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Completing the influential Oxford edition of Clare's poetry, this volume presents the poems of the Northborough period of Clare's creativity. As with other volumes in the edition, many of the poems have never before been published, and Clare's spelling, punctuation, grammar, and vocabulary have all been carefully preserved. This final volume also includes corrections to the texts, variants, and notes in previously-published volumes in the series, along with a cumulative glossary and cumulative indices of first-lines and titles.

Clare's The Shepherd's Calendar has become the classic poem of English rural life and ceremony. It was accompanied, when first published, by other poems, pastorals, and verse-tales, all of which appear in the first two volumes of the series, along with many others which were not collected in the 1827 collection. Clare's first editors also tidied up and standardized his vocabulary, grammar, and spelling, but his original language has here been restored. By the late 1820's, Clare had developed his own distinctive idiom and had adopted a more powerful voice. These volumes make an important contribution to the ongoing reassessment of Clare as a major English poet. This is the first of five volumes devoted to Clare's "middle period," between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

These volumes represent the third and fourth of five volumes devoted to Clare's "middle period," between 1822 and 1837, arguably the years of his finest creativity. They range from examples of Clare's satirical and political verse, in "The Summons" and "The Hue and Cry," to a telling expression of his philosophy of nature, in "The Eternity of Nature," and probably the most important statement of Clare's poetic objectives in "To the Rural Muse."

Clare's The Shepherd's Calendar has become the classic poem of English rural life and ceremony. It was accompanied, when first published, by other poems, pastorals, and verse-tales, all of which appear in the first two volumes of the series, along with many others which were not included in the 1827 collection. Clare's first editors also tidied up and standardized his vocabulary, grammar, and spelling, but his original language has here been restored. By the late 1820's, Clare had developed his own distinctive idiom and had adopted a more powerful voice. These volumes make an important contribution to the ongoing reassessment of Clare as a major English poet. This is the second of five volumes devoted to Clare's "middle period," between 1822 and 1837; it includes some of Clare's finest work, such as "The Last of Summer," The Mole Catcher." and the whole manuscript of the hitherto lost "Birds Nesting." These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

These volumes represent the third and fourth of five volumes devoted to Clare's "middle period," between 1822 and 1837, arguably the years of his finest creativity. They range from examples of Clare's satirical and political verse, in "The Summons" and "The Hue and Cry," to a telling expression of his philosophy of nature, in "The Eternity of Nature," and probably the most important statement of Clare's poetic objectives in "To the Rural Muse."

Completing the influential Oxford edition of Clare's poetry, this volume presents the poems of the Northborough period of Clare's creativity. As with other volumes in the edition, many of the poems have never before been published, and Clare's spelling, punctuation, grammar, and vocabulary have all been carefully preserved. This final volume also includes corrections to the texts, variants, and notes in previously-published volumes in the series, along with a cumulative glossary and cumulative indices of first-lines and titles.

Clare's The Shepherd's Calendar has become the classic poem of English rural life and ceremony. It was accompanied, when first published, by other poems, pastorals, and verse-tales, all of which appear in the first two volumes of the series, along with many others which were not collected in the 1827 collection. Clare's first editors also tidied up and standardized his vocabulary, grammar, and spelling, but his original language has here been restored. By the late 1820's, Clare had developed his own distinctive idiom and had adopted a more powerful voice. These volumes make an important contribution to the ongoing reassessment of Clare as a major English poet. This is the first of five volumes devoted to Clare's "middle period," between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

Clare's The Shepherd's Calendar has become the classic poem of English rural life and ceremony. It was accompanied, when first published, by other poems, pastorals, and verse-tales, all of which appear in the first two volumes of the series, along with many others which were not included in the 1827 collection. Clare's first editors also tidied up and standardized his vocabulary, grammar, and spelling, but his original language has here been restored. By the late 1820's, Clare had developed his own distinctive idiom and had adopted a more powerful voice. These volumes make an important contribution to the ongoing reassessment of Clare as a major English poet. This is the second of five volumes devoted to Clare's "middle period," between 1822 and 1837; it includes some of Clare's finest work, such as "The Last of Summer," The Mole Catcher." and the whole manuscript of the hitherto lost "Birds Nesting." These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

