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407 Seiten Das Buch befindet sich in einem gebrauchten sehr guten Zustand. Es ist gebraucht und hat nur geringe Gebrauchsspuren, wie eine sehr geringe Verfärbung der Schnittkanten, leichter Abrieb an den Kanten vom Schutzumschlag. Im Buch sind keine Einträge oder Beschriftungen. Nichtraucherbuch. Rik130615 Sprache: Deutsch Gewicht in Gramm: 2400

Following Karambolage, On Duty and Off Duty (all published by Steidl), Arnold Odermatt’s (born 1935) After Work presents us with more rediscovered masterpieces by a photographer who trained himself primarily through his police job in the small, secluded Swiss canton of Nidwalden. Odermatt has thus developed his own artistic fingerprint which served him well during his working days as well as after-hours. Off duty, Odermatt often volunteered to take pictures all around his canton. Most of those pictures were shot only once, developed on demand and then archived in the attic, sinking into oblivion. Luckily, the photographer’s son found the treasure and takes care of its reevaluation. After Work is the fourth volume in a series of books that brings into focus this extraordinary work.

With thoroughness and a meticulous attention to detail, Arnold Odermatt photographed automobile accidents on the streets of the Swiss canton of Nidwalden between 1939 and 1993. For 40 years, the Swiss police office recorded the wrecked cars left in the wake of excessive speed, drunk driving, right-of-way errors, and plain foolishness, in poignant, sometimes funny, and always strange atmospheric photographs. Though Odermatt was not formally trained as a photographer, he made images that evidence a studied appreciation for romantic landscape scenes and a simultaneous attention to the clinical detail of an accident of police procedure. He created them as a personal corollary to the documentary photographs that typically accompany police and accident reports in his picturesque Alpine country. Art historically, they call to mind such diverse sources as Weegee's scene-of-the-crime pictures from the 1930s and 40s, and Andy Warhol's interest in the banal spectacle of disaster and accident in the 1960s. Wholly original and surprising, beautiful and haunting, Odermatt's pictures were only recently introduced to the art world--when Harald Szeeman exhibited them at the 49th Venice Biennale, they were virtually unknown.

With thoroughness and a meticulous attention to detail, Arnold Odermatt photographed automobile accidents on the streets of the Swiss canton of Nidwalden between 1939 and 1993. For 40 years, the Swiss police office recorded the wrecked cars left in the wake of excessive speed, drunk driving, right-of-way errors, and plain foolishness, in poignant, sometimes funny, and always strange atmospheric photographs. Though Odermatt was not formally trained as a photographer, he made images that evidence a studied appreciation for romantic landscape scenes and a simultaneous attention to the clinical detail of an accident of police procedure. He created them as a personal corollary to the documentary photographs that typically accompany police and accident reports in his picturesque Alpine country. Art historically, they call to mind such diverse sources as Weegee's scene-of-the-crime pictures from the 1930s and 40s, and Andy Warhol's interest in the banal spectacle of disaster and accident in the 1960s. Wholly original and surprising, beautiful and haunting, Odermatt's pictures were only recently introduced to the art world--when Harald Szeeman exhibited them at the 49th Venice Biennale, they were virtually unknown.