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Mephistopheles is the fourth and final volume of Jeffrey Burton Russell's critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure called the second most famous personage in Christianity. In the first three volumes, the author brought the history of Christian diabology to the end of the Middle Ages. This volume continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, Russell describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modern times.

Take your Halloween costume to the next level with this officially licensed Hyper Realistic Mephistopheles Mask. Youre never alone when you have your demons to keep you company! Embrace your dark side when you slip into this high-quality, durable latex mask that fits and feels like a second skin, featuring comfortable eye and mouth openings, synced movements with mouth and face muscles, and extreme detail. The extended neck bib comes to the shoulders, allowing you to tuck into your shirt seamlessly.With accentuated dark demon accents, veins, wrinkles, silver horns, and pointed ears, this mask is perfect for costume parties, cosplay events, and more! Officially licensed Dimensions: 15 H x 12 W x 6 D Material: Natural rubber latex Weight: 0.3 lbs. Product circumference: 25 Head opening circumfe

Mephistopheles is the fourth and final volume of Jeffrey Burton Russell's critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure called the second most famous personage in Christianity. In the first three volumes, the author brought the history of Christian diabology to the end of the Middle Ages. This volume continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, Russell describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modern times.

Mephistopheles is the fourth and final volume of Jeffrey Burton Russell's critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure called the second most famous personage in Christianity. In the first three volumes, the author brought the history of Christian diabology to the end of the Middle Ages. This volume continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, Russell describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modern times.

Mephistopheles is the fourth and final volume of Jeffrey Burton Russell's critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure called the second most famous personage in Christianity. In the first three volumes, the author brought the history of Christian diabology to the end of the Middle Ages. This volume continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, Russell describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modern times.

First published in 1889, this volume contains Louisa May Alcott's short stories "A Modern Mephistopheles" and "A Whisper in the Dark". Although best known for her children's classics, Alcott also wrote many "blood and thunder" stories in her early years. Her favourite of these was "A Modern Mephistopheles", a story of human evil and its appalling consequences that centres around Felix Canaris, a failing writer whose suicide attempt is interrupted by a fateful knock at the door. These chilling tales of lust, deception, and greed are highly recommended for short story lovers and are not to be missed by fans of macabre literature. Louisa May Alcott (1832 - 1888) was an American short story writer, novelist, and poet most famous for writing the novel "Little Women", as well as its sequels "Little Men" and "Jo's Boys". She grew up in New England and became associated with numerous notable intellectuals of her time, including Nathaniel Hawthorne, Ralph Waldo Emerson, Henry Wadsworth Longfellow, and Henry David Thoreau. Other notable works by this author include: "An Old-Fashioned Girl" (1886), "Eight Cousins" (1869), and "A Long Fatal Love Chase" (1875). Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.

First published in 1889, this volume contains Louisa May Alcott's short stories "A Modern Mephistopheles" and "A Whisper in the Dark". Although best known for her children's classics, Alcott also wrote many "blood and thunder" stories in her early years. Her favourite of these was "A Modern Mephistopheles", a story of human evil and its appalling consequences that centres around Felix Canaris, a failing writer whose suicide attempt is interrupted by a fateful knock at the door. These chilling tales of lust, deception, and greed are highly recommended for short story lovers and are not to be missed by fans of macabre literature. Louisa May Alcott (1832 - 1888) was an American short story writer, novelist, and poet most famous for writing the novel "Little Women", as well as its sequels "Little Men" and "Jo's Boys". She grew up in New England and became associated with numerous notable intellectuals of her time, including Nathaniel Hawthorne, Ralph Waldo Emerson, Henry Wadsworth Longfellow, and Henry David Thoreau. Other notable works by this author include: "An Old-Fashioned Girl" (1886), "Eight Cousins" (1869), and "A Long Fatal Love Chase" (1875). Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.

Brand New! This item is printed on demand. 0.7100

The wealthy, diabolical Jasper Helwyze plots to corrupt a young writer, Felix Canaris, by using an innocent and beautiful young girl

In the 2nd book of the multi-author Sundering series launched by New York Times best-selling author R.A. Salvatore, the shadow legacy of Erevis Cale lives on even as his old foe Mephistopheles seeks to stamp it out at any cost. Cale’s son Vasen—unmoored in time by the god Mask—has thus far been shielded from the archdevil’s dark schemes, alone among the servants of the Lord of Light who have raised him since birth. Living in a remote abbey nestled among the Thunder Peaks of Sembia, Vasen is haunted by dreams of his father, trapped in the frozen hell of Cania. He knows the day will come when he must assume his role in the divine drama unfolding across Faerûn. But Vasen knows not what that role should be . . . or whether he is ready to take it on. He only knows what his father tells him in dreams—that he must not fail. Enter Drasek Riven, a former compatriot of Erevis Cale, now near divine and haunted by dreams of his own—he too knows the time to act is near. Shar, the great goddess of darkness, looks to cast her shadow on the world forever. Riven has glimpsed the cycle of night she hopes to complete, and he knows she must be stopped. At the crossroads of divine intrigue and mortal destiny, unlikely heroes unite to thwart the powers of shadow and hell, and the sundering of worlds is set on its course.

