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Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 1.55

Book is in NEW condition. 1.55

For anyone seeking the skills to get going in Gemara learning, look no further. This is a beautifully structured, step-by-step guide which will overcome the beginner's challenge to Gemara learning.

A glowing treasure now available to the English-speaking public! The trail-blazing work of Rav Yisrael Salanter, and his disciple, Rav Yitzchak Blazer illuminate the darkness of our generation with wisdom and insight. This classic Mussar work focuses on attaining closeness with G-d and on ethical introspection. This volume is a compendium of four classics of ethical thought: The Gates of Light, The Light of Israel, Paths of Light, and Stars of Light. This extraordinary book, translated into lucid, flowing English, will enable all who read it to reach a new spiritual dimension. Contains English text only.

For anyone seeking the skills to get going in Gemara learning, look no further. This is a beautifully structured, step-by-step guide which will overcome the beginner's challenge to Gemara learning.

A glowing treasure now available to the English-speaking public! The trail-blazing work of Rav Yisrael Salanter, and his disciple, Rav Yitzchak Blazer illuminate the darkness of our generation with wisdom and insight. This classic Mussar work focuses on attaining closeness with G-d and on ethical introspection. This volume is a compendium of four classics of ethical thought: The Gates of Light, The Light of Israel, Paths of Light, and Stars of Light. This extraordinary book, translated into lucid, flowing English, will enable all who read it to reach a new spiritual dimension. Contains English text only.

The theme of renewed life and consciousness expressed in the morning blessings is both timeless and universal. Yet inside the words of Modeh Ani, Netilat Yadayim, Asher Yatzar, Elokai Neshama, Birchot HaTorah, and the 15 blessings of Birchot HaShachar are concepts whose full richness and subtlety are not captured by conventional English translations and require elucidation in order to be adequately understood. Ohr HaShachar takes us on a journey through the morning blessings in search of greater clarity and depth, opening up the worlds that lie within the words. What do we mean by the word modeh? What does the term baruch really imply? What is the elusive kedusha to which the phrase asher kideshanu refers? Along the way, ideas such as tzadik v’ra lo and the story of Iyov, the Creation and Garden of Eden narratives, and many more central themes within Torah and Kabbalah are examined. The result is that the words recited each morning are infused with new meaning and contemporary relevance. Ohr HaShachar offers fresh insights along with traditional commentary, analysis of larger concepts as well as linguistic nuances within the text, plus dozens of visual diagrams and hundreds of notes.

George Ohr (1857-1918) was the most revolutionary art potter of his time. Working in the relative isolation of Biloxi, Mississippi, around the turn of the century, he transformed symmetrical wheel-thrown pots into unprecedented abstract configurations, nearly half a century before the nonrepresentational ideas of the Abstract Expressionists took hold. As an artist, Ohr's goal was to make no two pieces alike. Furthermore, he fulfilled the ideal of the Arts & Crafts movement by doing all of his own work - from digging the clay to firing the kiln. Ohr's eccentric forms and flamboyant personality led to his being dubbed The Mad Potter of Biloxi, but in fact he was an American icon of creativity. Today, his unique works are highly regarded and sought out by collectors and museums all over the country. This exquisitely designed volume contains over 300 unpublished works by Ohr, and features all new photography accompanied by an accessible text. The clarity and number of illustrations will make this b

The definitive and most up-to-date volume on the celebrated Biloxi artist, who was the most revolutionary art potter of his time. Called the Mad Potter of Biloxi, the Apostle of Individuality, and the self-proclaimed Greatest Art Potter on Earth, George Edgar Ohr (1857–1918) transformed wheel-thrown pots into ceramic works that were far ahead of their time. Though the unprecedented shapes and idiosyncratic glazes of Ohr’s creations were ridiculed by some during his lifetime, he was recognized as a genius by cognoscenti, who championed his work. Today, his ceramics are seen as forerunners of the American modernist movement and are prized by collectors and museums. This handsome volume, showcasing some 135 of Ohr’s masterpieces, accompanies a major exhibition at the Ohr-O’Keefe Museum of Art that will take place in the John S. and James L. Knight Gallery, four new Frank Gehry–designed, supersized, twisted steel "pod" buildings. All-new photographs of the objects—most never before publicly exhibited—illustrate Ohr’s ability to combine color and form to create vessels of incomparable delicacy. This volume is filled with new research and fresh insights into the life and work of one of America’s most singular and creative master artists.

