68 products were found matching your search for Oliveira Richard da Silva in 4 shops:

Primo's Da Silva Fork comes straight from the mind of Miki Fleck, with all the features and geometry he needs. This heavy-duty, heavy hitting, all-purpose fork is built from post-weld heat treated 4130 chromoly that's insanely strong and durable. Tapered legs, and integrated headset bearing race and 7mm thick custom molded dropouts finish the Da Silva Forks. ###section### Product Specs Steerer Length: 164mm Steerer Diameter: 1 1/8" Wheel Size: 20" Material: 100% chromoly Dropout Size: 10mm Offset: 28mm Weight: TBC

Tome seul du catalogue raisonné. In-folio reliure éd. sous jaquette 34 cm sur 25. 733 pages. Édition originale. Très bon état d'occasion.

Usually dispatch in 4/5 days --- Pages: 270 --- Editora: Afluente --- Sinopse: Chico da Silva foi um fenômeno sem precedentes no meio artístico do Brasil. Foi autor de uma pintura que quase todos nossos pais e avós tinham na parede de suas casastrazidas como souvenir de uma viagem ao exótico e ensolarado Nordeste brasileiro dos a

Vendeur pro. Envoi soigné en 24/48h

Tom Silva, Richard Trethewey, Steve Thomas

In this engaging memoir, Brazilian cabinet member Benedita da Silva shares the inspiring story of her life as an advocate for the rights of women, people of color, and the poor, and argues persuasively for economic and social human rights in Brazil and everywhere.

Maria Elena Vieira da Silva, French, b. 1908 ""When I paint a landscape or a seascape, I'm not very sure it's a landscape or a seascape. It's a thought form rather than a realistic form."" Thus did Maria Elena Vieira da Silva explain her approach to her art, which is almost always completely abstract. Although she was generally regarded as Portugal's greatest contemporary artist, Vieira da Silva spent six decades of her life in France, where she became a naturalized citizen in 1956. Born in Lisbon, Vieira da Silva began seriously studying drawing and painting at that city's Academia de Belas- Artes when she was only 11. At 16, she expanded her artistic interests to include the study of sculpture. Three years later she moved to Paris.

The homicide case that convicted young Kevin Shea and sent him to the slammer looked hopeless - and the perfect puzzle for Jane da Silva. Under the terms of an eccentric uncle's will, Jane has to right a wrong and solve an uncrackable conundrum twice a year before she can inherit the estate. With her fortieth birthday looming in the not-so-distant future and a so-so career as a cabaret singer in the fast-fading past, Jane has both an unslaked champagne taste and a willingness to risk her pretty neck snooping where nice girls don't...and earn her inheritance the hard way.As for Kevin Shea, he has had one foot firmly planted in trouble all his life. Formerly a pill-head and going-nowhere teenager, he graduated to armed robbery at a local drugstore, botching the attempt and leaving a woman dead. Kevin says he didn't shoot her. Even his own mother doesn't believe him and the DA tagged it an open and shut case. All Jane has to reopen it is a call from Kevin's lawyer. It seems there's a remote possibility that a key witness exists - somewhere.

Júnia Ferreira Furtado offers a fascinating study of the world of a freed woman of color in a small Brazilian town where itinerant merchants, former slaves, Portuguese administrators, and concubines interact across social and cultural lines. The child of an African slave from the Costa da Mina and a Brazilian military nobleman of Portuguese descent, Chica da Silva won her freedom using social and matrimonial strategies. But the story of Chica da Silva is not merely the personal history of a woman, or the social history of a colonial Brazilian town. Rather, it provides a historical perspective on a woman's agency, the cultural universe she inhabited, and the myths that were created around her in subsequent centuries, as Chica de Silva came to symbolize both an example of racial democracy and the stereotype of licentiousness and sensuality always attributed to the black or mulatta female in the Brazilian popular imagination.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.92

Aonia edizioni. Il notaio Francesco da Silva roga a Castelgenovese (odierno Castelsardo) e nel territorio di pertinenza, l'Anglona, fra il 1321 ed il 1326. Attraverso l'edizione e l'analisi del cartulare (un complesso di 106 atti), Alessandro Soddu e Enrico Basso offrono un quadro nitido sulla società, l'economia, il popolamento e le istituzioni della Sardegna nord-occidentale del primo quarto del XIV secolo. Enrico Basso propone uno studio articolato della fonte sotto l'aspetto paleografico e diplomatistico, esaminando la vita e l'attività pubblica del Da Silva, nella duplice veste di notaio privato e di cancelliere di Brancaleone Doria. Alla signoria dei Doria a Castelgenovese e in Anglona è dedicato il saggio di Alessandro Soddu, che ricostruisce l'origine delle fortune della casata genovese in Sardegna e analizza quindi i caratteri del loro dominio locale, puntualizzandone gli aspetti sociali ed economici, sullo sfondo delle vicende mediterranee del Trecento.

Aonia edizioni. Il notaio Francesco da Silva roga a Castelgenovese (odierno Castelsardo) e nel territorio di pertinenza, l'Anglona, fra il 1321 ed il 1326. Attraverso l'edizione e l'analisi del cartulare (un complesso di 106 atti), Alessandro Soddu e Enrico Basso offrono un quadro nitido sulla società, l'economia, il popolamento e le istituzioni della Sardegna nord-occidentale del primo quarto del XIV secolo. Enrico Basso propone uno studio articolato della fonte sotto l'aspetto paleografico e diplomatistico, esaminando la vita e l'attività pubblica del Da Silva, nella duplice veste di notaio privato e di cancelliere di Brancaleone Doria. Alla signoria dei Doria a Castelgenovese e in Anglona è dedicato il saggio di Alessandro Soddu, che ricostruisce l'origine delle fortune della casata genovese in Sardegna e analizza quindi i caratteri del loro dominio locale, puntualizzandone gli aspetti sociali ed economici, sullo sfondo delle vicende mediterranee del Trecento.

