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‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, analyzing the performance of his works in both his own time and in ours. Written by a professional stage director with over fifty years’ experience directing and translating Molière, this text explores how the playwright strove to create a communal experience of shared laughter, and investigates four key topics relating to this achievement: Molière’s early experiences that lead to his later theater experiences; his central great plays of love and lust; his comedic genius and his passion for the stage; and the final words and performances of his life.

Unread book in perfect condition.

The theater of Moliere as a systematic attack on Cartesian modernism. Richly theoretical with incisive and specific treatment of such plays as The Miser and The Misanthrope.

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Buy with confidence! Book is in new, never-used condition 2.73

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 2.73

Book is in NEW condition. 1.59

Molière's long-lost trunk of letters and manuscripts has yet to be found amidst the dust of some Parisian attic, but in spite of that, a story of his life can be told from documentary evidence, reminiscence, gossip and innuendo, and inferences from his plays. He was very much a man of his time and place, and this new biography, the first to be written in English since 1930, places the great actor/playwright in his historical context as the son of well-to-do bourgeois and student at the Jesuit College de Clermont in the 1630's, as one of a group of stage-struck hopefuls and as a vagabond actor in the provinces in the 1640's and 50's, and--from 1658 to his death in 1673--as a clever courtier, a faithful friend, a not-so-faithful lover, a successful and controversial playwright striking out against hypocrisy in religion and medicine, and a cynical survivor of the literary, cultural, and marital wars. Virginia Scott is Professor of Theater at the University of Massachusetts at Amherst. She has published numerous articles in Theater Survey, Theater Journal, and Theater Research International as well as writing the book The Commedia dellÀrte in Paris, which won the George Freedley Award for the best book in theater studies in 1991.

MOLIÈRE BY MOONEY brings you two sparkling adaptations from the master of the master! The School for Wives: Arnolphe has groomed his young ward Agnes to be the perfect, faithful, subservient wife. Now that she has turned 18, he will ask for her hand in marriage—which she will give gladly, of course—and he will no longer live in fear of the mockery and embarrassment that comes with a wife’s “independence.” All seems to go according to plan, until a handsome young man serendipitously crosses Agnes’ path. With his manhood and his reputation at stake, can Arnolphe change his curriculum and lure her back, or will Agnes’ love for the “wrong” man, despite all her schooling, prevail? 2F, 7M (Flexible) The Learned Ladies: Henriette’s liberated, feminist mother wants her to marry the man she has picked out for her: a posturing, unctuous fop masquerading as a poet! Her father agrees she should marry her true love. The problem? Dad caves in to Mom’s wishes at every turn! Will Dad assert his right as the head of the house? Must Henriette flee to a convent to avoid her suitor’s insipid poetry? It’s the war of the sexes, 17th-century style! 5F, 8M (Flexible)

A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.15

Le Bourgeois gentilhommeMolière¤ Le texte intégral de l'œuvre annoté¤ Un cahier iconographique d'œuvres d'art et de scènes de théâtre¤ Un dossier documentaire complet sur l'auteur et son œuvre¤ Un appareil pédagogique pour analyser, critiquer et comprendre¤ Des groupements de textes¤ Des questionnaires au fil du texte

Adapted from Molière’s The Misanthrope, David Ives’s The School for Lies tells the comic tale of Frank, who shares with Molière’s Alceste a venomous hatred of the hypocrisy that surrounds him. Like his predecessor, Frank gets into trouble for insulting the work of a dreadful poet and falls in love with Celimene, a witty widow. In Ives’s madcap version, however, Celimene returns Frank’s affection because she wrongly believes him to be King Louis XIV’s bastard brother. Borrowing from Shakespeare, reality TV, and everything in between, The School for Lies is an inspired entertainment as well as a pointed study in self-delusion, all rendered in sparkling couplets.

Moliere: Dal Balletto la Moliere Imaginaire Piano Solo Moliere: Dal Balletto la Moliere Imaginaire Piano Solo Publisher: Hal Leonard Category: ...

