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Traces the life and career of the nineteenth-century American painter

Traces the life and career of the nineteenth-century American painter

John Frederick the Magnanimous was the elector of Saxony during Martin Luther's mature years (1532-1546), and they worked closely together on many things. After Luther's death, John Frederick shared leadership of the Smalcald League with his cousin, Philip of Hesse.This is the authoritative biography of John Frederick the Magnanimous (elector 1532-1547), son of John the Steadfast, who was raised a Lutheran on Luther's writings.

In 1773, John Frederick Whitehead and Johann Carl Büttner, two adolescent Germans, were placed on board the same ship headed to colonial America. With few options in Germany, each had been recruited by the labor contractors known popularly as soulsellers—men who traded in human cargo. On arrival in America they were sold to different masters, and, years later, each wrote a memoir of his experiences. These two autobiographies are valuable historical records of immigrant attitudes, perceptions, and goals. Despite their shared voyage to America and similar condition as servants, their backgrounds and personalities differed. Their divergent interpretations of their experiences provide rich firsthand insights into the transatlantic migration process, work and opportunity in colonial America, and the fates of former bound servants.Souls for Sale presents these parallel accounts—Whitehead's published for the first time—to illustrate the condition of German redemptioners and to examine the religious, economic, familial, and literary contexts that shaped their memoirs. The editors provide helpful introductions to the works as well as notes to guide the reader.

Life and Times of Frederick Douglass was Written By Frederick Douglass. This Edition Includes Part 1, Part 2, and Part 3 of Life and Times of Frederick Douglass and Includes A Biographical Chronology Annotation. Douglass Writes:  “I am your fellow man, but not your slave.”

Book is in NEW condition. 1.58

The narrative of facts―probably best exemplified in the literature of exploration―was an immensely popular genre in mid-nineteenth-century America. In White Lies, John Samson offers full contextual readings of Melville's five major narratives of facts―Typee, Omoo, Redburn, White-Jacket, and Israel Potter. Samson demonstrates that in these novels Melville critically rewrote the sources on which he drew, in effect making the genre itself a subject of his writing.In his introduction, Samson discusses Melville's knowledge of the genre and its ideology. He then reads each novel in terms of Melville's confrontation with its sources. In each, Samson says, an unreliable narrator represents particular ideological tendencies in Melville's sources. Melville heightens and extends these tendencies, exposes the contradictions and biases within them, and ends by showing the narrator evading or denying experiences that conflict with his ideology. According to Samson, Melville sees the concept of historical progress as the basis of these biases and evasions.In these five novels, Melville reveals the conflict between democratic, humanitarian, and individualistic principles, on the one hand, and the forces of racial superiority, religious bigotry, economic determinism, and political conservatism, on the other. Taken together, Samson asserts, these novels deconstruct the intellectual foundations of the form of historical narration endorsed by white patriarchal culture.Scholars and students of nineteenth-century American literature, specialists in the novel, and other readers of Melville will welcome Samson's provocative reinterpretation of these key works in American culture.

“Who would have looked for philosophy in whales, or for poetry in blubber?” the London John Bull remarked in October of 1851. And yet, the reviewer went on, “few books which professedly deal in metaphysics, or claim the parentage of the muses, contain as much true philosophy and as much genuine poetry as the tale of the Pequod's whaling expedition.” A decade and a half before surprising the world with a book of Civil war poetry, Melville was already confident of what was “poetic” in his prose. As Hershel Parker demonstrates in this book, Melville was steeped in poetry long before he called himself a poet. Here Parker, the dean of Melville studies, gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet. His work corrects two of the most pernicious misconceptions about Melville perpetuated by earlier critics: that he repudiated fiction writing after Pierre, and that he hadn’t begun writing poetry (let alone had a book of poems ready for publication) as early as 1860. In clearing up these misapprehensions, Parker gives a thorough and thoroughly involving account of Melville’s development as a poet. Parker demonstrates for the first time just how crucial poetry was to Melville from childhood to old age, especially its re-emergence in his life after 1849. Drawing on Melville's shrewd annotations of great British poets and on his probing, skeptical engagement with commentaries on poetry (particularly by the great Scots reviewers), Parker paints a richly textured portrait of a hitherto unseen side of Herman Melville.

We know who the Founding Fathers were economically and politically, but who founded America culturally and spiritually? For John Gardner, it was not until the generation after Jefferson and Adams that the revolutionary principles of American spiritual life were laid down. For him, Emerson, Melville, and Whitman speak for the spirit as it lives in America.This is not so much a work of literary criticism as a meditative attempt to allow the ideas of these founding fathers to be thought anew. The result is that we hear these heralds of the spirit as if for the first time. Their words, presented with uncanny directness, become prophetic of America today.

John Bryant's book is a strong and significant argument for the centrality of the comic and repose in Melville's novels. The purpose of Melville and Repose is dual: to ground the uses of romantic humor in Melville in sensitive readings of contemporaneous European and American writings, and to offer a definitive account of the comic as the shaping force of Melville's narrative voice throughout the major phase of his literary career. Bryant argues that Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale in order to create his own amiably cosmopolitan "rhetoric of aesthetic repose." Thorough research into American culture and recent Melville manuscript findings, an engaging style, and full, scholarly readings combine to make this historicist study a welcome addition to the libraries of Americanists and Melville scholars and enthusiasts.

John Bryant's book is a strong and significant argument for the centrality of the comic and repose in Melville's novels. The purpose of Melville and Repose is dual: to ground the uses of romantic humor in Melville in sensitive readings of contemporaneous European and American writings, and to offer a definitive account of the comic as the shaping force of Melville's narrative voice throughout the major phase of his literary career. Bryant argues that Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale in order to create his own amiably cosmopolitan "rhetoric of aesthetic repose." Thorough research into American culture and recent Melville manuscript findings, an engaging style, and full, scholarly readings combine to make this historicist study a welcome addition to the libraries of Americanists and Melville scholars and enthusiasts.

