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What if you didn’t have to die to know that heaven exists?And what if that knowledge could get you killed?Following a biking accident on icy Boston streets, grad student Zack Kashian lapses into a coma. When he wakes up on Easter, months later, muttering the Lord’s Prayer in the original Aramaic, the media is set abuzz about the “Miracle Man.” Religious fanatics flock to Zack’s hospital bedside, though he claims to be an atheist.Zack’s revival also catches the attention of Dr. Elizabeth Luria, who heads up a small team of neuroscientists secretly researching near-death experiences (NDE). Their objective: to determine if there is anything to the claims of NDE victims about floating down tunnels into the celestial light and meeting spiritual beings. Is all that evidence of the afterlife? Or is it just neurobiology, as Sarah Wyman, one of Luria’s young researchers suspects.For personal reasons, Luria is desperate to prove the afterlife exists. So are her wealthy, evangelist backers, who can’t wait to announce the greatest discovery in human history: that God exists. A discovery that would at last reconcile science and religion. A discovery that would end the world’s religious strife and unite all humanity.Yet Zack’s experiences are anything but heavenly. While he and Sarah struggle to understand his horrific out-of-body experiences, they have no idea that sinister forces have taken an interest in them. Forces to whom near-death experiences are utter blasphemy—deceptions by Satan himself. They enlist a menacing agent who, in the name of God, will stop at nothing to terminate the project and all involved.

AHHH Silicon ... I hear all the Ge nerds muttering. I can honestly say that with carefully chosen and measured components the actual differences be...

How often have you found yourself rummaging through your bag, muttering, "I know it's here somewhere!"? With the PocketFlex Medium Tricot Knit Pouch, you can bid farewell to such moments. This innovative pouch system, part of Domke's evolutionary line of functional accessories, offers a unique, customizable storage solution for all your indispensable items.Constructed from durable tricot knit, this pouch is designed to withstand the rigors of daily use while providing a soft, protective layer for your items. Its medium size makes it an ideal choice for storing a variety of items, from camera equipment and electronic devices to makeup and other small essentials.The PocketFlex pouch system is not just about storage; it's about organization. It features an ingenious system of movable pockets, patches, and pouches that adhere to all interior surfaces, allowing you to personalize your storage space. This versatile pouch system enhances both interior and exterior accessibility, ensuring your items are always within easy reach.Each pouch comes with hook and loop strips, transforming them into instant, multi-use pockets. Whether you're wrapping items for added protection or creating separate compartments for better organization, these pouches adapt to your needs.In a world where convenience is key, the PocketFlex Medium Tricot Knit Pouch is more than just a storage solution. It's a stylish, versatile accessory that simplifies your life and keeps your essentials organized and protected. Experience the difference with the PocketFlex pouch system.

180 gram vinyl LP pressing, includes digital download. This long-playing record, a thing we made in the midst of communal mess, raising dogs and children. Eyes up and filled with dreadful joy - we aimed for wrong notes that explode, a quiet muttering amplified heavenward. We recorded it all in a burning motorboat. 1. UNDOING A LUCIFERIAN TOWERS - Look at that fucking skyline! Big lazy money writ in dull marble obelisks! Imagine all those buildings much later on, hollowed out and stripped bare of

Vinyl LP pressing. From the rich melodies of Silence originals, "Lemon Iro No cannabis" & "Jewels In Tibet," to their flute-&-power chord-laden version of "Black Is the Color of My True Love's Hair," to the flowing liquid psychdelia of "Triptycon," the guttural cabaret mutterings of CAN's "Tango Whiskeyman" & The frantic, explosive dimensions of "Pesach," The Silence runs through instrumental colors like passing thoughts in the mind, making each one of them music & making an incredible rock albu

The astounding conclusion to Guillaume Prevost's fast-moving, mind-bending time travel trilogy.Sam rescued his father from Dracula's castle, but that doesn't mean their troubles are over. Now Allan Faulkner lies in a coma in the Sainte-Mary hospital, tossing about and muttering aloud about saving Sam's late mother. Sam has no choice but to go back in Time to see her. His inability to control his destination, however, means he journeys to ancient China, Renaissance Rome, and even 2025 -- where he sees his own grave! Can Sam prevent this grisly ending and save his mother once and for all?

With impeccable timing Hercule Poirot, the renowned Belgian detective, makes his dramatic entrance on to the English crime stage. Recently, there had been some strange goings on at Styles St Mary. Evelyn, constant companion to old Mrs Inglethorp, had stormed out of the house muttering something about 'a lot of sharks'. And with her, something indefinable had gone from the atmosphere. Her presence had spelt security; now the air seemed rife with suspicion and impending evil.

Much-loved Calleshire research chemist Derek Tridgell has been ill for some time. On his deathbed, his incessant, but unintelligible mutterings culminate in a very clear cry of foul murder. Detective Inspector Sloan and Detective Constable Crosby are brought in to investigate whether these are just the ramblings of a man at death's door, or a real confession at the final hour. Their enquiries uncover three tragic deaths that may or may not be linked to the deceased's last words: an accidental drowning at a rival chemist manufacturer; an old friend of Derek's killed in a caving expedition whose body was never retrieved; Derek's son Paul walking away unscathed from a fatal car accident that killed one and left others irrevocably injured. With a tight-lipped Paul knowing more than he's letting on, Sloan and Crosby have their work cut out if they're going to untangle this complex case ...

