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OTHERWORLDY: Optical Delusions and Small Realities illuminates the phenomenal renaissance of interest among artists worldwide in constructing small-scale, hand-built depictions of artificial environments and alternative realities, either as sculpture or as subjects for photography and video.The book features contemporary work by approximately 35 preeminent visual artists who have generated renewed interest in this art form: a diverse group of international practitioners, ranging from sculptors and painters to photographers and videographers. This fully illustrated catalogue will also feature artist biographies and artist statements, and include a curatorial essay by exhibition curator David Revere McFadden that traces the history of dioramas and visual illusions in the history of the visual arts to Louis Daguerre’s innovative dioramas of the early 1800s and provides an interpretive overview of work by all of the featured artists.

Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this “haunted” house was recently the stage for a two-act, murder-suicide tragedy. Ghost or no ghost, Violet knows this can’t be as bad as the last house of horrors she tried to sell, but sexy Doc Nyce has serious doubts. Her only hope of hanging on to her job is to prove that the so-called, ghostly sightings are merely the eccentric owner’s optical delusions. But someone—or something—in the house wants Violet stopped...dead.

The student edition of Modern Optical Spectroscopy includes a new set of exercises for each chapter. The exercises and problems generally emphasize basic points, and often include simpli?ed absorption or emission spectra or molecular orbitals that can be evaluated easily with the aid of a calculator or spreadsheet. Students who are adept at computer programming will ?nd it instructive to try to write algorithms that also could be applied to larger, more complicated sets of data. Spectraintroducedinsomeofthe problems forChaps.4and5areusedagain in later chapters to illustrate how quantities calculated from the spectra can be applied to topics such as resonance energy transfer and exciton interactions. Seattle, November, 2008 William W. Parson Preface This book began as lecture notes for a course on optical spectroscopy that I taught for graduate students in biochemistry, chemistry, and our interdisciplinary programs in molecular biophysics and biomolecular structure and design. I started expanding the notes partly to try to illuminate the stream of new experimental information on photosynthetic antennas and reaction centers, but mostly just for fun. I hope that readers will ?nd the results not only useful, but also as stimulating as I have.

The student edition of Modern Optical Spectroscopy includes a new set of exercises for each chapter. The exercises and problems generally emphasize basic points, and often include simpli?ed absorption or emission spectra or molecular orbitals that can be evaluated easily with the aid of a calculator or spreadsheet. Students who are adept at computer programming will ?nd it instructive to try to write algorithms that also could be applied to larger, more complicated sets of data. Spectraintroducedinsomeofthe problems forChaps.4and5areusedagain in later chapters to illustrate how quantities calculated from the spectra can be applied to topics such as resonance energy transfer and exciton interactions. Seattle, November, 2008 William W. Parson Preface This book began as lecture notes for a course on optical spectroscopy that I taught for graduate students in biochemistry, chemistry, and our interdisciplinary programs in molecular biophysics and biomolecular structure and design. I started expanding the notes partly to try to illuminate the stream of new experimental information on photosynthetic antennas and reaction centers, but mostly just for fun. I hope that readers will ?nd the results not only useful, but also as stimulating as I have.

Albert Einstein once said, "A human being is part of a whole, called by us the 'Universe,' a part limited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest-a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty." Taking as its point of departure the paradoxical nature of the self, this volume features substantial essays on and supporting images by such provocative international artists as Janet Cardiff, Maurizio Cattelan, Emanuel Danesch and David Rych, Mario Garcia Torres, Amos Gitai, Jenny Holzer, Dennis Hopper, Jonathan Horowitz, Sanja Ivekovic, Amar Kanwar, David Lamelas, Jan Mancuska, Paul McCarthy, Boris Ondreicka, Sergio Prego, Pipilotti Rist, Hans Schabus, Cindy Sherman, Roman Signer, Monika Sosnowska, Salla Tykka and Slaven Tolj.