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This instrument is part of our 7th annual Contemporary American Makers Exhibition, 2024 William (Bill) Robert Scott, with over 40 years of violinm...

This publication provides the first assessment of Scott's work since his death - or rather reassessment, because Simon Morley's important new study looks afresh at Scott's work outside the framework of modernist theory, within which it has always been contained. It publishes for the first time many previously unseen works, including drawings, which represented an essential element of Scott's practice, one which he described as "exploring not explaining, containing geometry, sex, distortion and correction, forms pure and impure".Accompanying a major exhibition in the Irish Museum of Modern Art in Dublin, organized in association with the Scott Family, this publication discusses and illustrates in colour almost one hundred works by the artist, and also includes biographical details, artist's statements and contemporary reviews.

Life of Elder Walter Scott - with sketches of his fellow-laborers, William Hayden, Adamson Bentley, John Henry, and others is an unchanged, high-quality reprint of the original edition of 1874. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Paris 2022. 1 Volume/1. -- As New / -- Softbound. 28 x 21 cm . ------- 160 pages. ******************** Présentation éditeur : "" Couvrant les trente dernières années de la pratique de William Scott, cette monographie offre la plus vaste sélection de peintures, de dessins, de masques et de modèles architecturaux. Publié à l'occasion de l'exposition de William Scott au Mälmo Konsthall en 2022. "" ***************************

Sir William Scott's thirty years as judge of the High Court of Admiralty provide the basis of his reputation as the greatest of civilian (as opposed to common) lawyers. In this major study, the first for over seventy years, Professor Bourguignon analyzes his work as judge of the admiralty court in the light of the little-known, unpublished body of law which had been developed prior to his appointment. His term of office coincided with the Revolutionary and Napoleonic wars, and thus Scott had to bear and determine hundreds of cases involving the capture of vessels in time of war. These prize cases provided Scott with the opportunity to state and develop many aspects of the international law of war, especially the law of neutral and belligerent rights at sea. He also influenced the development of admiralty law in the cases, which he heard of private disputes concerning maritime commerce.

Exhibition catalog for "Dark Humor: Joyce J. Scott and Peter Williams," which took place at the Center for the Arts Gallery at Towson University February 10-April 1, 2017. The artists featured work in a variety of media to examine issues of racism, sexism, identity, difficult historical realities, and contemporary politics through a lens of humor, satire, and irony. The catalog includes essays by J. Susan Isaacs, curator, Nikki A. Greene, and Tiffany Barber.

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Sir William Scott's thirty years as judge of the High Court of Admiralty provide the basis of his reputation as the greatest of civilian (as opposed to common) lawyers. In this major study, the first for over seventy years, Professor Bourguignon analyzes his work as judge of the admiralty court in the light of the little-known, unpublished body of law which had been developed prior to his appointment. His term of office coincided with the Revolutionary and Napoleonic wars, and thus Scott had to bear and determine hundreds of cases involving the capture of vessels in time of war. These prize cases provided Scott with the opportunity to state and develop many aspects of the international law of war, especially the law of neutral and belligerent rights at sea. He also influenced the development of admiralty law in the cases, which he heard of private disputes concerning maritime commerce.

Sir William Scott's thirty years as judge of the High Court of Admiralty provide the basis of his reputation as the greatest of civilian (as opposed to common) lawyers. In this major study, the first for over seventy years, Professor Bourguignon analyzes his work as judge of the admiralty court in the light of the little-known, unpublished body of law which had been developed prior to his appointment. His term of office coincided with the Revolutionary and Napoleonic wars, and thus Scott had to bear and determine hundreds of cases involving the capture of vessels in time of war. These prize cases provided Scott with the opportunity to state and develop many aspects of the international law of war, especially the law of neutral and belligerent rights at sea. He also influenced the development of admiralty law in the cases, which he heard of private disputes concerning maritime commerce.

This book is a comprehensive introduction to the life and work of the important British abstract painter William Scott (1913–1989). After studying at Belfast College of Art and the Royal Academy of Arts in London, Scott began his painting career in 1946 while teaching at Bath Academy of Art, concentrating on still lifes of household objects. By 1951, the forms had begun to take on a life of their own, sometimes as metaphors of erotic encounters between male and female. Moving back and forth between abstract and representational styles, Scott gained international renown and has been the subject of exhibitions around the world, including a major retrospective at Tate in 1972.

