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A close friend of William Dean Howells, John Singer Sargent, and the legendary collector Isabella Stewart Gardner, who became his champion, Dennis Miller Bunker (1861-1890) was one of the most talented painters of late 19th-century America. His sudden death at age 29 interrupted one of Boston's most promising talents. This handsomely illustrated volume is the definitive study of Bunker's life and work, and the only book currently available on this fascinating, tragic artist. ADD ABOUT THE AUTHOR: Erica Hirshler is John Moors Cabot Curator of American paintings at the Museum of Fine Arts, Boston. Her other books include the forthcoming A Studio of Her Own: Boston Women Artists, 1870-1940.

A close friend of William Dean Howells, John Singer Sargent, and the legendary collector Isabella Stewart Gardner, who became his champion, Dennis Miller Bunker (1861-1890) was one of the most talented painters of late 19th-century America. His sudden death at age 29 interrupted one of Boston's most promising talents. This handsomely illustrated volume is the definitive study of Bunker's life and work, and the only book currently available on this fascinating, tragic artist. ADD ABOUT THE AUTHOR: Erica Hirshler is John Moors Cabot Curator of American paintings at the Museum of Fine Arts, Boston. Her other books include the forthcoming A Studio of Her Own: Boston Women Artists, 1870-1940.

After nine seasons of headlining more than 200 shows, and five Emmy Awards to his credit, comedian Dennis Miller gets back to his stand-up roots for the HBO special, DENNIS MILLER: THE RAW FEED. with scathingly humorous wit, Miller gets out his sociopolitical thermometer and takes the nation's temperature as he rips into hot button issues on sex, religion, politics, and the Middle East. Miller speaks his mind about celebrities and pop culture trends. Even retailers are not immune to Miller's scr

For the first time, all seven of Dennis Miller's hilarious HBO Comedy Specials are available on DVD in this complete Special Collector's Edition 3-DVD Set. Featuring: All in (2006), Raw Feed (2003), the Millennium Special-1,000 Years, 100 Laughs, 10 Really Good Ones (1999), Citizen Arcane (1996), Live from Washington D.C.: They Shoot HBO Specials, Don't They? (1994), Black and White (1990) and Mr. Miller Goes to Washington (1988). Special Features: 3-Disc Set Region 0 NTSC Multi Disc Set Collect

He's made a career exposing artifice, excess and pretense. So what's Dennis Miller doing cozying up with a bunch of high rollers and showgirls in Sin City? He's headlining his all-new seventh HBO stand-up special. Live from Caesar's Palace, Miller tackles such hot topics as gay marriage, the environment, global warming, Hillary Clinton's presidential changes in 2008, bad comb-overs and more.

A call to reboot capitalism and preserve $85 trillion in retirement savings for their owners—not for use as the financial industry’s ATM Each year we pay billions in fees to those who run our financial system. The money comes from our bank accounts, our pensions, our borrowing, and often we aren’t told that the money has been taken. These billions may be justified if the finance industry does a good job, but as this book shows, it too often fails us. Financial institutions regularly place their business interests first, charging for advice that does nothing to improve performance, employing short-term buying strategies that are corrosive to building long-term value, and sometimes even concealing both their practices and their investment strategies from investors.   In their previous prizewinning book, The New Capitalists, the authors demonstrated how ordinary people are working together to demand accountability from even the most powerful corporations. Here they explain how a tyranny of errant expertise, naive regulation, and a misreading of economics combine to impose a huge stealth tax on our savings and our economies. More important, the trio lay out an agenda for curtailing the misalignments that allow the financial industry to profit at our expense. With our financial future at stake, this is a book that analysts, economists, policy makers, and anyone with a retirement nest egg can’t afford to ignore. 

"He looked into the Pacific and the Pacific looked back into him. Now bloated and paranoid, former champion surfer and legend Dennis Keith is holed up in a retirement village, shuffling to the shop for an ice lolly every day, barely existing behind his aviator sunnies and crazy OCD rules, and trying not to think about the waves he'd made his own and the breaks he once ruled like a god. Years before he'd been robbed of the world title that had his name on it - and then drugs, his family, and the disappearance of his girlfriend had done the rest. Out of the blue, a young would-be biographer comes knocking and stirs up memories he thought he'd buried. It takes Dennis a while to realise that she's not there to write his story at all. Funny, heartbreaking and humane, The Life confirms what the Literary Review has known all along - 'Knox is, quite simply, a fabulous writer.'"