The Venture of Islam has been honored as a magisterial work of the mind since its publication in early 1975. In this three-volume study, illustrated with charts and maps, Hodgson traces and interprets the historical development of Islamic civilization from before the birth of Muhammad to the middle of the twentieth century. This work grew out of the famous course on Islamic civilization that Hodgson created and taught for many years at the University of Chicago.In the second work of this three-volume set, Hodgson investigates the establishment of an international Islamic civilization through about 1500. This includes a theoretical discussion of cultural patterning in the Islamic world and the Occident."This is a nonpareil work, not only because of its command of its subject but also because it demonstrates how, ideally, history should be written."—The New Yorker

During the middle phase of his career, 1849-59, Verdi adopted new compositional procedures to create some of his best-loved and most-performed works. Focusing on the operas he composed during this period, this volume explores Verdi's work from three interlinked perspectives: studies of the original source material, cross-disciplinary analyses of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception. In addition to offering new insights into such staples as Il trovatore, La traviata, and Un ballo in maschera, Verdi's Middle Period also highlights works which have only recently begun to re-enter public consciousness, such as Stiffelio, as well as lesser-known works such as Luisa Miller and Les Vêpres siciliennes. Comprising major essays by some of the best-known Verdians of our day, as well as articles from up-and-coming scholars, this volume has much to offer readers ranging from musicologists to serious opera buffs. Contributors are Martin Chusid, Markus Engelhardt, Linda B. Fairtile, Philip Gossett, Kathleen Kuzmick Hansell, Elizabeth Hudson, James Hepokoski, Roberta Montemorra Marvin, Carlo Matteo Mossa, Roger Parker, Harold S. Powers, David Rosen, and Mary Ann Smart.

Ruth Abbey presents a close study of Nietzsche's works, Human, All Too Human, Daybreak, and The Gay Science. Although these middle period works tend to be neglected in commentaries on Nietzsche, they repay careful attention. Abbey's commentary brings to light important differences across Nietzsche's oeuvre that have gone unnoticed, filling a serious gap in the literature.

During the middle phase of his career, 1849-59, Verdi adopted new compositional procedures to create some of his best-loved and most-performed works. Focusing on the operas he composed during this period, this volume explores Verdi's work from three interlinked perspectives: studies of the original source material, cross-disciplinary analyses of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception. In addition to offering new insights into such staples as Il trovatore, La traviata, and Un ballo in maschera, Verdi's Middle Period also highlights works which have only recently begun to re-enter public consciousness, such as Stiffelio, as well as lesser-known works such as Luisa Miller and Les Vêpres siciliennes. Comprising major essays by some of the best-known Verdians of our day, as well as articles from up-and-coming scholars, this volume has much to offer readers ranging from musicologists to serious opera buffs. Contributors are Martin Chusid, Markus Engelhardt, Linda B. Fairtile, Philip Gossett, Kathleen Kuzmick Hansell, Elizabeth Hudson, James Hepokoski, Roberta Montemorra Marvin, Carlo Matteo Mossa, Roger Parker, Harold S. Powers, David Rosen, and Mary Ann Smart.

Ruth Abbey presents a close study of Nietzsche's works, Human, All Too Human, Daybreak, and The Gay Science. Although these middle period works tend to be neglected in commentaries on Nietzsche, they repay careful attention. Abbey's commentary brings to light important differences across Nietzsche's oeuvre that have gone unnoticed, filling a serious gap in the literature.