The late nineteenth-century Biloxi potter, George Ohr, was considered an eccentric in his time but has emerged as a major figure in American art since the discovery of thousands of examples of his work in the 1960s. Currently, Ohr is celebrated as a solitary genius who foreshadowed modern art movements. While an intriguing narrative, this view offers a narrow understanding of the man and his work that has hindered serious consideration. Ellen J. Lippert, in her expansive study of Ohr and his Gilded Age context, counters this fable. The tumultuous historical moment that Ohr inhabited was a formative force in his life and work. Using primary documentation, Lippert identifies specific cultural changes that had the most impact on Ohr. Developments in visual display and the altered role of artists, the southerner redefined in the wake of the Civil War, interest in handicraft as an alternative to rampant mass production, emerging tenets of social thought seeking to remedy worker exploitation, and new assessments of morals and beauty as a result of collapsed ideals all played into the positioning Ohr purposefully designed for himself. The second part of Lippert's study applies these observations to Ohr's body of work, interpreting his stylistic originality to be expressions of the contradictions and oppositions particular to late nineteenth-century America. Ohr threw his inspiration into being both the sophisticate and the “rube,” the commercial huckster and the selfless artist, the socialist and the individualist, the “old-fashioned” craftsman and the “artist-genius.” He created art pottery as both a salable commodity and a priceless creation. His work could be ugly and deformed (or even obscene) and beautiful. Lippert reveals that far from isolated, Ohr and his creations were very much products of his inspired engagement with the late nineteenth century.

The late nineteenth-century Biloxi potter, George Ohr, was considered an eccentric in his time but has emerged as a major figure in American art since the discovery of thousands of examples of his work in the 1960s. Currently, Ohr is celebrated as a solitary genius who foreshadowed modern art movements. While an intriguing narrative, this view offers a narrow understanding of the man and his work that has hindered serious consideration. Ellen J. Lippert, in her expansive study of Ohr and his Gilded Age context, counters this fable. The tumultuous historical moment that Ohr inhabited was a formative force in his life and work. Using primary documentation, Lippert identifies specific cultural changes that had the most impact on Ohr. Developments in visual display and the altered role of artists, the southerner redefined in the wake of the Civil War, interest in handicraft as an alternative to rampant mass production, emerging tenets of social thought seeking to remedy worker exploitation, and new assessments of morals and beauty as a result of collapsed ideals all played into the positioning Ohr purposefully designed for himself. The second part of Lippert's study applies these observations to Ohr's body of work, interpreting his stylistic originality to be expressions of the contradictions and oppositions particular to late nineteenth-century America. Ohr threw his inspiration into being both the sophisticate and the “rube,” the commercial huckster and the selfless artist, the socialist and the individualist, the “old-fashioned” craftsman and the “artist-genius.” He created art pottery as both a salable commodity and a priceless creation. His work could be ugly and deformed (or even obscene) and beautiful. Lippert reveals that far from isolated, Ohr and his creations were very much products of his inspired engagement with the late nineteenth century.

The definitive and most up-to-date volume on the celebrated Biloxi artist, who was the most revolutionary art potter of his time. Called the Mad Potter of Biloxi, the Apostle of Individuality, and the self-proclaimed Greatest Art Potter on Earth, George Edgar Ohr (1857–1918) transformed wheel-thrown pots into ceramic works that were far ahead of their time. Though the unprecedented shapes and idiosyncratic glazes of Ohr’s creations were ridiculed by some during his lifetime, he was recognized as a genius by cognoscenti, who championed his work. Today, his ceramics are seen as forerunners of the American modernist movement and are prized by collectors and museums. This handsome volume, showcasing some 135 of Ohr’s masterpieces, accompanies a major exhibition at the Ohr-O’Keefe Museum of Art that will take place in the John S. and James L. Knight Gallery, four new Frank Gehry–designed, supersized, twisted steel "pod" buildings. All-new photographs of the objects—most never before publicly exhibited—illustrate Ohr’s ability to combine color and form to create vessels of incomparable delicacy. This volume is filled with new research and fresh insights into the life and work of one of America’s most singular and creative master artists.

