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Disgust against Women deals with a wide range of Japan topics, some of which are on literature, and more of which about society. Intellectual readers will have strong resonance from the discussions and get theoretical guidance. The book is actually about sex and develops itself based on the topic. It is believed that many readers will be greatly intrigued by this topic, such as sexual abuse and erotic pictures mentioned by the writer.

In this compelling, powerful book, the late Irish journalist and essayist Jack Holland set out to answer a daunting question: how do you explain the oppression and brutalization of half the world's population by the other half, throughout history? The result is an eye-opening journey through centuries, continents and civilizations as it looks at both historical and contemporary attitudes to women. Misogyny encompasses the Church, witch hunts, sexual theory, Nazism, pro-life campaigners, and finally, today's developing world, where women are increasingly and disproportionately at risk because of radicalized religious beliefs, famine, war, and disease. Extensively researched, highly readable and provocative, this book chronicles an ancient, pervasive and enduring injustice. The questions it poses deal with the fundamentals of human existence — sex, love, violence — that have shaped the lives of humans throughout history, and ultimately limn an abuse of human rights on a nearly unthinkable scale.

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Gendertrolling arises out of the same misogyny that fuels other "real life" forms of harassment and abuse of women. This book explains this phenomenon, the way it can impact women's lives, and how it can be stopped.· Combines the phenomenon of trolling and keen feminist insight to create a unique perspective on the treatment of women, male/female interaction, and online user interaction· Demonstrates what online rape and death threats have in common with street harassment, sexual harassment in the workplace, domestic violence, and date rape, showing the serious, harmful nature of this practice· Discusses what can be done to change laws and Internet policies to increase women's freedom of speech and safety online

In Holy Misogyny, bible scholar April DeConick wants real answers to the questions that are rarely whispered from the pulpits of the contemporary Christian churches. Why is God male? Why are women associated with sin? Why can't women be priests? Drawing on her extensive knowledge of the early Christian literature, she seeks to understand the conflicts over sex and gender in the early church-what they were and what was at stake. She explains how these ancient conflicts have shaped contemporary Christianity and its promotion of male exclusivity and superiority in terms of God, church leadership, and the bed. DeConick's detective work uncovers old aspects of Christianity before later doctrines and dogmas were imposed upon the churches, and the earlier teachings about the female were distorted. Holy Misogyny shows how the female was systematically erased from the Christian tradition, and why. She concludes that the distortion and erasure of the female is the result of ancient misogyny made divine writ, a holy misogyny that remains with us today.

Until now the advent of Western romantic love has been seen as a liberation from—or antidote to—ten centuries of misogyny. In this major contribution to gender studies, R. Howard Bloch demonstrates how similar the ubiquitous antifeminism of medieval times and the romantic idealization of woman actually are. Through analyses of a broad range of patristic and medieval texts, Bloch explores the Christian construction of gender in which the flesh is feminized, the feminine is aestheticized, and aesthetics are condemned in theological terms. Tracing the underlying theme of virginity from the Church Fathers to the courtly poets, Bloch establishes the continuity between early Christian antifeminism and the idealization of woman that emerged in the twelfth and thirteenth centuries. In conclusion he explains the likely social, economic, and legal causes for the seeming inversion of the terms of misogyny into those of an idealizing tradition of love that exists alongside its earlier avatar until the current era. This startling study will be of great value to students of medieval literature as well as to historians of culture and gender.

Gendertrolling arises out of the same misogyny that fuels other "real life" forms of harassment and abuse of women. This book explains this phenomenon, the way it can impact women's lives, and how it can be stopped.· Combines the phenomenon of trolling and keen feminist insight to create a unique perspective on the treatment of women, male/female interaction, and online user interaction· Demonstrates what online rape and death threats have in common with street harassment, sexual harassment in the workplace, domestic violence, and date rape, showing the serious, harmful nature of this practice· Discusses what can be done to change laws and Internet policies to increase women's freedom of speech and safety online

Murda', Misogyny, and Mayhem: Hip-Hop and the Culture of Abnormality in the Urban Community is a sociological work that utilizes a historical materialist perspective to expose the harmful effects of hip hop as a regulated industry, music, and culture. Spencer skillfully uses works by Antonio Gramsci and Paolo Freire as a backdrop to analyze how "hip hop" media reflects the stereotypical images that were used to justify enslavement, influences the culture of abnormality in the African American (urban) community, and promotes the prison industrial complex. This work is exceptionally innovative because it places the destruction of urban life and the urban experience in a theoretical and qualitative methodological frame. In so doing, Spencer thoroughly dissects the nature and purpose of the media as an industry designed to manipulate public perception of African Americans in the urban community. This careful analysis allows the reader to examine the relationship between the presentation of hip hop and the prevalence of murder, misogyny, and mayhem in the urban community.

