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Whenever a memoirist gives a reading, someone in the audience is sure to ask: How did your family react? Revisiting our pasts and exploring our experiences, we often reveal more of our nearest and dearest than they might prefer. This volume navigates the emotional and literary minefields that any writer of family stories or secrets must travel when depicting private lives for public consumption. Essays by twenty-five memoirists, including Faith Adiele, Alison Bechdel, Jill Christman, Judith Ortiz Cofer, Rigoberto González, Robin Hemley, Dinty W. Moore, Bich Minh Nguyen, and Mimi Schwartz, explore the fraught territory of family history told from one perspective, which, from another angle in the family drama, might appear quite different indeed. In her introduction to this book, Joy Castro, herself a memoirist, explores the ethical dilemmas of writing about family and offers practical strategies for this tricky but necessary subject. A sustained and eminently readable lesson in the craft of memoir, Family Trouble serves as a practical guide for writers to find their own version of the truth while still respecting family boundaries.

Treasured Reflections Of Dr. Maya Angelou Hand-Painted Figurine With Swarovski Crystals - Dr. Maya Angelou's words have traveled the world and transformed lives -inspiring, strengthening and healing people everywhere. Celebrated poet, noted memoirist, impassioned educator and fearless activist, she remains one of the most influential figures of our time. And by chronicling her own early struggles, she inspired us to overcome ours, to find our wings, to fly. Now, this wondrous woman's spirit endures as she continues to empower us with one of her most motivational quotes, showcased in the Treasured Reflections of Dr. Maya Angelou Figurine, a limited edition exclusive from The Hamilton Collection. Dr. Angelou is radiantly depicted in a stunning, full-length gown, beaming with peace-filled strength and confidence, in this beautiful inspirational figurine.Master artisans handcraft every inch of this striking, hand-painted figurine with a wealth of intricate detail, including an etched metallic golden rose pattern on her gown, a special gloss finish using pearlescent and metallic paints, and a mirrored base with her replica signature. Over two dozen Swarovski crystals add further radiance to her elegant gown. A hand-polished crystalline dove rises behind her - inspired by her autobiography, "I Know Why the Caged Bird Sings," and is etched with her own empowering words. This uplifting figurine makes a wonderful inspirational gift for yourself or someone special. Strong demand is expected. Order now!

In 2008, memoirist and journalist Peter Godwin secretly returned to his native Zimbabwe after its notoriously tyrannical leader, Robert Mugabe, lost an election. The decision was severely risky--foreign journalists had been banned to prevent the world from seeing a corrupt leader's refusal to cede power. Zimbabweans have named this period, simply, The Fear. Godwin bears witness to the torture bases, the burning villages, the opposition leaders in hiding, the last white farmers, and the churchmen and diplomats putting their own lives on the line to stop the carnage. Told with a brilliant eye for detail, THE FEAR is a stunning personal account of a people laid waste by a despot and, armed with nothing but a desire to be free, their astonishing courage and resilience.

In this evocative biography, Benjamin E. Wise presents the singular life of William Alexander Percy (1885-1942), a queer plantation owner, poet, and memoirist from Mississippi. Though Percy is best known as a conservative apologist of the southern racial order, in this telling Wise creates a complex and surprising portrait of a cultural relativist, sexual liberationist, and white supremacist.We follow Percy as he travels from Mississippi around the globe and, always, back again to the Delta. Wise's exploration brings depth and new meaning to Percy's already compelling life story--his prominent family's troubled history, his elite education and subsequent soldiering in World War I, his civic leadership during the Mississippi River flood of 1927, his mentoring of writers Walker Percy and Shelby Foote, and the writing and publication of his classic autobiography, Lanterns on the Levee. This biography sets Percy's life and search for meaning in the context of his history in the Deep South and his experiences in the gay male world of the early twentieth century. In Wise's hands, these seemingly disparate worlds become one.

The distinguished biographer, novelist, and memoirist Edmund White brings his literary mastery to a new biography of Arthur Rimbaud.Poet and prodigy Arthur Rimbaud led a life that was startlingly short, but just as dramatically eventful and accomplished. Even today, over a century after his death in 1891, his visionary poetry has continued to influence everyone from Jim Morrison and Bob Dylan to Patti Smith. His long poem A Season in Hell (1873) and his collection Illuminations (1886) are essential to the modern canon, marked by a hallucinatory and hypnotic style that defined the Symbolist movement in poetry. Having sworn off writing at the age of twenty-one, Rimbaud drifted around the world from scheme to scheme, ultimately dying from an infection contracted while running guns in Africa. He was thirty-seven. Edmund White writes with a historian's eye for detail, driven by a genuine personal investment in his subject. White delves deep into the young poet's relationships with his family, his teachers, and his notorious affair with the more established poet Paul Verlaine. He follows the often elusive (sometimes blatant) threads of sexual taboo that haunt Rimbaud's poems (in those days, sodomy was a crime) and offers incisive interpretations of the poems, using his own artful translations to bring us closer to the mercurial poet.