While much attention has been lavished on Friedrich Nietzsche’s earlier and later works, those of his so-called middle period have been generally neglected, perhaps because of their aphoristic style or perhaps because they are perceived to be inconsistent with the rest of his thought. With Nietzsche’s Enlightenment, Paul Franco gives this crucial section of Nietzsche’s oeuvre its due, offering a thoughtful analysis of the three works that make up the philosopher’s middle period: Human, All too Human; Daybreak; and The Gay Science.           It is Nietzsche himself who suggests that these works are connected, saying that their “common goal is to erect a new image and ideal of the free spirit.” Franco argues that in their more favorable attitude toward reason, science, and the Enlightenment, these works mark a sharp departure from Nietzsche’s earlier, more romantic writings and differ in important ways from his later, more prophetic writings, beginning with Thus Spoke Zarathustra. The Nietzsche these works reveal is radically different from the popular image of him and even from the Nietzsche depicted in much of the secondary literature; they reveal a rational Nietzsche, one who preaches moderation instead of passionate excess and Dionysian frenzy. Franco concludes with a wide-ranging examination of Nietzsche’s later works, tracking not only how his outlook changes from the middle period to the later but also how his commitment to reason and intellectual honesty in his middle works continues to inform his final writings.

The Venture of Islam has been honored as a magisterial work of the mind since its publication in early 1975. In this three-volume study, illustrated with charts and maps, Hodgson traces and interprets the historical development of Islamic civilization from before the birth of Muhammad to the middle of the twentieth century. This work grew out of the famous course on Islamic civilization that Hodgson created and taught for many years at the University of Chicago. In the second work of this three-volume set, Hodgson investigates the establishment of an international Islamic civilization through about 1500. This includes a theoretical discussion of cultural patterning in the Islamic world and the Occident. "This is a nonpareil work, not only because of its command of its subject but also because it demonstrates how, ideally, history should be written."—The New Yorker

The Bedford Anthology of World Literature doesn’t just surround an unsurpassed collection of western and world literature with generous literary, historical, and cultural contexts — it also gives students the help they need to explore an entire world of literature.

The Venture of Islam has been honored as a magisterial work of the mind since its publication in early 1975. In this three-volume study, illustrated with charts and maps, Hodgson traces and interprets the historical development of Islamic civilization from before the birth of Muhammad to the middle of the twentieth century. This work grew out of the famous course on Islamic civilization that Hodgson created and taught for many years at the University of Chicago. In the second work of this three-volume set, Hodgson investigates the establishment of an international Islamic civilization through about 1500. This includes a theoretical discussion of cultural patterning in the Islamic world and the Occident. "This is a nonpareil work, not only because of its command of its subject but also because it demonstrates how, ideally, history should be written."—The New Yorker

387 pages. 9.25x6.00x1.00 inches. In Stock. This item is printed on demand.

Wandering dervishes formed a prominent feature of most Muslim communities well into the modern period, surviving in some regions even today. Shocking in appearance, behavior, and speech, these social misfits were revered by the public, yet denounced by cultural elites. /God's Unruly Friends/ is the first in-depth and comprehensive survey of this enigmatic type of piety, tracing the history of the different dervish groups that roamed the lands. As the definitive appraisal of this neglected topic, /God's Unruly Friends/ will fascinate both scholars of religion and those who seek to challenge and broaden their conception of Islam.

This book deals with the earliest period of human settlement in Britain, proposing a series of archaeological stages for the Lower and Middle Palaeolithic periods. An introduction on the problems and methods of studying the Palaeolithic and Pleistocene periods leads into the technical argument, a sequence of development derived from evidence of stone artefacts and other signs of human activity at stratified sites in south-east England. Materials from all occupied parts of Britain are related to this basic sequence and, stressing that Britain lay on the edge of the Palaeolithic world, the author also brings in essential evidence from Europe and farther afield. The final chapter suggests the probable way of life of human groups in this period. This broad survey synthesises material from widely scattered sources including museums from all over Britain and has an extensive bibliography. Originally published in 1981.