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Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the still-fragile German democracy. The radicalized children of the Nazi generation led by Andreas Baader (Moritz Bleibtreu), Ulrike Meinhof (Martina Gedeck) and Gudrun Ensslin (Johanna Wokalek) are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi

Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - Als Autodidakt zu Weltruhm - die erste umfassende Biographie des Begründers der Afrikanistik.Er war weltweit der erste Afrikanistik-Ordinarius und gilt als Begründer dieser Disziplin. Dreieinhalb Jahrzehnte wirkte Carl Meinhof in Hamburg, der deutschen Kolonialmetropole. Dort gelang es ihm, die Afrikanistik einer interessierten Öffentlichkeit nahe zu bringen. Meinhofs Tätigkeit prägte das Bild des Faches für Jahrzehnte. Mit der »Zeitschrift für Kolonialsprachen« begründete er das älteste noch heute, wenn auch unter anderem Namen bestehende Publikationsorgan der Afrikanistik.Insgesamt publizierte Meinhof über 600 Arbeiten. Nach den enorm einflussreichen und die Afrikanistik revolutionierenden Büchern zur vergleichenden Bantuistik verfasste er in späteren Jahren Studien wie die »Die Sprachen der Hamiten« (1911), die seinem Ruf nachhaltig schadeten, weil er darin einer rassistischen Ideologie das Wort redete.Als engagierter Befürworter des deutschen Kolonialismus trat Meinhof 1933 in die NSDAP ein. Nach seiner Emeritierung 1936 wirkte er weiter an der Hamburgischen - während des »Dritten Reiches« umbenannt in »Hansischen« - Universität. 1943 bei den großen Angriffen auf Hamburg ausgebombt, starb er ein Jahr später in Greifswald.Carl Meinhof (1857-1944) stammte aus einem pietistisch geprägten Umfeld, studierte Theologie, Germanistik und vergleichende Sprachwissenschaft. Seine Berufung fand er jedoch beim Studium afrikanischer Sprachen, das er als Autodidakt betrieb. Nach sechsjähriger Tätigkeit am Seminar für Orientalische Sprachen in Berlin wurde er 1909 als Professor an das gerade gegründete Kolonialinstitut in Hamburg berufen.

Neu Neuware auf Lager, Sofortversand - Als Autodidakt zu Weltruhm - die erste umfassende Biographie des Begründers der Afrikanistik.Er war weltweit der erste Afrikanistik-Ordinarius und gilt als Begründer dieser Disziplin. Dreieinhalb Jahrzehnte wirkte Carl Meinhof in Hamburg, der deutschen Kolonialmetropole. Dort gelang es ihm, die Afrikanistik einer interessierten Öffentlichkeit nahe zu bringen. Meinhofs Tätigkeit prägte das Bild des Faches für Jahrzehnte. Mit der »Zeitschrift für Kolonialsprachen« begründete er das älteste noch heute, wenn auch unter anderem Namen bestehende Publikationsorgan der Afrikanistik.Insgesamt publizierte Meinhof über 600 Arbeiten. Nach den enorm einflussreichen und die Afrikanistik revolutionierenden Büchern zur vergleichenden Bantuistik verfasste er in späteren Jahren Studien wie die »Die Sprachen der Hamiten« (1911), die seinem Ruf nachhaltig schadeten, weil er darin einer rassistischen Ideologie das Wort redete.Als engagierter Befürworter des deutschen Kolonialismus trat Meinhof 1933 in die NSDAP ein. Nach seiner Emeritierung 1936 wirkte er weiter an der Hamburgischen - während des »Dritten Reiches« umbenannt in »Hansischen« - Universität. 1943 bei den großen Angriffen auf Hamburg ausgebombt, starb er ein Jahr später in Greifswald.Carl Meinhof (1857-1944) stammte aus einem pietistisch geprägten Umfeld, studierte Theologie, Germanistik und vergleichende Sprachwissenschaft. Seine Berufung fand er jedoch beim Studium afrikanischer Sprachen, das er als Autodidakt betrieb. Nach sechsjähriger Tätigkeit am Seminar für Orientalische Sprachen in Berlin wurde er 1909 als Professor an das gerade gegründete Kolonialinstitut in Hamburg berufen.

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the still-fragile German democracy. The radicalized children of the Nazi generation led by Andreas Baader (Moritz Bleibtreu), Ulrike Meinhof (Martina Gedeck) and Gudrun Ensslin (Johanna Wokalek) are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi

German language. 7.24x4.72x1.30 inches. In Stock.

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First published in 1977 in the US and Britain to universal critical acclaim, Hitler's Children quickly became a world-wide best seller, translated into many other languages, including Japanese. It tells the story of the West German terrorists who emerged out of the 'New Left' student protest movement of the late 1960s. With bombs and bullets they started killing in the name of 'peace'. Almost all of them came from prosperous, educated families. They were 'Hitler's children' not only in that they had been born in or immediately after the Nazi period - some of their parents having been members of the Nazi party - but also because they were as fiercely against individual freedom as the Nazis were. Their declared ideology was Communism. They were beneficiaries of both American aid and the West German economic miracle. Despising their immeasurable gifts of prosperity and freedom, they 'identified' themselves with Third World victims of wars, poverty and oppression, whose plight they blamed on 'Western imperialism'. In reality, their terrorist activity was for no better cause than self-expression. Their dreams of leading a revolution were ended when one after another of them died in shoot-outs with the police, or was blown up with his own bomb, or was arrested, tried, and condemned to long terms of imprisonment. All four leaders of the Red Army Faction (dubbed 'the Baader-Meinhof gang' by journalists) committed suicide in prison.

