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The classic utopian novel from the visionary designer and socialist activist William Morris, re-created in an accessible facsimile editionOne fateful day narrator William Guest falls asleep after returning from a Socialist League meeting and awakes to find himself years in the future. This world is a socialist pastoral paradise in which capitalism, private property, and industry have been overthrown and where people live in equality and contentment. The book addresses the balance of work and reward, expressing Morris’ idea that mastery could be replaced by fellowship.The first in a series of facsimile editions of collectible books from the National Art Library to be produced in partnership with the V&A, News from Nowhere is one of the most important English literary works on the theme of utopia. The novel, written by visionary English textile designer William Morris in 1890, is reproduced here for the first time in an accessible facsimile based on the original Kelmscott Press edition held in the collection of the V&A’s National Art Library. Illustrated in two colors throughout

News from Nowhere Darkstar - LP 801061022518

A study of the processes used to gather and present television news, based on the author's observations of the three major networks

Written in 1890, at the close of William Morris’s most intense period of political activism, News from Nowhere is a compelling articulation of his mature views on art, work, community, family, and the nature and structure of the ideal society. A utopian narrative of a future society, it is also an immensely entertaining novel. This Broadview edition includes a wide variety of contextualizing documents, including portions of Morris’s essays, lectures, and journalism; excerpts from precursor utopian texts; writings on Bloody Sunday, art, work, and revolution; and contemporary reviews.

Up at the League, says a friend, there had been one night a brisk conversational discussion, as to what would happen on the Morrow of the Revolution, finally shading off into a vigorous statement by various friends of their views on the future of the fully-developed new society. (...) As he sat in that vapour-bath of hurried and discontented humanity, a carriage of the underground railway, he, like others, stewed discontentedly, while in self-reproachful mood he turned over the many excellent and conclusive arguments which, though they lay at his fingers’ ends, he had forgotten in the just past discussion. But this frame of mind he was so used to, that it didn’t last him long, and after a brief discomfort, caused by disgust with himself for having lost his temper (which he was also well used to), he found himself musing on the subject-matter of discussion, but still discontentedly and unhappily. “If I could but see a day of it,” he said to himself; “if I could but see it!” As he formed the words, the train stopped at his station, five minutes’ walk from his own house, which stood on the banks of the Thames, a little way above an ugly suspension bridge. He went out of the station, still discontented and unhappy, muttering “If I could but see it! if I could but see it!” but had not gone many steps towards the river before (says our friend who tells the story) all that discontent and trouble seemed to slip off him. - Taken from "News From Nowhere' written by William Morris

The classic utopian novel from the visionary designer and socialist activist William Morris, re-created in an accessible facsimile editionOne fateful day narrator William Guest falls asleep after returning from a Socialist League meeting and awakes to find himself years in the future. This world is a socialist pastoral paradise in which capitalism, private property, and industry have been overthrown and where people live in equality and contentment. The book addresses the balance of work and reward, expressing Morris’ idea that mastery could be replaced by fellowship.The first in a series of facsimile editions of collectible books from the National Art Library to be produced in partnership with the V&A, News from Nowhere is one of the most important English literary works on the theme of utopia. The novel, written by visionary English textile designer William Morris in 1890, is reproduced here for the first time in an accessible facsimile based on the original Kelmscott Press edition held in the collection of the V&A’s National Art Library. Illustrated in two colors throughout

News from Nowhere(1890) is the best-known prose work of William Morris and the only significant English utopia to be written since Thomas More's. The novel describes the encounter between a visitor from the nineteenth century, William Guest, and a decentralized and humane socialist future. Set over a century after a revolutionary upheaval in 1952, these "Chapters from a Utopian Romance" recount his journey across London and up the Thames to Kelmscott Manor, Morris's own country house in Oxfordshire. Drawing on the work of John Ruskin and Karl Marx, Morris's book is not only an evocative statement of his egalitarian convictions but also a distinctive contribution to the utopian tradition. Morris's rejection of state socialism and his ambition to transform the relationship between humankind and the natural world, give News from Nowhere a particular resonance for modern readers. This text is based on the 1891 version, incorporating the extensive revisions made by Morris to the first edition.

