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Untitled (Floral Still Life) by Edward Mitchell Banister. It is unknown when this particular piece was painted. Bannister who was known for his still lifes, was able to really capture the soft yet warm feeling of each petal of each flower. Today, this painting in addition to many others are currently housed in the Smithsonian. Recreated with the same soft brushstrokes and soothing pallet, this reproduction will delight any art lover. Frame Description: Opulent Frame. Color: Multi-Colored.

Cream and color illus. wraps with black lettering. 79 pp. 14 bw, 34 color repros. Introduction by Corrine Jennings, lengthy essay "Reaching Through The Veil: African-American Artist Edward Mitchell Bannister" by Juanita Marie Holland. Catalogue lists 79 works. Includes detailed chronology. A very active African-American artist in Providence, Rhode Island and Boston. Published to accompany an exhibition held in Stamford, CT, at the Whitney at Champion, Nov. 19, 1992 to Jan. 27, 1993 one previous location.

This book compares the portrait photographs of two American masters, Harry Callahan (1912–1999) and Edward Weston (1886–1958), examining how their images combine desire and affection. While many of their well-known works have been understood as straightforward nudes or landscapes, this book looks beyond the limitations of these categories to suggest a more complex notion of their erotic photography. He, She, It looks at Callahan and Weston’s images through an examination of the relationship of the body and nature, but also, that of photography and affection. Unlike the majority of erotic photography that seeks to represent desire, in both Callahan and Weston we find the rare instance of desire wholly transformed into an image--an image where the subject is clearly not just displayed but the affection of the photographers toward the subject is clearly evident. For this to occur, there must be complicity between the photographer and his model. It’s clear that these are not anonymous and interchangeable models in these images but women whose bodies are evidently loved by the photographers: Tina and Charis in the case of Weston, and Eleanor in the case of Callahan. This emphasis makes this selection of photographs all the more intimate, and all the more deeply erotic.

This book compares the portrait photographs of two American masters, Harry Callahan (1912–1999) and Edward Weston (1886–1958), examining how their images combine desire and affection. While many of their well-known works have been understood as straightforward nudes or landscapes, this book looks beyond the limitations of these categories to suggest a more complex notion of their erotic photography. He, She, It looks at Callahan and Weston’s images through an examination of the relationship of the body and nature, but also, that of photography and affection. Unlike the majority of erotic photography that seeks to represent desire, in both Callahan and Weston we find the rare instance of desire wholly transformed into an image--an image where the subject is clearly not just displayed but the affection of the photographers toward the subject is clearly evident. For this to occur, there must be complicity between the photographer and his model. It’s clear that these are not anonymous and interchangeable models in these images but women whose bodies are evidently loved by the photographers: Tina and Charis in the case of Weston, and Eleanor in the case of Callahan. This emphasis makes this selection of photographs all the more intimate, and all the more deeply erotic.

Damp marked, price clipped and worn dust jacket has short tears to edges, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday.

Jonathan Edwards, a leader in the Great Awakening during the eighteenth century, still has much to teach the church. Evangelicals are rediscovering him through the efforts of several authors (John Gerstner, Iain Murray, Harry Stout, and others) and publishers (Banner of Truth, Soli Deo Gloria, and Crossway). Stephen Nichols offers Jonathan Edwards "as an introduction, a gateway into the vast and rewarding life, thought, and writings of Jonathan Edwards." He intends it for anyone who wants to read Edwards but who needs a little help.

"This is the best book―the most scholarly, the most judicial, the best written―about the intelligent, attractive, undiplomatic, quixotic Billy Mitchell, the legendary founder of today’s United States Air Force." ―Robert H. Ferrell, author of Harry S. Truman: A LifeRevered by many Americans as a martyr for his cause, Brigadier General William "Billy" Mitchell has been one of the least understood figures of modern military history. His position as the dominant figure in American aviation from 1919 until his court-martial in 1925 has made him the frequent subject of biography, film, and television, but usually these portrayals have overemphasized the sensational elements of his story. For Mitchell, sensationalism was only a means of drawing attention to his farsighted ideas on aviation. In Billy Mitchell, he emerges as a man with a mission and a true pioneer of modern aviation, a man whose ideas about leadership in aerial operations inspire and instruct today’s airmen and women. Anyone interested in aviation will delight in this compelling biography.

Harry Callahan's French archive records a year of plenitude and serenity in ProvenceIn 1956, when the photographer Harry Callahan was head of Chicago’s Institute of Design, he received Graham Foundation funding to create the project of his choice. On Edward Steichen’s advice he took a sabbatical year and headed to Europe with his wife Eleanor and his seven-year-old daughter Barbara. After two months in Germany, they lived in Aix-en-Provence from September 1957 through July 1958.Callahan had never left North America before, and his work had always focused on Chicago and the landscapes of the American Midwest. France proved to be a huge culture shock. Looking beyond what he called the “picturesque” aspect of the French town, he methodically set about a deeper exploration of his subjects. As always, he spent the morning outside with his camera and afternoons in the dark room. In France, Callahan created a series of nature studies, urban views and portraits of Eleanor, who had already been central to his work for 10 years and would remain so for another 50. Callahan, who looked back on his time in Aix-en-Provence as a period of plenitude and absolute pleasure, donated 130 works from his “French Archives” to the Maison Européenne de la Photographie in Paris. This volume publishes a selection from that beautiful body of work.

