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The Nablus 1968 Hoard is the largest late Persian/early Hellenistic period coin and jewelry hoard recorded from the southern Levant and the largest known hoarded assemblage of Samarian coins. This study provides a detailed catalogue of all the coins and pieces of jewelry the authors managed to record. In addition, the authors discuss the hoard and its context, its burial date, a synopsis of the history and archaeology of the Persian period province of Samaria, a discussion on the hoard’s Phoenician, Samarian, Athenian-styled, Philistian, and Yehud coins, Athenian tetradrachms and the few overseas Greek and Cypriot issues belonging to the hoard. The commentary chapter is followed by detailed archaeometallurgical studies on selected Samarian and Athenian-style coins and selected pieces of jewelry. There are also appendixes There are also two appendixes, one presenting a method for determining dies links and the second offering a glossary of relevant terms. The hoard’s composition reflects the monetary circulation of the late fourth and early third centuries BCE southern Levant.

The last Palestinian zoo stands on a dusty, dead-end street in the once prosperous farming town of Qalqilya, on the very edge of the West Bank. The zoo's bars are rusting; peacocks wander quiet avenues shaded by broad plane trees; a teenage baboon broods in solitary confinement; walls bear the pockmarks of gunfire. And yet the zoo is an extraordinary place, with a bizarre, troubling and inspiring story to tell. At the center of this story is Dr. Sami Khader, the only zoo veterinarian in the Palestinian territories. Family man, amateur inventor, and dedicated taxidermist, he is fiercely independent, apolitical, and resourceful in times of crisis. Dr. Sami dreams of transforming the zoo into one of an international caliber. In The Zoo on the Road to Nablus, Amelia Thomas brings the reader into a world rarely glimpsed from the outside, weaving the stories of the zoo's animals, its staff, and its visitors into a rich, colorful chronicle of the indomitability of the human—and animal—spirit.

Drawing on previously unused primary sources, this book paints an intimate and vivid portrait of Palestinian society on the eve of modernity. Through the voices of merchants, peasants, and Ottoman officials, Beshara Doumani offers a major revision of standard interpretations of Ottoman history by investigating the ways in which urban-rural dynamics in a provincial setting appropriated and gave meaning to the larger forces of Ottoman rule and European economic expansion. He traces the relationship between culture, politics, and economic change by looking at how merchant families constructed trade networks and cultivated political power, and by showing how peasants defined their identity and formulated their notions of justice and political authority.Original and accessible, this study challenges nationalist constructions of history and provides a context for understanding the Palestinian-Israeli conflict. It is also the first comprehensive work on the Nablus region, Palestine's trade, manufacturing, and agricultural heartland, and a bastion of local autonomy. Doumani rediscovers Palestine by writing the inhabitants of this ancient land into history.

Drawing on previously unused primary sources, this book paints an intimate and vivid portrait of Palestinian society on the eve of modernity. Through the voices of merchants, peasants, and Ottoman officials, Beshara Doumani offers a major revision of standard interpretations of Ottoman history by investigating the ways in which urban-rural dynamics in a provincial setting appropriated and gave meaning to the larger forces of Ottoman rule and European economic expansion. He traces the relationship between culture, politics, and economic change by looking at how merchant families constructed trade networks and cultivated political power, and by showing how peasants defined their identity and formulated their notions of justice and political authority.Original and accessible, this study challenges nationalist constructions of history and provides a context for understanding the Palestinian-Israeli conflict. It is also the first comprehensive work on the Nablus region, Palestine's trade, manufacturing, and agricultural heartland, and a bastion of local autonomy. Doumani rediscovers Palestine by writing the inhabitants of this ancient land into history.

Go on a pilgrimage to the sites of Christ's birth and burial, stroll through Nablus' bustling souk and follow with a relaxing soak and smoke in the city's traditional hammams, or visit cosmopolitan Ramallah and its international arts centre. Bradt's Palestine is for independent travelers who want to see beyond the conflict-focused reporting of the area and ethnic and religious stereotypes. The only mainstream guide dedicated solely to Palestine, it offers unparalleled detail on Palestinian culture, cuisine, wildlife, environment, history, and politics. The 'Palestinian Territories' of the West Bank and Gaza are featured along with the culturally Palestinian (Israeli Arab) enclaves found within Israel.  

This volume presents the stratigraphy and architectural remains of the tell of ancient (biblical) Shechem on the eastern outskirts of the modern municipality of Nablus, in what was at the time of excavation the independent village of Balatah. First identified as an ancient ruin and proposed as ancient Shechem in 1903, the site was excavated by an Austro-German team in the period between 1913 and 1934, and by the Drew-McCormick Archaeological Expedition, later named the Joint Expedition, between 1956 and 1973. Now, 87 years after Ernest Sellin began the dig, and 27 years after the expedition mounted by G. Ernest Wright left the field, this volume sets out to give that sort of portrayal to this mound of ancient cities that began its history at least 4000 years BCE and ended its premodern history in 107 BCE.