This item is in overall acceptable condition. Covers and dust jackets are intact but may have heavy wear including creases, bends, edge wear, curled corners or minor tears as well as stickers or sticker-residue. Pages are intact but may have minor curls, bends or moderate to considerable highlighting/ writing. Binding is intact; however, spine may have heavy wear. A well-read copy overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!

In Holy Misogyny, bible scholar April DeConick wants real answers to the questions that are rarely whispered from the pulpits of the contemporary Christian churches. Why is God male? Why are women associated with sin? Why can't women be priests? Drawing on her extensive knowledge of the early Christian literature, she seeks to understand the conflicts over sex and gender in the early church-what they were and what was at stake. She explains how these ancient conflicts have shaped contemporary Christianity and its promotion of male exclusivity and superiority in terms of God, church leadership, and the bed. DeConick's detective work uncovers old aspects of Christianity before later doctrines and dogmas were imposed upon the churches, and the earlier teachings about the female were distorted. Holy Misogyny shows how the female was systematically erased from the Christian tradition, and why. She concludes that the distortion and erasure of the female is the result of ancient misogyny made divine writ, a holy misogyny that remains with us today.

Should western beauty practices, ranging from lipstick to labiaplasty, be included within the United Nations understandings of harmful traditional/cultural practices? By examining the role of common beauty practices in damaging the health of women, creating sexual difference, and enforcing female deference, this book argues that they should. In the 1970s feminists criticized pervasive beauty regimes such as dieting and depilation, but some ‘new’ feminists argue that beauty practices are no longer oppressive now that women can ‘choose’ them. However, in the last two decades the brutality of western beauty practices seems to have become much more severe, requiring the breaking of skin, spilling of blood and rearrangement or amputation of body parts. Beauty and Misogyny seeks to make sense of why beauty practices are not only just as persistent, but in many ways more extreme. It examines the pervasive use of makeup, the misogyny of fashion and high-heeled shoes, and looks at the role of pornography in the creation of increasingly popular beauty practices such as breast implants, genital waxing and surgical alteration of the labia. It looks at the cosmetic surgery and body piercing/cutting industries as being forms of self-mutilation by proxy, in which the surgeons and piercers serve as proxies to harm women’s bodies, and concludes by considering how a culture of resistance to these practices can be created. This essential work will appeal to students and teachers of feminist psychology, gender studies, cultural studies, and feminist sociology at both undergraduate and postgraduate levels, and to anyone with an interest in feminism, women and beauty, and women’s health.

Through research spanning four centuries, in genres as diverse as English Renaissance drama, abolitionist literature, gothic horror and contemporary romance, Celia Daileader questions why Anglo-American culture's most widely-read canonical narratives of inter-racial sex feature a black male and a white female. This study considers the cultural obsession with Shakespeare's Othello, alongside the more pertinent issue of white male sexual predation upon black females. Daileader argues that myths about black male sexual rapacity and the danger of racial "pollution" were exploited to "protect" white female sexuality and exorcise collective guilt.

Kestner (English, U. of Tulsa) demonstrates his evidence for the use of myth and 19th century British mythological painting by a male-dominated society to depict women as weak, inferior and/or objects of fear (disease, dissipation). Annotation copyright Book News, Inc. Portland, Or.

In Holy Misogyny, bible scholar April DeConick wants real answers to the questions that are rarely whispered from the pulpits of the contemporary Christian churches. Why is God male? Why are women associated with sin? Why can't women be priests? Drawing on her extensive knowledge of the early Christian literature, she seeks to understand the conflicts over sex and gender in the early church―what they were and what was at stake. She explains how these ancient conflicts have shaped contemporary Christianity and its promotion of male exclusivity and superiority in terms of God, church leadership, and the bed. DeConick's detective work uncovers old aspects of Christianity before later doctrines and dogmas were imposed upon the churches, and the earlier teachings about the female were distorted. Holy Misogyny shows how the female was systematically erased from the Christian tradition, and why. She concludes that the distortion and erasure of the female is the result of ancient misogyny made divine writ, a holy misogyny that remains with us today.

Murda', Misogyny, and Mayhem: Hip-Hop and the Culture of Abnormality in the Urban Community is a sociological work that utilizes a historical materialist perspective to expose the harmful effects of hip hop as a regulated industry, music, and culture. Spencer skillfully uses works by Antonio Gramsci and Paolo Freire as a backdrop to analyze how "hip hop" media reflects the stereotypical images that were used to justify enslavement, influences the culture of abnormality in the African American (urban) community, and promotes the prison industrial complex. This work is exceptionally innovative because it places the destruction of urban life and the urban experience in a theoretical and qualitative methodological frame. In so doing, Spencer thoroughly dissects the nature and purpose of the media as an industry designed to manipulate public perception of African Americans in the urban community. This careful analysis allows the reader to examine the relationship between the presentation of hip hop and the prevalence of murder, misogyny, and mayhem in the urban community.

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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.7