"Edwards skillfully weaves the strands together [in] this twisty whodunit." ―Publishers WeeklyThis atmospheric, fast-moving and intricate thriller features Harry Devlin, one of modern crime fiction's most memorable amateur detectives, in the deadliest case of his life.A notice announcing that Harry Devlin died suddenly on Midsummer's Eve arrives at the office of his law firm one June day. Harry isn't happy to read it: Midsummer's Eve is less than a week away. His partner Jim Crusoe treats the message as a joke, but Harry isn't so sure.Meanwhile, young women are being murdered in Harry's home city of Liverpool. When a friend who has asked to meet him becomes the latest victim, Harry becomes a suspect. He's soon fighting for survival on two fronts. Even as he unravels the shocking secret behind the murders, Harry must discover and confront the enemy who wants him dead if he is to live to see Midsummer's Day.

Harry Callahan's French archive records a year of plenitude and serenity in ProvenceIn 1956, when the photographer Harry Callahan was head of Chicago’s Institute of Design, he received Graham Foundation funding to create the project of his choice. On Edward Steichen’s advice he took a sabbatical year and headed to Europe with his wife Eleanor and his seven-year-old daughter Barbara. After two months in Germany, they lived in Aix-en-Provence from September 1957 through July 1958.Callahan had never left North America before, and his work had always focused on Chicago and the landscapes of the American Midwest. France proved to be a huge culture shock. Looking beyond what he called the “picturesque” aspect of the French town, he methodically set about a deeper exploration of his subjects. As always, he spent the morning outside with his camera and afternoons in the dark room. In France, Callahan created a series of nature studies, urban views and portraits of Eleanor, who had already been central to his work for 10 years and would remain so for another 50. Callahan, who looked back on his time in Aix-en-Provence as a period of plenitude and absolute pleasure, donated 130 works from his “French Archives” to the Maison Européenne de la Photographie in Paris. This volume publishes a selection from that beautiful body of work.

A collection of science fiction tales by such writers as Isaac Asimov, Edward D. Hoch, Keith Minnion, Connie Willis, and Jane Yolen

The Flying Scotsman, one of the world’s legendary train journeys, has many attractions for Edward Mitch” Mitchell, from the obliging porter to the mean guard to a troop of rough-and-ready soldiers in easily lifted kilts in the third-class carriage. But Mitch may not have time for them all before they arrive in London. When the train gets stuck in a tunnel, a dead body is found in the first-class toilet! Ever-ready Mitch decides to intervene and solve the crime. With his new Belgian sidekick Benoit, he pursues the killer through a crazy kaleidoscope of movie stars, drug dealers, royal scandals, and queens of every description. Can he finger the villain before the villain fingers him? What is the connection between Buckingham Palace and a bunch of backstreet pornographers? And what is the mystery of the secret tunnel? Mitch intends to go all the way to figure it all out.

Sir Edward Creasy s classic study Fifteen Decisive Battles examined turning points in military history from Marathon to Waterloo. Colonel Joseph Mitchell has revised and updated the work to include the battles of Vicksburg, Sadowa, the Marne, Midway and Stalingrad. Carefully drawn maps in two colors illustrate the tactical stakes of each battle.

Essays by Gauvin Alexander Bailey, Clara Bargellini, Dilys E. Blum, Elizabeth Hill Boone, Marcus Burke, Mitchell A. Codding, Thomas B. F. Cummins, Cristina Esteras Martín, M. Concepción García Sáiz, Ilona Katzew, Adrian Locke, Gridley McKim-Smith, Alfonso Ortiz Crespo, Jorge F. Rivas P., Nuno Senos, Edward J. Sullivan, and Marjorie Trusted.By the end of the 16th century, Europe, Africa, and Asia were connected to North and South America via a vast network of complex trade routes. This led, in turn, to dynamic cultural exchanges between these continents and a proliferation of diverse art forms in Latin America. This monumental book transcends geographic boundaries and explores the history of the confluence of styles, materials, and techniques among Europe, Africa, Asia, and the Americas through the end of the colonial era--a period marked by the independence movements, the formation of national states, and the rise of academic art.Written by distinguished internat

