cm, Height: 15cm, Thickness: 8cm, Care: N/A

Brand from China: meiji blossom. Color: Black, Materials: Recycled Grosgrain, Size: One Size: Width: 43cm, Thickness: 18cm, Height: 31cm, Care: N/A

Art jewelry inspired by The Met collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. This shimmering jewelry is inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. We present this item in celebration of Collecting Inspiration: Edward C. Moore at Tiffany & Co. This exhibition, on view at The Met Fifth Avenue from June 9 to October 20, 2024, showcases the profound design influence of Edward C. Moore, a prodigious collector of decorative arts, a noted silversmith, and the creative force who led Tiffany & Co. to unparalleled heights of originality and success during the second half of the 19th century. Through over 180 extraordinary creations bequeathed to the Museum from Moore's collection, alongside 70 magnificent silver objects designed at Tiffany & Co. under his direction, Collecting Inspiration considers Moore's pivotal role in shaping the legendary Tiffany design aesthetic-and the evolution of The Met collection. Click

Art jewelry inspired by The Met collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. This shimmering pendant necklace is inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. We present this item in celebration of Collecting Inspiration: Edward C. Moore at Tiffany & Co. This exhibition, on view at The Met Fifth Avenue from June 9 to October 20, 2024, showcases the profound design influence of Edward C. Moore, a prodigious collector of decorative arts, a noted silversmith, and the creative force who led Tiffany & Co. to unparalleled heights of originality and success during the second half of the 19th century. Through over 180 extraordinary creations bequeathed to the Museum from Moore's collection, alongside 70 magnificent silver objects designed at Tiffany & Co. under his direction, Collecting Inspiration considers Moore's pivotal role in shaping the legendary Tiffany design aesthetic-and the evolution of The Met collection. Click

Art jewelry inspired by The Met collection. This statement-making necklace is inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. We present this item in celebration of Collecting Inspiration: Edward C. Moore at Tiffany & Co. This exhibition, on view at The Met Fifth Avenue from June 9 to October 20, 2024, showcases the profound design influence of Edward C. Moore, a prodigious collector of decorative arts, a noted silversmith, and the creative force who led Tiffany & Co. to unparalleled heights of originality and success during the second half of the 19th century. Through over 180 extraordinary creations bequeathed to the Museum from Moore's collection, alongside 70 magnificent silver objects designed at Tiffany & Co. under his direction, Collecting Inspiration considers Moore's pivotal role in shaping the legendary Tiffany design aesthetic-and the evolution of The Met collection. Click

Art jewelry inspired by The Met collection. These eye-catching statement earrings are inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. We present this item in celebration of Collecting Inspiration: Edward C. Moore at Tiffany & Co. This exhibition, on view at The Met Fifth Avenue from June 9 to October 20, 2024, showcases the profound design influence of Edward C. Moore, a prodigious collector of decorative arts, a noted silversmith, and the creative force who led Tiffany & Co. to unparalleled heights of originality and success during the second half of the 19th century. Through over 180 extraordinary creations bequeathed to the Museum from Moore's collection, alongside 70 magnificent silver objects designed at Tiffany & Co. under his direction, Collecting Inspiration considers Moore's pivotal role in shaping the legendary Tiffany design aesthetic-and the evolution of The Met collection. Click

Art jewelry inspired by The Met collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. These shimmering earrings are inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. We present this item in celebration of Collecting Inspiration: Edward C. Moore at Tiffany & Co. This exhibition, on view at The Met Fifth Avenue from June 9 to October 20, 2024, showcases the profound design influence of Edward C. Moore, a prodigious collector of decorative arts, a noted silversmith, and the creative force who led Tiffany & Co. to unparalleled heights of originality and success during the second half of the 19th century. Through over 180 extraordinary creations bequeathed to the Museum from Moore's collection, alongside 70 magnificent silver objects designed at Tiffany & Co. under his direction, Collecting Inspiration considers Moore's pivotal role in shaping the legendary Tiffany design aesthetic-and the evolution of The Met collection. Click

