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Focusing primarily on the work of Samuel Beckett, Toni Morrison, Wole Soyinka, and J. M. Coetzee, Ato Quayson launches a thoroughly cross-cultural, interdisciplinary study of the representation of physical disability. Quayson suggests that the subliminal unease and moral panic invoked by the disabled is refracted within the structures of literature and literary discourse itself, a crisis he terms "aesthetic nervousness." The disabled reminds the able-bodied that the body is provisional and temporary and that normality is wrapped up in certain social frameworks. Quayson expands his argument by turning to Greek and Yoruba writings, African American and postcolonial literature, depictions of deformed characters in early modern England and the plays of Shakespeare, and children's films, among other texts. He considers how disability affects interpersonal relationships and forces the character and the reader to take an ethical standpoint, much like representations of violence, pain, and the sacred. The disabled are also used to represent social suffering, inadvertently obscuring their true hardships.

Focusing primarily on the work of Samuel Beckett, Toni Morrison, Wole Soyinka, and J. M. Coetzee, Ato Quayson launches a thoroughly cross-cultural, interdisciplinary study of the representation of physical disability. Quayson suggests that the subliminal unease and moral panic invoked by the disabled is refracted within the structures of literature and literary discourse itself, a crisis he terms "aesthetic nervousness." The disabled reminds the able-bodied that the body is provisional and temporary and that normality is wrapped up in certain social frameworks. Quayson expands his argument by turning to Greek and Yoruba writings, African American and postcolonial literature, depictions of deformed characters in early modern England and the plays of Shakespeare, and children's films, among other texts. He considers how disability affects interpersonal relationships and forces the character and the reader to take an ethical standpoint, much like representations of violence, pain, and the sacred. The disabled are also used to represent social suffering, inadvertently obscuring their true hardships.

Written with the everyday rider in mind, this book has been expanded to include the views of experts. Includes Yogi Breisner discussing nervousness in jumping, Leonie Marshall examining problems in dressage, and features confidence building by Monty Roberts, as well as horses and riders in everyday situations, such as episodes of nervousness in traffic.

Cult of the Will is the first comprehensive study of modernity’s preoccupation with willpower. From Nietzsche’s “will to power” to the fantasy of a “triumph of the will” under Nazism, the will—its pathologies and potential cures—was a topic of urgent debates in European modernity. In this study, Michael Cowan examines the emergence of “will therapy” and its impact on arts and culture in Germany after 1900. The book’s five chapters lead readers through cross sections of modern German cultural history, including not only literature and aesthetics but also medicine, economics, body culture, and pedagogy. Modernity’s fixation on willpower helped prepare the way for fascism, but this trajectory is not Cowan’s main concern. His focus falls rather on more widespread “technologies of the self” and their role in the effort to reimagine agency for a modern subject caught up in increasingly complex systemic networks.

An enthralling, emotional memoir that recounts the ups and downs of coming-of-age, set against the music and literature of the 1970s.Raised in a small town in the north of England known primarily for its cotton mills, football team, and its deep roots in the “Respectable Working Class,” Graham Caveney armed himself against the confusing nature of adolescence with a thick accent, a copy of Kafka, and a record collection including the likes of the Buzzcocks and Joy Division. All three provided him the opportunity to escape, even if just in mind, beyond his small-town borders. But, when those passions are noticed and preyed upon by a mentor, everything changes. Now, as an adult, Caveney attempts to reconcile his past and present, coming to grips with both the challenges and wonder of adolescence, music, and literature. By turns angry, despairing, beautifully written, shockingly funny, and ultimately redemptive, The Boy with Perpetual Nervousness is a tribute to the power of the arts—and a startling, original memoir that “feels as if it had to be written, and demands to be read” (The Guardian UK).

s much about "speaking in public" as it is about "public speaking, " Talking with Confidence for the Painfully Shy can help even the most shy person speak up and speak out in any business or social situation.

Cult of the Will is the first comprehensive study of modernity’s preoccupation with willpower. From Nietzsche’s “will to power” to the fantasy of a “triumph of the will” under Nazism, the will—its pathologies and potential cures—was a topic of urgent debates in European modernity. In this study, Michael Cowan examines the emergence of “will therapy” and its impact on arts and culture in Germany after 1900. The book’s five chapters lead readers through cross sections of modern German cultural history, including not only literature and aesthetics but also medicine, economics, body culture, and pedagogy. Modernity’s fixation on willpower helped prepare the way for fascism, but this trajectory is not Cowan’s main concern. His focus falls rather on more widespread “technologies of the self” and their role in the effort to reimagine agency for a modern subject caught up in increasingly complex systemic networks.

s much about "speaking in public" as it is about "public speaking, " Talking with Confidence for the Painfully Shy can help even the most shy person speak up and speak out in any business or social situation.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.27

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Have a good dream with this comfortable weighted blanket. This weighted blanket simulates a gentle hug which wraps around you, offering a comfortable sleeping experience to effectively reduce nervousness. And 2 removable duvet covers with hidden zipper and 8 strings to tie with loops on weighted blanket to keep it in place and can be used in 4 seasons. Made of high quality fabric with cozy glueless cotton and odorless glass beads, this heavy blanket is breathable and odorless. And the advanced sewing technology makes the blanket more durable to prevent the glass beads from leaking. We suggest that the weighted blanket you ordered should be 10% of your weight. Color: Pink.

