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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.94

This lavishly illustrated volume chronicles the extraordinary visual world of a talented and largely unknown writer, artist, photographer and sexual outlaw. The edition, limited to 1,000 copies presents a diverse and powerful collection of drawings, paintings, sculptures, decorative objects, illustrations and photographs that are remarkably varied in style, and quite contradictory in mood and tone.

Buy with confidence! Book is in new, never-used condition 0.94

Tongue-in-cheek critiques of the kitschy, dated, and shockingly bad amateur interior design found in online boudoir and personal ad photographs--with the bodies shaded out. Peruse a random selection of these photographs with a professional designer, for a lively critique of these truly "Obscene Interiors". Renowned designer and photographer Todd Oldham rolls out the welcome mat with an intriguing foreword.

This haunting jungle of a novel has been hailed as "a masterpiece" by Luis Bunuel and "one of the great novels not only of Spanish America, but of our time" by Carlos Fuentes. The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader's mind. (Verba Mundi)

Few books have caused as big a stir as John Steinbeck's The Grapes of Wrath, when it was published in April 1939. By May, it was the nation's number one bestseller, but in Kern County, California the Joads' newfound home the book was burned publicly and banned from library shelves. Obscene in the Extreme tells the remarkable story behind this fit of censorship.When W. B. Bill” Camp, a giant cotton and potato grower, presided over its burning in downtown Bakersfield, he declared: We are angry, not because we were attacked but because we were attacked by a book obscene in the extreme sense of the word.” But Gretchen Knief, the Kern County librarian, bravely fought back. If that book is banned today, what book will be banned tomorrow?”Obscene in the Extreme serves as a window into an extraordinary time of upheaval in America a time when, as Steinbeck put it, there seemed to be a revolution . . . going on.”

During the period 1900-1940 novels and poems in the UK and US were subject to strict forms of censorship and control because of their representation of sex and sexuality. At the same time, however, writers were more interested than ever before in writing about sex and excrement, incorporating obscene slang words into literary texts, and exploring previously uncharted elements of the modern psyche. This book explores the far-reaching literary, legal and philosophical consequences of this historical conflict between law and literature. Alongside the famous prosecutions of D. H. Lawrence's The Rainbow and James Joyce's Ulysses huge numbers of novels and poems were altered by publishers and printers because of concerns about prosecution. Far from curtailing the writing of obscenity, however, censorship seemed to stimulate writers to explore it further. During the period covered by this book novels and poems became more experimentally obscene, and writers were intensely interested in discussing the author's rights to free speech, the nature of obscenity and the proper parameters of literature. Literature, seen as a dangerous form of corruption by some, was identified with sexual liberation by others. While legislators tried to protect UK and US borders from obscene literature, modernist publishers and writers gravitated abroad, a development that prompted writers to defend the international rights of banned authors and books. While the period 1900-1940 was one of the most heavily policed in the history of literature, it was also the time when the parameters of literature opened up and writers seriously questioned the rights of nation states to control the production and dissemination of literature.

Humberto who lives and works at a convent home for old women loses his sanity as he becomes obsessed with black magic and his duty to protect a monstrous child

You don't have to be a sports fan to love "The Obscene Diaries of a Michigan Fan." Craig Ross has written a comic gem about college sports and sports personalities in America. Packed with fresh and funny insights, "Obscene Diaries" is the perfect mix of serious analysis, wild imagination and sports lore. The author's obsession with all aspects of sports in our culture is contagious.

Book is in NEW condition. 1.04

The Obscene Madame D is the first work by acclaimed Brazilian author Hilda Hilst to be published in English. Radically irreverent and formally impious, this novel portrays an unyielding radical intelligence, a sixty-year-old woman who decides to live in the recess under the stairs. In her diminutive space, Madame D―for dereliction―relives the perplexity of her recently deceased lover who cannot comprehend her rejection of common sense, sex, and a simple life, in favor of metaphysical speculations that he supposes to be delusional and vain.

