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For the last three hundred years, fictions of the vampire have fed off anxieties about cultural continuity. Though commonly represented as a parasitic aggressor from without, the vampire is in fact a native of Europe, and its "metamorphoses," to quote Baudelaire, a distorted image of social transformation. Because the vampire grows strong whenever and wherever traditions weaken, its representations have multiplied with every political, economic, and technological revolution from the eighteenth century on. Today, in the age of globalization, vampire fictions are more virulent than ever, and the monster enjoys hunting grounds as vast as the international market. Metamorphoses of the Vampire explains why representations of vampirism began in the eighteenth century, flourished in the nineteenth, and came to eclipse nearly all other forms of monstrosity in the early twentieth century. Many of the works by French and German authors discussed here have never been presented to students and scholars in the English-speaking world. While there are many excellent studies that examine Victorian vampires, the undead in cinema, contemporary vampire fictions, and the vampire in folklore, until now no work has attempted to account for the unifying logic that underlies the vampire's many and often apparently contradictory forms. Erik Butler holds a PhD from Yale University and has taught at Emory University and Swarthmore College. His publications include The Bellum Gramaticale and the Rise of European Literature (2010) and a translation with commentary of Regrowth (Vidervuks) by the Soviet Jewish author Der Nister (2011).

Les Metamorphoses (IMPORT) Les Metamorphoses - CD 619061440122

The romantic poet of ancient Rome expresses his passion for life in poems that explore the diverse aspects of love

Unread book in perfect condition.

Metamorphoses--the best-known poem by one of the wittiest poets of classical antiquity--takes as its theme change and transformation, as illustrated by Greco-Roman myth and legend. Melville's new translation reproduces the grace and fluency of Ovid's style, and its modern idiom offers a fresh understanding of Ovid's unique and elusive vision of reality. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

47 pp. with full-colour illustrations. Text in French, English and Inuktitut. Book lightly curled at lower outside corner. Cover slightly rubbed. Catalogue for an exhibition at the Canadian Guild of Crafts in Montreal from May 25 to June 30, 2006. The eleven artists included in the exhibition include Aisa Amittu, Adamie Anautak, Jobie Arnaituk, Lucassie Echalook, Noah Echalook,Thomassie Echalook, Eli Elijassiapik, Mattiusi Iyaituk, Joanasi Jack Ittukallak, Tamusiapik Sivuarapik, and Jobie Uqaituk.

Hailed in Newsweek for his translation of The Poems of Catullus ("Charles Martin is an American poet; he puts the poetry, the immediacy of the streets back into the English Catullus. The effect is electric"), Martin's translation of Metamorphoses will be the translation of choice for contemporary readers. Ovid's epic poem whose theme of change has resonated throughout the ages has become one of the most important texts of Western imagination, an inspiration from Dante's time to the present day, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work. In this new, long-anticipated translation of Metamorphoses, Charles Martin combines a close fidelity to Ovid's text with verse that catches the speed and liveliness of the original. Portions of the translation have already appeared in such publications as Arion, The Formalist, The Tennessee Quarterly, and TriQuarterly.

Gathers landscapes, still lifes, and photographs of sculpture, actors, museums and ruins in Greece

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01

The discussions about the ethical, political and human implications of the postmodernist condition have been raging for longer than most of us care to remember. They have been especially fierce within feminism. After a brief flirtation with postmodern thinking in the 1980s, mainstream feminist circles seem to have turned their back on the staple notions of poststructuralist philosophy. Metamorphoses takes stock of the situation and attempts to reset priorities within the poststructuralist feminist agenda. Cross-referring in a creative way to Deleuze's and Irigaray's respective philosophies of difference, the book addresses key notions such as embodiment, immanence, sexual difference, nomadism and the materiality of the subject. Metamorphoses also focuses on the implications of these theories for cultural criticism and a redefinition of politics. It provides a vivid overview of contemporary culture, with special emphasis on technology, the monstrous imaginary and the recurrent obsession with 'the flesh' in the age of techno-bodies. This highly original contribution to current debates is written for those who find changes and transformations challenging and necessary. It will be of great interest to students and scholars of philosophy, feminist theory, gender studies, sociology, social theory and cultural studies.

