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With a famous NHL player for a stepbrother, Violet Hall is well acquainted with the playboy reputation of many a hockey star. She isn’t interested in legendary team captain Alex Waters or his pretty, beat-up face and rock-hard six-pack abs. When Alex inadvertently obliterates Violet’s misapprehension regarding the inferior intellect of hockey players, he becomes much more than just a hot body with the face to match.Suffering from a complete lapse in judgment, Violet discovers just how good Alex is with the hockey stick in his pants. Violet believes her night of orgasmic magic with Alex is just that: one night. But Alex starts to call. And text. And email and send extravagant―and quirky―gifts. Suddenly, he's too difficult to ignore, and nearly impossible not to like.The problem is, the media portrays Alex as a total player, and Violet doesn’t want to be part of the game.

An abridgement of one of Fr. Mueller's classics. Discusses what causes people to lose the Faith--e.g.; impurity; drunkenness; bad books--giving numerous true stories. Also covers the misapprehension of God's mercy; delay of conversion; how to come back to the Sacraments and why; contrition; the necessity of Confession; the value of General Confession; etc. Really moves the heart--as do all Fr. Mueller's books! Impr. 224 pgs; PB

With a famous NHL player for a stepbrother, Violet Hall is well acquainted with the playboy reputation of many a hockey star. She isn’t interested in legendary team captain Alex Waters or his pretty, beat-up face and rock-hard six-pack abs. When Alex inadvertently obliterates Violet’s misapprehension regarding the inferior intellect of hockey players, he becomes much more than just a hot body with the face to match.Suffering from a complete lapse in judgment, Violet discovers just how good Alex is with the hockey stick in his pants. Violet believes her night of orgasmic magic with Alex is just that: one night. But Alex starts to call. And text. And email and send extravagant―and quirky―gifts. Suddenly, he's too difficult to ignore, and nearly impossible not to like.The problem is, the media portrays Alex as a total player, and Violet doesn’t want to be part of the game.

In this moving and unexpected book, Joan Didion reassesses parts of her life, her work, her history, and ours. Where I Was From, in Didion’s words, “represents an exploration into my own confusions about the place and the way in which I grew up, confusions as much about America as about California, misapprehensions and misunderstandings so much a part of who I became that I can still to this day confront them only obliquely.” The book is a haunting narrative of how her own family moved west with the frontier from the birth of her great-great-great-great-great-grandmother in Virginia in 1766 to the death of her mother on the edge of the Pacific in 2001; of how the wagon-train stories of hardship and abandonment and endurance created a culture in which survival would seem the sole virtue.In Where I Was From, Didion turns what John Leonard has called “her sonar ear, her radar eye” onto her own work, as well as that of such California writers as Frank Norris and Jack London and Henry George, to examine how the folly and recklessness in the very grain of the California settlement led to the California we know today–a state mortgaged first to the railroad, then to the aerospace industry, and overwhelmingly to the federal government, a dependent colony of those political and corporate owners who fly in for the annual encampment of the Bohemian Club. Here is the one writer we always want to read on California showing us the startling contradictions in its–and in America’s–core values.Joan Didion’s unerring sense of America and its spirit, her acute interpretation of its institutions and literature, and her incisive questioning of the stories it tells itself make this fiercely intelligent book a provocative and important tour de force from one of our greatest writers.

The author argues that evolution is controlled by the female of the species. She is more diverse, deadlier and more adaptable than the male, and the notion of maternal instinct, with its baggage of self-sacrifice, gentleness and devotion is a misapprehension.

A widespread misapprehension of Søren Kierkegaard is that his concern for the individual and the individual's relation to the divine excluded any significant attention to social and political problems. In this volume Gregor Malantschuk, before his death one of the world's foremost Kierkegaard scholars, demonstrates the social dimension of Kierkegaard's thought – the relation between the individual and the state, the distinctive and complementary character of man and woman, his possible acquaintance with Marxist thought. The book shows Kierkegaard as an astute observer of the social and political situation of his time and underscores the differences between his presuppositions and those of the present day. The book is a translation of Den kontroversielle Kierkegaard together with two additional essays by Malantschuk.

