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* 130 black-and-white illustrations * A reference to more than 660 terms from climbers and mountaineers* Perfect stocking stuffer!In this hilarious yet authoritative illustrated lexicon of climbing terms and slang, former Climbing Editor-in-Chief Matt Samet has compiled a reference of more than 650 terms used by climbers and mountaineers around the world.The Climbing Dictionary runs the gamut from technical terms (belay, harness, rappel, Stopper) to slang (dab, choking the cobra, gaston, old dad, pimpy), to regional (such as the South's "baby-butt" slopers), antiquated ("press-up"), and foreign terms that have achieved universal usage (au cheval, colonnette) and much more.Each word's definition includes its part of speech, origin (if known), its meaning, and a humorous but factually sound example sentence to demonstrate usage. Throughout the dictionary, Mike Tea's illustrations -- both technical and humorous -- help explain harder-to-define terms such as piton, sling, cam, hand jam, or drop-knee.Sure to become the reference -- or even the sicktionary -- for novice climbers and expert mountaineers alike.Are you obsessed with "climbing-ese"? Know a term, back-story, or phrase that didn't make the book? Connect with Matt on climbingterms.com and check out newly submitted terms, submit your very own, and stay up to date on all things the Climbing Dictionary. While you're at it, be sure and"like" the Climbing Dictionary on Facebook, and follow Matt on Twitter.

Previously un-issued recordings from the Porn Art Movement (1980-1982), including five performances recorded live on Ipanema Beach in 1982, as well as a selection of previously unheard studio recordings of Eduardo Kac yell-poems. Kac fused existing coarse and curse words with parts of words, neologisms, salacious buffoonery, the anti-normative scribblings of toilet-wall graffiti, commonplaces, blasphemy, expletives, agrammatisms, incorrect orthography, slangy expressions, lexical exorbitance, ge

Sasha Sokolov is one of few writers to have been praised by Vladimir Nabokov, who called his first novel, A School for Fools, "an enchanting, tragic, and touching book." Sokolov's second novel, Between Dog and Wolf, written in 1980, has long intimidated translators because of its complex puns, rhymes, and neologisms. Language rather than plot motivates the story―the novel is often compared to James Joyce's Finnegans Wake―and time, characters, and death all prove unstable. The one constant is the Russian landscape, where the Volga is a more-crossable River Styx, especially when it freezes in winter. Sokolov's fiction has hugely influenced contemporary Russian writers. Now, thanks to Alexander Boguslawski's bold and superb translation, English readers can access what many consider to be his best work.

Poetry. In NIGHT SCENES, the fourth book from best-selling poet Lisa Jarnot, we are returned to the "first melody" through mock archaisms, neologisms, rollicking rhymes, and childlike delight. Her circling lyrics sing the pleasure of naming itself, with pastoral dreams occasionally giving way to waking life in Brooklyn. Like William Blake's songs, NIGHT SCENES privileges wonder over reason in a triumph of the imagination: "Be jumpy / or unhinged / with joy / enlightened / fry cakes / Staten hoy."

The writing of science in the period 1580-1700 is artfully, diffidently, carelessly, boldly, and above all self-consciously literary. The Poetics of Scientific Investigation in Seventeenth-Century English Literature considers the literary textures of science writing--its rhetorical figures, neologisms, its uses of parody, romance, and various kinds of verse. The experimental and social practices of science are examined through literary representations of the laboratory, of collaborative retirement, of virtual, epistolary conversation, and of an imagined paradise of investigative fellowship and learning. Claire Preston argues that the rhetorical, generic, and formal qualities of scientific writing are also the intellectual processes of early-modern science itself. How was science to be written in this period? That question, which piqued natural philosophers who were searching for apt conventions of scientific language and report, was initially resolved by the humanist rhetorical and generic skills in which they were already highly trained. At the same time non-scientific writers, enthralled by the developments of science, were quick to deploy ideas and images from astronomy, optics, chemistry, biology, and medical practices. Practicing scientists and inspired laymen or quasi-scientists produced new, adjusted, or hybrid literary forms, often collapsing the distinction between the factual and the imaginative, between the rhetorically ornate and the plain. Early-modern science and its literary vehicles are frequently indistinguishable, scientific practice and scientific expression mutually involved. Among the major writers discussed are Montaigne, Bacon, Donne, Browne, Lovelace, Boyle, Sprat, Oldenburg, Evelyn, Cowley, and Dryden.

