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XIV, 311 S. Farbig illustrierter Originalkarton. Neuwertiges Exemplar.

Unread book in perfect condition.

Bearbeitet von Angelika Horstmann. XXII,731 Seiten, broschiert (Schriften der Universitätsbibliothek Kassel - Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel; Band 6/Harrassowitz Verlag 2005) unaufgeschnitten. Früher EUR 178,00. Gewicht: 2250 g - Softcover/Taschenbuch - Sprache: Deutsch

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 3.66

Ril. in cart., cm 29x23, pp 311, molt. tavv a colori e in b/n. - ISBN: 9783731907695

30 x 22 cm. 138 Seiten mit 7 Abbildungen, 112 Tafeln mit 333 Fotoabbildungen. *Due to the weight, shipping costs can be higher than indicated for international orders. We will inform you if necessary. ISBN 9783805310574 Sprache: Deutsch Gewicht in Gramm: 2000 Orig.-Leinenband mit Schutumschlag (wie neu).

The Musei Capitolini in Rome possess the largest collection of ancient portraits, with a number of famous works of the highest quality. Following the publication of the female portraits (vol. 3) and the male imperial portraits (vol. 1), this volume presents the Roman male private portraits at length in text and in 232 plates. As there are few general publications of Roman male private portraits, this volume will be an important resource for future research.

German language. 10.83x8.54x1.18 inches. In Stock.

Durer, Albrecht (1471-1528), German painter, printmaker, draughtsman and art theorist, is generally regarded as the greatest German Renaissance artist. His vast body of work includes alterpieces and religious works, numerous portraits and self-portraits, and copper engravings. His woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.  Born in Nurnberg as the third son of the Hungarian goldsmith,  Albrecht Durer began as an apprentice to his father in 1485, but his earliest known work, one of his many self portraits, was made in 1484. He died in Nürnberg in 1528.   Meder’s catalogue raisonne remains a standard work in the field.  It includes 294 entries, with descriptions in millimeters.  Inscriptions, states, and successive editions within individual states are described.  Paper, watermarks and print quality are also treated.  Riggs, The Print Council Index of Oeuvre-Catalogues, page 238.Cloth.  Oversized Octavo. xxiii, [1], 357 p. illus. (incl. coats of arms) LII plates. 29 cm. Originally published in Vienna: Gilhofer & Rauschburg, 1932

"Painting is the passage from the chaos of the emotions to the order of the possible." –BalthusOne of the last great 20th-century masters, Balthus pursued a path that ran exactly contrary to that of the modernist avant-gardes with which he was contemporary. At once quiet and intriguing, his paintings unite colliding contrasts, combining reality and dream, eroticism and innocence, practicality and mystery, the familiar and the uncanny in unique ways.This volume, published for a retrospective at the Fondation Beyeler, gathers around 50 key paintings from all phases of this legendary artist's career. It commences with the monumental masterpiece Passage du Commerce-Saint-André (1952–54), in which Balthus' intensive study of the dimensions of space and time and their relationship to figure and object is especially apparent.Balthasar Klossowski de Rola, known as Balthus (1908–2001), was born in Paris to Polish expatriate parents. He was raised in an exceptionally artistic milieu, with visitors to his household including Rilke (who became his mother's lover), André Gide, Jean Cocteau, Maurice Denis and Pierre Bonnard. Balthus was one of the few living artists to be represented in the Louvre, when his painting The Children (1937) was acquired from the private collection of Pablo Picasso.

817 S., mit 2421 Abb., OPbd., 4*. Leichte äussere Lagerspuren, Vorbesitzername, gut erhaltener Pappband. 32 Sprache: Deutsch Gewicht in Gramm: 1000

Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Durer, Albrecht (1471-1528), German painter, printmaker, draughtsman and art theorist, is generally regarded as the greatest German Renaissance artist. His vast body of work includes alterpieces and religious works, numerous portraits and self-portraits, and copper engravings. His woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.  Born in Nurnberg as the third son of the Hungarian goldsmith,  Albrecht Durer began as an apprentice to his father in 1485, but his earliest known work, one of his many self portraits, was made in 1484. He died in Nürnberg in 1528.   Meder’s catalogue raisonne remains a standard work in the field.  It includes 294 entries, with descriptions in millimeters.  Inscriptions, states, and successive editions within individual states are described.  Paper, watermarks and print quality are also treated.  Riggs, The Print Council Index of Oeuvre-Catalogues, page 238.Cloth.  Oversized Octavo. xxiii, [1], 357 p. illus. (incl. coats of arms) LII plates. 29 cm. Originally published in Vienna: Gilhofer & Rauschburg, 1932

Unread book in perfect condition.

420 Seiten, 740 s/w Abbildungen

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

604 S. : zahlr. Ill. . . gb . .Spätromantik und Realismus.BAND V. Sprache: Deutsch Gewicht in Gramm: 1863

Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 1.4

mit Lager- und Gebrauchsspuren, textsauber, Taschenbuch

Unread book in perfect condition.