This is the history of the Old Bailey, an institution as flawed as all man-made attempts at justice are doomed to be. In the beginning there was barbarity and injustice. The court was thronged with a restless, muttering mob eager for the verdicts of "guilty" so they could enjoy public executions, hurling abuse and missiles at those with the noose around their neck. Today we fool ourselves that we have evolved beyond barbarism, but are made uneasy by the continuing exposure of miscarriages of justice. The Old Bailey has since seen its usual parade of misfits. With a mixture of racist murderers, road-rage killers, and lying and cheating top politicians, it is as difficult as ever to separate the good from the bad, but the ugly are easily recognisable. Ugliness is the theme here as we tour the courts of long ago, meeting the Dracula-garbed court chaplains, drunken, brutal judges, cold-blooded hangmen, through to the new breed of pseudo-respectable criminals of today.

Vinyl LP pressing. During their three-year existence in the mid-'80s, San Francisco's World Of Pooh manifested all kinds of reverent beauty-moves... interwoven with darker mutterings and visual clews that seemed designed to confound and obfuscate. It wasn't until much later that... listeners... would discover how bipolar the band's actual wobble was... The music of World Of Pooh is some of the definitive American underground pop bastardization created in the latter half of the Twentieth Century

The Writings of Austin Osman Spare is a collection of three books written by the famous artist and occult author. The three books included in this publication are Anathema of Zos: The Sermon to the Hypocrites, The Book of Pleasure: The Psychology of Ecstasy and The Focus of Life: The Mutterings of Aaos. This compilation of three of Spare's most popular works is a must read for those that are fans of his writings and those interested in books on the occult.

Reviews the history of the revisionist movement that denies the truth of the Holocaust, tracing its growth from small mutterings on the lunatic fringe to a theory with a shocking amount of acceptance, and exposing the revisionists as sinister frauds.

Imagine a common movie scene: a hero confronts a villain. Captioning such a moment would at first glance seem as basic as transcribing the dialogue. But consider the choices involved: How do you convey the sarcasm in a comeback? Do you include a henchman’s muttering in the background? Does the villain emit a scream, a grunt, or a howl as he goes down? And how do you note a gunshot without spoiling the scene? These are the choices closed captioners face every day. Captioners must decide whether and how to describe background noises, accents, laughter, musical cues, and even silences. When captioners describe a sound—or choose to ignore it—they are applying their own subjective interpretations to otherwise objective noises, creating meaning that does not necessarily exist in the soundtrack or the script. Reading Sounds looks at closed-captioning as a potent source of meaning in rhetorical analysis. Through nine engrossing chapters, Sean Zdenek demonstrates how the choices captioners make affect the way deaf and hard of hearing viewers experience media. He draws on hundreds of real-life examples, as well as interviews with both professional captioners and regular viewers of closed captioning. Zdenek’s analysis is an engrossing look at how we make the audible visible, one that proves that better standards for closed captioning create a better entertainment experience for all viewers.

Grigory Efimovich Rasputin drinker, thief, womanizer arrived in St. Petersburg in 1903 as if from the medieval past . . . tattered, black-clad, muttering. By the time of his sensational murder thirteen years later, the peasant was the ”beloved Friend” of Czar Nicholas and Empress Alexandra, with a seemingly supernatural power to stop the bleeding attacks of their hemophiliac son, Alexis. How could it have happened? As on society lady of the time asked, How could so pitiful a wretch throw so vast a shadow?”Drawing on confidential police reports, cabinet meeting memos, and many documents only now available, Moynahan sheds new light on Rasputin's life and disputes some of the widely held details of his death. The Washington Post Book World called the book balanced and well-researched” hailed its shrewd analysis of the ways in which Rasputin's manipulative abilities meshed with the emotional needs of isolated, superstitious members of czarist aristocracy. It is an unforgettable portrait of an age as well as of a man.

Imagine a common movie scene: a hero confronts a villain. Captioning such a moment would at first glance seem as basic as transcribing the dialogue. But consider the choices involved: How do you convey the sarcasm in a comeback? Do you include a henchman’s muttering in the background? Does the villain emit a scream, a grunt, or a howl as he goes down? And how do you note a gunshot without spoiling the scene? These are the choices closed captioners face every day. Captioners must decide whether and how to describe background noises, accents, laughter, musical cues, and even silences. When captioners describe a sound—or choose to ignore it—they are applying their own subjective interpretations to otherwise objective noises, creating meaning that does not necessarily exist in the soundtrack or the script. Reading Sounds looks at closed-captioning as a potent source of meaning in rhetorical analysis. Through nine engrossing chapters, Sean Zdenek demonstrates how the choices captioners make affect the way deaf and hard of hearing viewers experience media. He draws on hundreds of real-life examples, as well as interviews with both professional captioners and regular viewers of closed captioning. Zdenek’s analysis is an engrossing look at how we make the audible visible, one that proves that better standards for closed captioning create a better entertainment experience for all viewers.

On a glorious summer’s afternoon, young Alice happens upon a smartly dressed rabbit looking at his watch and muttering, "I’m too late!" This not being an everyday occurence, she follows him down a nearby rabbit hole and falls into Wonderland. Lewis Carroll’s timeless children’s stories are magically brought to life in this new adaptation by Adrian Mitchell.

When Alice sees a white rabbit muttering, “I’m late!” as he races by, she follows him down the rabbit hole, and a grand adventure begins. This beautifully detailed edition of the classic story is closely adapted from Lewis Carroll’s original text, and it features all the characters familiar to viewers of the Disney animated film. Appropriate for both children and adults, Alice's Adventures in Wonderland is distinguished by the luminous artwork of Greg Hildebrandt.