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Crosslinguistic Studies on Noun Phrase Structure and Reference contains 11 studies on the grammar of noun phrases. Part One explores NP-structure and the impact of information structure, countability and number marking on interpretation, using data from Russian, Armenian, Hebrew, Brazilian Portuguese, Karitiana, Turkish, English, Catalan and Danish. Part Two examines language specific definiteness marking strategies in spoken and signed languages--differentiated definiteness marking in Germanic, double definiteness in Greek, adnominal demonstratives in Japanese, 'weak' definiteness in Martiniké and the special referring options made avilable by signing. Part Three examines the second-language acquisition of genericity in English, Spanish and Brazilian Portuguese. This volume will be of interest to researchers and students in syntax, formal semantics, and language acquisition.Contributors include: Zeljko Boskovic, Patricia Cabredo Hofherr, Edit Doron, Nomi Erteschik Shir, Brigitte Garcia, Elaine Grolla, Tania Ionin, Loïc Jean-Louis, Makoto Kaneko, Marika Lekakou, Silvina Montrul, Ana Müller, Asya Pereltsvaig, Marie-Anne Sallandre, Helade Santos, Serkan Şener, Rebekka Studler, Kriszta Szendröi, Anne Zribi-Hertz.

English has an interesting variety of noun phrases, which differ greatly in structure. Examples are 'binominal' (two-noun) phrases ('a beast of a party'); possessive constructions ('the author's opinion'); and discontinuous noun phrases ('the review [came out yesterday] of his book'). How are these different noun phrases structured? How do we produce and understand them? These questions are central to this study, which explores the interaction between the form of noun phrases, their meaning, and their use. It shows how, despite the need in linguistic analysis for strict categories, many linguistic constructions in fact defy straightforward classification - and concludes that in order to fully explain the internal structure of utterances, we must first consider the communicative, pragmatic and cognitive factors that come into play. Drawing on a range of authentic examples, this book sheds light not only on the noun phrase itself but also the nature of linguistic classification.

Alessandra Giorgi and Giuseppe Longobardi's important study of the argument structure of lexical projections, in particular of noun phrases, makes substantial advances in this relatively neglected area. Working within a Government and Binding framework, the authors present strong new arguments in favor of the existence of empty categories, and evidence for the correct understanding of word order parameters and of Chomsky's Projection Principle. In particular, they elaborate and discuss a number of tests intended to define under which lexical and syntactic conditions an empty prenominal subject may or must occur in a noun phrase. The levels of structural attachment of the arguments of a head noun are carefully established by supporting assumptions made in this domain with independent evidence. As well as its theoretical advances, this book provides a descriptive analysis of nominal structure in Romance languages, compares it with corresponding structure in Germanic languages, and offers an introduction to Italian phrase structure.

English has an interesting variety of noun phrases, which differ greatly in structure. Examples are 'binominal' (two-noun) phrases ('a beast of a party'); possessive constructions ('the author's opinion'); and discontinuous noun phrases ('the review [came out yesterday] of his book'). How are these different noun phrases structured? How do we produce and understand them? These questions are central to this study, which explores the interaction between the form of noun phrases, their meaning, and their use. It shows how, despite the need in linguistic analysis for strict categories, many linguistic constructions in fact defy straightforward classification - and concludes that in order to fully explain the internal structure of utterances, we must first consider the communicative, pragmatic and cognitive factors that come into play. Drawing on a range of authentic examples, this book sheds light not only on the noun phrase itself but also the nature of linguistic classification.

