30 products were found matching your search for Mixdown in 5 shops:

This unit is in excellent condition, and functional.Built around 1979-1980. TEAC model-1 is great for mixing down 8 inputs to a stereo bus or using...

Available for download, Waves CLA MixDown is part of their Artist Signature Series collection and is designed to sit on your master buss in a relat...

Tested and Working. This was pulled from a working environment. Please look at all pictures before purchasing, only what is included in pictures is...

Building on EHX's looper legacy, the Electro-Harmonix 45000 Multi-Track Looping Recorder combines the familiar controls of a multi-track digital recorder with state-of-the-art features making it possible to create complex multi-track loops quickly and easily. Each loop has four mono tracks and one stereo mixdown track. The 45000 records non-compressed, 44.1kHz/16-bit CD quality audio direct to a removable SDHC card (4 to 32GB). Each card holds up to 100 individual loops accessed with the opt

While originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of & comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes were made of 1/2" particleboard covered with a glue-on wood grain contact paper. Avantone Pro chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. Avantone Pro started with a 165mm (6 1/2") sealed cube design with radiused edges. Avantone Pro then chose an elegant Polyurethane high gloss "Black" finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. Avantone Pro upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized, milled and silk-screened aluminum terminal plate. Next they added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, they recessed an industry standard 5/8"-27 mic stand mount into the base. Driver Design The originals were a basic 5" stamped frame design. Avantone Pro designed a proprietary 5.25" die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed &...

While originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of & comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes were made of 1/2" particleboard covered with a glue-on wood grain contact paper. Avantone Pro chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. Avantone Pro started with a 165mm (6 1/2") sealed cube design with radiused edges. Avantone Pro then chose an elegant Polyurethane high gloss "Black" finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. Avantone Pro upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized, milled and silk-screened aluminum terminal plate. Next they added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, they recessed an industry standard 5/8"-27 mic stand mount into the base. Driver Design The originals were a basic 5" stamped frame design. Avantone Pro designed a proprietary 5.25" die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed &...

While originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of & comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes were made of 1/2" particleboard covered with a glue-on wood grain contact paper. Avantone Pro chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. Avantone Pro started with a 165mm (6 1/2") sealed cube design with radiused edges. Avantone Pro then chose an elegant Polyurethane high gloss "Black" finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. Avantone Pro upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized, milled and silk-screened aluminum terminal plate. Next they added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, they recessed an industry standard 5/8"-27 mic stand mount into the base. Driver Design The originals were a basic 5" stamped frame design. Avantone Pro designed a proprietary 5.25" die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed &...

Coleman SR 5.1. GREAT surround sound monitor controller. I love that the stereo and mono mixdown buttons are right there on the front. Works great....

EHX introduces the 95000 Performance Loop Laboratory, the company s most advanced looper to date, featuring six mono tracks and one stereo mixdown ...

The Heritage Audio MotorCity Equalizer was recreated from Motown units owned by Eight-time Grammy winning producer, mixdown artist, and innov...

The Heritage Audio MotorCity Equalizer was recreated from Motown units owned by Eight-time Grammy winning producer, mixdown artist, and innov...

The EHX 95000 Performance Loop Laboratory is the company s most advanced looper to date, featuring six mono tracks and one stereo mixdown track per...

Thunderbolt or Pro Tools HDTake Red 8Pre on the road for location recording over Thunderbolt then connect the same interface to Pro Tools HDX or Pro Tools HD Native back at the studio for mixdown. Switch easily between Pro Tools HD and any Thunderbolt-connected DAW with Host Mode. The combination of low-latency conversion and driver technology allows real-time foldback mixes to be created in the DAW while you continue to use your native plug-ins. Unlike many interfaces, both mini-DigiLink and

The MixDown Series of products by CAD Audio draws from nearly 80 years of professional audio expertise, CAD Audio sprung from its Conneaut, Ohio ro...

This new dual mono stereo linkable VCA compressor from Geoff Daking is ready to carry your project from tracking to final mixdown in one box! The ...

THIS IS PROFESSIONAL GRADE FOR YOUR PORTA STUDIO OR CASSETTE DECK, PERFECT FOR MIXDOWNS, REFERENCE TAPE AND CRITICAL MUSIC RECORDING.The Recordin...

Phoenix Audio brings an all in one studio centerpiece for your multi-track studio, from tracking to mixdown to monitoring, Theata does it all! The...

The original and still the best, this simple interface makes good use of your existing preamps during mixdown! Tired of the flat, narrow sound of y...

Windows users rejoice, this USB unit with UAD plugins bundled is ready to rock you from tracking, to overdubs to mixdown! This is the Heritage Edi...

For your optimum sweet spot during mixdown use the IsoAcoustics ISO 155 medium studio monitor isolation stand. Designed for medium size speakers an...