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When President Benito Juárez died unexpectedly of a heart attack in 1872, the Mexican government declared a seven-day period of mourning. Nearly the entire population of Mexico City filed past Juárez's body as it lay in state in the National Palace. Over 100,000 people watched the magnificent procession of his hearse, and countless mourners vied for position to listen to his eulogies. Juárez's was the last state funeral for a sitting president in republican Mexico, and the public response proved the existence of a Mexican national community. It also gave birth to the cultural politics and mythical discourse of the Porfirian regime that would overthrow Juárez's successor in 1876.In 1902 Mexican journalist, congressman, and intellectual Justo Sierra asserted that Mexico gained both national pride and its international personality during the long reign of Porfirio Díaz. Matthew Esposito argues that much of this identity stemmed from Díaz's reliance on memorialism. Over the course of thirty-five years, the Porfirian state constructed dozens of national monuments, performed countless commemorations, and held 110 state funerals. While most historians have argued that Díaz's reign owed its longevity to extralegal activities and personal appeals to loyalty, Esposito examines Díaz's successful manipulation of cults of the dead, hero cults, and national memory to shape the perception of his leadership.

This special book for families and teachers helps you celebrate festivals from cultures from all over the world.

Contributions by Robert Baron, Betty Belanus, Olivia Cadaval, James I. Deutsch, C. Kurt Dewhurst, James Early, Amy Horowitz, Marjorie Hunt, Richard Kennedy, Sojin Kim, Marsha MacDowell, Diana Baird N'Diaye, Jeff Place, Frank Proschan, Jack Santino, Daniel E. Sheehy, Cynthia L. Vidaurri, and Steve ZeitlinSince its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff--past and present--in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.

Contributions by Robert Baron, Betty Belanus, Olivia Cadaval, James I. Deutsch, C. Kurt Dewhurst, James Early, Amy Horowitz, Marjorie Hunt, Richard Kennedy, Sojin Kim, Marsha MacDowell, Diana Baird N'Diaye, Jeff Place, Frank Proschan, Jack Santino, Daniel E. Sheehy, Cynthia L. Vidaurri, and Steve ZeitlinSince its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff--past and present--in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.

When President Benito Juárez died unexpectedly of a heart attack in 1872, the Mexican government declared a seven-day period of mourning. Nearly the entire population of Mexico City filed past Juárez's body as it lay in state in the National Palace. Over 100,000 people watched the magnificent procession of his hearse, and countless mourners vied for position to listen to his eulogies. Juárez's was the last state funeral for a sitting president in republican Mexico, and the public response proved the existence of a Mexican national community. It also gave birth to the cultural politics and mythical discourse of the Porfirian regime that would overthrow Juárez's successor in 1876.In 1902 Mexican journalist, congressman, and intellectual Justo Sierra asserted that Mexico gained both national pride and its international personality during the long reign of Porfirio Díaz. Matthew Esposito argues that much of this identity stemmed from Díaz's reliance on memorialism. Over the course of thirty-five years, the Porfirian state constructed dozens of national monuments, performed countless commemorations, and held 110 state funerals. While most historians have argued that Díaz's reign owed its longevity to extralegal activities and personal appeals to loyalty, Esposito examines Díaz's successful manipulation of cults of the dead, hero cults, and national memory to shape the perception of his leadership.

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In this contribution to the study of one of America's best-known and most-imposing religious figures, 15 scholars offer a sustained analysis of Jonathan Edward's historical legacy throughout the world. The volume looks at Edward's lasting influence and enduring effects worldwide.

Burkert, Girard, and Smith hold important and contradictory theories about the nature and origin of ritual sacrifice, and the role violence plays in religion and culture. These papers and conversations derive from a conference that pursued the possibility and utility of a general theory of religion and culture, especially one based on violence. The special value of this volume is the conversations as such―the real record of working scholars engaged with one another's theories, as they make and meet challenges, and move and maneuver. Girard and Burkert present different versions of the same conviction: that a single theory can account for ritual and its social function, a theory that posits original acts of group violence. Smith sharply questions both the possibility and the utility of such a general theory. Among the highlights of this stimulating interchange of ideas is a searching criticism of Girard's theory of generative scapegoating, which he answers with clarity and conviction, and a challenging of Burkert's theory of the origin of sacrifice in the hunt by Smith's argument, posed as a jeu d'esprit, that sacrifice originates with the domestication of animals.

Greek Athletic Sports and Festivals by E. Norman Gardiner is a seminal work that delves into the rich tapestry of ancient Greek athletics and the cultural significance of their festivals. Gardiner, an eminent scholar, meticulously examines the origins, development, and impact of athletic competitions like the Olympic Games, Pythian Games, and Nemean Games, revealing how these events were intertwined with Greek society, religion, and politics. His extensive research sheds light on the athletes, training practices, and the values that these competitions instilled in the populace, such as honor, excellence, and community. The book is not just a historical account; it also reflects on the broader implications of sport in human culture. Through vivid descriptions and insightful analysis, Gardiner offers readers an engaging exploration of how these ancient practices continue to influence modern sports and societal values today. This classic is a must-read for anyone interested in the foundations of athletic culture.

Jonathan Brody Kramnick's book examines the formation of the English canon over the first two-thirds of the eighteenth century. Kramnick details how the idea of literary tradition emerged out of a prolonged engagement with the institutions of cultural modernity, from the public sphere and national identity to capitalism and the print market. Looking at a wide variety of eighteenth-century critical writing, he analyzes the tensions that inhabited the categories of national literature and public culture at the moment of their emergence.

