81 products were found matching your search for Missa in C Mozart in 5 shops:

At 40 in. from the ring to the windcatcher, this is the larger (and thus lower toned) of our Chimes of Mozart. Tuned to the opening intervals of the andante movement from Mozart's Piano Concerto No. 21 in C Major, this chime was created in honor of the 250th anniversary of Mozart's birth. This chime carries a lifetime tuning guarantee. Material: Aluminum.

This guide to Mozart's last and most celebrated symphony explores the historical background and aesthetic contexts of the work as well as the music itself. The early chapters examine the expectations of the symphony in Mozart's Vienna, Mozart's career in 1788 (the year of the three last symphonies), and the changing reception of the "Jupiter" over the subsequent two hundred years. A separate chapter is devoted to each movement of the symphony with musical discussion illuminated by a broad array of topics.

(Music Minus One). This justifiably famous piano concerto, with its gorgeous Andante theme, became a popular hit when it was used in the film Elvira Madigan . It features lush melodies orchestrated in Mozart's inimitable style graceful and elegant pianism throughout. The classical piano concerto at its height! Includes a printed music score with informative historical liner notes; and demonstration and backing tracks online. The audio is accessed using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. The concerto is voluminously indexed for your practice and performance convenience. Performed by Sabri Tulug Tirpan, piano Accompaniment: Vidin Philharmonic Orchestra Conductor: Nayden Todorov

This double-CD set features the Fantasies in C minor andD minor, two late piano sonatas, three sets of Mozart's finest variation sets, the Andante for mechanical organ in my arrangement for pedal piano and the wonderful Adagio in B minor, Rondo in A minor and Allegro in Bb all played on a modern reproduction of an eighteenth century pedal piano. Mozart had his own pedal board made ca. 1784 by Anton Walter which has disappeared and the present instrument shows what the addition of a seperate peda

(String Solo). Contents: Violin Sonata No. 22 In A Major, K. 305 * Violin Sonata No. 20 In C Major, K. 303 * Violin Sonata No. 23 In D Major, K. 306 * Violin Sonata No. 21 In E Minor, K. 304 * Violin Sonata No. 19 In E-Flat Major, K. 302 * Violin Sonata No. 18 In G Major, K. 301 * Violin Sonata No. 24 In F Major, K. 376 * Violin Sonata No. 17 In C Major, K. 296 * Violin Sonata No. 25 In F Major, K. 377 * Violin Sonata No. 26 In B-Flat Major, K. 378 * Violin Sonata No. 27 In G Major, K. 379 * Violin Sonata No. 28 In E-Flat Major, K. 380 * Violin Sonata No. 29 In A Major, K. 402 * Violin Sonata In B-Flat Major, K. 570 * Violin Sonata No. 32 In B-Flat Major, K. 454 * Violin Sonata No. 33 In E-Flat Major, K. 481 * Violin Sonata No. 35 In A Major, K. 526 * Violin Sonata No. 36 In F Major, K. 547

Mozart authority H.C. Robbins Landon leads a team of more than 20 of the world's greatest Mozart scholars in an exploration that touches virtually every facet of the composers life--from the profound influence of his father, to his emotional attachment to his wife, even to his personal attitudes toward death. Two 8-page photograph inserts.

For organists who prefer to play manuals without pedals, this extensive collection provides a wealth of works. Highlights include J. S. Bach's Partite Diverse, "O Gott, du frommer Gott!"; Best's Prelude on a Chorale by Thomas Tallis; Buxtehude's Fugue in C; the charming Four Pieces for Flute Clocks, written by Haydn for his era's popular musical clocks; Mozart's "Fantasie de Salon," based on four themes from The Magic Flute; and Pachelbel's beloved Canon in D. Other featured composers include Elgar, Dupré, Beethoven, Frescobaldi, Handel, Liszt, Couperin, and Franck. An informative selection of Notes on the Music provides background for each piece.

The last month of the year 1791 witnessed what H.C. Robbins Landon calls "the greatest tragedy in the history of music": the premature death of the thirty-five-year-old Mozart. Surrounded by enigma and intrigue, allegations of poisoning, and sexual scandal, this event continues to grip the popular imagination today--as was demonstrated by the astonishing success of the play and movie Amadeus. Curious and controversial as the circumstances of Mozart's death are, the truth has been obscured by accumulated layers of mythology. Drawing on his unrivaled knowledge of the sources, Professor Landon cuts through fantasy and mystification to present the facts--including a substantial amount of unpublished information--and reconstruct the moving story of the last year of Mozart's life. The composition of such works as the Requiem and the operas The Magic Flute and La clemenza di Tito is discussed in detail, and new light is thrown on Mozart's relations with the Freemasons and with Salieri, among others. One of the world's leading musicologists, H.C. Robbins Landon is justly renowned for his rare ability to communicate the excitement of discovery. This is a major contribution to the literature of Mozart.

