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Contributions by Robert Baron, Betty Belanus, Olivia Cadaval, James I. Deutsch, C. Kurt Dewhurst, James Early, Amy Horowitz, Marjorie Hunt, Richard Kennedy, Sojin Kim, Marsha MacDowell, Diana Baird N'Diaye, Jeff Place, Frank Proschan, Jack Santino, Daniel E. Sheehy, Cynthia L. Vidaurri, and Steve ZeitlinSince its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff--past and present--in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.

Contributions by Robert Baron, Betty Belanus, Olivia Cadaval, James I. Deutsch, C. Kurt Dewhurst, James Early, Amy Horowitz, Marjorie Hunt, Richard Kennedy, Sojin Kim, Marsha MacDowell, Diana Baird N'Diaye, Jeff Place, Frank Proschan, Jack Santino, Daniel E. Sheehy, Cynthia L. Vidaurri, and Steve ZeitlinSince its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff--past and present--in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.

When President Benito Juárez died unexpectedly of a heart attack in 1872, the Mexican government declared a seven-day period of mourning. Nearly the entire population of Mexico City filed past Juárez's body as it lay in state in the National Palace. Over 100,000 people watched the magnificent procession of his hearse, and countless mourners vied for position to listen to his eulogies. Juárez's was the last state funeral for a sitting president in republican Mexico, and the public response proved the existence of a Mexican national community. It also gave birth to the cultural politics and mythical discourse of the Porfirian regime that would overthrow Juárez's successor in 1876.In 1902 Mexican journalist, congressman, and intellectual Justo Sierra asserted that Mexico gained both national pride and its international personality during the long reign of Porfirio Díaz. Matthew Esposito argues that much of this identity stemmed from Díaz's reliance on memorialism. Over the course of thirty-five years, the Porfirian state constructed dozens of national monuments, performed countless commemorations, and held 110 state funerals. While most historians have argued that Díaz's reign owed its longevity to extralegal activities and personal appeals to loyalty, Esposito examines Díaz's successful manipulation of cults of the dead, hero cults, and national memory to shape the perception of his leadership.

This special book for families and teachers helps you celebrate festivals from cultures from all over the world.

Burkert, Girard, and Smith hold important and contradictory theories about the nature and origin of ritual sacrifice, and the role violence plays in religion and culture. These papers and conversations derive from a conference that pursued the possibility and utility of a general theory of religion and culture, especially one based on violence. The special value of this volume is the conversations as such―the real record of working scholars engaged with one another's theories, as they make and meet challenges, and move and maneuver. Girard and Burkert present different versions of the same conviction: that a single theory can account for ritual and its social function, a theory that posits original acts of group violence. Smith sharply questions both the possibility and the utility of such a general theory. Among the highlights of this stimulating interchange of ideas is a searching criticism of Girard's theory of generative scapegoating, which he answers with clarity and conviction, and a challenging of Burkert's theory of the origin of sacrifice in the hunt by Smith's argument, posed as a jeu d'esprit, that sacrifice originates with the domestication of animals.

Burkert, Girard, and Smith hold important and contradictory theories about the nature and origin of ritual sacrifice, and the role violence plays in religion and culture. These papers and conversations derive from a conference that pursued the possibility and utility of a general theory of religion and culture, especially one based on violence. The special value of this volume is the conversations as such―the real record of working scholars engaged with one another's theories, as they make and meet challenges, and move and maneuver. Girard and Burkert present different versions of the same conviction: that a single theory can account for ritual and its social function, a theory that posits original acts of group violence. Smith sharply questions both the possibility and the utility of such a general theory. Among the highlights of this stimulating interchange of ideas is a searching criticism of Girard's theory of generative scapegoating, which he answers with clarity and conviction, and a challenging of Burkert's theory of the origin of sacrifice in the hunt by Smith's argument, posed as a jeu d'esprit, that sacrifice originates with the domestication of animals.

The concept that art must have no instrumental function is a doctrine traditionally traced back to Kant's Critique of Judgment. In Reconstituting the Body Politic, Jonathan Hess proposes that this concept of autonomous art marks not a withdrawal from the political realm but the ultimate embodiment of Enlightenment political culture, a response to a crisis in the institution idealized by Jürgen Habermas as the bourgeois public sphere. Hess explores the moment in late 18th-century Germany that witnessed the emergence of two concepts that marked the modern era: the political concept of the public sphere and the doctrine of aesthetic autonomy. By considering the extent to which, at its very inception, the concept of aesthetic autonomy is inextricably intertwined with the emergence of the concept of the public sphere, he offers both a historical study of the political conditions that produced this concept and a contribution to contemporary literary and political theory.

"If you fear that cultural, political, and class differences are tearing America apart, read this important book." --Jonathan Haidt, Ph.D., author of The Righteous MindAs the world gets smaller, people from different backgrounds are colliding like never before. Leading cultural psychologists Hazel Markus and Alana Conner reveal how a single culture clash - the clash of independence and interdependence - ignites both global hostilities and daily tensions between regions, races, genders, classes, religions, and organizations. Markus and Conner then show how we can leverage both independence and interdependence to mend the rifts in our communities, workplaces, and schools. Provocative and entertaining, Clash! offers solutions to many of the problems that plague our workplaces, schools, and relationships. For readers of The Culture Code by Clotaire Rapaille and The Wisdom of Crowds by James Surowiecki, it doesn't just explain who we are, it also envisions who we could become.