In 1937, the Soviet Union mounted a national celebration commemorating the centenary of poet Alexander Pushkin’s death. Though already a beloved national literary figure, the scale and feverish pitch of the Pushkin festival was unprecedented. Greetings, Pushkin! presents the first in-depth study of this historic event and follows its manifestations in art, literature, popular culture, education, and politics, while also examining its philosophical underpinnings. Jonathan Brooks Platt looks deeply into the motivations behind the Soviet glorification of a long-dead poet—seemingly at odds with the October Revolution’s radical break with the past. He views the Pushkin celebration as a conjunction of two opposing approaches to time and modernity: monumentalism, which points to specific moments and individuals as the origin point for cultural narratives, and eschatology, which glorifies ruptures in the chain of art or thought and the destruction of canons. In the midst of the Great Purge, the Pushkin jubilee was a critical element in the drive toward a nationalist discourse that attempted to unify and subsume the disparate elements of the Soviet Union, supporting the move to “socialism in one country.”

The French Riviera conjures up images of yachts on an azure blue sea; the dark green of pines and swaying palms; sports cars on the Corniche roads; the Monte Carlo casino and the Cannes film festival. But as Julian Hale reveals in this fascinating volume, there is another Riviera. Above Monaco towers a ruined reminder of Roman power, the Emperor Augustus' Trophy of the Alps. Monuments to Napoleon and Maginot Line forts testify to turbulent times, while statues and gravestones recall the belle Epoque. Churches and chapels along the coast and in the inland villages contain pictorial and architectural treasures from the Brea family during the Renaissance to Picasso and Matisse in the twentieth century. If the Riviera has had its critics-Somerset Maugham famously called it "a sunny place for shady people"-it remains the epitome of glamour. Julian Hale reveals how a piece of rugged inaccessible coastline was transformed into a byword for luxury and hedonism-but always with a special beauty of its own.

The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.

"A fascinating account of the powerful roles fur has played in various cultures and of the historical and political forces at work in the play of its meanings."―Jonathan Culler, Cornell University"In this well-written treatise, Emberley... views fur through widely disparate lenses.... Emberley is able to make us understand all the viewpoints she presents.... A valuable book on a little-explored subject."―Library Journal"This is a strong and intelligent work on a controversial topic. Emberley's book is much more intellectually sophisticated than anything else I've seen on this subject."―Valerie Steele, Editor, Fashion Theory"Julia Emberley's book is a complex, wide-ranging, and fascinating feminist critique of the history and meaning of fur and fashion. Particularly unique is her integration of indigenous voices into the debates."―Lucy Lippard, author of The Pink Glass Swan: Selected Feminist Essays on ArtFur has been sparking controversies ever since sumptuary laws marked it as a luxury item and as a sign of medieval class privilege. Drawing on wide-ranging historical and contemporary sources, Julia V. Emberley explains how a material good has become both a symbol of wealth and sexuality, and a symptom of class, gender, and imperial antagonisms.

Describes the holidays and festivals celebrated throughout the year in Honduras, including the food, traditions, and costumes.

If, as David Guss argues, culture is a contested terrain with constantly changing contours, then festivals are its battlegrounds, where people come to fight and dispute in large acts of public display. Festive behavior, long seen by anthropologists and folklorists as the "uniform expression of a collective consciousness, is contentious and often subversive," and The Festive State is an eye-opening guide to its workings. Guss investigates "the ideology of tradition," combining four case studies in a radical multisite ethnography to demonstrate how in each instance concepts of race, ethnicity, history, gender, and nationhood are challenged and redefined. In a narrative as colorful as the events themselves, Guss presents the Afro-Venezuelan celebration of San Juan, the "neo-Indian" Day of the Monkey, the mestizo ritual of Tamunangue, and the cultural policies and products of a British multinational tobacco corporation. All these illustrate the remarkable fluidity of festive behavior as well as its importance in articulating different cultural interests.

The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.

"If you fear that cultural, political, and class differences are tearing America apart, read this important book." --Jonathan Haidt, Ph.D., author of The Righteous MindAs the world gets smaller, people from different backgrounds are colliding like never before. Leading cultural psychologists Hazel Markus and Alana Conner reveal how a single culture clash - the clash of independence and interdependence - ignites both global hostilities and daily tensions between regions, races, genders, classes, religions, and organizations. Markus and Conner then show how we can leverage both independence and interdependence to mend the rifts in our communities, workplaces, and schools. Provocative and entertaining, Clash! offers solutions to many of the problems that plague our workplaces, schools, and relationships. For readers of The Culture Code by Clotaire Rapaille and The Wisdom of Crowds by James Surowiecki, it doesn't just explain who we are, it also envisions who we could become.

This fascinating book explores the interface between global processes, identity formation and the production of culture. Examining ideas ranging from world systems theory to postmodernism, Jonathan Friedman investigates the relations between the global and the local, to show how cultural fragmentation and modernist homogenization are equally constitutive trends of global reality. With examples taken from a rich variety of theoretical sources, ethnographic accounts of historical eras, the analysis ranges across the cultural formations of ancient Greece, contemporary processes of Hawaiian cultural identification and Congolese beauty cults. Throughout, the author examines the interdependency of world market and local cultural

Using the economic perspective, this exciting text offers an alternative view to sociological or art historic approaches to art. The issues discussed include: institutions from festivals to "superstar" museums, different means of supporting the arts, an investigation into art as an investment, and the various approaches applied when valuing our cultural properties.  This text challenges widely held popular views and, once started, is difficult to put down.