"This astute and long overdue reappraisal provides a lucid overview and a wealth of contextual information. An excellent resource." -- Shannon L. Rogers, Saint Joseph’s University, Editor, Newsletter of the William Morris Society in the United States"through his insightful introduction and careful selection of documents, [Arata] has created an invaluable edition of News from Nowhere." -- Peter Stansky, Stanford University

News from Nowhere (1890), William Morris' most famous work, is a utopian picture of a future communist society, depicting a world in which capitalism has been abolished by a workers' revolution, and in which nature and society have become beautiful habitations for humanity. In an era that has seen the collapse of state socialism, Morris' damning critique of this conception, and his positing of a powerful alternative, are compelling reasons for paying attention to this classic of British socialism.

News from Nowhere (1890), William Morris' most famous work, is a utopian picture of a future communist society, depicting a world in which capitalism has been abolished by a workers' revolution, and in which nature and society have become beautiful habitations for humanity. In an era that has seen the collapse of state socialism, Morris' damning critique of this conception, and his positing of a powerful alternative, are compelling reasons for paying attention to this classic of British socialism.

New York Times bestselling author Mary Jane Clark delivers Nowhere to Run, a thrilling novel of psychological suspense set in the world she knows best--network newsBotulism, anthrax, smallpox, plague: as medical producer for television's highly-rated morning news program, Annabelle Murphy makes her living explaining horrific conditions to the nation. So when a KEY News colleague dies with symptoms terrifyingly similar to those of anthrax, she knows the panic spreading through the corridors of the Broadcast Center is justified. As one death follows another, Annabelle's co-workers look to her for assurance, but she finds it hard to give comfort. To her, the circumstances surrounding the infections suggest diabolical murders. And when the authorities lock down the Broadcast Center with the identity of the killer still unknown, neither the victims nor the murderer can escape...Nowhere To Run is full of Mary Jane Clark's signature intricate plotting and taut psychological suspense.

Kelmscott Manor is forever linked with the name of William Morris, pioneer conservationist and utopian socialist, designer and father of the Arts and Crafts tradition. The manor played a crucial role in shaping his thought: at the climactic moment of his futuristic novel, News from Nowhere, Morris lifts the latch of the Manors garden gate and finds his personal holy grail. Morris was drawn by the organic relationship between Kelmscott and its landscape: the linkage of stone walls and roof tiles to the geology and the soil, and the honest toil of the people to the agricultural cycle . The fruits of the Kelmscott Landcape Project established in 1996 by the Society of Antiquaries of London, the owners of Kelmscott Manor today, this book is a multi-faceted examination of Kelmscotts history. Archaeology, from prehistory to the present day, the architectural development of the Manor before and after Morris knew it, and the art that the village and Manor have inspiredall received rich, illustrated coverage. The result is a vivid portrait of a Thames-side village transformed by its association with Morris, a book which demonstrates the rich connections between culture and landscape in a particular place.

Like millions of other women, CNN’s Headline News and truTV’s In Session anchor Christi Paul blamed herself for the emotional abuse heaped on her by her first husband, whose violent, profanity-laced tirades left her feeling as though she had no value, no self-worth, and nowhere to turn for help.Then one day, when Christi was taking refuge in a church parking lot, the verse “Trust in the Lord with all your heart and lean not on your own understanding” popped into her head. In that moment, she realized she did have someplace to turn after all. Holding fast to her faith, Christi began the arduous process of rebuilding her self-image and regaining control of her life.Now happily remarried and the mother of three girls, Christi feels called to share her story in the hope that other victims will find courage to seek the help they desperately need and deserve.Written with great candor and poignancy, Love Isn’t Supposed to Hurt chronicles Christi’s personal experience of dealing with emotional abuse and shows how―with God’s help, some unconventional therapy, and the support of family and friends―she was able to break the cycle of abuse, regain her sense of self-worth, and discover what true love is really all about.

Family is not always defined by blood. It's defined by those who make us whole - those who make us who we are. And here, at the end, Bear and Otter will be tested like they've never been before.There's a knock at the door from a little girl who has nowhere else to go.There's a phone ringing, bringing news they do not expect.There's a brother returning home after learning how to stand on his own.As these moments converge, all of their lives will change forever.Beginning in Bear, Otter, and the Kid and continuing in Who We Are and The Art of Breathing, TJ Klune has told a saga of family and brotherhood, of love and sacrifice. In this final chapter, the events of the past pave the long and winding road toward a future no one could have imagined.