Paperback. Two rock clusters beside the track to the Mitchell Plateau in the northern Kimberley region of Western Australia contain a wealth of Aboriginal paintings, providing many visitors with their first glimpse of Kimberley Aboriginal rock art. Located on the western side of the King Edward River, the area - known as Munurru - lies within Wunambal country. Paintings at Munurru span thousands of years, with depictions of plants from the earliest Archaic Period, people dressed up for ceremony (Tasselled Figures, Bent Knee Figures and Straight Part Figures), thylacines (Tasmanian tigers, extinct on mainland Australia for 3,000 years) from the Painted Hand Period, and three panels of brightly coloured Wandjina, the god-like ancestors who bring each wet season's rains. Munurru contains the most visited painting sites in the Kimberley, and this book should assist with an understanding and appreciation of this early Australian art. The Australian Aboriginal, written in 1925, describes the ceremonial and day to day lives of traditional Aboriginal people, as witnessed by Herbert Basedow, who from 1903 travelled the most remote areas of Australia. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Anne Edwards is the author of several bestselling biographies of notable figures, including film stars Judy Garland, Vivien Leigh, and Katharine Hepburn, as well as Queen Mary and Gone with the Wind novelist Margaret Mitchell. A fastidious researcher and accomplished writer, Edwards received a Pulitzer prize nomination for her book Early Reagan: The Rise of an American Hero.In this new memoir, Edwards turns the spotlight on herself, chronicling her 20-year exile from the United States from the 1950s until the early 1970s. After working for MGM as a junior writer, Edwards sold two original screenplays and was employed as a story editor on a television program. An attack of polio left her physically compromised and struggling to make ends meet, so the divorced mother of two left her homeland to find work in Europe. After arriving in London, she was able to find writing jobs under an assumed name, along with her expatriated colleagues.Leaving Home is a personal story about a young mother and her two small children, but it is also about the many famous—and not so famous—people whose lives intertwined with theirs: Judy Garland, John Garfield, Rod Serling, Norman Mailer, Greta Garbo, and several others. This is an intimate story of a woman who refused to be subdued by her circumstances and determined to rebuild her life in the wake of McCarthyism. It is also a story about a woman who found and lost love and will appeal to any readers wanting to learn more about Hollywood history during one of its darkest periods.

This retrospective showcases the works of a leader of the Decadent movement, Baron Hans Henning Voigt (1887–1969). Better known as Alastair, the artist created works that are frequently likened to those of Aubrey Beardsley, Harry Clarke, and Edward Gorey. Alastair's highly ornate and distinctively ominous style blossomed with a series of erotic illustrations for the publisher and literary renegade Harry Crosby. This original selection of striking black-and-white drawings invites close examination and appreciation of the artist's skillful, sensual tone.These shadowy, sinuous images include characters from stories by Oscar Wilde and Flaubert, as well as scenes from La Tosca and The Magic Flute. An informative Introduction by editor David A. Beronä, a historian of illustrated books, offers background on Alastair and his unique place in twentieth-century art and illustration. Art historians, bibliophiles, and collectors and students of drawing and book illustration will treasure this affordable compilation of hard-to-find works.

"Edwards skillfully weaves the strands together [in] this twisty whodunit." ―Publishers WeeklyThis atmospheric, fast-moving and intricate thriller features Harry Devlin, one of modern crime fiction's most memorable amateur detectives, in the deadliest case of his life.A notice announcing that Harry Devlin died suddenly on Midsummer's Eve arrives at the office of his law firm one June day. Harry isn't happy to read it: Midsummer's Eve is less than a week away. His partner Jim Crusoe treats the message as a joke, but Harry isn't so sure.Meanwhile, young women are being murdered in Harry's home city of Liverpool. When a friend who has asked to meet him becomes the latest victim, Harry becomes a suspect. He's soon fighting for survival on two fronts. Even as he unravels the shocking secret behind the murders, Harry must discover and confront the enemy who wants him dead if he is to live to see Midsummer's Day.

"...a beautifully-evoked sense of the Lake District and an interesting and diverse group of characters. Martin Edwards got plenty of kudos for his Harry Devlin series, and he should get even more for this one. His DCI Hannah Scarlett is a fine creation." ―Peter Robinson, New York Times bestselling authorOxford historian and TV personality Daniel Kind and his new lover, Miranda, both want to escape to a new life. On impulse they buy Tarn Cottage in Brackdale, an idyllic valley in the Lake District that Daniel knew as a boy, a place so remote that the dead had to be carried out over the peaks on pack animals along the ancient Coffin Trail.Tarn Cottage was once home to Barrie Gilpin, an autistic youth suspected of a savage murder. A young woman visitor to the valley had been found laid out on the Sacrifice Stone, an ancient pagan site up on the fell. Barrie fell to his death near the crime scene before he could be questioned. All these years later, Daniel retains his belief in Barrie's innocence and questions his own policeman father's handling of the case. When DCI Hannah Scarlett and her squad launch a cold case review, Brackdale's skeletons begin to rattle.The wild geography of the Lakes District plays against local literary references, all backdrop to the lives of villagers and outsiders drawn to this beautiful spot―but for what reasons? The Coffin Trail launches a new series by a master British hand.

Harry Edwards indicates some general rules for guidance, the real value of this book is perhaps best appreciated from the early chapters in which he discusses the general make up of man and which it is so essential for healers to appreciate in order to become effective healing instruments, or channels.