52 products were found matching your search for Oklitz Steven Nationalstolz 20 in 5 shops:

First came wood, then came canvas, and now we introduce our Framed Giclee Textured Wall Art. We start with a giclee lithograph mounted on wood, and finish it with a texturized brush stroke finish. We didn't stop there though as we fit it within a 1.5 in. thick ebony wood grain frame to add depth and dimension. Ready to hang. Color: Blue.

First came wood, then came canvas, and now we introduce our Framed Giclee Textured Wall Art. We start with a giclee lithograph mounted on wood, and finish it with a texturized brush stroke finish. We didn't stop there though as we fit it within a 1.5 in. thick ebony wood grain frame to add depth and dimension. Ready to hang. Color: Blue.

Proudly made in the USA, our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Color: Blue.

Our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Not to mention, at this size, it is sure to be the focal point of any room! Stupell Industries has been providing quality wall art and decorative accessories for over forty years. Offering wall art and home decor in a variety of themes, mediums and sizes. Stupells products range from canvas wall art, wood wall art, and framed gicle art. No matter the style, our modern, contemporary, traditional, or baby wall art and home decor is crafted with the utmost consideration and care. All of our products are brought to life at our facilities in Johnston, RI. Color: Multi-Colored.

Color/pattern: yellow Design details: ready to hang Measures 16in x 1.5in x 20in Canvas Wipe clean with dry cloth/duster Made in the USA

Color/pattern: green Design details: ready to hang Measures 16in x 1.5in x 20in Canvas Wipe clean with dry cloth/duster Made in the USA

Nellie R. Stevens holly has dark green, glossy leaves, and produces white flowers in the spring and bright red berries in the fall. Leaves are among the darkest of any plant. Vigorous and fast-growing, this Holly quickly grows into an attractive, broad pyramidal-shaped evergreen, 20 to 30 feet high and 10 to 12 feet wide.

(Ukulele). 20 songs to strum & sing, including: Another Saturday Night * Can't Keep It In * Father and Son * The First Cut Is the Deepest * Hard Headed Woman * Moon Shadow * Morning Has Broken * Oh Very Young * Peace Train * Thinking 'Bout You * Where Do the Children Play * Wild World * and more.

, 51 pages, with 20 coloured illustrations, poetry inspired by Picasso's 'The Old Guitarist'

Octavo, [20cm/8in], paperbound with pictorial covers, pp. 341 Fully illustrated with b-w halftones

(Easy Piano Personality). A great compilation of over 20 of his best arranged at an easier level, including: Another Saturday Night * Can't Keep It In * Father and Son * The First Cut Is the Deepest * Hard Headed Woman * Miles from Nowhere * Moon Shadow * Morning Has Broken * Oh, How Young * Peace Train * Two Fine People * Sitting * Wild World * The Wind * and more.

Telling Stories, based on the Rockwell collections of George Lucas and Steven Spielberg, is the first book to chart the connections between Rockwell’s iconic depictions of American life and the movies. Rockwell, the quintessential American mythmaker of the 20th century, was a storyteller on a par with the great Hollywood directors of his time, and touched the lives of the two most successful directors of our day. Within Rockwell’s art, the fantasies and foibles of ordinary people are given life, central among them the themes of love of country, the sanctity of family, and the value of personal honor. Telling Stories, which accompanies an exhibition at the Smithsonian American Art Museum, is richly illustrated with Rockwell images, photographs, and film stills.Also Available: Norman Rockwell Pop-Up Advent Calendar (ISBN: 978-1-4197-3273-7) 

A definitive portrait of one of Hollywood's most famous directors is based on extensive interviews with friends, family, and colleagues and explores the man behind some of the most popular movies of all time, including E.T. and Jurassic Park. 20,000 first printing.

, 51 pages, with 20 coloured illustrations, poetry inspired by Picasso's 'The Old Guitarist'

(Easy Piano Personality). A great compilation of over 20 of his best arranged at an easier level, including: Another Saturday Night * Can't Keep It In * Father and Son * The First Cut Is the Deepest * Hard Headed Woman * Miles from Nowhere * Moon Shadow * Morning Has Broken * Oh, How Young * Peace Train * Two Fine People * Sitting * Wild World * The Wind * and more.