Luxury premium ingredients (coenzyme Q10, hyaluronic acid, ceramide, glucosamine, amino acid (arginine), vitamin C).A premium collagen powder that contains a luxurious blend of carefully selected beauty ingredients for a daily supply of moisture, making it easy to try for 14 days.There is almost no flavor peculiar to collagen, so just dissolve it in your favorite drink or meal. (Coffee, juice, yogurt, etc.)100% fish collagen (100% low-molecular-weight fish collagen is used.)How to use:Enjoy it in coffee, juice, yogurt, or any of your favorite dishes.. Ingredient: Ingredients: fish collagen peptide (gelatin), maltodextrin, vegetable oil, coenzyme Q10, rice germ extract (containing ceramide), trehalose, vitamin C, glucosamine, arginine, flavoring, hyaluronic acid, emulsifier (contains soybeans), thickener Viscous agent (gum arabic), sweetener (sucralose), (contains orange, soybean, and gelatin in part) Nutritional information (per serving (7g)): Energy 27kcal Protein 5.3g Fat 0.08g Carbohydrate 1. 3g Salt equivalent 0.04g Vitamin C 50mg Collagen peptide 5000mg Hyaluronic acid 20mg Coenzyme Q1010mg Ceramide 1200 g Arginine 450mg Glucosamine 60mg Collagen peptide is a low-molecular weight collagen.

The second of two volumes on ceramics, this book covers earthenware and focuses on another great artist-entrepreneur, Yabu Meizan (1853-1934), and illustrates 168 of his earthenwares and those of his contemporaries and imitators, minutely decorated in enamels and gold over a characteristic crackled ground. This volume of the Collection is sold with a free copy of Volume I: Selected Essays.

Among the revolutionary movements which shook the nineteenth-century world, the change of government in Japan in 1868 occupies a special place. A new, dynamic ruling class provoked the overthrow of the old rule of the shogun and in a few years the visible structure of feudal society disappeared. The founders of the new Meiji rule had themselves been warriors and thought they were able to resist foreign pressure, but very quickly they adopted western dress gave their country a modern army, built railways and contributed to establishing a great empire. The nature of this transformation has been regarded by western historians as "revolution" and "restoration" – two quite contradictory ideas. But in this book Paul Akamatsu clarifies the picture of the forces at work in this conversion of a backward feudal state into a modern power in a few decades.

Pressure exerted by America in 1854 caused Japan to open its doors after 260 years of isolation. Wide receptiveness to everything Western was the driving force behind the modernization of Japan initiated by the Meiji government, yet it also induced a rapid rediscovery of indigenous cultural values. At early Paris and London international exhibitions, the Japanese decorative and applied arts sparked off the Western fascination with all things Japanese japonisme. In Japan, on the other hand, new technologies were eagerly adopted the government realized that increasing production for export would be an excellent means of promoting Japanese economic growth and thus enhancing Japan's status worldwide. Meiji Ceramics represents the first in-depth study of the development of Japanese export porcelain against a highly charged background of political, economic and cultural factors. Includes 180 artists's signatures. Text in English.

Unread book in perfect condition.

Book is in NEW condition. 0.72

Unread book in perfect condition.

For Japan, the Meiji Restoration of 1868 has something of the significance that the French Revolution has for France: it is the point from which modern history begins. In this now classic work of Japanese history, the late W. G. Beasley offers a comprehensive account of the origins, development, and immediate aftermath of the events that restored Imperial rule to Japan. He makes the case that the origins of the Meiji Restoration are not found in economic distress or class struggle, but in a growing sense of national danger and national pride spurred by Japan's contacts with the West. Nationalism provided the impetus for overthrowing the Tokugawa military government and reuniting Japan under the Emperor Meiji. Only when the Tokugawa were gone did their successors turn, of necessity, to the making of modern Japan, seeking strength and stability in new social patterns. Originally published in 1972, this new paperback edition contains a foreword written by Michael R. Auslin that celebrates Beasley's legacy.

Illustrated. Includes bibliographical references and index.

Pressure exerted by America in 1854 caused Japan to open its doors after 260 years of isolation. Wide receptiveness to everything Western was the driving force behind the modernization of Japan initiated by the Meiji government, yet it also induced a rapid rediscovery of indigenous cultural values. At early Paris and London international exhibitions, the Japanese decorative and applied arts sparked off the Western fascination with all things Japanese japonisme. In Japan, on the other hand, new technologies were eagerly adopted the government realized that increasing production for export would be an excellent means of promoting Japanese economic growth and thus enhancing Japan's status worldwide. Meiji Ceramics represents the first in-depth study of the development of Japanese export porcelain against a highly charged background of political, economic and cultural factors. Includes 180 artists's signatures. Text in English.

HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.