Poetry. Art. Poems by James Wagner; paintings by Bracha L. Ettinger. Includes 17 pages of full-color artwork. Eight years after James Wagner's TRILCE (Calamari Press), a work of surreal and disjointed loops, neologisms, and disarming sparks, comes THROWN: sixty-six lyrical, emotive, and elusive poems written within the otherly atmospheres of eleven paintings by Bracha L. Ettinger. THROWN is, on the surface, an ekphrastic encounter between the art of one of the most spiritually and psychologically penetrating minds of the present, and a poet who has moved fearlessly into the destabilizing realms of certainty and identity, while enveloped in the multi- contextual slippages of sense-making. Beyond the surface, we are in the fray and the frayed, into a world where the "saying so" and the proof of the "saying so" are one and the same. "Ettinger and Wagner together reverberate Being, isolated before fate. What strikes me irresistibly is the appearance of the Thing-in-itself, whirling around inside the work, mercurially noumenous."—Lissa Wolsak "In this terse, elegant collection of poems, James Wagner attends to the act of experiencing in the unfinished impermanence of understanding and explores the unstable grounds of affective experience. Like Bracha Ettinger's layered images, which potently suggest a thickening of sense while blurring and sometimes canceling object representation, Wagner presents us with enigmatic constructs of thought, affective and analytical thought-decreations delicately positioned at the edge of sense."—Carla Billitteri

With a language disappearing every two weeks and neologisms springing up almost daily, an understanding of the origins and currency of language has never seemed more relevant. In this charming volume, a narrative history written explicitly for a young audience, expert linguist David Crystal proves why the story of language deserves retelling.From the first words of an infant to the peculiar modern dialect of text messaging, A Little Book of Language ranges widely, revealing language’s myriad intricacies and quirks. In animated fashion, Crystal sheds light on the development of unique linguistic styles, the origins of obscure accents, and the search for the first written word. He discusses the plight of endangered languages, as well as successful cases of linguistic revitalization. Much more than a history, Crystal’s work looks forward to the future of language, exploring the effect of technology on our day-to-day reading, writing, and speech. Through enlightening tables, diagrams, and quizzes, as well as Crystal’s avuncular and entertaining style, A Little Book of Language will reveal the story of language to be a captivating tale for all ages.

An updated edition of a useful, entertaining guide to picking the right words (and avoiding the wrong ones). Which is preferred - nom de plume, pseudonym, or pen name? What are neologisms, disguised conjunctions, and fused participles? Language enters into almost every part of human life and yet it is all too often misused: directness and clarity disappear in a whirl of clichés, euphemisms, and wooliness of expression. Janet Whitcut has revised Eric Partridge's popular reference book to reflect the language of well-informed writers, readers, and speakers today. She has also added a section to the book entitled "Vogue Words," which includes words that have acquired a new power and influence.

This German neologism for the ­magazine report from the domestic world of celebrities encapsulates the feeling of participation in their ­private lives. It is an extremely apt title for the project initiated in Spring 2013 in the former Literaturhaus at No. 102 ­Bockenheimer Landstraße here, too, there is a focus upon tales from a domestic milieu and participation in a global cultural exchange under the auspices of constants such as origin, homeland and home. The former Literaturhaus at one time the home and villa of the Sondheimer family who fled from the Nazis was purchased by the KfW banking group in 2012 and used by the KfW Foundation before its conversion into a multi-purpose amenity. Students from the Städelschule in Frankfurt and stipend-holders from the Künstlerhaus Bethanien in Berlin started the ball rolling with works partially ­developed on site, culminating in the opening on 13 March as an ­exhibition with a reading by Raj Kamal Jha from his novel »The Blue Bedspread«. This was followed up on 28 March by a symposium entitled »In Transit. Artists ­Travelling in the Globalised ­Present«. This book provides a rounded account of these many activities ahead of the building s refurbishment and inauguration as the official seat of the KfW ­Foundation. Alongside photographs of the installations and essays from the symposium on the individual development of artists and institu­tions in the wake of globalisation, the book also contains a fourteen-part photographic series by ­Laurenz Berges who captures the condition of the villa in a number of strictly documentary images, ­taking stock of the building in ­minute detail.

The writing of science in the period 1580-1700 is artfully, diffidently, carelessly, boldly, and above all self-consciously literary. The Poetics of Scientific Investigation in Seventeenth-Century English Literature considers the literary textures of science writing--its rhetorical figures, neologisms, its uses of parody, romance, and various kinds of verse. The experimental and social practices of science are examined through literary representations of the laboratory, of collaborative retirement, of virtual, epistolary conversation, and of an imagined paradise of investigative fellowship and learning. Claire Preston argues that the rhetorical, generic, and formal qualities of scientific writing are also the intellectual processes of early-modern science itself. How was science to be written in this period? That question, which piqued natural philosophers who were searching for apt conventions of scientific language and report, was initially resolved by the humanist rhetorical and generic skills in which they were already highly trained. At the same time non-scientific writers, enthralled by the developments of science, were quick to deploy ideas and images from astronomy, optics, chemistry, biology, and medical practices. Practicing scientists and inspired laymen or quasi-scientists produced new, adjusted, or hybrid literary forms, often collapsing the distinction between the factual and the imaginative, between the rhetorically ornate and the plain. Early-modern science and its literary vehicles are frequently indistinguishable, scientific practice and scientific expression mutually involved. Among the major writers discussed are Montaigne, Bacon, Donne, Browne, Lovelace, Boyle, Sprat, Oldenburg, Evelyn, Cowley, and Dryden.