George Ohr (1857-1918) was the most revolutionary art potter of his time. Working in the relative isolation of Biloxi, Mississippi, around the turn of the century, he transformed symmetrical wheel-thrown pots into unprecedented abstract configurations, nearly half a century before the nonrepresentational ideas of the Abstract Expressionists took hold. As an artist, Ohr's goal was to make no two pieces alike. Furthermore, he fulfilled the ideal of the Arts & Crafts movement by doing all of his own work - from digging the clay to firing the kiln. Ohr's eccentric forms and flamboyant personality led to his being dubbed The Mad Potter of Biloxi, but in fact he was an American icon of creativity. Today, his unique works are highly regarded and sought out by collectors and museums all over the country. This exquisitely designed volume contains over 300 unpublished works by Ohr, and features all new photography accompanied by an accessible text. The clarity and number of illustrations will make this b

Understanding the passions fueling three of America's most provocative pottersPottery, Politics, Art uses the medium of clay to explore the nature of spectacle, bodies, and boundaries. The book analyzes the sexual and social obsessions of three of America's most intense potters, artists who used the liminal potentials of clay to explore the horrors and delights of our animal selves.The book revives from undeserved obscurity the far-southern Illinois potting brothers Cornwall and Wallace Kirkpatrick (1814-90, 1828-96) and examines the significance of the haunting, witty, and grotesque wares of the brothers' Anna Pottery (1859-96). The book then traces the Kirkpatricks' decisive influence on a central figure in the American arts and crafts movement, George Ohr (1857-1918), known as "the Mad Potter of Biloxi" and arguably America's greatest potter. Finally, the book gives a new reading to Ohr's contorted yet lyrical and ecstatic works. Abundant full-color and black-and-white photographs illustrate this remarkable art, with images of many Kirkpatrick and Ohr works being published here for the first time.

408p brown cloth, dustjacket, first edition, very good, this copy a hint slanted

Unread book in perfect condition.

Misunderstood and unappreciated during his lifetime (1857-1918), George Ohr, America's archetypal artist-potter, pushed the form of the vessel beyond mere function to the point of abstraction. Today the genius of this radical and sophisticated artist has finally been recognized. His thin-walled, paper-light pots, labeled grotesque in his day, are now seen as a tour de force of delicacy and restraint and a stunning exploration of the plasticity of clay. Ruffling, twisting, tearing, and collapsing his fragile pots, Ohr anticipated much of what we take for granted in contemporary art and ceramics.Stunningly illustrated with 140 color images of his most important pieces, this landmark volume, winner of the George Wittenborn Award for outstanding art books from the Art Libraries Society of North America, presents the first major study of Ohr. Beautifully woven together, the text and images confirm a judgment the Mad Potter once passed on himself: "Unequaled! Unrivaled! Undisputed!" he wrote on a sign outside his shop, "Greatest Art Potter on Earth!"

When George Ohr's trove of pottery was discovered in 1967, years after his death, his true genius was discovered with it. The world could finally see how unique this artist really was!Born in 1856 in Biloxi, Mississippi, George grew up to the sounds of the civil war and political unrest. When he was 22, his boyhood friend introduced him to the pottery wheel. The lost young man suddenly found his calling."When I found the potter's wheel I felt it all over like a duck in water." He started creating strangely crafted pots and vases, expressing his creativity and personality through the ceramic sculptures. Eventually he had thousands at his fingertips. He took them to fairs and art shows, but nobody was buying these odd figures from this bizarre man. Eventually he retired, but not without hiding hundreds of his ceramics.Jan Greenberg and Sandra Jordan, authors of the award winning Ballet for Martha, approach this colorful biography with a gentle and curious hand.

Misunderstood and unappreciated during his lifetime (1857-1918), George Ohr, America's archetypal artist-potter, pushed the form of the vessel beyond mere function to the point of abstraction. Today the genius of this radical and sophisticated artist has finally been recognized. His thin-walled, paper-light pots, labeled grotesque in his day, are now seen as a tour de force of delicacy and restraint and a stunning exploration of the plasticity of clay. Ruffling, twisting, tearing, and collapsing his fragile pots, Ohr anticipated much of what we take for granted in contemporary art and ceramics.Stunningly illustrated with 140 color images of his most important pieces, this landmark volume, winner of the George Wittenborn Award for outstanding art books from the Art Libraries Society of North America, presents the first major study of Ohr. Beautifully woven together, the text and images confirm a judgment the Mad Potter once passed on himself: "Unequaled! Unrivaled! Undisputed!" he wrote on a sign outside his shop, "Greatest Art Potter on Earth!"

Double sided disc - one side stereo audio CD other side DVD with audio only content in DLT & DOLBY 5. 1 surround sound. electro-acoustic composition based on train sounds. great high end lisrtening experience by and first collaborative release by cologne composers randomiz & schulz. f. x. randomiz first release since 2000 !