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p.B. J. Whiting savors proverbial expressions and has devoted much of his lifetime to studying and collecting them; no one knows more about British and American proverbs than he. The present volume, based upon writings in British North America from the earliest settlements to approximately 1820, complements his and Archer Taylor's Dictionary of American Proverbs and Proverbial Phrases, 1820-1880. It differs from that work and from other standard collections, however, in that its sources are primarily not "literary" but instead workaday writings - letters, diaries, histories, travel books, political pamphlets, and the like. The authors represent a wide cross-section of the populace, from scholars and statesmen to farmers, shopkeepers, sailors, and hunters.Mr. Whiting has combed all the obvious sources and hundreds of out-of-the-way publications of local journals and historical societies. This body of material, "because it covers territory that has not been extracted and compiled in a scholarly way before, can justly be said to be the most valuable of all those that Whiting has brought together," according to Albert B. Friedman. "What makes the work important is Whiting's authority: a proverb or proverbial phrase is what BJW thinks is a proverb or proverbial phrase. There is no objective operative definition of any value, no divining rod; his tact, 'feel,' experience, determine what's the real thing and what is spurious."

An embarrassment of pandas, a galaxy of starfish, a shiver of sharks...these are all collective nouns used to describe their groups. Woop Studios, acclaimed for their work on the Harry Potter movies, has illustrated these quirky phrases, creating a series of extraordinarily beautiful art that has been collected here for the first time. The colorful introduction to animals and the alphabet is accessible for young children, while the gorgeous, whimsical art and clever wordplay make it perfect for design-savvy parents and inspired gift givers. Longer than the standard picture book, with high design and production values, this is a volume readers will want on their coffee tables in addition to their child's bookshelf.

Have any idea where the word "nerd" came from, or "twerp"? This dictionary starts where ordinary references beg off. Discover that bad hair day was originated by California teenagers in the early 1990s. Learn that bikini comes from the name of a Pacific island used in the 1940s for atomic bomb tests. Learn why a flight data recorder is called a black box--even though it's orange.

Writer's Word Handbook: Practical Phrases, Expressions & Similes To Enhance Your WritingAlthough this is a reproduction of a book published in the early 1900s, the exhaustive list of phrases and wording is a goldmine for authors that are equally seasoned or new to the craft of writing. Use the enclosed invaluable lists, broken down by categories, as a reference for when you have writer’s block or want to spice up a character’s dialogue. At last count, there are approximately fifteen thousand useful phrases included from the English language. The Writer's Word Handbook is perfect for:honing your vocabularyinjecting unique dialogue into your character interactionsbrainstormingdiscovering phrases that have fallen out of fashion from the early 1900s

What is the je-ne-sais-quoi, if it is indeed something at all, and how can it be put into words? In addressing these questions, Richard Scholar offers the first full-length study of the je-ne-sais-quoi and its fortunes in early modern Europe. He examines the expression's rise and fall as a noun and as a topic of philosophical and literary debate, its cluster of meanings, and the scattered traces of its "pre-history." Placing major writers of the period such as Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries, Scholar argues that the je-ne-sais-quoi serves above all to trace a series of first-person encounters with a certain something as difficult to explain as its effects are intense, and which can be expressed only by being expressed differently. He shows how the je-ne-sais-quoi comes to express that certain something in the early modern period, and suggests that it remains capable of doing so today.

New Testament scholars often claim that the interpretative key to Jesus' pronouncement of the words ego eimi in the Gospel of John lies in the use of this phrase in the Septuagint of Isaiah to render the Hebrew expression 'ani hu' . While previous studies have paid particular attention to the New Testament usage of ego eimi, Catrin H. Williams sets this evidence within a broader framework by offering a detailed analysis of the interpretation of 'ani hu' in biblical and Jewish traditions. She examines the role of 'ani hu' as a succinct expression of God's claim to exclusiveness in the Song of Moses and the poetry of Deutero-Isaiah, and attempts to reconstruct its later interpretative history from the substantial body of evidence preserved in the Aramaic Targumim and several midrashic traditions. Biblical 'ani hu' declarations are cited by rabbinic authorities as proof-texts against a variety of heretical claims, particularly the 'two powers' heresy, but new 'ani hu' formulations, not necessarily confined to divine speeches, are also attested. In the concluding chapters Catrin H. Williams considers the role of 'ani hu' when seeking to interpret Jesus' utterance of the words ego eimi in Synoptic and Johannine traditions.