It’s time to set the record straight about Steven Avery.The Netflix series Making a Murderer was a runaway hit, with over 19 million US viewers in the first 35 days. The series left many with the opinion that Steven Avery, a man falsely imprisoned for almost 20 years on a previous, unrelated assault charge, had been framed by a corrupt police force and district attorney’s office for the murder of a young photographer. Viewers were outraged, and hundreds of thousands demanded a pardon for Avery. The chief villain of the series? Ken Kratz, the special prosecutor who headed the investigation and trial. Kratz’s later misdeeds prescription drug abuse and sexual harassment only cemented belief in his corruption.This book tells you what Making a Murderer didn’t.While indignation at the injustice of his first imprisonment makes it tempting to believe in his innocence, Avery: The Case Against Steven Avery and What Making a Murderer Gets Wrong and the evidence shared inside examined thoroughly and dispassionately prove that, in this case, the criminal justice system worked just as it should.With Avery, Ken Kratz puts doubts about Steven Avery’s guilt to rest. In this exclu- sive insider’s look into the controversial case, Kratz lets the evidence tell the story, sharing details and insights unknown to the public. He reveals the facts Making a Murderer conveniently left out and then candidly addresses the aftermath openly discussing, for the first time, his own struggle with addiction that led him to lose everything.Avery systematically erases the uncertainties introduced by the Netflix series, confirming, once and for all, that Steven Avery is guilty of the murder of Teresa Halbach.

Internationally collected, award winning artist, Roderick E. Stevens II was handed his first set of oils at the age of seven. His love for painting was promptly born. In high school, he began exploring realism, and simultaneously discovered acrylics which seemed to better accommodate his impatient nature. Early on however, film making grabbed his attention, and cinematography became his career of choice, nudging painting to 'occasional hobby' for many years. In 2004 a cataclysm of turmoil sent him back to the palette for some personal focus and his talents re-emerged. Since then Roderick has traveled the country in art shows and galleries sharing his contemporary, photo-realistic paintings. His work has quickly garnered critical praise and numerous awards. Color: Multi.

A new 21st century individualism is overtaking “corporation-as-king” capitalism, transforming the way we work and live. Today, real power rests in the hands of creative individuals like Bill Gates, Warren Buffett, Oprah Winfrey, and Steven Spielberg, who are changing the world one great idea at a time. In THE 80/20 INDIVIDUAL, Richard Koch reveals the secret of their success: they discovered what they do better than anyone else and rode it for all its worth. In this inspiring sequel to his classic bestseller THE 80/20 PRINCIPLE, Koch shows how to maximize success in your career and life by using the proven principle that 80 percent of changes in the world result from the most powerful 20 percent of actions and ideas. He’ll show how to use your own powerful “20 percent spike” – your most creative ideas and unique skills – to measure the amount of value you bring to your employer, clients or customers. For most people, there is a huge disparity between their intrinsic value and the compensation they receive for their efforts. THE 80/20 INDIVIDUAL shows how to narrow that gap. Drawing from his own success as an entrepreneur, as well as from the stories of scores of companies and individuals who have flourished as a result of an 80/20 mind-set, Koch offers a step-by-step method to remodeling a career or existing business, or creating a new one – one that most benefits you. He provides valuable insights on finding 80/20 partners, hiring 80/20 employees, and running an 80/20 business. By building a team that supports your efforts and excels in areas where you lack experience or knowledge, you’ll be able to focus your time and energy on your strengths. Productivity and profits will soar because you’ll be doing what you do best and enjoy the most. By using the 80/20 strategies outlined in the book, you can take control of your career and financial future.

There's a lot more to the Badger State than badgers; it's also filled to the brim with weirdness. Visit Burlington's Spinning Top Museum and recoil at the worm shower of Palmyra. Take a look at Highway 13's Reptile Man, see the World's Largest Six Pack, then get spooked over the haunted bridges of Stevens Point. From Madison's Loony Lawyer to the Wily Wizard of Waukesha, this indispensible guide takes you on a journey you'll never forget.

Most art books are not in the first person, so while there is some truth to the analyses, some things are always off. Robert C. Jackson set out to interview 20 contemporary representational artists (himself included) and showcase their artwork within the context of their interviews. Here you will meet Steven Assael, Bo Bartlett, Debra Bermingham, Margaret Bowland, Paul Fenniak, Scott Fraser, Woody Gwyn, F. Scott Hess, Laurie Hogin, Robert C. Jackson, Alan Magee, Janet Monafo, John Moore, Charles Pfahl, Scott Prior, Stone Roberts, Sandra Mendelsohn Rubin, Daniel Sprick, Will Wilson, and Jerome Witkin. Each of these artists has a very elusive quality–a unique voice. Seeing their work from across a room they are all recognizable. Their artworks are showcased in this large book with more than 140 images of their paintings as well as photographs of the artists in their studios and an epilogue by Pamela Sienna.