Paperback. The dramatic history of Europe's shape-shifting centre, from the author of The HabsburgsCentral Europe is not just a space on a map but also a region of shared experience - of mutual borrowings, impositions and misapprehensions. From the Roman Empire onwards, it has been the target of invasion from the east. In the Middle Ages, Central Europeans cast their eastern foes as 'the dogmen'. They would later become the Turks, Swedes, Russians and Soviets, all of whom pulled the region apart and remade it according to their own vision.Competition yielded repeated cultural effervescences. This was the first home of the High Renaissance outside Italy, the cradle of the Reformation, the starting point of the Enlightenment, Romanticism, the symphony and modern nationalism. It was a permanent battleground too for religious and political ideas.This new history embraces the whole of Central Europe, including the German lands as well as Ukraine and Switzerland. The story of Europe's Middle Kingdoms is a reminder of Central Europe's precariousness, of its creativity and turbulence, and of the common cultural trends that make these lands so distinctive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

There is an “American Way” to religion and race unlike anyplace else in the world, and the rise of religious pluralism in contemporary American (together with the continuing legacy of the racism of the past and misapprehensions in the present) render its understanding crucial. Paul Harvey’s Bounds of Their Habitation, the latest installment in the acclaimed American Ways Series, concisely surveys the evolution and interconnection of race and religion throughout American history. Harvey pierces through the often overly academic treatments afforded these essential topics to accessibly delineate a narrative between our nation’s revolutionary racial and religious beginnings, and our increasingly contested and pluralistic future. Anyone interested in the paths America’s racial and religious histories have traveled, where they’ve most profoundly intersected, and where they will go from here, will thoroughly enjoy this book and find its perspectives and purpose essential for any deeper understanding of the soul of the American nation.

A selection of Savinio’s early stories, many of which appeared in Surrealist magazines in the thirties. Savinio was the brother of the artist Giorgio de Chirico and an associate of Apollinaire. The moments of personal mythology we create from the apprehensions and misapprehensions of everyday waking life are captured with bizarre charm and delicacy in this collection of stories from an author who is rapidly being recognised as one of the stars of the pre-war Italian literature. the collection is united by a common theme — the re-telling of the most famous stories of all time. "The whole of the modern myth still in process of formation is founded on two bodies of work — Alberto Savinio’s and his brother Giorgio de Chirico’s — that are almost indistinguishable in spirit and that reached their zenith on the eve of the war of 1914." — André Breton, Anthology of Black Humour

With a famous NHL player for a stepbrother, Violet Hall is well acquainted with the playboy reputation of many a hockey star. She isn’t interested in legendary team captain Alex Waters or his pretty, beat-up face and rock-hard six-pack abs. When Alex inadvertently obliterates Violet’s misapprehension regarding the inferior intellect of hockey players, he becomes much more than just a hot body with the face to match. Suffering from a complete lapse in judgment, Violet discovers just how good Alex is with the hockey stick in his pants. Violet believes her night of orgasmic magic with Alex is just that: one night. But Alex starts to call. And text. And email and send extravagant—and quirky—gifts. Suddenly, he's too difficult to ignore, and nearly impossible not to like. The problem is, the media portrays Alex as a total player, and Violet doesn’t want to be part of the game.

There is an “American Way” to religion and race unlike anyplace else in the world, and the rise of religious pluralism in contemporary American (together with the continuing legacy of the racism of the past and misapprehensions in the present) render its understanding crucial. Paul Harvey’s Bounds of Their Habitation, the latest installment in the acclaimed American Ways Series, concisely surveys the evolution and interconnection of race and religion throughout American history. Harvey pierces through the often overly academic treatments afforded these essential topics to accessibly delineate a narrative between our nation’s revolutionary racial and religious beginnings, and our increasingly contested and pluralistic future. Anyone interested in the paths America’s racial and religious histories have traveled, where they’ve most profoundly intersected, and where they will go from here, will thoroughly enjoy this book and find its perspectives and purpose essential for any deeper understanding of the soul of the American nation.

n these eighteen elegantly terse stories, Sam Shepard taps the same wellsprings that have made him one of our most acclaimed—and distinctly American—playwrights: sex and regret, the yearning for a frontier that has been subdivided out of existence, the comic gulf of misapprehension between men and women, and the even deeper gulf that separates men from their true selves.A fascinated boy watches the grim contest between a "remedy man"—a fixer of bad horses—and a spectacularly bad-tempered stallion, a contest that mirrors the boy’s own struggle with his father. A suburban husband starts his afternoon shopping for basil for a party and ends it holding one of the guests at gunpoint in the basement. Two old men, who have lived together companionably since their wives died or left them and their children scattered to “silicon computer hell,” are brought to grief by a waitress at the local Denny’s.Filled with absurdity, sorrow, and flinty humor, Great Dream of Heaven is Shepard at his best, exercising his gifts for diamond-sharp physical description and effortless dialogue in stories that recall the themes he has explored with such singular intensity in his work for the theater.