In this compelling book the author contends that social equity--specifically racial equity--is a nervous area of government. Over the course of history, this nervousness has stifled many individuals and organizations, thus leading to an inability to seriously advance the reduction of racial inequities in government. The author asserts that until this nervousness is effectively managed, public administration social equity efforts designed to reduce racial inequities cannot realize their full potential.

The Inner Game of tennis is that which takes place in our mind, played against such elusive opponents as nervousness, self-doubt and lapses of concentration. It is a game played by our mind against its own bad habits. Replacing one pattern of behaviour with a new, more positive one is the purpose of the "Inner Game". Peak performance at tennis, like any sport, only comes when our mind is so focused that it is still and at one with what our body is doing. The key to the "Inner Game" and better tennis is achieving this state of relaxed concentration so that we are playing "out of our mind" and therefore no worrying about how, when or where to hit the ball. In The Inner Game of Tennis, Tim Gallwey, a professional player and instructor who has produced dramatic results among the amateurs and pros he has trained, explores how to overcome mental obstacles, improve concentration and reduce anxiety for better performance at every level. There is no physical reason why any of us should not more consistently serve aces or hit perfect returns. The Inner Games approach makes all the difference.

When 86-year-old pianist and teacher Seymour Bernstein met Ethan Hawke, international film star, at a dinner party, the two quickly discovered they shared a common malady: stage fright. Based on his familiarity with nervousness prior to concerts, Seymour was able to provide Ethan with invaluable insight and advice. That was the beginning of a deep friendship. Renowned spiritual scholar and activist Andrew Harvey was a fellow dinner guest that auspicious night and contributed to the decision to create a documentary about Seymour exploring his unique combination of accomplished musician, teacher, and seasoned elder. The film, Seymour: An Introduction, directed by Ethan Hawke, has received enthusiastic critical acclaim. Seymour and Andrew’s friendship has continued to thrive with a shared curiosity and appreciation for the intersection of life and art. The trusting conversations captured in this book meld memory with philosophy, and observations with reflections, dissolving the line between teacher and pupil. With equal parts candor and generosity, Seymour and Andrew offer a master class in playing life with our fullest, most gracious selves.

The Inner Game of tennis is that which takes place in our mind, played against such elusive opponents as nervousness, self-doubt and lapses of concentration. It is a game played by our mind against its own bad habits. Replacing one pattern of behaviour with a new, more positive one is the purpose of the "Inner Game". Peak performance at tennis, like any sport, only comes when our mind is so focused that it is still and at one with what our body is doing. The key to the "Inner Game" and better tennis is achieving this state of relaxed concentration so that we are playing "out of our mind" and therefore no worrying about how, when or where to hit the ball. In The Inner Game of Tennis, Tim Gallwey, a professional player and instructor who has produced dramatic results among the amateurs and pros he has trained, explores how to overcome mental obstacles, improve concentration and reduce anxiety for better performance at every level. There is no physical reason why any of us should not more consistently serve aces or hit perfect returns. The Inner Games approach makes all the difference.

“Mind Over Mutter: 199 Practical Tips for Giving Great Presentations” is a gold mine of information for anyone who gives presentations. The tips are simple, direct, and easy to apply. You will find help on topics ranging from preparing presentation content to handing the nervousness caused by public speaking. And the tips are truly practical and drawn from real-life experiences. Using the table of contents or the index, you can quickly find any topic of interest related to presentations. Simple checklists are also provided to help you plan a presentation, critique your visual aids, or evaluate a presentation by you or a colleague. This book is an ideal reference for speakers and trainers and a convenient pocket guide for any professional who needs some quick tips to buff up a presentation. Mind Over Mutter has been used by large and small organizations in fields such as public power generation, pharmaceuticals, trade associations, computer manufacturing, biotechnology, local and national government, information technology, higher education, telecommunications, and many others.

Berlin Electropolis ties the German discourse on nervousness in the late nineteenth and early twentieth centuries to Berlin's transformation into a capital of the second industrial revolution. Focusing on three key groups―railway personnel, soldiers, and telephone operators―Andreas Killen traces the emergence in the 1880s and then later decline of the belief that modernity caused nervous illness. During this period, Killen explains, Berlin became arguably the most advanced metropolis in Europe. A host of changes, many associated with breakthroughs in technologies of transportation, communication, and leisure, combined to radically alter the shape and tempo of everyday life in Berlin. The resulting consciousness of accelerated social change and the shocks and afflictions that accompanied it found their consummate expression in the discourse about nervousness. Wonderfully researched and clearly written, this book offers a wealth of new insights into the nature of the modern metropolis, the psychological aftermath of World War I, and the operations of the German welfare state. Killen also explores cultural attitudes toward electricity, the evolution of psychiatric thought and practice, and the status of women workers in Germany's rapidly industrializing economy. Ultimately, he argues that the backlash against the welfare state that occurred during the late Weimar Republic brought about the final decoupling of modernity and nervous illness.

"It is not unusual for teachers to feel overwhelmed when their school shifts from a traditional bell schedule to a 90-minute block. Sejnost guides teachers from feelings of apprehension and nervousness to those of confidence and excitement by giving