131 products were found matching your search for Nixon Carol T Evaluating in 3 shops:

Our newest body-slimming and contouring option bodysuit. You don't have to be a bride to wear this!  Unlined stretch lace and double layer of stretch mesh on the sides and deep V neck makes this bodysuit sexy, seductive and a must-have. Crotch is lined in 100% Cotton and features hook and eye closure. Please note this bodysuit runs snug. We suggest you size up if you are in between sizes. Hand wash, hang to dry. Do not tumble dry.

Our newest body-slimming and contouring option bodysuit. You don't have to be a bride to wear this!  Unlined stretch lace and double layer of stretch mesh on the sides and deep V neck makes this bodysuit sexy, seductive and a must-have. Crotch is lined in 100% Cotton and features hook and eye closure. Please note this bodysuit runs snug. We suggest you size up if you are in between sizes. Hand wash, hang to dry. Do not tumble dry.

Our newest body-slimming and contouring option bodysuit. You don't have to be a bride to wear this!  Unlined stretch lace and double layer of stretch mesh on the sides and deep V neck makes this bodysuit sexy, seductive and a must-have. Crotch is lined in 100% Cotton and features hook and eye closure. Please note this bodysuit runs snug. We suggest you size up if you are in between sizes. Hand wash, hang to dry. Do not tumble dry.

Underwire soft cup bra in lace and velvet, double lined in velvet for a soft touch against the skin. You won't want to take it off! Available in petrol blue and black and in sizes XS, S, M and L. You can mix and match with both Iris velvet panties, the Iris tulle and the Iris arrow. Hand wash, cold. Hang to dry. Lace: 90% PA/ 10% EA Tulle: 86% PA/14% EA Velvet: 96% PL/ 4% EA Lining: 100% CO MADE IN BRAZIL

Our newest body-slimming and contouring option bodysuit. You don't have to be a bride to wear this!  Unlined stretch lace and double layer of stretch mesh on the sides and deep V neck makes this bodysuit sexy, seductive and a must-have. Crotch is lined in 100% Cotton and features hook and eye closure. Please note this bodysuit runs snug. We suggest you size up if you are in between sizes. Hand wash, hang to dry. Do not tumble dry.

This set is perfect for anyone looking for something feminine to wear all day without any hardware or wires. Its elastic-free fabric and cording straps provide an incredibly supportive fit, while the stretchy floral lace ensures maximum comfort. Unlike other tops, it is so comfortable you won't want to take it off. Please note lace design is floral, exactly as the first still image. Comes with matching panties made of lace and satin with tie sides.  Made in Brazil Hand wash, hang to dry. Hand wash, hang to dry. Do not tumble dry.

Our newest body-slimming and contouring option bodysuit. You don't have to be a bride to wear this!  Unlined stretch lace and double layer of stretch mesh on the sides and deep V neck makes this bodysuit sexy, seductive and a must-have. Crotch is lined in 100% Cotton and features hook and eye closure. Please note this bodysuit runs snug. We suggest you size up if you are in between sizes. Hand wash, hang to dry. Do not tumble dry.

Our newest body-slimming and contouring option bodysuit. You don't have to be a bride to wear this!  Unlined stretch lace and double layer of stretch mesh on the sides and deep V neck makes this bodysuit sexy, seductive and a must-have. Crotch is lined in 100% Cotton and features hook and eye closure. Please note this bodysuit runs snug. We suggest you size up if you are in between sizes. Hand wash, hang to dry. Do not tumble dry.

Underwire soft cup bra in lace and velvet, double lined in velvet for a soft touch against the skin. You won't want to take it off! Available in petrol blue and black and in sizes XS, S, M and L. You can mix and match with both Iris velvet panties, the Iris tulle and the Iris arrow. Hand wash, cold. Hang to dry. Lace: 90% PA/ 10% EA Tulle: 86% PA/14% EA Velvet: 96% PL/ 4% EA Lining: 100% CO MADE IN BRAZIL

Underwire soft cup bra in lace and velvet, double lined in velvet for a soft touch against the skin. You won't want to take it off! Available in petrol blue and black and in sizes XS, S, M and L. You can mix and match with both Iris velvet panties, the Iris tulle and the Iris arrow. Hand wash, cold. Hang to dry. Lace: 90% PA/ 10% EA Tulle: 86% PA/14% EA Velvet: 96% PL/ 4% EA Lining: 100% CO MADE IN BRAZIL