Vieira da Silva: L' il du labyrinthe est un ouvrage incontournable pour tous les admirateurs de l'artiste portugaise. Ce catalogue d'exposition retrace le parcours exceptionnel de Vieira da Silva, figure majeure de l'art moderne. À travers une analyse approfondie de son uvre, ce livre explore les thèmes récurrents de son art : les labyrinthes, les villes, les paysages intérieurs. Une plongée dans l'univers envoûtant d'une artiste qui a su réinventer la peinture. Reliure : Cartonnée contrecollée Pages : 256 Format : 24 x 19 cm Langue : Français / English EAN/ISBN : 9782382030639

Everyone in Cape Verde knows Senor da Silva. Successful entrepreneur, owner of the island's first automobile, a most serious, upright, and self-made businessman, Senor da Silva is the local success story. Born an orphan, he never married, he never splurged--one good suit was good enough for him--and he never wandered from the straight and narrow. Or so everyone thought. But when Senor da Silva's 387-page Last Will and Testament is read aloud--a marathon task on a hot afternoon which exhausts reader after reader--there's eye-opening news, and not just for the smug nephew so certain of inheriting all Senor da Silva's property. With his will, Senor da Silva leaves a memoir that is a touching web of elaborate self-deceptions. He desired so ardently to prosper, to be taken seriously, to join (perhaps, if they'll have him) the exclusive Gremio country club, and, most of all, to be a good man. And yet, shady deals, twists of fate, an illegitimate child: such is the lot of poor, self-critical Senor da Silva. A bit like Calvino's Mr. Palomar in his attention to protocol and in his terror of life's passions; a bit like Calvino's Mr. Palomar in his attention to protocol and in his terror of life's passions; a bit like Svevo's Zeno (a little pompous, a little old-fashioned, and often hapless), Senor da Silva moves along a deliciously blurry line between farce and tragedy: a self-important buffoon becomes a fully human, even tragic, figure in the arc of this hilarious and touching novel - translated into Spanish, German, French, Italian, Dutch, Norwegian, Swedish, and now, at last, English.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Este pequeno libro te da los implementos correctos y un enfoque adecuado para pensar, tener inspiracion y creatividad, restablecer la ambicion y redirigir la atencion a las cosas que realmente importan. Y eso puede cambiar tu vida. Corto y potente con consejos rapidos y graficos inspiradores, El Pequeno Libro para pensar en grande tendra su imaginacion, creatividad y determinacion a toda maquina. Usted saldra con un conjunto de metas grandes para alimentar y conducir su vida en grande. / With the right thinking tools and the right approach, you can release your inspiration and creativity, reset your ambition, and direct your attention to the things that truly matter to you. The Little Book of Thinking Big will have your imagination, creativity and determination firing on all cylinders.

Das Buch zeigt die Begegnung und gemeinsame Arbeit zweier Künstler, die aus unterschiedlichen Kulturkreisen stammen. Beide verbindet eine ähnliche Wertschätzung der Erde - auf der sie leben und mit der sie arbeiten. Der Brite Richard Long verwendet für seine Werke Naturmaterialien, die er in Form archetypischer Zeichen auslegt - Kreise aus Steinen und Spuren aus Wasser und Schlamm. Jivya Soma Mashe, aus dem indischen Stamm der Warli, zeichnet Szenen aus dem Alltag und Warli-Legenden in einem piktogrammhaften, archaischen Stil auf mit Kuhdung präparierte Leinwände.

War Requiem: Sinfonia Da Requiem Richard Hickox - CD 095115500729

The first edition, which was published in 1986 and which intended to supplement the comprehensive grammars of Prakrit by Richard Pischel (1900) and Pali by Wilhelm Geiger (1916), has been out of print for more than a decade. Consequently, it seems useful and necessary to present a revised text by including the impressive progress of research on Middle Indic achieved during the past fifteen years. Although the overall arrangement of the material has not been changed, the individual paragraphs have been thoroughly checked and were, in many cases, also rewritten. Aim and purpose of this survey continues to be an introduction into the history and development of the grammar of the early Middle Indic languages. For this reason, first of all Pali and Ardhamagadhi, the old languages of Buddhism and Jainism respectively, are taken into consideration. In contrast to the grammars by Pischel and Geiger, Middle Indic inscriptions have also been adduced. Lastly, the rich finds of new material written in Gandhari, the Northwestern Prakrit, have been included as far as the present state of knowledge allows. In addition to a description of the grammar, the survey also offers a brief introduction into the literary and epigraphical source material most important for the study of Middle Indic languages.

Anton Urspruch was Franz Liszt's favorite pupil and saw himself as a 'progressive modernist.' His music, whilst influenced by his teacher, and by Wagner, diverged from the paths taken by contemporaries such as Reger and Richard Strauss. His masterpiece, the comic opera Das Unmoglichste von Allem, is constructed on a symphonic scale with a series of amusing plot lines powered by tuneful and inventive writing. Although the opera was well received early on by both critics and musicians, after Urspr