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From Van Heflin to William Bendix, from Carole Landis to Carmen Miranda, social forces in American society cause us to celebrate movie stars on a level with royalty. This, in turn, causes the public's insatiable thirst for information about them. The authors present a brief glimpse of a large number of movie stars of the sound era, in many cases stars who have been somewhat overlooked by film historians. The first section discusses in some detail the lives of 79 luminaries; the second contains 395 stills of stars, with information about dates and places of birth, and of death if they are no longer alive. The more than 480 photographs evoke pleasant memories of the accomplishments and attributes of these people who have "star quality."

In a world obsessed with 'reality' programming, the collaborative public art project known as "Learning To Love You More" offers a refreshing take on how people think, act and love. Created by Miranda July and Harrell Fletcher, the web-based project, begun in 2002, offers more than sixty 'assignments' that can be completed by anyone: 'Write the phone conversation you wish you could have'; 'Draw a constellation from someone's freckles'; 'Take a flash photo under your bed.' Completed assignments are posted on the web site; to date, more than 5,000 people have participated - artists and non-artists of all ages, from Tokyo to Tel Aviv. July and Fletcher have curated a selection of the most memorable submissions - some moving, others hilarious and oddly brilliant, to create a pop culture collage that tells a larger story about life today. The result is an engaging, heartwarming, idea sparking book sure to inspire, teach, and entertain. Her film "Me And You And Everyone We Know" (Film Four) was a cult hit in 2005 - it won 15 Awards including the Golden Camera at Cannes and the Special Jury Prize for Originality of Vision at the Sundance film festival.

"You have the right to remain silent." These words, drawn from the Supreme Court's famous decision in Miranda v. Arizona, have had a tremendous impact on the public imagination. But what a strange right this is. Of all the activities that are especially worthy of protection, that define us as human beings, foster human potential, and symbolize human ambition, why privilege silence?This thoughtful and iconoclastic book argues that silence can be an expression of freedom. A defiant silence demonstrates determination, courage, and will. Martyrs from a variety of faith traditions have given up their lives rather than renounce their god. During the Vietnam era, thousands of anonymous draft resisters refused to take the military oath that was a prelude to participating in what they believed was an immoral war. These silences speak to us. They are a manifestation of connection, commitment, and meaning.This link between silence and freedom is apparent in a variety of different contexts, which Seidman examines individually, including silence and apology, silence and self-incrimination, silence and interrogation, silence and torture, and silence and death. In discussing the problem of apology, for example, the author argues that although apology plays a crucial role in maintaining the illusion of human connection, the right to not apologize is equally crucial. Similarly, prohibition against torture―so prominent in national debate since the events of Guantanamo and Abu Ghraib―is best understood as a right to silence, essential in preserving the distinction between mind and body on which human freedom depends.

In a world obsessed with 'reality' programming, the collaborative public art project known as "Learning To Love You More" offers a refreshing take on how people think, act and love. Created by Miranda July and Harrell Fletcher, the web-based project, begun in 2002, offers more than sixty 'assignments' that can be completed by anyone: 'Write the phone conversation you wish you could have'; 'Draw a constellation from someone's freckles'; 'Take a flash photo under your bed.' Completed assignments are posted on the web site; to date, more than 5,000 people have participated - artists and non-artists of all ages, from Tokyo to Tel Aviv. July and Fletcher have curated a selection of the most memorable submissions - some moving, others hilarious and oddly brilliant, to create a pop culture collage that tells a larger story about life today. The result is an engaging, heartwarming, idea sparking book sure to inspire, teach, and entertain. Her film "Me And You And Everyone We Know" (Film Four) was a cult hit in 2005 - it won 15 Awards including the Golden Camera at Cannes and the Special Jury Prize for Originality of Vision at the Sundance film festival.