Winner of the R.B.Y. Scott Award from the Canadian Society of Biblical StudiesEven in antiquity, writers were intrigued by the origins of the people called Samaritans, living in the region of ancient Samaria (near modern Nablus). The Samaritans practiced a religion almost identical to Judaism and shared a common set of scriptures. Yet the Samaritans and Jews had little to do with each other. In a famous New Testament passage about an encounter between Jesus and a Samaritan woman, the author writes, "Jews do not share things in common with Samaritans." The Samaritans claimed to be descendants of the northern tribes of Joseph. Classical Jewish writers said, however, that they were either of foreign origin or the product of intermarriages between the few remaining northern Israelites and polytheistic foreign settlers. Some modern scholars have accepted one or the other of these ancient theories. Others have avidly debated the time and context in which the two groups split apart. Covering over a thousand years of history, this book makes an important contribution to the fields of Jewish studies, biblical studies, ancient Near Eastern studies, Samaritan studies, and early Christian history by challenging the oppositional paradigm that has traditionally characterized the historical relations between Jews and Samaritans.

A bold and singular collection of six plays by Arab and Jewish playwrights explores the human toll of the Israeli-Palestinian conflict: The Admission by Motti Lerner, Scenes From 70* Years by Hannah Khalil, Tennis in Nablus by Ismail Khalidi, Urge for Going by Mona Mansour, The Victims by Ken Kaissar, and The Zionists by Zohar Tirosh-Polk. Rather than striving to achieve balance and moral equivalency between "competing" narratives, the plays investigate themes of identity, justice, occupation, exile, history and homeland with honesty and integrity. The plays do not "take sides" or adhere to ideological orthodoxies but challenge tribalism and narrow definitions of nationalism, while varying widely in thematic content, dramatic structure, and time and place. Where politicians and diplomats fail, artists and storytellers may yet succeed--not in ratifying a peace treaty between Israel and Palestine, but in building the sort of social and political connectivity that enables resolution.

This volume presents the stratigraphy and architectural remains of the tell of ancient (biblical) Shechem on the eastern outskirts of the modern municipality of Nablus, in what was at the time of excavation the independent village of Balatah. First identified as an ancient ruin and proposed as ancient Shechem in 1903, the site was excavated by an Austro-German team in the period between 1913 and 1934, and by the Drew-McCormick Archaeological Expedition, later named the Joint Expedition, between 1956 and 1973. Now, 87 years after Ernest Sellin began the dig, and 27 years after the expedition mounted by G. Ernest Wright left the field, this volume sets out to give that sort of portrayal to this mound of ancient cities that began its history at least 4000 years BCE and ended its premodern history in 107 BCE.

Winner of the R.B.Y. Scott Award from the Canadian Society of Biblical StudiesEven in antiquity, writers were intrigued by the origins of the people called Samaritans, living in the region of ancient Samaria (near modern Nablus). The Samaritans practiced a religion almost identical to Judaism and shared a common set of scriptures. Yet the Samaritans and Jews had little to do with each other. In a famous New Testament passage about an encounter between Jesus and a Samaritan woman, the author writes, "Jews do not share things in common with Samaritans." The Samaritans claimed to be descendants of the northern tribes of Joseph. Classical Jewish writers said, however, that they were either of foreign origin or the product of intermarriages between the few remaining northern Israelites and polytheistic foreign settlers. Some modern scholars have accepted one or the other of these ancient theories. Others have avidly debated the time and context in which the two groups split apart. Covering over a thousand years of history, this book makes an important contribution to the fields of Jewish studies, biblical studies, ancient Near Eastern studies, Samaritan studies, and early Christian history by challenging the oppositional paradigm that has traditionally characterized the historical relations between Jews and Samaritans.

For the past four years, photographer Gillian Laub has worked in Israel and Palestine, producing portraits of the inhabitants of Jerusalem, Haifa, Tel Aviv, Ramallah, Nablus and other locations in the region. This volume contains 50 of her portraits of Israeli Jews, Israeli Arabs, displaced Lebanese families and Palestinians--each personally affected by the geopolitical context in which they live, and each unveiling one more essential element in the puzzle of peace for the Middle East. In some of Laub's photographs, the traces of conflict are immediately observable--teenage boys without limbs; a young woman enveloped in scar tissue and a burn-recovery suit. Others are seemingly free from the disfigurements of violence. Yet in the interviews that accompany each portrait, a common thread of survival is revealed. Resilience, pride, defiance, vulnerability--and most astonishing of all, optimism--emerge from one statement to the next. The esteemed author, journalist and policy analyst, David Rieff, has said of Laub's work, "To consider [these] images is to be reminded not just of human cruelty and human stupidity but also of human tenacity." Two essays, one by the Palestinian-Israeli civil rights lawyer Raef Zreik, and one by the distinguished Israeli author Ariella Azoulay, underline the complexity of the work and the dialogue that Laub intends it to spark.