Kelmscott Manor is forever linked with the name of William Morris, pioneer conservationist and utopian socialist, designer and father of the Arts and Crafts tradition. The manor played a crucial role in shaping his thought: at the climactic moment of his futuristic novel, News from Nowhere, Morris lifts the latch of the Manors garden gate and finds his personal holy grail. Morris was drawn by the organic relationship between Kelmscott and its landscape: the linkage of stone walls and roof tiles to the geology and the soil, and the honest toil of the people to the agricultural cycle . The fruits of the Kelmscott Landcape Project established in 1996 by the Society of Antiquaries of London, the owners of Kelmscott Manor today, this book is a multi-faceted examination of Kelmscotts history. Archaeology, from prehistory to the present day, the architectural development of the Manor before and after Morris knew it, and the art that the village and Manor have inspiredall received rich, illustrated coverage. The result is a vivid portrait of a Thames-side village transformed by its association with Morris, a book which demonstrates the rich connections between culture and landscape in a particular place.

Sometimes no news is bad news. It's been twenty years since the end of the Cylon war. The twelve human colony worlds are rebuilding, and the Cylons . . . the Cylons have been just too quiet. They are nowhere to be found. The robotic race that tried to obliterate their creators has gone to parts unknown in deep space.The aftermath of the war has created a new, illegal profession: scavenger. Tom Zarek is one, scouring the outer settlements for valuable Cylon technologies and artifacts and usually returning empty-handed. But now, he and the crew of the Cruiser Lightning have found the Omega Station, a scientific station shrouded in secrecy beyond the edge of charted space. This is it, the big score, except something is wrong...the base is still occupied, not by humans alone; by Cylons too!The Battlestar Galactica, one of the oldest warships in the fleet, receives the Lightning's distress call, a cryptic one-word message: "Cylons." William Adama, newly promoted to second-in-command, is worried. Most of his crew are green, new recruits, not prepared for anything but the most routine missions. And, as Adama soon discovers, this mission is anything but routine. Omega is indeed full of Cylons, but also something much more disturbing . . .

When she receives the news in late 1944 that her baby's father was shot down in the South Pacific, Amelia Richards loses hope. Jobless and broke, she has nowhere to turn for help but her infant's paternal grandparents. The only problem is, they don't know that she--or their grandson--exists. When Amelia discovers that the family is wealthy and influential, dare she disclose the truth of her relationship with their son? Or could the celebration of the arrival of another unexpected baby nearly two thousand years ago be the answer to her dilemma? Beloved author Melody Carlson pens a story of love, hardship, and reconciliation that will leave readers filled with Christmas joy.

Family is not always defined by blood. It's defined by those who make us whole - those who make us who we are. And here, at the end, Bear and Otter will be tested like they've never been before.There's a knock at the door from a little girl who has nowhere else to go.There's a phone ringing, bringing news they do not expect.There's a brother returning home after learning how to stand on his own.As these moments converge, all of their lives will change forever.Beginning in Bear, Otter, and the Kid and continuing in Who We Are and The Art of Breathing, TJ Klune has told a saga of family and brotherhood, of love and sacrifice. In this final chapter, the events of the past pave the long and winding road toward a future no one could have imagined.

A TV news producer, a housewife and mother of two,  an ex-governor, and a struggling writer.     Four ordinary people with little in common other than a vague dissatisfaction with their lives, receive an unpretentious, anonymous invitation that comes out of nowhere.  On it is a verse that implies an amazing promise:  "If you have faith as small as a mustard seed, you can say to this mountain,  'Move from here to there', and it will move. Nothing will be impossible for you." (Matthew 17: 20)     Each dismisses the mysterious invitation as a joke. But when strange--some might even call them miraculous--things start happening to spur them toward stepping out on faith and accepting it, all four find themselves embarking on a journey that takes them beyond their wildest imaginings and tests their faith to the breaking point.      Tests their faith. And strengthens it.       Before it's over, each discovers that, with God, nothing is impossible. Faith can move mountains if you open your heart to the One who has called you.     God uses ordinary people--in extraordinary ways.      And He will fulfill his purpose for you. (Psalm 138: 8)**     Continue the Mustard Seed Series with "The Quest" and "The Temptation", and continue Kathy's story in "Crossroads."

In the age of social media, fake news and data-driven capitalism, the need for critical understanding is more urgent than ever. Half-baked ideas about ‘media literacy’ will lead us nowhere: we need a comprehensive and coherent educational approach. We all need to think critically about how media work, how they represent the world, and how they are produced and used. In this manifesto, leading scholar David Buckingham makes a passionate case for media education. He outlines its key aims and principles, and explores how it can and should be updated to take account of the changing media environment. Concise, authoritative and forcefully argued, The Media Education Manifesto is essential reading for anyone involved in media and education, from scholars and practitioners to students and their parents.