In Fake News, Real Jokes!Dennis Miller takes on the current climate like no one else can. From selfies and airline travel to Trump and journalists, hedelivers his signature commentary in his low-key style, deemed "the most cerebral, astute and clever standup ever by the Hollywood Reporter. Dennis Miller is a five-time Emmy award winner for his critically acclaimed half-hour, live talk show Dennis Miller Live,which had a nine-year run on HBO. Miller also garnered three Writers Guild of America

Sandra Bullock, Dennis Miller and Jeremy Northam star in this hit thriller about a computer expert whose life is erased by a computer conspiracy. A freelance software analyst, Angela Bennett, is inadvertently drawn into a dangerous conspiracy when a client asks her to de-bug a CD-ROM game. Soon the client turns up dead and Angela is next on the hit-list. After the assassins obliterate her official identity, Angela realizes hers is not the only life being destroyed on the Net. Like the best Hitch

Frank Miller, along with co-writer Brian Azarrello and artist John Romita Jr., revisit the gritty world of to the best-selling and genre-defining graphic novel, THE DARK KNIGHT RETURNS, with this time telling prequel, THE DARK KNIGHT RETURNS: THE LAST CRUSADE, The tale of Batman’s last adventure before his retirement and eventual return years later.   As the Joker is manically returned to Arkham Asylum, Bruce Wayne is struggling to train his sidekick and heir apparent, the new Robin, Jason Todd. While a new string of bizarre killing sprees involving Gotham City’s elite take up Batman and Robin’s attention, critics begin to question if the Dark Knight has a right to endanger the life of a child. What does night after night of danger and brutality do to a child? And what is the Joker planning?   THE DARK KNIGHT RETURNS: THE LAST CRUSADE presents this prequel story to THE DARK KNIGHT RETURNS in an oversized hardcover edition, along with the story’s original plot, pencils and variant covers.

Magnum photographers with work in this book include Eve Arnold, Cornell Capa, Bruce Davidson, Elliott Erwitt, Burt Glinn, Philip Jones Griffiths, Charles Harbutt, Danny Lyon, Constantine Manos, Don McCullin, Wayne Miller, Dennis Stock, and Burk Uzzle. Also included is work by Mary Ellen Mark and Hiroji Kubota. 192 pages; profusely illustrated with b&w gravure plates; 8.5 x 12 inches. Out of Print. A great collection of photographs describing the state of the nation in the 1960s. Includes mini-photo-essays by Lyon, McCullin, Griffiths, Manos, Erwitt and Harbutt. Gorgeously printed.

A nostalgic illustrated essay presenting the tantalizing stars of the golden age of burlesque in rare, spicy photos: Lili St. Cyr, Lilly Christine, Blaze Starr, Tempest Storm, Jackie Miller, Sheila Patrick, Tana Louise, La Savona, Pepper Powell, Dorian Dennis, Trudy Wayne, Dixie Evans, Candy Barr, Virginia Bell, Jennie Lee, Jada, Lili Ayers... 128 pages (B&W & COLOR) with English, French & Italian text. (Softcover) 24 cm x 31 cm (9.4 in x 12.2 in) / 2.5 lb

A collection of 1,349 Hilarious Jokes from a wide variety of entertainers and celebrities. Included are jokes from Jay Leno, Jon Stewart, Howie Mandel, Chris Rock, Milton Berle, Rodney Dangerfield, Dennis Miller, Louie Anderson, Rosie O'Donnell, Jerry Seinfeld, Ellen DeGeneres, Tim Allen and many, many more!

From New York Times bestselling author Dennis Lehane comes this epic, unflinching tale of the making and unmaking of a gangster in the Prohibition Era of the Roaring Twenties—now a Warner Bros. movie starring Ben Affleck, Elle Fanning, Zoe Saldana, and Sienna Miller.Meticulously researched and artfully told, Live by Night is the riveting story of one man’s rise from Boston petty thief to the Gulf Coast’s most successful rum runner, and it proves again that the accolades New York Times bestseller Lehane consistently receives are well deserved. He is indeed, “a master” (Philadelphia Inquirer) whose “true literary forefathers include John Steinbeck as well as Raymond Chandler” (Baltimore Sun). And, “Boy, does he know how to write” (Elmore Leonard).

