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SuperSummary, a modern alternative to SparkNotes and CliffsNotes, offers high-quality study guides for challenging works of literature. This 79-page guide for “Harvest Of Empire” by Juan Gonzalez includes detailed chapter summaries and analysis covering 14 chapters, as well as several more in-depth sections of expert-written literary analysis. Featured content includes commentary on major characters, 25 important quotes, essay topics, and key themes like Dueling Narratives: The American Dream and the American Nightmare and The Us/Them Dichotomy.

SuperSummary, a modern alternative to SparkNotes and CliffsNotes, offers high-quality study guides for challenging works of literature. This 79-page guide for “Harvest Of Empire” by Juan Gonzalez includes detailed chapter summaries and analysis covering 14 chapters, as well as several more in-depth sections of expert-written literary analysis. Featured content includes commentary on major characters, 25 important quotes, essay topics, and key themes like Dueling Narratives: The American Dream and the American Nightmare and The Us/Them Dichotomy.

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Texas folklorist J. Frank Dobie, in Vaquero of the Brush Country, called Juan Nepomuceno Cortina "the most striking, the most powerful, the most insolent, and the most daring as well as the most elusive Mexican bandit, not even excepting Pancho Villa, that ever wet his horses in the muddy water of the Rio Bravo." Juan Cortina and the Texas Mexico Frontier, 1859-1877 is the story of an illiterate Brownsville ranchero who rose to become a rugged and fearless frontier "caudillo" and governor of Tamaulipas. Jerry Thompson has compiled the first schorlarly work on Cortina in 40 years. Using nine of Cortina's pronunciamentos," Thompson sees his subject as more than a "social bandit," someone who simply reacted to the evils of a racist society that suppressed the Mexican-Texans socially, economically and politically. Thompson says, "He shot the Brownsville marshal, ambushed Texas Rangers, captured the U.S. mail, defeated the Matamoros militia, battled the U.S. army, harassed the Confederate Army, ambushed French Imperialists, attacked Mexican liberals, and fought anyone who dared get in his way." He shows Cortina to have been among the most important political and military figures on the border during much of the 19th century, a folk-hero to many Tejanos and Mexicanos, a man whose disputed legacy remains an integral part of the history of both Texas and Mexico.

Hardcover with dust jacket. Ex-Libris with usual library matter. Dust jacket slightly worn on facing and along spine in mylar. Wear on upper edge of text. Else good 188 pp.

Texas folklorist J. Frank Dobie, in Vaquero of the Brush Country, called Juan Nepomuceno Cortina "the most striking, the most powerful, the most insolent, and the most daring as well as the most elusive Mexican bandit, not even excepting Pancho Villa, that ever wet his horses in the muddy water of the Rio Bravo." Juan Cortina and the Texas Mexico Frontier, 1859-1877 is the story of an illiterate Brownsville ranchero who rose to become a rugged and fearless frontier "caudillo" and governor of Tamaulipas. Jerry Thompson has compiled the first schorlarly work on Cortina in 40 years. Using nine of Cortina's pronunciamentos," Thompson sees his subject as more than a "social bandit," someone who simply reacted to the evils of a racist society that suppressed the Mexican-Texans socially, economically and politically. Thompson says, "He shot the Brownsville marshal, ambushed Texas Rangers, captured the U.S. mail, defeated the Matamoros militia, battled the U.S. army, harassed the Confederate Army, ambushed French Imperialists, attacked Mexican liberals, and fought anyone who dared get in his way." He shows Cortina to have been among the most important political and military figures on the border during much of the 19th century, a folk-hero to many Tejanos and Mexicanos, a man whose disputed legacy remains an integral part of the history of both Texas and Mexico.

By David Pullins and Vanessa K. Valdés With essays by Luis Méndez Rodriguez and Erin Kathleen Rowe Diego Velázquez's portrait of Juan de Pareja (ca. 1608-1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue-the first scholarly monograph on Pareja- discusses the painter's ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain's Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville's multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg's project to recover Pareja's legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja. David Pullins is associate curator in the Department of European Paintings at The Metropolitan Museum of Art, New York. Vanessa K. Valdés is associate provost for community engagement at the City University of New York.

