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During the late nineteenth century a remarkable combination of circumstances and individual talents permitted the court theater of a small German state to become the theaterical sensation of its age. The Meiningen Court Theater developed into an international touring company under the leadership of Duke Georg II of Saxe-Meiningen. The company became famous throughout Europe and was a source of inspiration to future directors of the modern theater such as Antoine, Brahm, and Stanislavsky. This book is based on a wide range of published and unpublished contemporary document, photographs, and sketches, many of which are reproduced here. Osborne provides a broad cultural-historical context for the emergence of the Meiningen company and describes in detail the style and staging of productions, as well as the personality and directorial method of the Duke himself. Two famous items in the company's repertoire, Julius Caesar and Prinz Friedrich von Homburg, are selected for pariticular attention.

The history of the Meininger in the 19th century.

This 1981 volume begins with the naturalistic revolt in France against traditional styles of theatre. As realism becomes a European movement the account moves from Paris to the Meiningen company and Ibsen's work as producer and play-wright in Oslo, Chekhov's in Moscow, Shaw's in London, Synge's in Dublin. Among the producers are Antoine, Brahm, Grein, Granville-Baker, Nemirovich-Danchenko and Stanislavsky. The early days of the Irish Dramatic Movement and the chief realistic directors and critics in the USA after Belasco are considered; the tradition is shown to persist in the work of Williams and Miller in the USA and Osborne and Bond in England.