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For him it began with a bright blue parrot feather that fell from Ella Lynch's hat when she was horseback riding in the Bois de Boulogne. The year was 1854, and Francisco Solano Lopez -- "Franco," the future dictator of Paraguay -- began his courtship of the young, beautiful Irishwoman with a poncho, a Paraguayan band, and a horse named Mathilde.From Paris, Ella Lynch follows Franco to Asunción, where she reigns as his mistress. Isolated and estranged in this new world, she embraces her lover's ill-fated dream -- one fueled by outsize imperial ambition and heedless arrogance, and with devastating consequences for Paraguay and all its inhabitants. A historical epic that tells an unusual love story, The News from Paraguay offers a kaleidoscopic portrait of nineteenth-century Paraguay, a largely untouched wilderness where Europeans and North Americans intermingle with both the old Spanish aristocracy and native Guaraní Indians.The urgency of the narrative, the imaginative richness of its intimate detail, and the wealth of characters whose stories are skillfully layered and unfolded recall the epic novels of Gabriel García Márquez and Mario Vargas Llosa. The News from Paraguay captures the devastating havoc wrought on both a country's fate and a woman's heart by ruthless ambition and war.

Hearing the news from South America at the turn of the millennium can be like traveling in time: here are the trials of Pinochet, the searches for "the disappeared" in Argentina, the investigation of the death of former president Goulart in Brazil, the Peace Commission in Uruguay, the Archive of Terror in Paraguay, a Truth Commission in Peru. As societies struggle to come to terms with the past and with the vexing questions posed by ineradicable memories, this wise book offers guidance. Combining a concrete sense of present urgency and a theoretical understanding of social, political, and historical realities, State Repression and the Labors of Memory fashions tools for thinking about and analyzing the presences, silences, and meanings of the past. With unflappable good judgment and fairness, Elizabeth Jelin clarifies the often muddled debates about the nature of memory, the politics of struggles over memories of historical injustice, the relation of historiography to memory, the issue of truth in testimony and traumatic remembrance, the role of women in Latin American attempts to cope with the legacies of military dictatorships, and problems of second-generation memory and its transmission and appropriation. Jelin's work engages European and North American theory in its exploration of the various ways in which conflicts over memory shape individual and collective identities, as well as social and political cleavages. In doing so, her book exposes the enduring consequences of repression for social processes in Latin America, and at the same time enriches our general understanding of the fundamentally conflicted and contingent nature of memory. A timely exploration of the nature ofmemory and its political uses.