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New! This book is in the same immaculate condition as when it was published 2.73

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

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Molière's long-lost trunk of letters and manuscripts has yet to be found amidst the dust of some Parisian attic, but in spite of that, a story of his life can be told from documentary evidence, reminiscence, gossip and innuendo, and inferences from his plays. He was very much a man of his time and place, and this new biography, the first to be written in English since 1930, places the great actor/playwright in his historical context as the son of well-to-do bourgeois and student at the Jesuit College de Clermont in the 1630's, as one of a group of stage-struck hopefuls and as a vagabond actor in the provinces in the 1640's and 50's, and--from 1658 to his death in 1673--as a clever courtier, a faithful friend, a not-so-faithful lover, a successful and controversial playwright striking out against hypocrisy in religion and medicine, and a cynical survivor of the literary, cultural, and marital wars. Virginia Scott is Professor of Theater at the University of Massachusetts at Amherst. She has published numerous articles in Theater Survey, Theater Journal, and Theater Research International as well as writing the book The Commedia dellÀrte in Paris, which won the George Freedley Award for the best book in theater studies in 1991.

‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, analyzing the performance of his works in both his own time and in ours. Written by a professional stage director with over fifty years’ experience directing and translating Molière, this text explores how the playwright strove to create a communal experience of shared laughter, and investigates four key topics relating to this achievement: Molière’s early experiences that lead to his later theater experiences; his central great plays of love and lust; his comedic genius and his passion for the stage; and the final words and performances of his life.

As an actor and playwright, Moliere played a key role in the transition away from the Italian Commedia Dell’Arte to the ever popular la Comédie Française. Moliere broke away from the impromptu, formula-mask type presentations which were rooted in the Italian Renaissance theater, and introduced live, written dialogue based on the people and costumes of the day—real people whose characters acceded the stage, and the audience made its connection with each foible enacted by the performing protagonists. Thus, the satire in the Le Bourgeois Gentilhomme became poignant and entertaining. In L’Avare, Moliere gave the miser a physical body that was believable and real. In this anthology containing four of Moliere most popular plays, The Bourgeois Gentleman, The Doctor In Spite of Himself, The Affected Damsels, The Miser (regular edition), and The Miser (short edition), Mr. Pergolizzi translates a French master of the theater in fluent and modern English ready for performance, on any American stage.

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MOLIÈRE BY MOONEY brings you two sparkling adaptations from the master of the master! The School for Wives: Arnolphe has groomed his young ward Agnes to be the perfect, faithful, subservient wife. Now that she has turned 18, he will ask for her hand in marriage—which she will give gladly, of course—and he will no longer live in fear of the mockery and embarrassment that comes with a wife’s “independence.” All seems to go according to plan, until a handsome young man serendipitously crosses Agnes’ path. With his manhood and his reputation at stake, can Arnolphe change his curriculum and lure her back, or will Agnes’ love for the “wrong” man, despite all her schooling, prevail? 2F, 7M (Flexible) The Learned Ladies: Henriette’s liberated, feminist mother wants her to marry the man she has picked out for her: a posturing, unctuous fop masquerading as a poet! Her father agrees she should marry her true love. The problem? Dad caves in to Mom’s wishes at every turn! Will Dad assert his right as the head of the house? Must Henriette flee to a convent to avoid her suitor’s insipid poetry? It’s the war of the sexes, 17th-century style! 5F, 8M (Flexible)

Molière's long-lost trunk of letters and manuscripts has yet to be found amidst the dust of some Parisian attic, but in spite of that, a story of his life can be told from documentary evidence, reminiscence, gossip and innuendo, and inferences from his plays. He was very much a man of his time and place, and this new biography, the first to be written in English since 1930, places the great actor/playwright in his historical context as the son of well-to-do bourgeois and student at the Jesuit College de Clermont in the 1630's, as one of a group of stage-struck hopefuls and as a vagabond actor in the provinces in the 1640's and 50's, and--from 1658 to his death in 1673--as a clever courtier, a faithful friend, a not-so-faithful lover, a successful and controversial playwright striking out against hypocrisy in religion and medicine, and a cynical survivor of the literary, cultural, and marital wars. Virginia Scott is Professor of Theater at the University of Massachusetts at Amherst. She has published numerous articles in Theater Survey, Theater Journal, and Theater Research International as well as writing the book The Commedia dellÀrte in Paris, which won the George Freedley Award for the best book in theater studies in 1991.

The theater of Moliere as a systematic attack on Cartesian modernism. Richly theoretical with incisive and specific treatment of such plays as The Miser and The Misanthrope.

A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

État NEUF / NEW condition 169-90054 9782843210549 Broché 01/04/2003 17eme siècle Les images peuvent varier aucun retour possible pour un erreur d'image puisque nous n'en sommes pas responsables elles sont automatisées par le site internet

In 1664, Molière's Tartuffe was banned from public performance. This book provides a detailed, in-depth account of five-year struggle (1664-69) to have the ban lifted and, so doing, sheds important new light on 1660s France and the ancien régime more broadly.

In 1664, Molière's Tartuffe was banned from public performance. This book provides a detailed, in-depth account of five-year struggle (1664-69) to have the ban lifted and, so doing, sheds important new light on 1660s France and the ancien régime more broadly.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Adapted from Molière’s The Misanthrope, David Ives’s The School for Lies tells the comic tale of Frank, who shares with Molière’s Alceste a venomous hatred of the hypocrisy that surrounds him. Like his predecessor, Frank gets into trouble for insulting the work of a dreadful poet and falls in love with Celimene, a witty widow. In Ives’s madcap version, however, Celimene returns Frank’s affection because she wrongly believes him to be King Louis XIV’s bastard brother. Borrowing from Shakespeare, reality TV, and everything in between, The School for Lies is an inspired entertainment as well as a pointed study in self-delusion, all rendered in sparkling couplets.

What can we know about the understanding of time in a particular cultural or historical setting, and what can this knowledge tell us about how we think about time today? Time and Ways of Knowing: Molière, Sévigné, Lafayette raises these questions by examining the scientific measurement and perception of time in seventeenth-century Europe and particularly in France.This widely researched book argues that the technological and social changes relating to time have a paradoxical impact in seventeenth-century France; they lead to more control of the individual, thus intruding upon the realm of the private, and at the same time encourage the development of a newfound sense of privacy and subjectivity, partly in reaction to the increasing control of the individual by the state. This Foucaludian hypothesis is compellingly developed through a number of critical readings in historical contexts: the social framework of court life under Louis XIV is made to shed light on Moli

Moliere: Dal Balletto la Moliere Imaginaire Piano Solo Moliere: Dal Balletto la Moliere Imaginaire Piano Solo Publisher: Hal Leonard Category: ...

"French Classics" by William Cleaver Wilkinson is an insightful exploration of the renowned literary works that have shaped French literature. This classic volume delves into the lives and writings of iconic figures such as Molière, Balzac, Flaubert, and Proust, offering a comprehensive examination of their contributions to the literary canon. Wilkinson's writing is both engaging and scholarly, making complex themes accessible to readers both new and familiar with French literature. Through detailed analyses, he uncovers the historical and cultural contexts that influenced each author's work, shedding light on their distinctive styles and themes. From the biting wit of the playwrights to the introspective depth of novelists, Wilkinson captures the essence of what makes French literature so compelling. This book serves as an invaluable resource for students, educators, and literature enthusiasts, inviting them to appreciate the richness of French classics and their enduring impact on global literature.