First published in 1977 in the US and Britain to universal critical acclaim, Hitler's Children quickly became a world-wide best seller, translated into many other languages, including Japanese. It tells the story of the West German terrorists who emerged out of the 'New Left' student protest movement of the late 1960s. With bombs and bullets they started killing in the name of 'peace'. Almost all of them came from prosperous, educated families. They were 'Hitler's children' not only in that they had been born in or immediately after the Nazi period - some of their parents having been members of the Nazi party - but also because they were as fiercely against individual freedom as the Nazis were. Their declared ideology was Communism. They were beneficiaries of both American aid and the West German economic miracle. Despising their immeasurable gifts of prosperity and freedom, they 'identified' themselves with Third World victims of wars, poverty and oppression, whose plight they blamed on 'Western imperialism'. In reality, their terrorist activity was for no better cause than self-expression. Their dreams of leading a revolution were ended when one after another of them died in shoot-outs with the police, or was blown up with his own bomb, or was arrested, tried, and condemned to long terms of imprisonment. All four leaders of the Red Army Faction (dubbed 'the Baader-Meinhof gang' by journalists) committed suicide in prison.

First published in 1977 in the US and Britain to universal critical acclaim, Hitler's Children quickly became a world-wide best seller, translated into many other languages, including Japanese. It tells the story of the West German terrorists who emerged out of the 'New Left' student protest movement of the late 1960s. With bombs and bullets they started killing in the name of 'peace'. Almost all of them came from prosperous, educated families. They were 'Hitler's children' not only in that they had been born in or immediately after the Nazi period - some of their parents having been members of the Nazi party - but also because they were as fiercely against individual freedom as the Nazis were. Their declared ideology was Communism. They were beneficiaries of both American aid and the West German economic miracle. Despising their immeasurable gifts of prosperity and freedom, they 'identified' themselves with Third World victims of wars, poverty and oppression, whose plight they blamed on 'Western imperialism'. In reality, their terrorist activity was for no better cause than self-expression. Their dreams of leading a revolution were ended when one after another of them died in shoot-outs with the police, or was blown up with his own bomb, or was arrested, tried, and condemned to long terms of imprisonment. All four leaders of the Red Army Faction (dubbed 'the Baader-Meinhof gang' by journalists) committed suicide in prison.

First published in 1977 in the US and Britain to universal critical acclaim, Hitler's Children quickly became a world-wide best seller, translated into many other languages, including Japanese. It tells the story of the West German terrorists who emerged out of the 'New Left' student protest movement of the late 1960s. With bombs and bullets they started killing in the name of 'peace'. Almost all of them came from prosperous, educated families. They were 'Hitler's children' not only in that they had been born in or immediately after the Nazi period - some of their parents having been members of the Nazi party - but also because they were as fiercely against individual freedom as the Nazis were. Their declared ideology was Communism. They were beneficiaries of both American aid and the West German economic miracle. Despising their immeasurable gifts of prosperity and freedom, they 'identified' themselves with Third World victims of wars, poverty and oppression, whose plight they blamed on 'Western imperialism'. In reality, their terrorist activity was for no better cause than self-expression. Their dreams of leading a revolution were ended when one after another of them died in shoot-outs with the police, or was blown up with his own bomb, or was arrested, tried, and condemned to long terms of imprisonment. All four leaders of the Red Army Faction (dubbed 'the Baader-Meinhof gang' by journalists) committed suicide in prison.

Masquerading as a rear guard against a possible Communist takeover, NATO's covert special forces are in reality a hideous cancer poisoning European democracy. The dirty war projects have included the Italian Strategy of Tension, the Red Brigades and Baader Meinhof/Red Army Faction, the Banco Ambrosiano scandal, the deaths of Italian ex-PM Aldo Moro, banker Roberto Calvi, media magnate Robert Maxwell, Swedish PM Olaf Palme, and "The Umbrella Murder," as well as the attempt on Pope John Paul II's life; the sex snare set for British PM Harold Wilson, and the Cyprus genocide. Gladio architect Lyman Lemnitzer is implicated in the 1944 reintroduction of the Mafia into Sicily and the murder of the Kennedy brothers. Covert NATO operations were behind Solidarnosc, the fall of the Soviet Union, the color revolutions of Eastern Europe and North Africa, and the massacres of August 2011 in Norway and Libya; the infiltration of Occupy Wall Street by violent provocateurs is on the same pattern.