This publication provides the first assessment of Scott's work since his death - or rather reassessment, because Simon Morley's important new study looks afresh at Scott's work outside the framework of modernist theory, within which it has always been contained. It publishes for the first time many previously unseen works, including drawings, which represented an essential element of Scott's practice, one which he described as "exploring not explaining, containing geometry, sex, distortion and correction, forms pure and impure".Accompanying a major exhibition in the Irish Museum of Modern Art in Dublin, organized in association with the Scott Family, this publication discusses and illustrates in colour almost one hundred works by the artist, and also includes biographical details, artist's statements and contemporary reviews.

Exhibition catalog for "Dark Humor: Joyce J. Scott and Peter Williams," which took place at the Center for the Arts Gallery at Towson University February 10-April 1, 2017. The artists featured work in a variety of media to examine issues of racism, sexism, identity, difficult historical realities, and contemporary politics through a lens of humor, satire, and irony. The catalog includes essays by J. Susan Isaacs, curator, Nikki A. Greene, and Tiffany Barber.

In this text, author Scott Menard provides coverage of not only the basic logistic regression model but also advanced topics found in no other logistic regression text. The book keeps mathematical notation to a minimum, making it accessible to those with more limited statistics backgrounds, while including advanced topics of interest to more statistically sophisticated readers. Not dependent on any one software package, the book discusses limitations to existing software packages and ways to overcome them. Key Features    Examines the logistic regression model in detailIllustrates concepts with applied examples to help readers understand how concepts are translated into the logistic regression model Helps readers make decisions about the criteria for evaluating logistic regression models through detailed coverage of how to assess overall models and individual predictors for categorical dependent variables Offers unique coverage of path analysis with logistic regression that shows readers how to examine both direct and indirect effects using logistic regression analysis Applies logistic regression analysis to longitudinal panel data, helping students understand the issues in measuring change with dichotomous, nominal, and ordinal dependent variablesShows readers how multilevel change models with logistic regression are different from multilevel growth curve models for continuous interval or ratio-scaled dependent variablesLogistic Regression is intended for courses such as Regression and Correlation, Intermediate/Advanced Statistics, and Quantitative Methods taught in departments throughout the behavioral, health, mathematical, and social sciences, including applied mathematics/statistics, biostatistics, criminology/criminal justice, education, political science, public health/epidemiology, psychology, and sociology.

Susan Stewart, "The Bowerbirds" Robert Coover, "On Mrs. Willie Masters" Bradford Morrow, "A Girandole for Mr. Gass" Mary Caponegro "Lookin' with Gass" Rikki Ducornet "A Dream" Heide Ziegler "Three Encounters with Germany: Goethe, Holderlin, Rilke" Michael Eastman "Photographs" Joanna Scott "Homage to Bill Gass" John Barth "As Sinuous and Tough as Ivy" Ingo Schulze "Toast or Corn? Notes I made for This Speech and Then Discarded" Heather McHugh "To His Health" Richard Watson "Second Is Last" Diane Ackerman "One Beautiful Mind" Lorin Cuoco "Page 399?" Ethan Shaskan Bumas "William H. Gass Meets the -ba particle" Paul West "At-Swim among the Noble Gasses" Joan Elkin "Portrait" Walter Abish "Even Vienna could not forever endure this struggle" Walter Abish "Even Vienna could not forever endure this struggle" Michael Silverblatt "Review Essays: The Tunnel: A Small Apartment in Hell"

This first ever collection of selected interviews with one of America's most prolific and eclectic authors, William T. Vollmann. Editor Scott Rhodes collects eighteen interviews that covers the span of this important writer's expansive career.