The Metamorphoses is a Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising fifteen books and over 250 myths, the poem chronicles the history of the world from its creation to the deification of Julius Caesar within a loose historical framework. Although meeting the criteria for an epic, the poem defies simple genre classification by its use of varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry, and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in acclaimed works of sculpture, painting, and music. Although interest in Ovid faded after the Renaissance, there was a resurgence of attention to his work towards the end of the 20th century. Today the Metamorphoses continues to inspire and be retold through various media. The work has been the subject of numerous translations into English, the first by William Caxton in 1480. Some of the Metamorphoses derives from earlier literary and poetic treatment of the same myths. This material was of varying quality and comprehensiveness — while some of it was "finely worked", in other cases Ovid may have been working from limited material. In the case of an oft-used myth such as that of Io in Book I, which was the subject of literary adaptation as early as the 5th century BC, and as recently as a generation prior to his own, Ovid reorganizes and innovates existing material in order to foreground his favored topics and to embody the key themes of the Metamorphoses.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Hailed in Newsweek for his translation of The Poems of Catullus ("Charles Martin is an American poet; he puts the poetry, the immediacy of the streets back into the English Catullus. The effect is electric"), Martin's translation of Metamorphoses will be the translation of choice for contemporary readers. Ovid's epic poem whose theme of change has resonated throughout the ages has become one of the most important texts of Western imagination, an inspiration from Dante's time to the present day, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work. In this new, long-anticipated translation of Metamorphoses, Charles Martin combines a close fidelity to Ovid's text with verse that catches the speed and liveliness of the original. Portions of the translation have already appeared in such publications as Arion, The Formalist, The Tennessee Quarterly, and TriQuarterly.

Metamorphoses of Science Fiction [paperback] Suvin, Darko [Feb 01, 1979]

Metamorphoses of Science Fiction [paperback] Suvin, Darko [Feb 01, 1979]

Book is in NEW condition. 0.65

In the Metamorphoses of Apuleius, also known as The Golden Ass, we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, 'Erant in quadam civitate rex et regina'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the Decameron. At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.J. Arthur Hanson was at the time of his death in 1985 Giger Professor of Latin at Princeton University. His publications include Roman Theater-Temples.The Loeb Classical Library edition of Apuleius is in three volumes.

In the Metamorphoses of Apuleius, also known as The Golden Ass, we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, 'Erant in quadam civitate rex et regina'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the Decameron. At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.The Loeb Classical Library edition of Apuleius is in three volumes.

Ovid (Publius Ovidius Naso, 43 BCE–17 CE), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars Amatoria, and was banished because of this work and some other reason unknown to us, and dwelt in the cold and primitive town of Tomis on the Black Sea. He continued writing poetry, a kindly man, leading a temperate life. He died in exile.Ovid's main surviving works are the Metamorphoses, a source of inspiration to artists and poets including Chaucer and Shakespeare; the Fasti, a poetic treatment of the Roman year of which Ovid finished only half; the Amores, love poems; the Ars Amatoria, not moral but clever and in parts beautiful; Heroides, fictitious love letters by legendary women to absent husbands; and the dismal works written in exile: the Tristia, appeals to persons including his wife and also the emperor; and similar Epistulae ex Ponto. Poetry came naturally to Ovid, who at his best is lively, graphic and lucid.The Loeb Classical Library edition of Ovid is in six volumes.

Metamorphoses--the best-known poem by one of the wittiest poets of classical antiquity--takes as its theme change and transformation, as illustrated by Greco-Roman myth and legend. Melville's new translation reproduces the grace and fluency of Ovid's style, and its modern idiom offers a fresh understanding of Ovid's unique and elusive vision of reality.