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XX, 880 S. : graph. Darst. ; 20 cm + 1 CD-ROM Sprache: Deutsch Gewicht in Gramm: 914

Der Graf Von Luxemburg Lehar / Frankfurt / Baveyan - CD 4260034869684

Symphonic Works: Sym 2-5 / Von Der Groben Weisheit Raphael / Altstaedt / Bpo / Altstaedt - CD 761203756322

This month we are happy to present to you a great Passion oratorio that Johann Sebastian Bach in all likelihood pieced together for his last Passion service. He took a work by Carl Heinrich Graun, a composer whom he admired, and expanded it to produce a magnificent two-part Passion. To it he added compositions of his own authorship and others by his friend Georg Philipp Telemann. The result was a pasticcio, a new work consisting of various set pieces. This practice was very common during Bachs

Dals Lied Von Der Erde Sym No. 4 & No. 9 Fritz Reiner - CD 8051773571473

Starring Paul Groves, Thomas Hampson.

A Sloppy Piece of Work? This is how Franz Lehr described what was certainly his most successful work after The Merry Widow immediately after its composition. Today we know, however, that this was a gross misjudgment. Or if it was sloppy, then sloppy in a genial way. It bubbles over with catchy melodies, and dramaturgically it is in any case certainly the master's finest operetta: Der Graf von Luxemburg (The Count of Luxembourg). When the theater next-door to cpo in Osnabrck had the Graf on its

In 1929, Schreker was in the midst of a creative crisis: his publisher and the public had rejected his 2 most recent operas. The public demanded sensational successes like Krenek's Jonny spielt auf, and his publisher was pressuring him to produce a box-office hit. Instead of making concessions, Schreker decided to pursue a different path and set out on a quest to write music for an ideal, unspoiled public: The everyday man.

Das Lied Von Der Glocke Jac van Steen - CD 761203713028

Carl Maria von Weber's dark Romantic era tale of love, faith, and temptation is grippingly performed by the Dresden Staatskapelle led by conductor, Christian Thielemann in this live DVD performance from early 2015. With highly acclaimed staging by Axel Khler, the singers in leading roles add to the luster of the production with the tenor Michael Knig's performance of the anti-hero Max displaying a gloriously free upper register bringing heroic weight to his role and Sara Jakubiak sweet toned a

Carl Maria von Weber's dark Romantic era tale of love, faith, and temptation is grippingly performed by the Dresden Staatskapelle led by conductor, Christian Thielemann in this live DVD performance from early 2015. With highly acclaimed staging by Axel Khler, the singers in leading roles add to the luster of the production with the tenor Michael Knig's performance of the anti-hero Max displaying a gloriously free upper register bringing heroic weight to his role and Sara Jakubiak sweet toned a

The operas of Siegfried Wagner, first son of Richard Wagner and grandson of Liszt, are gaining recognition as important works in their own right, as this new recording of his thirteenth opera, Der Schmeid von Marienburg, shows.

Mahler: Das Lied Von Der Erde (IMPORT) Mahler / Bernstein, Leonard - CD 4988031185629

Der Barbier Von Bagdad Ferdinand Leitner - CD 881488803754

Das Lied Von Der Erde Michael Tilson Thomas - CD 821936001929

Neuware - Nach dem Ende des Ersten Weltkrieges wurde in Österreich eine Kommission geschaffen, die über 'militärische Pflichtverletzungen' in der ehemaligen k. u. k. Armee zu befinden hatte. Heute würde man manche davon als Kriegsverbrechen bezeichnen.Im Mittelpunkt dieses Buches steht das Verfahren gegen den späteren Nobelpreisträger Julius Wagner-Jauregg. Der berühmte Arzt hatte sich wegen brutaler Übergriffe an seiner Klinik bei der Faradisierung, der elektrotherapeutischen Behandlung von sogenannten Kriegsneurotikern zu verantworten. Sigmund Freud verfaßsste ein Gutachten über die Elektrotherapie und sagte als Sachverständiger vor der Kommission aus. Dabei kam es zu einer grundsätzlichen Auseinandersetzung zwischen traditioneller Psychiatrie und Psychoanalyse, die hier ausführlich dargestellt und kommentiert wird. Eine Therapie, die den Patienten normalisieren und eine, die ihn verstehen will, standen einander gegenüber. Im Grunde aber mehr: zwei Auffassungen vom Menschen.Der Autor hat nicht nur einen medizinhistorischen Streitfall aufgerollt, sondern auch das Verhältnis Neurose - Simulation und die Problematik der Militärpsychiatrie analysiert.

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Karl Barth (1886-1968) studierte Theologie in Bern, Berlin, Tubingen, Marburg und war von 1909 bis 1921 Pfarrer in Genf und Safenwil. Mit seiner Auslegung des Romerbriefes (1919, 1922) begann eine neue Epoche der evangelischen Theologie. Dieses radikale Buch trug ihm einen Ruf als Honorarprofessor nach Gottingen ein, spater wurde er Ordinarius in Munster und Bonn. Er war Mitherausgeber von Zwischen den Zeiten (1923-1933), der Zeitschrift der Dialektischen Theologie. Karl Barth war der Autor der Barmer Theologischen Erklarung und Kopf des Widerstands gegen die Gleichschaltung der Kirchen durch den Nationalsozialismus. 1935 wurde Barth von der Bonner Universitat wegen Verweigerung des bedingungslosen Fuhrereids entlassen. Er bekam sofort eine Professur in Basel, blieb aber mit der Bekennenden Kirche in enger Verbindung. Sein Hauptwerk, Die Kirchliche Dogmatik, ist die bedeutendste systematisch-theologische Leistung des 20. Jahrhunderts.

»Blüthenstaub«, the title of the famous collection of fragments by Novalis, stands here for the entire oeuvre of the Romantic German poet Friedrich von Hardenberg (1772-1801). The volume documents the second congress of the International Novalis Society, which was devoted to the reception and impact of Novalis' work not only on literary posterity but also on the other arts. The main focus is on the reception accorded to Novalis in German Romanticism, in other countries (Britain, USA, Italy, Poland, Russia), and in modern literature, supplemented by studies of musical settings of his work and his reception in Catholicism, anthroposophic thinking, etc. The 200-year history of his impact, traced here in its full implications for the first time, shows that to an impressive and hitherto unknown extent, Novalis' works have been the object of a wide range of productive acquisition and critical engagement both within German-speaking countries and abroad. The literary seeds have fallen on fertile ground indeed.