“Dante and Shakespeare divide the modern world between them; there is no third.” Understanding Dante attempts to explain and justify T. S. Eliot’s bold claim. John Scott offers readers at all levels a critical overview of Dante’s writings: five chapters deal with his New Life of love and poetry (Vita Nova), the Banquet of knowledge (Convivio), his Latin treatise on language and poetics (De Vulgari Eloquentia), Italian lyrics (Rime), and his blueprint for world government (Monarchia). The next five chapters concentrate on Dante’s masterpiece, the Comedy: its structure, Dante’s worldview (still relevant today), and the Comedy examined as a poem. Much has been written on Dante’s moral, political, and religious ideas; important as these are, however, such discussions are perforce limited. It is above all as a work of poetry that the Divine Comedy maintains its appeal and fascination to readers of all backgrounds and beliefs. /// Firmly grounded in the latest advances of Dante scholarship, Understanding Dante offers an original and uniquely detailed, global analysis of Dante as poet of the Comedy that will be welcomed by those who read the poem in translation as well as by those who study the original Italian text. At the same time, Scott’s book will be welcome for its rich and insightful analysis of the whole corpus of Dante’s writings, as well as Scott’s mastery of the vast sea of critical literature in various languages. Scott bridges the gap that often exists between Dante studies in English-speaking countries and the great tradition of Dante scholarship in the poet’s homeland. No work in English about the great Italian poet can rival Understanding Dante’s scope in both depth and breadth of close reading and critical vision.

William Merritt Chase: Summers at Shinnecock 1891-1902 by Atkinson, D. Scott and Nicolai Cikovsky. 8vo.

In this landmark book, Scott Page redefines the way we understand ourselves in relation to one another. The Difference is about how we think in groups--and how our collective wisdom exceeds the sum of its parts. Why can teams of people find better solutions than brilliant individuals working alone? And why are the best group decisions and predictions those that draw upon the very qualities that make each of us unique? The answers lie in diversity--not what we look like outside, but what we look like within, our distinct tools and abilities.The Difference reveals that progress and innovation may depend less on lone thinkers with enormous IQs than on diverse people working together and capitalizing on their individuality. Page shows how groups that display a range of perspectives outperform groups of like-minded experts. Diversity yields superior outcomes, and Page proves it using his own cutting-edge research. Moving beyond the politics that cloud standard debates about diversity, he explains why difference beats out homogeneity, whether you're talking about citizens in a democracy or scientists in the laboratory. He examines practical ways to apply diversity's logic to a host of problems, and along the way offers fascinating and surprising examples, from the redesign of the Chicago "El" to the truth about where we store our ketchup.Page changes the way we understand diversity--how to harness its untapped potential, how to understand and avoid its traps, and how we can leverage our differences for the benefit of all.

Bruce led the Scottish National Antarctic Expedition (1902-1904) as well as participating in or leading, many other polar expeditions from 1892 through to 1919. But he is now largely forgotten compared with Shackleton, Scott and Amundsen. In this book, expert authors return to primary sources to provide a new and controversial view of the relationship between Bruce and the then President of the Royal Geographical Society, Sir Clements Markham, and also draw new conclusions about Bruce’s personality, in particular suggesting that he was probably on the autism spectrum. Bruce was ahead of his time in dreaming of cooperating meteorological stations in the South, he can be considered the Father of Meteorology in the South Atlantic, and he had a lasting impact, publishing his work, under great difficulties, in six scientific volumes. 

In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. In 1930 his Atlanta World became a semiweekly, and the following year W. A. began to implement his vision for a massive newspaper chain based out of Atlanta: the Southern Newspaper Syndicate, later dubbed the Scott Newspaper Syndicate. In April 1931 the World had become a triweekly, and its reach began drifting beyond the South.With The Grapevine of the Black South, Thomas Aiello offers the first critical history of this influential newspaper syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955–68).In the generation that followed, the Syndicate helped formalize knowledge among the African American population in the South. As the civil rights movement exploded throughout the region, black southerners found a collective identity in that struggle built on the commonality of the news and the subsequent interpretation of that news. Or as Gunnar Myrdal explained, the press was “the chief agency of group control. It [told] the individual how he should think and feel as an American Negro and create[d] a tremendous power of suggestion by implying that all other Negroes think and feel in this manner.” It didn’t create a complete homogeneity in black southern thinking, but it gave thinkers a similar set of tools from which to draw.