Funk Logic building rack filler panels with stuff on them since 1999!pal in drome (noun) A word, phrase, or sequence that reads the same backward...

Funk Logic building rack filler panels with stuff on them since 1999!pal in drome (noun) A word, phrase, or sequence that reads the same backward...

Funk Logic building rack filler panels with stuff on them since 1999!pal in drome (noun) A word, phrase, or sequence that reads the same backward...

Funk Logic building rack filler panels with stuff on them since 1999!pal in drome (noun) A word, phrase, or sequence that reads the same backward...

One of the early soulful rock tunes, Lee Morgan's Sidewinder features a distinctive groove and funky riff-like phrases. In this arrangement for Lit...

Indefinites investigates the relationship between the syntactic and semantic representations of sentences within the framework of generative grammar. It proposes a means of relating government-binding theory, which is primarily syntactic, to the semantic theory of noun phrase interpretation developed by Kamp and Heim, and introduces a novel mapping algorithm that describes the relation between syntactic configurations and logical representations. Diesing focuses on the problem of deriving logical representations from syntactic representations of sentences, with an emphasis on issues of quantification and the interpretation of indefinites. The two central questions addressed are the possible semantic interpretations of indefinites and quantificational noun phrases, and the role played by syntactic representation in deriving the semantic representation of noun phrases. The mapping algorithm used is applied to derive the logical representations of indefinites to a wide range of syntactic and semantic phenomena in German including scrambling, VP-deletion, and extraction from NP.

There is one section of Grammar Topics found in the entire novella (organized according to NLE syllabi). Each chapter includes a Vocabulary section with New Words & Forms, Phrases/Structures, and Noun/Adjective Phrases, Possible Discussion Questions, 2 illustrated Expanded Readings (ExR), an Activities section including 10 Sentences for Dictatio (standard, Running, or Egg) and 2 Word Clouds, and Storyboards (Storyboard Dictation, and Read & Draw), as well as a Glossary (the super clear cognate list, and then all words). The Expanded Readings (ExR) provide an additional 1600 total Latin words for learners to read, adding “unseen” details to certain characters and events from Rufus lutulentus.

This book explores the results of language contact in Michif, an endangered Canadian language that is traditionally claimed to combine a French noun phrase with a Cree verb phrase, and is hence usually considered a 'mixed' language. Carrie Gillon and Nicole Rosen provide a detailed account of the Michif noun phrase in which they examine issues such as the mass/count distinction, plurality, gender, articles, and demonstratives. Their analysis reveals that while parts of the Michif noun phrase have French lexical sources, and the language has certain features that are borrowed from French, its syntax in fact looks very much like that found in other Algonquian languages. The final chapter of the book discusses the wider implications of these findings: the authors argue that contact does not create a whole new language category and that Michif should instead be considered an Algonquian language with French contact influence; they also extend their analysis to other mixed languages and creoles. The book will be of interest to Algonquian scholars, formal linguists in the fields of syntax, morphology, and semantics, and to all those working on issues of language contact.

This book explores the results of language contact in Michif, an endangered Canadian language that is traditionally claimed to combine a French noun phrase with a Cree verb phrase, and is hence usually considered a 'mixed' language. Carrie Gillon and Nicole Rosen provide a detailed account of the Michif noun phrase in which they examine issues such as the mass/count distinction, plurality, gender, articles, and demonstratives. Their analysis reveals that while parts of the Michif noun phrase have French lexical sources, and the language has certain features that are borrowed from French, its syntax in fact looks very much like that found in other Algonquian languages. The final chapter of the book discusses the wider implications of these findings: the authors argue that contact does not create a whole new language category and that Michif should instead be considered an Algonquian language with French contact influence; they also extend their analysis to other mixed languages and creoles. The book will be of interest to Algonquian scholars, formal linguists in the fields of syntax, morphology, and semantics, and to all those working on issues of language contact.