(String Solo). Contents: Violin Sonata No. 22 In A Major, K. 305 * Violin Sonata No. 20 In C Major, K. 303 * Violin Sonata No. 23 In D Major, K. 306 * Violin Sonata No. 21 In E Minor, K. 304 * Violin Sonata No. 19 In E-Flat Major, K. 302 * Violin Sonata No. 18 In G Major, K. 301 * Violin Sonata No. 24 In F Major, K. 376 * Violin Sonata No. 17 In C Major, K. 296 * Violin Sonata No. 25 In F Major, K. 377 * Violin Sonata No. 26 In B-Flat Major, K. 378 * Violin Sonata No. 27 In G Major, K. 379 * Violin Sonata No. 28 In E-Flat Major, K. 380 * Violin Sonata No. 29 In A Major, K. 402 * Violin Sonata In B-Flat Major, K. 570 * Violin Sonata No. 32 In B-Flat Major, K. 454 * Violin Sonata No. 33 In E-Flat Major, K. 481 * Violin Sonata No. 35 In A Major, K. 526 * Violin Sonata No. 36 In F Major, K. 547

Titles include: Sonata C major K. 279 (189d); Sonata F major K. 280 (189e); Sonata B flat major K. 281 (189f); Sonata E flat major K. 282 (189g); Sonata G major K. 283 (189h); Sonata D major K. 284 (205b); Sonata C major K. 309 (284b); Sonata A minor K. 310 (300d); Sonata D major K. 311 (284c)

Mozart, W.A. : Mass in C Kv257: Mass in C KV258 Friedrich Wolf - CD 717281933995

Mozart! Das Musical / O.C.R. (IMPORT) Mozart! Das Musical / O.C.R. - CD 9120006683661

A famous theme from Mozart's horn concerto is adapted for strings with this new teaching and performance edition from Lauren Keiser. Treat your stu...

Taken from the second movement of the Serenade (and similar to the minuets of his idol, Mozart), Tchaikovsky's Valse also resembles many of his own...

This selection is taken from Mozart's DIVERTIMENTO K.251, No. 11 in D Major, a 6-movement work composed in Salzburg in the year 1776. The original ...

Great C Major Symphony D 944 Schubert / Abbado / Orchestra Mozart - LP 028947950875

Among his most popular compositions, Schubert's Fourth Symphony is especially known for the grave beauty of its slow movement. And, like many of his early works, the Fourth contains traces of Haydn, Mozart, Beethoven, and Rossini. Poetically conceived and subjectively emotional in the romantic manner, however, the symphony also possesses an individuality which is pure Schubert.

According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it was Mozart's only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an "academy" at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was written and by the repeated corrections. Unlike earlier publications, our edition contains the definitive version as in Mozart's manuscript. The piano reduction of our edition was undertaken by the celebrated pianist András Schiff, to whom we also already owe our reductions of the concertos K. 453, 467, 488 and 503 (HN 765, 766, 767 and 825). He also supplied the fingerings for the solo part, the cadenzas and the lead-ins.

In The Late Eighteenth Century, Wye Jamison Allanbrook presents twenty-six readings that reveal how the music establishment of 1750-1800 saw itself. The era of Haydn, Mozart, and early Beethoven not only produced music of enduring appeal, it also gave us significant writings that explain how music should be composed, performed, listened to, and understood. Included are selections from the great German pedagogical treaties of Quantz (on playing the flute), C. P. E. Bach (keyboard), Leopold Mozart (violin), and Kirnberger and Koch (on composition); opinions about opera by Rousseau, Diderot, and Gluck; ideas on expression by W. A. Mozart and G. de Staël; and historical/descriptive writings of Forkel, Charles Burney, and Susannah Burney.

Carl Philipp Emanuel Bach (1714-1788) has to be the most rewarding, expressive, and entertaining of all the composers whose work fell into obscurity in the years following his death. He was overshadowed both by the rediscovery of his father, Johann Sebastian, and by the rise of the classical composers Haydn, Mozart, and Beethoven in Vienna. In his lifetime, however, he was considered “the great Bach ” a musician of astonishing originality and a true original genius. His contemporaries were right.Because modern editions of C. P. E. Bach's music were few and far between, it has been difficult for performers and record collectors to assess and enjoy his achievement, but over the past two decades the situation has begun to improve. His output was vast: 52 keyboard concertos, a dozen and a half symphonies, hundreds of keyboard sonatas and character pieces, and a wealth of songs, choral music, and chamber works.Accompanied by a full-length Hänssler Classic CD of the composer's finest and most representative works, this survey offers a comprehensive overview of this magnificent, all-but-unknown body of music and makes the case for regarding C. P. E. as a true classic.