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Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.79

Feted by aficionados of woodcraft for his reverence of historical forms and traditions, attention to elegant proportions, and devotion to exquisite detail, Thomas Moser has achieved the highest quality in the creation of fine furniture. Here, in his own words, the world-renowned woodworker recounts the history of his workshop, Thos. Moser Cabinetmakers, and provides insight into the philosophy, materials, and processes that are the foundation of his style. Moser furniture references Arts and Crafts, Mission, Shaker, and Japanese styles, but is always completely original and meticulously hand-finished. Lavishly illustrated with over 300 full-color and black-and-white photographs and shop drawings, this is a sumptuous celebration of a master artisan and his oeuvre.

Book by Thomas, Aquinas, Saint, Anderson, Robert, Moser, Johann

An introduction and supplement to the work of Dylan Thomas. Following the order of the poems in the Collected Works, Tindall has prepared detailed analyses of Thomas's works.

Book by Thomas, Aquinas, Saint, Anderson, Robert, Moser, Johann

Nadja Michael, Thomas Moser, and Michael Volle star in this 2008 Royal Opera production of the Strauss opera conducted by Philippe Jordan and directed by David McVicar.

How do we see disciples like Maria Magdalene, Petrus, Thomas or Mary thee mother of Jesus? Hartenstein analyses the depiction of these players in the gospel of John. German text.

How do we see disciples like Maria Magdalene, Petrus, Thomas or Mary thee mother of Jesus? Hartenstein analyses the depiction of these players in the gospel of John. German text.

Inequality is currently gaining considerable attention in academic, policy, and media circles. From Thomas Piketty to Robert Putnam, there is no shortage of economic, sociological, or political analyses. But what does anthropology, with its focus on the qualitative character of relationships between people, have to offer? Drawing on current scholarship and illustrative ethnographic case studies, McGill argues that anthropology is particularly well suited to interrogating global inequality, not just within nations, but across nations as well.Brief, accessibly written, and peppered with vivid ethnographic examples that bring contemporary research to life, Global Inequality is an introduction to the topic from a unique and important perspective.

Everybody analyses films. Ordinary viewers, chatting on the way home afterwards. Reviewers, telling us just enough to tempt or put off. Critics, ‘situating’ films for us. Moralists, hunting for the (harmful) message. So what exactly is it that film academics do that’s different?Martin Barker and Thomas Austin provide a jargon-free, accessible and student-friendly introduction to film analysis. They begin with a discussion about audience and a detailed case-study on four conflicting analyses of Capra’s It’s A Wonderful Life. The authors examine a range of popular Hollywood films in a variety of genres, including Titanic, Deep Impact, Sleepless in Seattle, The Lion King, Starship Troopers and The Usual Suspects, and provide vivid demonstrations of what can and can’t be achieved with close textual analysis. The book ends by proposing a list of measures for assessing the adequacy of film analyses: measures intended to lay the basis of a way of doing film analysis which goes beyond theoretically-predetermined and often obscurantist assertions.Explicitly rejecting much of the theoretical baggage that dogs contemporary film analysis, Barker and Austin strip the subject down to its bare essentials. The result is a provocative and timely reexamination of many of the basic tenets in film theory and analysis.

This 1984 concert includes music by Mozart, Offenbach, Wagner, and others. Special guests include Nicolai Gedda, Lucia Popp, Tatiana Troyanos, Edita Gruberova, Catherine Malfitano, Simon Estes, Francisco Araiza, Thomas Moser, Leonie Rysanek.

Nadja Michael, Michaela Schuster, Thomas Moser, Joseph Kaiser, and Michael Volle star in this Royal Opera production of the Strauss opera conducted by Philippe Jordan and directed by David McVicar.