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.

The Magia Naturalis et Innaturalis was a popular grimoire in 18th Century Germany centering around the legend of Doctor Faust, to whom it was pseudo-epigraphically attributed. It contains a great array of magical practices centering around his mythical exploits aided by the spirit Mephistopheles.It remains relevant today as the foremost exemplar stemming from the Faustian Magical Literature and will prove indispensable for the scholars of Western Esotericism for its great array of magical practices dealing with topics like demonology, necromancy, the Liber Spirituum and divination as well as to the students of Goethe’s sources for his magnum opus Faust.This critical edition, amply researched, provides historical and literary context through its introduction and commentary to students and scholars of magic and Faustian literature.

Faust, a scholar, finds himself in the midst of despair, realizing that his worldly pursuits and studies have been a farce. It’s then that he makes a pact with Mephistopheles, who promises to serve Faust, grant his every wish, and give him purpose again—a virtual heaven on earth. There’s just one catch: upon Faust’s death, it will be he who will serve—in hell.In one of the greatest works of German literature, Goethe explores the human need for meaning and the desire for power over one’s own fate, regardless of the consequences.AmazonClassics brings you timeless works from the masters of storytelling. Ideal for anyone who wants to read a great work for the first time or rediscover an old favorite, these new editions open the door to literature’s most unforgettable characters and beloved worlds.Revised edition: Previously published as Faust, Part One, this edition of Faust, Part One (AmazonClassics Edition) includes editorial revisions.

The last Millennial contest--between the forces  of Good and Evil for control of the  universe--didn't work out quite so well for Evil and its rooters.  But it's time for the next round, and this time  the demon Mephistopheles is carrying the ball for  the forces of Darkness. But all is not as it seems.  The harried archdemon mistakenly signs up a  medieval cutpurse names Mack the Club, thinking him the  learned Dr. Faust. The demon Azzie, still  stinging from the Evil's last defeat (and not being  chosen to head the current effort), takes events into  his own claws. And the pious angel Michael--well,  let's just say some of his tactics in the titanic  struggle to come are not quite cricket . . . .

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.

The perils of ambition lie at the heart of this double-bill of supernatural tales. In The Monkey's Paw a family is granted three wishes, all of which come true but in a macabre and unexpected way. In The Dark a successful and ambitious novelist meets his Mephistopheles and is dispatched to a sinister fate. 1 woman, 4 men

This is not a modern reprint, print-on-demand or facsimile copy. It is a hardcover book published with a dust jacket price of $15.00 in 1976 as a First Printing by Farrar, Straus and Giroux, New York. Faust Part One takes place in multiple settings, the first of which is Heaven. The demon Mephistopheles makes a bet with God: he says that he can lure God's favourite human being (Faust), who is striving to learn everything that can be known, away from righteous pursuits. The next scene takes place in Faust's study where Faust, despairing at the vanity of scientific, humanitarian and religious learning, turns to magic for the showering of infinite knowledge. He suspects, however, that his attempts are failing. Frustrated, he ponders suicide, but rejects it as he hears the echo of nearby Easter celebrations begin. He goes for a walk with his assistant Wagner and is followed home by a dog. In Faust's study, the dog transforms into Mephistopheles. Faust makes an arrangement with him: Mephistopheles will do everything that Faust wants while he is here on Earth, and in exchange Faust will serve the Devil in Hell. The translator, Randall Jarrell (1914 -1965) was an American poet, literary critic, children's author, essayist, and novelist. He was the 11th Consultant in Poetry to the Library of Congress-a position that now bears the title Poet Laureate of the United States. Among other honors, Jarrell was awarded the National Book Award for Poetry, in 1961.

Despairing at his powerlessness over ignorance, Dr. Faust is promised absolute knowledge by Mephistopheles, and as Faust begins to mold the world toward the New Age of Mechanization, his love for a woman threatens all of his plans. 30,000 first printing.

The demon Mephistopheles conjured a younger, inexperienced Fez to aid the band of adventurers in their quest to purify Land Anew of its corruptive Evil. But how can an old and a young Fez possibly exist at the same time? And could even these forces triumph over the malevolent influence of the Lich, Lorrmar?

The last Millennial contest--between the forces  of Good and Evil for control of the  universe--didn't work out quite so well for Evil and its rooters.  But it's time for the next round, and this time  the demon Mephistopheles is carrying the ball for  the forces of Darkness. But all is not as it seems.  The harried archdemon mistakenly signs up a  medieval cutpurse names Mack the Club, thinking him the  learned Dr. Faust. The demon Azzie, still  stinging from the Evil's last defeat (and not being  chosen to head the current effort), takes events into  his own claws. And the pious angel Michael--well,  let's just say some of his tactics in the titanic  struggle to come are not quite cricket . . . .From the Paperback edition.