Winner of the R.B.Y. Scott Award from the Canadian Society of Biblical StudiesEven in antiquity, writers were intrigued by the origins of the people called Samaritans, living in the region of ancient Samaria (near modern Nablus). The Samaritans practiced a religion almost identical to Judaism and shared a common set of scriptures. Yet the Samaritans and Jews had little to do with each other. In a famous New Testament passage about an encounter between Jesus and a Samaritan woman, the author writes, "Jews do not share things in common with Samaritans." The Samaritans claimed to be descendants of the northern tribes of Joseph. Classical Jewish writers said, however, that they were either of foreign origin or the product of intermarriages between the few remaining northern Israelites and polytheistic foreign settlers. Some modern scholars have accepted one or the other of these ancient theories. Others have avidly debated the time and context in which the two groups split apart. Covering over a thousand years of history, this book makes an important contribution to the fields of Jewish studies, biblical studies, ancient Near Eastern studies, Samaritan studies, and early Christian history by challenging the oppositional paradigm that has traditionally characterized the historical relations between Jews and Samaritans.

In Bab Al-Saha, a quarter of Nablus, Palestine, sits a house of ill repute. In it lives Nuzha, a young woman ostracized from and shamed by her community. When the Intifada breaks out, Nuzha’s abode unexpectedly becomes a sanctuary for those in the quarter: Hussam, an injured resistance fighter; Samar, a university researcher exploring the impact of the Intifada on women’s lives; and Sitt Zakia, the pious midwife.   In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity—both among the reluctant residents of the house and the inhabitants of the quarter at large—will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.  

Winner of the R.B.Y. Scott Award from the Canadian Society of Biblical StudiesEven in antiquity, writers were intrigued by the origins of the people called Samaritans, living in the region of ancient Samaria (near modern Nablus). The Samaritans practiced a religion almost identical to Judaism and shared a common set of scriptures. Yet the Samaritans and Jews had little to do with each other. In a famous New Testament passage about an encounter between Jesus and a Samaritan woman, the author writes, "Jews do not share things in common with Samaritans." The Samaritans claimed to be descendants of the northern tribes of Joseph. Classical Jewish writers said, however, that they were either of foreign origin or the product of intermarriages between the few remaining northern Israelites and polytheistic foreign settlers. Some modern scholars have accepted one or the other of these ancient theories. Others have avidly debated the time and context in which the two groups split apart. Covering over a thousand years of history, this book makes an important contribution to the fields of Jewish studies, biblical studies, ancient Near Eastern studies, Samaritan studies, and early Christian history by challenging the oppositional paradigm that has traditionally characterized the historical relations between Jews and Samaritans.

A bold and singular collection of six plays by Arab and Jewish playwrights explores the human toll of the Israeli-Palestinian conflict: The Admission by Motti Lerner, Scenes From 70* Years by Hannah Khalil, Tennis in Nablus by Ismail Khalidi, Urge for Going by Mona Mansour, The Victims by Ken Kaissar, and The Zionists by Zohar Tirosh-Polk. Rather than striving to achieve balance and moral equivalency between "competing" narratives, the plays investigate themes of identity, justice, occupation, exile, history and homeland with honesty and integrity. The plays do not "take sides" or adhere to ideological orthodoxies but challenge tribalism and narrow definitions of nationalism, while varying widely in thematic content, dramatic structure, and time and place. Where politicians and diplomats fail, artists and storytellers may yet succeed--not in ratifying a peace treaty between Israel and Palestine, but in building the sort of social and political connectivity that enables resolution.

For the past four years, photographer Gillian Laub has worked in Israel and Palestine, producing portraits of the inhabitants of Jerusalem, Haifa, Tel Aviv, Ramallah, Nablus and other locations in the region. This volume contains 50 of her portraits of Israeli Jews, Israeli Arabs, displaced Lebanese families and Palestinians--each personally affected by the geopolitical context in which they live, and each unveiling one more essential element in the puzzle of peace for the Middle East. In some of Laub's photographs, the traces of conflict are immediately observable--teenage boys without limbs; a young woman enveloped in scar tissue and a burn-recovery suit. Others are seemingly free from the disfigurements of violence. Yet in the interviews that accompany each portrait, a common thread of survival is revealed. Resilience, pride, defiance, vulnerability--and most astonishing of all, optimism--emerge from one statement to the next. The esteemed author, journalist and policy analyst, David Rieff, has said of Laub's work, "To consider [these] images is to be reminded not just of human cruelty and human stupidity but also of human tenacity." Two essays, one by the Palestinian-Israeli civil rights lawyer Raef Zreik, and one by the distinguished Israeli author Ariella Azoulay, underline the complexity of the work and the dialogue that Laub intends it to spark.