Offers possible solutions to questions about the myth or reality of fairies and of King Arthur and Merlin, the disappearances of Glenn Miller and of Victor Grayson, and the murder or suicides of Meriwether Lewis and of the Baader-Meinhof Gang

Offers possible solutions to questions about the myth or reality of fairies and of King Arthur and Merlin, the disappearances of Glenn Miller and of Victor Grayson, and the murder or suicides of Meriwether Lewis and of the Baader-Meinhof Gang

In 1988, Gerhard Richter created one of the most controversial and fascinating political painting-cycles of all time, with his Baader-Meinhof series. In 2002, he returned to the theme of media and political truth with his artist’s book War Cut. For this project, Richter photographed 216 details of his abstract painting “No. 648-2” (1987), and, working on a long table over a period of several weeks, combined these 4 x 6-inch details with 165 texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on the dates of the war’s outbreak (March 20 and 21, 2003). “My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below,” Richter told an interviewer, for a New York Times feature on the publication. “I placed these images so that a connection develops in terms of colors, structures and other characteristics. . . . Some images match the cruelty and the madness described in the texts shockingly well. And others can even serve as illustrations when the texts speak of deserts and other landscapes.” Originally published only in German in 2004, this long-awaited English version of this important artist’s book presents Richter’s powerful attempt to accommodate the extremity of war. For this edition, Richter applied the same process of text selection to The New York Times, using the same dates of the war’s outbreak.

In 1975 , six young people stormed the West German embassy in Stockholm, taking the entire staff hostage. They demanded the immediate release of members of the Baader- Meinhof group being held as prisoners in West Germany, but twelve hours into the siege, the embassy was blown up, two hostages were dead, and many others were injured, including the captors. Thus begins Leif GW Persson’s Another Time, Another Life.  The story, based on real events linked to the still-unsolved assassination of Swedish prime minister Olof Palme, p icks up in 1989, as the seemingly unrelated stabbing death of a civil servant is investigated by officers Bo Jarnebring and Anna Holt. Under the supervision of their cantankerous, prejudiced, and corrupt superior, Evert Bø¤ckstrø¶m, the case gets surreptitiously swept under the rug, and the victim is tied to a string of sex-related crimes, despite evidence to the contrary.  Another ten years pass before the confoun

The Israeli Special Forces' operation at Entebbe goes down in history as one of the most audacious counter-terrorist assaults ever conducted. On June 27, 1976, four terrorists (two of the Popular Front for the Liberation of Palestine and two of the German Baader-Meinhof terrorist group) highjacked a passenger jet and forced a landing in Entebbe, Uganda. Here they were met by reinforcements, and transferred all the Jewish and Israeli prisoners to the terminal building, with the exception of a few hostage releases. As Idi Amin's assistance to the terrorists became increasingly clear, the Israeli government began preparations for a military assault. The element of surprise was crucial; never before had such a large-scale raid at such a long distance been successfully undertaken. This is the incredible story of how the Israeli Special Forces defied radar for over 2,000 miles, masqueraded as a tyrant in a Mercedes and captured uniforms, and defeated an army in brutal combat, culminating in a triumph of sheer audacity and nerve. A compelling book chronicling an incredible moment in history.

In 1988, Gerhard Richter created one of the most controversial and fascinating political painting-cycles of all time, with his Baader-Meinhof series. In 2002, he returned to the theme of media and political truth with his artist’s book War Cut. For this project, Richter photographed 216 details of his abstract painting “No. 648-2” (1987), and, working on a long table over a period of several weeks, combined these 4 x 6-inch details with 165 texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on the dates of the war’s outbreak (March 20 and 21, 2003). “My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below,” Richter told an interviewer, for a New York Times feature on the publication. “I placed these images so that a connection develops in terms of colors, structures and other characteristics. . . . Some images match the cruelty and the madness described in the texts shockingly well. And others can even serve as illustrations when the texts speak of deserts and other landscapes.” Originally published only in German in 2004, this long-awaited English version of this important artist’s book presents Richter’s powerful attempt to accommodate the extremity of war. For this edition, Richter applied the same process of text selection to The New York Times, using the same dates of the war’s outbreak.

What would happen if we could stroll through the revolutionary history of the 20th century and, without any fear of the possible responses, ask the main protagonists - from Lenin to Che Guevara, from Alexandra Kollontai to Ulrike Meinhof - seemingly naïve questions about love? Although all important political and social changes of the 20th century included heated debates on the role of love, it seems that in the 21st century of new technologies of the self (Grindr, Tinder, online dating, etc.) we are faced with a hyperinflation of sex, not love. By going back to the sexual revolution of the October Revolution and its subsequent repression, to Che's dilemma between love and revolutionary commitment and to the period of '68 (from communes to terrorism) and its commodification in late capitalism, the Croatian philosopher Srecko Horvat gives a possible answer to the question of why it is that the most radical revolutionaries like Lenin or Che were scared of the radicality of love. What is so radical about a seemingly conservative notion of love and why is it anything but conservative? This short book is a modest contribution to the current upheavals around the world - from Tahrir to Taksim, from Occupy Wall Street to Hong Kong, from Athens to Sarajevo - in which the question of love is curiously, surprisingly, absent.