Originally published in 1924, this study of the Don Juan legend is a powerful interpretation of one of the most popular themes in Western culture. Also valuable for the insights it offers into Rank's thought immediately before his break with Freud, the book has not been available in English until now. Rank's study draws on psychoanalysis, literature, history, and anthropology to suggest some psychological mechanisms that operate both within the principal characters of the legend and within the audience or reader.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Discover the Five Points - and the Secrets of Using Them Long out of print and widely sought after, The Five Points in Magic is Juan Tamarizs highly regarded study of the physical and psychological secrets that use the body to fool the mind. He shows in detail how each of these five possessions - THE EYESTHE VOICETHE HANDSTHE FEETTHE BODYcan be marshaled to create entertaining and seemingly impossible happenings. In The Five Points in Magic, Juan Tamariz teaches magicians that it is not the hands alone that deceive, but also the feet, the body, the eyes and the voice. It is only through a full understanding of all five of these tools of nature and communication that the conjurer can spin a complete web of illusion that traps and then transports his audiences into the astonishing realm he has prepared for them. These five tools are essential and invaluable to the stage conjurer and the close - up magician alike, and they are clearly analyzed and taught by Tamariz from his vantage point of years of successful professional performance in both venues. Tamariz enhances the clarity of his ideas and explanations with solid examples drawn from his own repertoire. As the reader learns seminal principles, he also learns these professional effects and techniques - The Appearing Card on HandkerchiefCrossing the GazDouble Crossing the GazeThe Ribbonspread ForceAls Topper (a book test)Protean PokerUpper Cut (a Tamarisian study of Larry Jenningss Coin Cut)There is no other book that so quickly, efficiently and entertainingly puts into the readers hands the tools required to raise his performances to a level of true professionalism and draw his audiences into the world of magic. The text and design of this new edition have been revised to provide added clarity for readers of this valuable modern classic of magic. Pages 94 - Hardcover

A classic of Cuban literature , this novel reflects the life and times of Cubans at the beginning of the Republic and makes a strong critique against the social injustices of the times. The narration reads with interest and enjoyment, while informing about the realities of Cuba s past. Contains a study and notes by Professor Carlos Ripoll. Spanish- Un clásico de la literatura cubana. Novela que refleja las formas de vida de los cubanos a principios de la República. Una novela que se lee con interés y disfrute, que informa y amplía el conocimiento sobre la realidad del pasado cubano.

This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years. It contains innovative analyses of a selection of short stories from Rulfo's collection, El llano en llamas (1953). It also examines in great depth two of the main characters of Pedro Páramo (1955), Rulfo's masterpiece and only novel. The book shows how Rulfo's works can be read as exercises in irony directed against the rhetoric of post-Revolutionary Mexican governments. It also demonstrates the relevance of certain legacies of colony in Rulfo's use of irony. Successive Mexican governments promoted a vision of post-Revolutionary society founded on specific notions of ethnicity, family, nation, education, religion and rural politics. The author combines examination of the speeches, images and newspaper articles which disseminated this vision with incisive literary analyses of Rulfo's work. These analyses are informed both by his original theory of irony, based on "internal" and "external" referents, and by existing postcolonial theories, particularly those of Homi K. Bhabha. Amit Thakkar is a Lecturer in Hispanic Studies at Lancaster University.

This is the first extended, English-language study to focus exclusively on the fiction of Juan Rulfo in over twenty years. It contains innovative analyses of a selection of short stories from Rulfo's collection, El llano en llamas (1953). It also examines in great depth two of the main characters of Pedro Páramo (1955), Rulfo's masterpiece and only novel. The book shows how Rulfo's works can be read as exercises in irony directed against the rhetoric of post-Revolutionary Mexican governments. It also demonstrates the relevance of certain legacies of colony in Rulfo's use of irony. Successive Mexican governments promoted a vision of post-Revolutionary society founded on specific notions of ethnicity, family, nation, education, religion and rural politics. The author combines examination of the speeches, images and newspaper articles which disseminated this vision with incisive literary analyses of Rulfo's work. These analyses are informed both by his original theory of irony, based on "internal" and "external" referents, and by existing postcolonial theories, particularly those of Homi K. Bhabha. Amit Thakkar is a Lecturer in Hispanic Studies at Lancaster University.

Juan Rulfo, 1917-1986, is one of the three greatest writers of twentieth-century Mexico together with Carlos Fuentes and Octavio Paz. A Companion to Juan Rulfo is the most comprehensive modern study of Rulfo. The first sections situate his life and work in the historical and political context of the Mexican Revolution and Cristero Wars and within the interlinking currents of specifically national and wider Western literary and cultural traditions. Later sections offer detailed analyses of the short stories, El Llano en llamas, the novel Pedro Paramo, the novella El gallo de oro and of Rulfo's substantial photographic work, the importance of which has only recently been grasped. Throughout the study the focus is to bring into a productive dialogue the different dimensions of Rulfo's texts: the materiality of his hauntingly strange poetic prose, the disturbing instability of meaning and identity, the alienation caused by violence and injustice. Steven Boldy is Professor of Latin American Literature at the University of Cambridge.

The plays of Ruiz de Alarcón, a significant dramatist in the Spanish Golden Age, show in many of their plots a preoccupation with deception, which Whicker believes reflects Alarcón's fundamental concern about truth-telling in literature. His study of Alarcón's comedias stresses the seriousness and moral orthodoxy of the playwright and his concern with how simulation and dissimulation can be viewed both positively and negatively in theatre as well as in life. In support of his argument for the seriousness of Alarcón's theatre - his challenge to his audience to think hard and clear about his play, particularly over the issue of illusion, deception and dissimulation - Whicker focuses on the moral arguments perceived in Alarcón's theatre, and their reference to serious literary-moral issues current in the Golden Age; he tests the relevance of his argument against contemporary circumstances, the ethics of privanza in particular. JULES WHICKER lectures in the department of Hispanic studies, University of Birmingham.