The talent agent who worked with the likes of John Belushi, Jim Henson, Phil Hartman, and Dennis Miller reveals how he began at the mail room at the William Morris Agency, working his way to the top

A collection of essays, reviews and interviews from the Village Voice explores the idea of what makes us laugh and think, discussing the work of Richard Pryor, Dennis Miller, Whoopi Goldberg, Eric Bogosian, Rosie O'Donnell, Tracy Ullman, and many other artists who have shaped American comedy.

Jonathan Yeo (born 1970) is one of Britain’s best-known portrait painters. Over more than a decade, he has gained an international reputation for painting some of the most famous faces of our age: Nicole Kidman, Dennis Hopper, Kevin Spacey, Stephen Fry, Damien Hirst, Sienna Miller, Rupert Murdoch, Grayson Perry, Tony Blair and Prince Philip are just a selection of the many household names who have sat for Yeo. Renowned for his distinctive, highly figurative canvases and controversial collages, he employs a range of media and techniques to create a diverse body of work that expands the traditions of portraiture while examining contemporary perceptions of beauty, celebrity and power. Coinciding with a retrospective exhibition at London’s National Portrait Gallery, The Many Faces of Jonathan Yeo is the first major publication on the artist. Featuring his most popular paintings, drawings, collages and prints, the book also presents several new canvases made especially for the show. Alongside his intimate portraits of well-known sitters are dramatic and unsettling studies of cosmetic surgery patients that document the compulsive and painful pursuit of physical perfection. Dozens of studio shots and photographs of works in progress reveal Yeo’s working practice and chart the process of creating individual portraits. Numerous contributions from his subjects lift the lid on what it is like to be scrutinized by the artist’s exacting, forensic eye and to have oneself captured on canvas.

Directed by Stephen Sommers (The Mummy) and starring Dennis Quaid (Far From Heaven), Christopher Eccleston (Heroes) and Sienna Miller (Stardust), G.I. JOE: THE RISE OF COBRA explodes into theaters summer 2009.In this glode-spanning action adventure, an elite international unit of special operatives known as G.I. Joe, operating out of The Pit and led by General Hawk (Quaid), take on an evil organization, led by the notorious arms dealer Destro (Eccleston).This full-color companion to the movie contains intel on all the G.I. Joe team members and their shadowy enemies, as well as details on the amazing locations the slick, cutting-edge technology and vehicles, and the fantastic stunts and special effects.

Frank Miller, along with co-writer Brian Azarrello and artist John Romita Jr., revisit the gritty world of to the best-selling and genre-defining graphic novel, THE DARK KNIGHT RETURNS, with this time telling prequel, THE DARK KNIGHT RETURNS: THE LAST CRUSADE, The tale of Batman’s last adventure before his retirement and eventual return years later.   As the Joker is manically returned to Arkham Asylum, Bruce Wayne is struggling to train his sidekick and heir apparent, the new Robin, Jason Todd. While a new string of bizarre killing sprees involving Gotham City’s elite take up Batman and Robin’s attention, critics begin to question if the Dark Knight has a right to endanger the life of a child. What does night after night of danger and brutality do to a child? And what is the Joker planning?   THE DARK KNIGHT RETURNS: THE LAST CRUSADE presents this prequel story to THE DARK KNIGHT RETURNS in an oversized hardcover edition, along with the story’s original plot, pencils and variant covers.

Jonathan Yeo (born 1970) is one of Britain’s best-known portrait painters. Over more than a decade, he has gained an international reputation for painting some of the most famous faces of our age: Nicole Kidman, Dennis Hopper, Kevin Spacey, Stephen Fry, Damien Hirst, Sienna Miller, Rupert Murdoch, Grayson Perry, Tony Blair and Prince Philip are just a selection of the many household names who have sat for Yeo. Renowned for his distinctive, highly figurative canvases and controversial collages, he employs a range of media and techniques to create a diverse body of work that expands the traditions of portraiture while examining contemporary perceptions of beauty, celebrity and power. Coinciding with a retrospective exhibition at London’s National Portrait Gallery, The Many Faces of Jonathan Yeo is the first major publication on the artist. Featuring his most popular paintings, drawings, collages and prints, the book also presents several new canvases made especially for the show. Alongside his intimate portraits of well-known sitters are dramatic and unsettling studies of cosmetic surgery patients that document the compulsive and painful pursuit of physical perfection. Dozens of studio shots and photographs of works in progress reveal Yeo’s working practice and chart the process of creating individual portraits. Numerous contributions from his subjects lift the lid on what it is like to be scrutinized by the artist’s exacting, forensic eye and to have oneself captured on canvas.