Pulitzer Prize–winning poet Richard Wilbur (b. 1921) is part of a notable literary cohort, American poets who came to prominence in the mid-twentieth century. Wilbur's verse is esteemed for its fluency, wit, and optimism; his ingeniously rhymed translations of French drama by Molière, Racine, and Corneille remain the most often staged in the English-speaking world; his essays possess a scope and acumen equal to the era's best criticism. This biography examines the philosophical and visionary depth of his world-renowned poetry and traces achievements spanning seventy years, from political editorials about World War II to war poems written during his service to his theatrical career, including a contentious collaboration with Leonard Bernstein and Lillian Hellman.Wilbur's life has been mistakenly seen as blessed, lacking the drama of his troubled contemporaries. Let Us Watch Richard Wilbur corrects that view and explores how Wilbur's perceived "normality" both enhanced and limited his achievement. The authors augment the life story with details gleaned from access to his unpublished journals, family archives, candid interviews they conducted with Wilbur and his wife, Charlee, and his correspondence with Robert Lowell, Elizabeth Bishop, John Berryman, John Malcolm Brinnin, James Merrill, and others.

Moliére's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820s to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. She re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memory and commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices.

A history of European civilizations in the period of Pascal, Moliere, Cromwell, Milton, Peter the Great, Newton and Spinoza: 1648 - 1715.

Goethe's great love for the ancient classics once prompted him to write ("Gespriiche mit Eckerman," April 1, 1827), "Man studiere nicht die Mitgeborenen und Mitstrebenden, sondern grosse Menschen der Vorzeit, deren Werke seit Jahrhunderten gleichen Wert und gleiches Ansehen behalten haben . . . Man studiere Moliere, man studiere Shakespeare, aber vor allen Dingen die alten Griechen und immer die alten Griechen. " Anyone examining the history of Western ideas has found this statement to prove eminently true: one must study above all others the ancient Greeks. This book, by its study of the Greeks and others, seeks to fill in a small way the large gap which has obtained in the history of rhetoric in the Eastern Mediterranean area: the rhetoric (formal spoken discourse) of the courtroom, street corner, classroom, and legislative hall. Scholars have long investigated, and with considerable success, the figures and movements in Rome and Athens until Con­ stantine, or even later, but for some reason they have neglected the role and impact of oratory in most Asian and North African centers (Antioch excepted). If this monograph can provide outlines of its activity in Greco-Roman Alexandria to approximately A. D. 400 and encourage further scholarship in Pergamum, Tarsus, and elsewhere, it will have fulfilled its purpose. At the same time, it is not intended as a history of the city, nor an economic, political, or religious account of its life.

How to Read World Literature addresses the unique challenges faced by a reader confronting foreign literature. Accessible and enlightening, Damrosch offers readers the tools to navigate works as varied as Homer, Sophocles, Kalidasa, Du Fu, Dante, Murasaki, Moliere, Kafka, Soyinka, and Walcott. Offers a unique set of "modes of entry” for readers encountering foreign literature Provides readers with the tools to think creatively and systematically about key issues such as reading across time and cultures, reading translated works, and emerging global perspectives Covers a wide variety of genres, from lyric and epic poetry to drama and prose fiction and discusses how these forms have been used in different eras and cultures

Broché, 254 pages. 14,5x22 cm. Présentation : Parce que nous avons appris les Fables de La Fontaine à l'école, nous croyons connaître le XVIIe siècle. Parce que le génie de Molière est intemporel, nous imaginons que la société qu'il décrit nous est familière, et qu'elle n'était pas si différente de la nôtre. En même temps, nous avons du XVIIe siècle, au moins sous Louis XIV, l'image du " Grand Siècle ", engoncé dans le classicisme, tiré au cordeau comme les jardins de Versailles, cultivant l'ordre moral sous les voiles de Maintenon. Longtemps, les historiens ont cru que dans ce système l'homosexualité n'avait pas sa place ; ils ont répété qu'au XVIIe siècle, les sodomites allaient directement de la prison au bûcher. De la cour de Versailles au royaume du Siam, des cabarets libertins aux bancs des galériens, des repaires de pirates aux séances de l'Académie, ce livre restitue une réalité autrement plus complexe et foisonnante. Il illustre et développe une intuition de Michel Foucault sur la tolérance sociale dont bénéficiait encore l'homosexualité à cette époque. Établissant des rapprochements avec d'autres cultures, il met en lumière l'originalité, voire l'exotisme, de cette société par rapport à la nôtre. Ce faisant, il apporte des éléments de réponse à des problèmes qui font débat dans l'Occident contemporain, qu'il s'agisse de points particuliers, comme la place des homosexuels dans les armées, ou de questions plus générales : que sont le masculin et le féminin ? qu'est-ce que le genre, la virilité, l'identité sexuelle ?