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Blu-Ray + DVD combo pack. Experience the enthralling conclusion to the mind-bending hit series, Steins;Gate, as the original creators intended. A year has passed since Okabe reached the Steins Gate world-line where Mayuri is alive, Kurisu hasn't been killed, and time only moves forward. Visiting Japan, Kurisu stops by the Future Gadget Lab where everyone is up to their usual shenanigans. But something's not quite right-memories of other timelines continue to haunt Okabe... or are they visions? O

Geographical History also elaborates on Stein's concepts of identity, landscape, presence, and composition. Today, as literary discourse pays more attention to textuality; to voice, reader-response, and phenomenology, Stein emerges as a pioneering modernist to whom the century is slowly catching up. For those in the performing arts, Geographical History further addresses the notion of play as landscape, one of Stein's most influential theatrical ideas, as well as such issues as dialogue, character, and dramatic structure -- in a book that is itself a model of modern experimentation.

Geographical History also elaborates on Stein's concepts of identity, landscape, presence, and composition. Today, as literary discourse pays more attention to textuality; to voice, reader-response, and phenomenology, Stein emerges as a pioneering modernist to whom the century is slowly catching up. For those in the performing arts, Geographical History further addresses the notion of play as landscape, one of Stein's most influential theatrical ideas, as well as such issues as dialogue, character, and dramatic structure -- in a book that is itself a model of modern experimentation.

With a masterful ability to connect their social contexts to well-chosen and telling details of their personal lives, Claudia Roth Pierpont gives us portraits of twelve amazingly diverse and influential literary women of the twentieth century, women who remade themselves and the world through their art. Gertrude Stein, Mae West, Margaret Mitchell, Eudora Welty, Ayn Rand, Doris Lessing, Anais Nin, Zora Neale Hurston, Marina Tsvetaeva, Hannah Arendt and Mary Mccarthy, and Olive Schreiner: Pierpont is clear-eyed in her examination of each member of this varied group, connectng her subjects firmly to the issues of sexual freedom, race, and politics that bound them to their times, even as she exposes the roots of their uniqueness."Pierpont['s] graceful essays are at once erudite and personal in their focus." ?The Boston Globe"One of the most ceaselessly interesting books I've read in some time." ?Lorrie Moore, The New York Review of Books

Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss.In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture.

Heal your body, mind, and spirit with the aid of gemstones and crystals. In this book, Diane Stein explores more than 200 gemstones and their healing properties, as well as the significance of this type of healing for the planet, for our past and future lives, and for other forms of consciousness.

Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss.In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture.

"No healing of the conflict between the spirit and the flesh is possible so long as our animal-instinctual nature is considered inferior to the mind and psyche," so writes Robert Stein. His book, originally published as Incest and Human Love, explores eros and incest for a new version of therapy that tries to heal the love/sex split. This work contains chapters on the transformational power of eros, on the psychological role of the phallos in male and female psychology, and on the archetypal family situation. This view ends up challenging our ego psychology, Jungian conservatism, Freudian reductionism, and every psychoanalytical method that shears too far away from an instinctual sense of the soul.