This fascinating book explores the interface between global processes, identity formation and the production of culture. Examining ideas ranging from world systems theory to postmodernism, Jonathan Friedman investigates the relations between the global and the local, to show how cultural fragmentation and modernist homogenization are equally constitutive trends of global reality. With examples taken from a rich variety of theoretical sources, ethnographic accounts of historical eras, the analysis ranges across the cultural formations of ancient Greece, contemporary processes of Hawaiian cultural identification and Congolese beauty cults. Throughout, the author examines the interdependency of world market and local cultural

Using the economic perspective, this exciting text offers an alternative view to sociological or art historic approaches to art. The issues discussed include: institutions from festivals to "superstar" museums, different means of supporting the arts, an investigation into art as an investment, and the various approaches applied when valuing our cultural properties.  This text challenges widely held popular views and, once started, is difficult to put down.

In an age of secularization and the decline of ritual, Christmas has emerged as the most promising candidate for the first global festival. It is celebrated in the Christian West as well as in many countries with either a minority or no Christian population. How is it that Christmas is not merely surviving, but actually gaining in importance? Unwrapping Christmas is the first comparative study of the Christmas phenomenon, based on direct observation of how the festival is actually celebrated in diverse social contexts. It begins by presenting general theories of Christmas and includes the first full English translation of "Father Christmas Executed" by Claude Levi-Strauss. The focus then turns to two controversial issues: the relationship between Christmas and materialism, and the debate over the place of the family in Christmas celebrations. Both of these issues are examined and interpreted in a variety of cultural contexts; including the USA, Japan, Britain, Sweden, and Trinidad. Christmas is rapidly becoming the focus for a constellation of activities including gift-giving, the marking of the seasons, and the celebration of extended family networks. This collection, the first systematic analysis of Christmas, represents a fascinating and significant contribution to understanding how and why this holiday has developed into the global festival celebrated today.

Describes a year of special celebrations in Japan, with historical and cultural information, including recipes, crafts, and legends.

This new and expanded edition collects the best articles dealing with race and culture in the classroom that have appeared in Rethinking Schools magazine. Moving beyond a simplistic focus on heroes and holidays, and foods and festivals, Rethinking Multicultural Education demonstrates a powerful vision of anti-racist, social justice education. Practical, rich in story, and analytically sharp, Rethinking Multicultural Education reclaims multicultural education as part of a larger struggle for justice and against racism, colonization, and cultural oppression in schools and society.

The French Riviera conjures up images of yachts on an azure blue sea; the dark green of pines and swaying palms; sports cars on the Corniche roads; the Monte Carlo casino and the Cannes film festival. But as Julian Hale reveals in this fascinating volume, there is another Riviera. Above Monaco towers a ruined reminder of Roman power, the Emperor Augustus' Trophy of the Alps. Monuments to Napoleon and Maginot Line forts testify to turbulent times, while statues and gravestones recall the belle Epoque. Churches and chapels along the coast and in the inland villages contain pictorial and architectural treasures from the Brea family during the Renaissance to Picasso and Matisse in the twentieth century. If the Riviera has had its critics--Somerset Maugham famously called it "a sunny place for shady people"--it remains the epitome of glamour. Julian Hale reveals how a piece of rugged inaccessible coastline was transformed into a byword for luxury and hedonism--but always with a special beauty of its own.

The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.

Jonathan Brody Kramnick's book examines the formation of the English canon over the first two-thirds of the eighteenth century. Kramnick details how the idea of literary tradition emerged out of a prolonged engagement with the institutions of cultural modernity, from the public sphere and national identity to capitalism and the print market. Looking at a wide variety of eighteenth-century critical writing, he analyzes the tensions that inhabited the categories of national literature and public culture at the moment of their emergence.

As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.

If, as David Guss argues, culture is a contested terrain with constantly changing contours, then festivals are its battlegrounds, where people come to fight and dispute in large acts of public display. Festive behavior, long seen by anthropologists and folklorists as the "uniform expression of a collective consciousness, is contentious and often subversive," and The Festive State is an eye-opening guide to its workings. Guss investigates "the ideology of tradition," combining four case studies in a radical multisite ethnography to demonstrate how in each instance concepts of race, ethnicity, history, gender, and nationhood are challenged and redefined. In a narrative as colorful as the events themselves, Guss presents the Afro-Venezuelan celebration of San Juan, the "neo-Indian" Day of the Monkey, the mestizo ritual of Tamunangue, and the cultural policies and products of a British multinational tobacco corporation. All these illustrate the remarkable fluidity of festive behavior as well as its importance in articulating different cultural interests.

This collection of thirty-seven entries selected from the more than 550 that make up the International Encyclopedia of Communications focuses on expressive forms and practices that are popular and participatory in nature: folklore forms such as folktale and riddle; cultural performances such as ritual and festival; and popular entertainments such as puppetry and mime. Cross-references within each individual entry facilitate exploration within the volume, while bibliographies appended to each entry direct the reader to related literature. Covering basic concepts, analytical perspectives, communicative media, expressive genres, and complex performance events, this concise yet comprehensive book is a handy reference for those interested in folklore and its growing role in drama, anthropology, and cultural studies.

This book, Jewish Festivals, Festivities and Themes by TOUYZ, displays, celebrates and preserves for posterity a portion of the unique artworks of Louis Touyz. His iconography is a significant novel addition to our Jewish legacy as well an original contribution to the common cultural heritage. Touyz has evolved his own unique vibrant style of painting with acrylics on canvas, using Judaic visual mantras and themes. Not only is Touyz's beautiful artwork commended to the reader but also his insightful commentary on the Jewish themes and his art.