A joyful round of the seasons in the garden of the best-selling novelist, memoirist, and champion putterer with a wheelbarrow.On the perimeter of Israel's Jezreel Valley, with the Carmel mountains rising up to the west, Meir Shalev has a large garden, "neither neatly organized nor well-kept," as he cheerfully explains. Often covered in mud and scrapes, Shalev cultivates both nomadic plants and "house dwellers," using his own quirky techniques. He extolls the virtues of the lemon tree; rescues a precious variety of purple snapdragon from the Jerusalem-Tel Aviv highway; does battle with a saboteur mole rat. He even gives us his superior private recipe for curing olives. The book will attract gardeners and literary readers alike, with its appreciation for the joy of living, quite literally, on earth, and for our borrowed time on a particular patch of it--enhanced, the author continually reminds us, by our honest, respectful dealings with all manner of beings who inhabit it with us.

"Chekhov's keen powers of observation have been remarked by both memoirists who knew him well and scholars who approach him only through the written record and across the distance of many decades. To apprehend Chekhov means seeing how Chekhov sees, and the author's remarkable vision is understood as deriving from his occupational or professional training and identity. But we have failed to register, let alone understand, just what a central concern for Chekhov himself, and how deeply problematic, were precisely issues of seeing and being seen."―from the IntroductionMichael C. Finke explodes a century of critical truisms concerning Chekhov's objective eye and what being a physician gave him as a writer in a book that foregrounds the deeply subjective and self-reflexive aspects of his fiction and drama. In exploring previously unrecognized seams between the author's life and his verbal art, Finke profoundly alters and deepens our understanding of Chekhov's personality and behaviors, provides startling new interpretations of a broad array of Chekhov's texts, and fleshes out Chekhov's simultaneous pride in his identity as a physician and devastating critique of turn-of-the-century medical practices and ideologies. Seeing Chekhov is essential reading for students of Russian literature, devotees of the short story and modern drama, and anyone interested in the intersection of literature, psychology, and medicine.

Arthur Calder-Marshall was an English novelist, essayist, critic, memoirist and biographer. He was born 19 August 1908 in Wallington, Surrey, England and died 17 April 1992 in Ashford, Kent.He graduated from Hertford College, Oxford in 1930. Here he met the legendary Alastair Crowley whom Calder-Marshall recounts in his memoirs The Magic of My Youth. After WWII, he wrote documentary films. One of these, The World Is Rich, garnered an Oscar nomination for best feature documentary, and won a special BAFTA award. Calder-Marshall's fiction and non-fiction covered a wide range of subjects. He himself remarked, I have never written two books on the same subject or with the same object. In the 1960s, he took on commissioned work which included novelizations of movies such as the Dirk Bogarde film Victim and a children's novel about British spy James Bond's nephew, The Adventures of James Bond Junior 003½. Calder-Marshall also prepared the definite Bodley Head edition of Jack London's works, Lone Wolf, during this same time).

Novelist, short-story writer, critic, memoirist, broadcaster and journalist Benedict Kiely (1919–2007) was not only one of the best-known but one of the most artistically and culturally distinctive men of letters of his day. His fascination with the island of Ireland, the myths and memories of its people, and the many-voiced quality of its traditions, has secured for him a unique place in the country’s literary history. His substantial body of fiction and non-fiction is a repository of lore and learning, which amply rewards the interest shown in it over many years, by both the general public and Irish and international literary scholarship. In a Harbour Green reveals this interest with fresh insight and awareness. Written by leading Irish and international critics, these essays illuminate all facets of Benedict Kiely’s output, providing for the first time a comprehensive account of its formal variety and artistic range, its historic origins and inimitable style. The result is a long-awaited, informative and warmly appreciative assessment of Benedict Kiely’s imaginative accomplishments and cultural significance. In a Harbour Green breathes new life into his work and places the artist himself at the heart of Irish literature, where he belongs.

The Seesaw Girl and Me is a revealing, sometimes heartbreaking, ultimately hope-affirming book. Dick York, a talented actor, proves himself a gifted storyteller and memoirist as he takes readers on a candid tour of his poverty-stricken Chicago boyhood, his rise as a juvenile radio actor, his successes on Broadway and in film, and his star turn on Bewitched. His abrupt fall from sitcom stardom due to pain pill dependence has become a pop-cultural milestone. Yet this book is far from a standard, cautionary showbiz tale. Funny, playful, and passionate, York the author takes creative leaps and emotional risks. The result is an exceptionally honest, surprising, and intimate portrait of a man who lived generously, loved devotedly, and faced misfortune with grace.