John Bryant has assembled a unique collection of critical writings dealing with the life, art, and influence of Herman Melville. More than just a survey of his works, this book is an intellectual guide that comprises the learning and insight of twenty-five noted Melville scholars, as well as their suggestions for further research. In combining criticism and bibliography, each chapter assesses the critical debates that have emerged concerning Melville's thought and art. The Companion also examines Melville's life and influence on the world of books, modern thought, foreign cultures, and popular culture.

John Bryant has assembled a unique collection of critical writings dealing with the life, art, and influence of Herman Melville. More than just a survey of his works, this book is an intellectual guide that comprises the learning and insight of twenty-five noted Melville scholars, as well as their suggestions for further research. In combining criticism and bibliography, each chapter assesses the critical debates that have emerged concerning Melville's thought and art. The Companion also examines Melville's life and influence on the world of books, modern thought, foreign cultures, and popular culture.

Arthur Melville was arguably the most innovative and modernist Scottish artist of his generation and one of the finest British watercolourists of the nineteenth century, yet he avoided categorization. In 1943 the Scottish Colourist John Duncan Fergusson confessed that although they never met, "his work opened up to me the way to free painting - not merely freedom in the use of paint, but freedom of outlook".This book offers a comprehensive survey of Arthur Melville's (1855-1904) rich and varied career as artist-adventurer, Orientalist, forerunner of The Glasgow Boys, painter of modern life and re-interpreter of the landscape of Scotland. His travels inspired spectacular watercolors and paintings. This book illustrates around sixty of his works, each with a catalogue entry, and an essay by Kenneth McConkey, which discusses Melville's art and career.

"History of Frederick the Second, Called Frederick the Great" by John S. C. Abbott is a comprehensive biography that delves into the life and reign of one of Prussia's most notable monarchs. Abbott, a renowned 19th-century historian, crafts a vivid narrative, highlighting Frederick's military strategies, political acumen, and cultural contributions that shaped European history during the 18th century. The book provides a detailed exploration of Frederick's early life, his ascent to power, and his transformative impact on Prussian society, emphasizing his dedication to the arts, philosophy, and religious tolerance. Abbott's writing is accessible yet rich in detail, making complex historical events engaging for readers. Through meticulous research and compelling storytelling, he presents Frederick not just as a king but as a visionary leader who navigated the tumultuous waters of European politics. This work remains a valuable resource for anyone interested in military history, enlightened absolutism, and the complexities of leadership in a changing world.

Descendants of Anthony Maron, with emphasis on the descendants of Frederick (Fritz) Hytrek and Marianne (Maron) Hytrek. Families described include the John and Ida Hytreks, the Emanuel and Clara Strodas, the Rose Raschkas, and early Marons. Includes a narrative journal report and a descendancy chart.

Winner, John Brinkerhoff Jackson Book Prize, Foundation for Landscape Architecture, FY16Lavishly illustrated with over 470 images―129 of them in color―this book reveals Frederick Law Olmsted's design concepts for more than seventy public park projects through a rich collection of sketches, studies, lithographs, paintings, historical photographs, and comprehensive descriptions. Bringing together Olmsted's most significant parks, parkways, park systems, and scenic reservations, this gorgeous volume takes readers on a uniquely conceived tour of such notable landscapes as Central Park, Prospect Park, the Buffalo Park and Parkway System, Washington Park and Jackson Park in Chicago, Boston's "Emerald Necklace," and Mount Royal in Montreal, Quebec. No such guide to Olmsted's parks has ever been published.Frederick Law Olmsted (1822–1903) planned many parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed and defended today. His public parks, the design of which he was most proud, have had a lasting effect on urban America. This gorgeous book will appeal to landscape professionals, park administrators, historians, architects, city planners, and students―and it is a perfect gift for Olmsted aficionados throughout North America.

This is a definitive account of the land and the people of Old Monocacy in early Frederick County, Maryland. The outgrowth of a project begun by Grace L. Tracey and completed by John P. Dern, it presents a detailed account of landholdings in that part of western Maryland that eventually became Frederick County. At the same time it provides a history of the inhabitants of the area, from the early traders and explorers to the farsighted investors and speculators, from the original Quaker settlers to the Germans of central Frederick County.In essence, the book has a dual focus. First it attempts to locate and describe the land of the early settlers. This is done by means of a superb series of plat maps, drawn to scale from original surveys and based both on certificates of survey and patents. These show, in precise configurations, the exact locations of the various grants and lots, the names of owners and occupiers, the dates of surveys and patents, and the names of contiguous land owners. Second, it identifies the early settlers and inhabitants of the area, carefully following them through deeds, wills, and inventories, judgment records, and rent rolls.Finally, in meticulously compiled appendices it provides a chronological list of surveys between 1721 and 1743; an alphabetical list of surveys, giving dates, page reference--text and maps--and patent references; a list of taxables for 1733-34; and a list of the early German settlers of Frederick County, showing their religion, their location, dates of arrival, and their earliest records in the county.Winner of the 1988 Donald Lines Jacobus Award!

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++Harvard Law School Libraryocm32056670Includes index.Boston : Charles H. Edson, 1888. 2 v. (xv, 1635, xv-lxxxiv p.) ; 26 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++Harvard Law School Libraryocm32056670Includes index.Boston : Charles H. Edson, 1888. 2 v. (xv, 1635, xv-lxxxiv p.) ; 26 cm.