Juan Rulfo, 1917-1986, is one of the three greatest writers of twentieth-century Mexico together with Carlos Fuentes and Octavio Paz. A Companion to Juan Rulfo is the most comprehensive modern study of Rulfo. The first sections situate his life and work in the historical and political context of the Mexican Revolution and Cristero Wars and within the interlinking currents of specifically national and wider Western literary and cultural traditions. Later sections offer detailed analyses of the short stories, El Llano en llamas, the novel Pedro Paramo, the novella El gallo de oro and of Rulfo's substantial photographic work, the importance of which has only recently been grasped. Throughout the study the focus is to bring into a productive dialogue the different dimensions of Rulfo's texts: the materiality of his hauntingly strange poetic prose, the disturbing instability of meaning and identity, the alienation caused by violence and injustice. Steven Boldy is Professor of Latin American Literature at the University of Cambridge.

Discover the Five Points - and the Secrets of Using Them Long out of print and widely sought after, The Five Points in Magic is Juan Tamarizs highly regarded study of the physical and psychological secrets that use the body to fool the mind. He shows in detail how each of these five possessions - THE EYESTHE VOICETHE HANDSTHE FEETTHE BODYcan be marshaled to create entertaining and seemingly impossible happenings. In The Five Points in Magic, Juan Tamariz teaches magicians that it is not the hands alone that deceive, but also the feet, the body, the eyes and the voice. It is only through a full understanding of all five of these tools of nature and communication that the conjurer can spin a complete web of illusion that traps and then transports his audiences into the astonishing realm he has prepared for them. These five tools are essential and invaluable to the stage conjurer and the close - up magician alike, and they are clearly analyzed and taught by Tamariz from his vantage point of years of successful professional performance in both venues. Tamariz enhances the clarity of his ideas and explanations with solid examples drawn from his own repertoire. As the reader learns seminal principles, he also learns these professional effects and techniques - The Appearing Card on HandkerchiefCrossing the GazDouble Crossing the GazeThe Ribbonspread ForceAls Topper (a book test)Protean PokerUpper Cut (a Tamarisian study of Larry Jenningss Coin Cut)There is no other book that so quickly, efficiently and entertainingly puts into the readers hands the tools required to raise his performances to a level of true professionalism and draw his audiences into the world of magic. The text and design of this new edition have been revised to provide added clarity for readers of this valuable modern classic of magic. Pages 94 - Hardcover

A classic of Cuban literature , this novel reflects the life and times of Cubans at the beginning of the Republic and makes a strong critique against the social injustices of the times. The narration reads with interest and enjoyment, while informing about the realities of Cuba s past. Contains a study and notes by Professor Carlos Ripoll. Spanish- Un clásico de la literatura cubana. Novela que refleja las formas de vida de los cubanos a principios de la República. Una novela que se lee con interés y disfrute, que informa y amplía el conocimiento sobre la realidad del pasado cubano.

In the tenth century AD, a remarkable cultural development took place in the harsh and forbidding San Juan Basin of northwestern New Mexico. From small-scale, simply organized, prehistoric Pueblo societies, a complex and socially differentiated political system emerged that has become known as the Chaco Phenomenon. This study combines information on political evolution with archaeological data to produce a sociopolitically based model of the rise, florescence, and decline of the Chaco Phenomenon.

In the tenth century AD, a remarkable cultural development took place in the harsh and forbidding San Juan Basin of northwestern New Mexico. From small-scale, simply organized, prehistoric Pueblo societies, a complex and socially differentiated political system emerged that has become known as the Chaco Phenomenon. This study combines information on political evolution with archaeological data to produce a sociopolitically based model of the rise, florescence, and decline of the Chaco Phenomenon.

In Racism and Cultural Studies E. San Juan Jr. offers a historical-materialist critique of practices in multiculturalism and cultural studies. Rejecting contemporary theories of inclusion as affirmations of the capitalist status quo, San Juan envisions a future of politically equal and economically empowered citizens through the democratization of power and the socialization of property. Calling U.S. nationalism the new “opium of the masses,” he argues that U.S. nationalism is where racist ideas and practices are formed, refined, and reproduced as common sense and consensus. Individual chapters engage the themes of ethnicity versus racism, gender inequality, sexuality, and the politics of identity configured with the discourse of postcoloniality and postmodernism. Questions of institutional racism, social justice, democratization, and international power relations between the center and the periphery are explored and analyzed. San Juan fashions a critique of dominant disciplinary approaches in the humanities and social sciences and contends that “the racism question” functions as a catalyst and point of departure for cultural critiques based on a radical democratic vision. He also asks urgent questions regarding globalization and the future of socialist transformation of “third world” peoples and others who face oppression. As one of the most notable cultural theorists in the United States today, San Juan presents a provocative challenge to the academy and other disciplinary institutions. His intervention will surely compel the attention of all engaged in intellectual exchanges where race/ethnicity serves as an urgent focus of concern.