“[Urquhart is] an accomplished memoirist whose prose is graceful, often funny, and unfailingly readable. . . . [His] perspective on history is compelling. . . . Full of fascinating anecdotes and asides.” ―Jonathan Kirsch, Los Angeles Times How can peace be encouraged and sustained in a violent world? For nearly half a century at the United Nations, ultimately as Under Secretary-General for Special Political Affairs, Brian Urquhart wrestled with this problem at its front lines. Managing the United Nations’ peacekeeping operations in the world’s hot spots―the Congo in the aftermath of Patrice Lumumba’s assassination, Cyprus at the bloodiest moment of conflict between Greek and Turkish Cypriots, Kashmir, and, through the tragic cycle of four wars, the Middle East―he has tested the limits, and the possibilities, of peacekeeping in the modern world.

From the recipe novel to the celebrity chef, renowned scholar Sandra M. Gilbert explores the poetics and politics of food. In this stunning and important work, the prominent critic, poet, and memoirist Sandra M. Gilbert explores our relationship with food and eating through discussions of literature, art, and popular culture. Focusing on contemporary practices, The Culinary Imagination traces the social, aesthetic, and political history of food from myth to modernity, from ancient sources to our current wave of food mania. What does it mean to transform raw stuff into cooked dishes, which then become part of our own bodies; to savor festive meals yet resolve to renounce gluttony; to act as predators where in another life we might have become prey? Do the rituals of the kitchen have different meanings for men and women, for professional chefs and home cooks? Why, today, do so many of us turn so passionately toward table topics, on the page, online, and on screen? What are the philosophical implications of the food chain on which we all find ourselves? In The Culinary Imagination, Gilbert addresses these powerful questions through meditations on myths and memoirs, children’s books, novels, poems, food blogs, paintings, TV shows, and movies. Discussing figures from Rex Stout to Julia Child and Andy Warhol, from M. F. K. Fisher and Sylvia Plath to Alice Waters and Peter Singer, she analyzes the politics and poetics of our daily bread, investigating our complex self-definitions as producers, consumers, and connoisseurs of food. The result is an ambitious, lively, and learned examination of the ways in which our culture’s artists have represented food across a range of genres.

Named a Best Book of 2017 by NPR, Library Journal, The Christian Science Monitor, and NewsdayA Kirkus Best Memoir of 2017Shortlisted for the 2017 Baillie Gifford PrizeFrom award-winning memoirist and critic, and bestselling author of The Lost: a deeply moving tale of a father and son's transformative journey in reading--and reliving--Homer's epic masterpiece.When eighty-one-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. As this intricately woven memoir builds to its wrenching climax, Mendelsohn's narrative comes to echo the Odyssey itself, with its timeless themes of deception and recognition, marriage and children, the pleasures of travel and the meaning of home. Rich with literary and emotional insight, An Odyssey is a renowned author-scholar's most triumphant entwining yet of personal narrative and literary exploration.

Pat Conroy's work as a novelist and a memoirist has indelibly shaped the image of the American South in the cultural imagination. His writing has rendered the physical landscape of the South Carolina lowcountry familiar to legions of readers, and it has staked out a more complex geography as well, one defined by domestic trauma, racial anxiety, religious uncertainty, and cultural ambivalence. In Understanding Pat Conroy, Catherine Seltzer engages in a sustained consideration of Conroy and his work. The study begins with a sketch of Conroy's biography, a narrative that, while fascinating in its own right, is employed here to illuminate many of the motifs and characters that define his work and to locate him within southern literary tradition. The volume then moves on to explore each of Conroy's major works, tracing the evolution of the themes within and among each of his novels, including The Great Santini, The Lords of Discipline, The Prince of Tides, Beach Music, and South of Broad, and his memoirs, among them The Water Is Wide and My Losing Season.Seltzer's insightful close readings of Conroy's work are supplemented by interviews and archival material, shedding new light on the often-complex dynamics between text and context in Conroy's oeuvre. More broadly Understanding Pat Conroy also explores the ways that Conroy delights in troubling the boundaries that circumscribe the literary establishment. Seltzer links Conroy's work to existing debates about the contemporary American canon, and, like Conroy's work itself, Understanding Pat Conroy will be of interest to his readers, students of American literature, and new and veteran South watchers.