Certain hospitals in Paris contain illustrated phenomena that have remained unseen, by the French and the world at large, until now. In The Obscene Image, photographer Gilles Tondini reveals the frenzied frescos created by doctors and nurses who use hospital break rooms to let off steam and maintain sanity as they work to save lives. In these rooms – known as salles de garde – the rules of decorum observed throughout the rest of the hospital take a leave of absence in the name of relieving stress.  Graphic, sexually charged, saturated with color and lewd references, these images manifest all the frustrations, stresses, highs and lows that medical professionals anywhere must deal with in their quests to keep people healthy. These manic murals provide visually compelling insight into how the medical professionals of 12 hospitals in the greater Paris area try to keep themselves healthy. Along with all of its sexual content, the imagery in The Obscene Image draws from high and low cultures, from the Bible's Last Judgment and chivalric tales to comic book heroes and villains.

Fifteen short stories chronicle the struggles of proud, indomitable women to preserve their humanity and dignity in the face of ceaseless erosion of moral stability

This haunting jungle of a novel has been hailed as "a masterpiece" by Luis Bunuel and "one of the great novels not only of Spanish America, but of our time" by Carlos Fuentes. The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader's mind. (Verba Mundi)

The Obscene Madame D is the first work by acclaimed Brazilian author Hilda Hilst to be published in English. Radically irreverent and formally impious, this novel portrays an unyielding radical intelligence, a sixty-year-old woman who decides to live in the recess under the stairs. In her diminutive space, Madame D―for dereliction―relives the perplexity of her recently deceased lover who cannot comprehend her rejection of common sense, sex, and a simple life, in favor of metaphysical speculations that he supposes to be delusional and vain.

The book is the first study of the 10th century Iraqi poet Ibn al-Hajjaj who popularized a new genre of obscene and scatological parody (sukhf) and is considered the most obscene poet in Arabic literature. Antoon traces the genealogy of this fascinating genre in and examines its rise by placing it in its sociopolitical context.

The book is the first study of the 10th century Iraqi poet Ibn al-Hajjaj who popularized a new genre of obscene and scatological parody (sukhf) and is considered the most obscene poet in Arabic literature. Antoon traces the genealogy of this fascinating genre in and examines its rise by placing it in its sociopolitical context.

The pervasive and unrestrained use of obscenity has long been acknowledged as a major feature of fifth-century Attic Comedy; no other Western art form relies so heavily on the sexual and scatological dimensions of language. This acclaimed book, now in a new edition, offers both a comprehensive discussion of the dynamics of Greek obscenity and a detailed commentary on the terminology itself. After contrasting the peculiar characteristics of the Greek notion of obscenity to modern-day ideas, Henderson discusses obscenity's role in the development of Attic Comedy, its historical origins, varieties, and dramatic function. His analysis of obscene terminology sheds new light on Greek culture, and his discussion of Greek homosexuality offers a refreshing corrective to the idealized Platonic view. He also looks in detail at the part obscenity plays in each of Aristophanes' eleven surviving plays. The latter part of the book identifies all the obscene terminology found in the extant examples of Attic Comedy, both complete plays and fragments. Although these terminological entries are arranged in numbered paragraphs resembling a glossary, they can also be read as independent essays on the various aspects of comic obscenity. Terms are explained as they occur in each individual context and in relation to typologically similar terminology. With newly corrected and updated philological material, this second edition of Maculate Muse will serve as an invaluable reference work for the study of Greek drama.

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The pervasive and unrestrained use of obscenity has long been acknowledged as a major feature of fifth-century Attic Comedy; no other Western art form relies so heavily on the sexual and scatological dimensions of language. This acclaimed book, now in a new edition, offers both a comprehensive discussion of the dynamics of Greek obscenity and a detailed commentary on the terminology itself. After contrasting the peculiar characteristics of the Greek notion of obscenity to modern-day ideas, Henderson discusses obscenity's role in the development of Attic Comedy, its historical origins, varieties, and dramatic function. His analysis of obscene terminology sheds new light on Greek culture, and his discussion of Greek homosexuality offers a refreshing corrective to the idealized Platonic view. He also looks in detail at the part obscenity plays in each of Aristophanes' eleven surviving plays. The latter part of the book identifies all the obscene terminology found in the extant examples of Attic Comedy, both complete plays and fragments. Although these terminological entries are arranged in numbered paragraphs resembling a glossary, they can also be read as independent essays on the various aspects of comic obscenity. Terms are explained as they occur in each individual context and in relation to typologically similar terminology. With newly corrected and updated philological material, this second edition of Maculate Muse will serve as an invaluable reference work for the study of Greek drama.