Sasha Sokolov is one of few writers to have been praised by Vladimir Nabokov, who called his first novel, A School for Fools, "an enchanting, tragic, and touching book." Sokolov's second novel, Between Dog and Wolf, written in 1980, has long intimidated translators because of its complex puns, rhymes, and neologisms. Language rather than plot motivates the story―the novel is often compared to James Joyce's Finnegans Wake―and time, characters, and death all prove unstable. The one constant is the Russian landscape, where the Volga is a more-crossable River Styx, especially when it freezes in winter. Sokolov's fiction has hugely influenced contemporary Russian writers. Now, thanks to Alexander Boguslawski's bold and superb translation, English readers can access what many consider to be his best work.

This charming and whimsically illustrated book of newly minted words—on politics and the media, love and friendship, work, play, family, fashion, and city life—is “a lexicon of witty neologisms for the modern age” (Vanity Fair).You are a typical citizen of the young millennium, caught up in the fast-paced megatasking socio-professional whirl of our ever-evolving digitally enhanced lives. If you’ve ever wondered what to call it when you answer the TV remote instead of the phone, or wished you had a phrase to capture your supervisor’s stealth campaign to stall your career, here is your guide. Now you can say “Oops, droidian slip!” with ease, and call out your boss for the impedimentor that he is. Armed with Wordbirds, you will be able to skillfully talk your way into—or out of—any situation the twenty-first century throws at you. With 150 gorgeous, highly expressive bird illustrations, these neologisms will have you crowing with delight, and show you that fine feathers make fine words. (Not to mention give new meaning to the term “tweeting.”) A perfect gift book, Wordbirds is “literary catnip for bird lovers who also find themselves fascinated—or annoyed—by the quirks of modern life” (The New York Times Book Review).

American Speech, the journal of the American Dialect Society has for fifty years included a regular collection of neologisms called "Among the New Words." A recent issue, for example, includes four quotations for "date rape," two for "designated driver," and six for "DNA fingerprinting," "intifada," and other current terms. Complete documentation is given for all citations, which are fuller than those given in most dictionaries and both British and American sources have been consulted. At the time these terms appeared in "Among the New Words," they appeared in none of the major dictionaries. A survey of "Among the New Words" can therefore reveal much about the origin and early use of these expressions and the social climate in which they prospered. Now for the first time, this valuable resource will be available in one volume. The original articles themselves are reproduced and John Algeo has prepared a complete index, with glossary, to every word and expression included in the 113 installments of "Among the New Words." In addition, he has written several introductory essays exploring both the linguistic and social implications of new words as revealed in this collection. No other collection of new words has been so systematically compiled over such a long period, demonstrating changing word patterns and social norms over five decades. None has been prepared with such thorough and accurate documentation. It is a unique repository of language use from 1941-1991. John Algeo currently co-edits "Among the New Words."

Noumenautics traverses the mindscape of metaphysics, nihilism and psychedelic phenomenology. It navigates through subjects such as the sentience of cells, the constrictions of consciousness, the metaphysics of might, the magic of mushrooms, the narcotics of Nietzsche, and the neologism of net-nihilism - the last of which may itself cause flashbacks. Tracing the fall of western morality through Kant, Schopenhauer and Nietzsche, the book descends deeper still into a metaphysics further upheld by Henri Bergson and Alfred North Whitehead. This collection of essays and notes provides a most idea-provoking, educational, and original piece of literature for the thoughtful lay-reader and specialist alike. Contents: I. Philosophy and Psychedelic Phenomenology II. Myco-Metaphysics: a Philosopher on Magic Mushrooms III. Psychedelics and Empiricism IV. Bergson and Psychedelic Consciousness V. Vertexes of Sentience: Whitehead and Psychedelic Phenomenology VI. Antichrist Psychonaut: Nietzsche and Psychedelics VII. Neo-Nihilism: the Philosophy of Power VIII. The Teutonic Shift from Christian Morality: Kant Schopenhauer Nietzsche IX. Schopenhauer and the Mind X. The Will to Power

Relihan uses alliteration and assonance, rhythm and rhyme, the occasional archaism, the rare neologism, and devices of punctuation and typography, to create a sparkling, luxurious, and readable translation that reproduces something of the linguistic and comic effects of the original Latin. The general Introduction is a masterpiece of clarity, orienting the reader in matters of authorship, narration, genre, religion, structure and style. A generous and browsable index, select bibliography, and maps are included.

This collection of 35 essays, tracts, rants, posters, court transcripts, x-rated neologisms, belles lettres, and theoretical papers covers everything from “The Last International” to “The Abolition of Work,” and is sure to offend, inflame, and inspire almost any reader, often at the same time.