Writing a memoir is more than making a list of life's big moments. A good memoir tells a true story in the same way as a novel tells a fictional one. Therefore, memoirists must employ the same tactics as novelists to tell a unique personal story. The Complete Idiot's Guide® to Writing a Memoir enables readers to learn to: * Select a focus--the period of time or series of events on which to concentrate and explore the theme that arises from this pivotal time in their lives. * Invoke and recreate essential pieces of conversations and scenes that took place long ago in order to accurately recreate them in a narrative with a beginning, middle and end. * Hone their craft--plot, dialogue, setting, pacing, and point of view are the essential ingredients for writing a compelling memoir. * Add a pinch of drama * Write, re-write, edit and consider the possibility of publication Through prompts, exercises and inspirational examples from published memoirists, this guide will help readers learn and refine their personal writing in order to create a memoir they'll wish to share with others.

Ethics in the Gutter: Empathy and Historical Fiction in Comics explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that—as Linda Hutcheon has put it—both “enshrine and question” history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader’s empathetic reactions to the content.  This book’s most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics.

“A smart, sensitive, and gripping story about the courage it takes to do what’s right.” —Deb Caletti, National Book Award finalistCritically acclaimed memoirist Aaron Hartzler, author of Rapture Practice, takes an unflinching look at what happens to a small town when some of its residents commit a terrible crime. The party at John Doone's last Saturday night is a bit of a blur. Kate Weston can piece together most of the details: Stacey Stallard handing her shots, Ben Cody taking her keys and getting her home early... But when a picture of Stacey passed out over Deacon Mills's shoulder appears online the next morning, Kate suspects she doesn't have all the details. When Stacey levels charges against four of Kate's classmates, the whole town erupts into controversy. Facts that can't be ignored begin to surface, and every answer Kate finds leads back to the same questions: Who witnessed what happened to Stacey? And what responsibility do they have to speak up about what they saw?This honest, authentic debut novel—inspired by the events in the Steubenville rape case—will resonate with readers who've ever walked that razor-thin line between guilt and innocence that so often gets blurred, one text at a time.

From the author of She Left Me The Gun, an explosive and hilarious memoir about the exceptional and life-changing decision to conceive a child on one's own via assisted reproduction   When British journalist, memoirist, and New York-transplant Emma Brockes decides to become pregnant, she quickly realizes that, being single, 37, and in the early stages of a same-sex relationship, she's going to have to be untraditional about it. From the moment she decides to stop "futzing" around, have her eggs counted, and "get cracking"; through multiple trials of IUI, which she is intrigued to learn can be purchased in bulk packages, just like Costco; to the births of her twins, which her girlfriend gamely documents with her iPhone and selfie-stick, Brockes is never any less than bluntly and bracingly honest about her extraordinary journey to motherhood.   She quizzes her friends on the pros and cons of personally knowing one's sperm donor, grapples with esoteric medical jargon and the existential brain-melt of flipping through donor catalogues and conjures with the politics of her Libertarian OB/GYN—all the while exploring the cultural circumstances and choices that have brought her to this point. Brockes writes with charming self-effacing humor about being a British woman undergoing fertility treatment in the US, poking fun at the starkly different attitude of Americans. Anxious that biological children might not be possible, she wonders, should she resent society for how it regards and treats women who try and fail to have children?   Brockes deftly uses her own story to examine how and why an increasing number of women are using fertility treatments in order to become parents—and are doing it solo. Bringing the reader every step of the way with mordant wit and remarkable candor, Brockes shares the frustrations, embarrassments, surprises, and, finally, joys of her momentous and excellent choice.

Paperback. Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the conversation forward in diverse and exciting ways.Written for writers and students of creative writing, this collection brings together perspectives from leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, David Shields, Kazim Ali--and in the new edition--Catina Bacote, Ira Sukrungruang, Ingrid Horrocks, Elena Passarello, and Aviya Kushner. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.Features in the second edition:-Updated introduction to the new edition-Expanded sections on Hybrids, Structures, and "Unconventions"-A new section on Resistances-50 essays in all "The expanded new edition of this influential collection of creative nonfiction for advanced writers and students includes twice as many essays critically engaging various forms of creative nonfiction"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

“A narrative composed of brutal honesty, tenderness, and an aching love for God. I could not put it down.” —Sue Monk Kidd, author of The Secret Life of BeesIn the middle of her life, acclaimed memoirist Beverly Donofrio thought she’d found a safe haven in a beautiful town in Mexico—until she was awakened in her bed by a rapist. As she writes in this fierce, unflinching account: “This was not supposed to happen. I was supposed to have escaped: I had hot flashes and liver spots and was in the final stretch.”Here Donofrio wrestles with anger toward her attacker and toward life, yet realizes her despair is not unlike that of other friends who are struggling with grave illnesses, loss of jobs, deaths of loved ones. Hoping to heal from trauma, Donofrio turns to prayer while journeying to five very different monasteries. A testimony to how anyone who is broken can move away from fear and anger toward grace, Astonished will not only be read and shared by fans of Donofrio’s previous books, but also by anyone who hopes to be inspired by Donofrio’s strength and her search for faith, healing, and identity.