Underwire soft cup bra in lace and velvet, double lined in velvet for a soft touch against the skin. You won't want to take it off! Available in petrol blue and black and in sizes XS, S, M and L. You can mix and match with both Iris velvet panties, the Iris tulle and the Iris arrow. Hand wash, cold. Hang to dry. Lace: 90% PA/ 10% EA Tulle: 86% PA/14% EA Velvet: 96% PL/ 4% EA Lining: 100% CO MADE IN BRAZIL

EHX Tube Kit Set for Carol Ann OD2r MK 1 Amp Includes the following: 3 x 12AX7 ; 2 x 6L6NOTE: If the kit includes more than one POWER T...

Extremely rare I've never seen a second one. Real sterling is more expensive and more difficult to work with and doesn't corrode so nothing to worr...

This book contains a selection of twenty Christmas carols in easy arrangements for bassoon with an optional second part. The accompanying CD contai...

Unread book in perfect condition.

When the first edition of The Early English Carols was published in 1935 it was recognized as a work of major importance in medieval literary studies. For the last 42 years, Professor Greene has continued to explore this field, in which he is the acknowledged master, and this expanded second edition is the crowning achievement of a life of scholarship. It will be welcomed not only by research students already used to finding rich quarries of material in 'EEC', but by the many his friends, who know him both as one of the great American medievalists, and as a man of great humanity and wit. And, like the first edition, it will bring pleasure to readers interested in medieval lyric poetry. Many of the texts have been given new musical settings by Benjamin Britten, Vaughan Williams, William Walton, and others. This revised edition adds to the collection 36 new carols (and conversely deletes three poems printed earlier) and reports 17 newly discovered variant versions together with a number of additional occurrences of texts already presented in 1935. The numbering of the first edition has been preserved, with the new items inserted in the proper places. The texts have been once more collated against the manuscripts, and both introduction and notes have been brought up to date, with special attention given to the scholarship that has been devoted to the carol between 1935 and the mid-'70s. Richard Leighton Greene (1904-1983) is credited by scholars with defining and establishing the medieval English carol as a poetic genre and musical form. Greene was Wilbur Fisk Osborne Professor of English at Wesleyan University where he taught from 1954 until his retirement in 1972. He began his teaching career at the University of Rochester in 1929 and stayed there until 1946. He was president of Wells College from 1946 until 1950. From 1950 until 1954 he was a visiting professor at Purdue, the University of California and the California Institute of Technology.

A person doesn′t have to be a consensus organizer to think like one. Consensus Organizing: A Community Development Workbook―A Comprehensive Guide to Designing, Implementing, and Evaluating Community Change Initiatives helps students and practitioners begin to think like consensus organizers and incorporate this way of strategic thinking into their lives and their work. Through a wide range of exercises, role-play activities, case scenarios, and discussion questions, this workbook presents the conceptual framework for consensus organizing and provides a practical and experiential approach to understanding and applying consensus organizing to address a range of issues. This workbook is designed to be used by itself or along with Mike Eichler′s text Consensus Organizing: Building Communities of Mutual Self Interest (SAGE, 2007). Accompanying Website Instructors and students have access to the many activities and cases on the accompanying website at www.sagepub.com/ohmerworkbookstudy.

Who's better? Billie Holiday or P.J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject and discloses their place at the very centre of the aesthetics that structure our culture and colour our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of poplar aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's for real - these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgements but also demanding them, and shaping our understanding of what all music means.

When teacher evaluations are fair, everyone wins. Poor evaluation systems don’t just hurt teachers—they hurt students, too. That’s why America can’t afford to wait for the teacher-evaluation pro

Special events can be the backbone of a nonprofit fund-raising program; they're also very hard work. A successful and cost-effective event t akes a great deal of planning, coordination, and effort. Successful Sp ecial Events: Planning, Hosting and Evaluating provides the guidance n ecessary to efficiently plan, implement, and evaluate such an event. Y ou'll discover how to establish your primary goal, the importance of m arket identification, special event opportunity ratings, setting goals, and the barriers to planning a successful special event.